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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6416AB it is the complementary color #9BE954. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6416AB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6416AB shade: #6916A6, #7A28B9, #8B3ACC, #9C4CDF and #AD5EF2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6416AB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6416AB shade: #6416AB, #530498, #420085, #310072 and #20005F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6416AB shade: #6416AC, #8D16AC, #AC16A2, #AC167A and #AC1652

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6416AB shade: #6416AC, #3C16AC and #1616AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6416AB shade matches the following richer shades: #6416AC and #6507BB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6416AB shade: #6416AC, #64269C, #63368C, #62457C and #61556D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6416AB shade: #1619AC, #3C16AC, #6316AC, #8B16AC and #AC16A4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6416AB shade: #3A0D62, #4F1287, #6416AC, #7A1BD0 and #8E30E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6416AB shade: #6416AB, #AC1641 and #16AC28

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6416AB shade: #6416AB, #AC6316 and #16AC63

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6416AB shade: #6416AB, #AC1641, #5EAC16 and #16AC81

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6416AB shade: #6416AB, #AC1916, #5EAC16 and #16A9AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 87 / 0 / 33

HEX #6416AB

RGB 100 22 171

HSL 271.41, 0.77%, 0.38%

LAB 29.97, 58.76, -62.84

 

Complementary color

CMYK 33 / 0 / 64 / 9

HEX #9BE954

RGB 155 233 84

HSL 91.41, 0.77%, 0.62%

LAB 84.94, -47.54, 62.72

 

CMYK 37 / 87 / 0 / 35

HEX #6916A6

RGB 105 22 166

HSL 274.58, 0.77%, 0.37%

LAB 30.23, 58.32, -59.37

 

CMYK 34 / 78 / 0 / 27

HEX #7A28B9

RGB 122 40 185

HSL 273.93, 0.64%, 0.44%

LAB 36.29, 59.3, -60.72

 

CMYK 32 / 72 / 0 / 20

HEX #8B3ACC

RGB 139 58 204

HSL 273.29, 0.59%, 0.51%

LAB 42.57, 59.37, -61.51

 

CMYK 30 / 66 / 0 / 13

HEX #9C4CDF

RGB 156 76 223

HSL 272.65, 0.7%, 0.59%

LAB 48.96, 58.95, -61.95

 

CMYK 29 / 61 / 0 / 5

HEX #AD5EF2

RGB 173 94 242

HSL 272.03, 0.85%, 0.66%

LAB 55.38, 58.27, -62.19

 

CMYK 42 / 87 / 0 / 33

HEX #6416AB

RGB 100 22 171

HSL 271.41, 0.77%, 0.38%

LAB 29.97, 58.76, -62.84

 

CMYK 45 / 97 / 0 / 40

HEX #530498

RGB 83 4 152

HSL 272.03, 0.95%, 0.31%

LAB 24.3, 56.52, -60.7

 

CMYK 50 / 100 / 0 / 48

HEX #420085

RGB 66 0 133

HSL 269.77, 1%, 0.26%

LAB 19.44, 51.51, -56.96

 

CMYK 57 / 100 / 0 / 55

HEX #310072

RGB 49 0 114

HSL 265.79, 1%, 0.22%

LAB 14.78, 45.55, -52.59

 

CMYK 66 / 100 / 0 / 63

HEX #20005F

RGB 32 0 95

HSL 260.21, 1%, 0.19%

LAB 10.06, 39.52, -47.96

 

CMYK 42 / 87 / 0 / 33

HEX #6416AC

RGB 100 22 172

HSL 271.2, 0.77%, 0.38%

LAB 30.06, 58.99, -63.29

 

CMYK 18 / 87 / 0 / 33

HEX #8D16AC

RGB 141 22 172

HSL 287.6, 0.77%, 0.38%

LAB 36.4, 65.06, -52.69

 

CMYK 0 / 87 / 6 / 33

HEX #AC16A2

RGB 172 22 162

HSL 304, 0.77%, 0.38%

LAB 41.14, 68.95, -38.79

 

CMYK 0 / 87 / 29 / 33

HEX #AC167A

RGB 172 22 122

HSL 320, 0.77%, 0.38%

LAB 39.16, 63.63, -17.43

 

CMYK 0 / 87 / 52 / 33

HEX #AC1652

RGB 172 22 82

HSL 336, 0.77%, 0.38%

LAB 37.76, 59.72, 5.85

 

CMYK 42 / 87 / 0 / 33

HEX #6416AC

RGB 100 22 172

HSL 271.2, 0.77%, 0.38%

LAB 30.06, 58.99, -63.29

 

CMYK 65 / 87 / 0 / 33

HEX #3C16AC

RGB 60 22 172

HSL 255.2, 0.77%, 0.38%

LAB 25.3, 54.81, -71.31

 

CMYK 87 / 87 / 0 / 33

HEX #1616AC

RGB 22 22 172

HSL 240, 0.77%, 0.38%

LAB 22.73, 52.75, -75.65

 

CMYK 42 / 87 / 0 / 33

HEX #6416AC

RGB 100 22 172

HSL 271.2, 0.77%, 0.38%

LAB 30.06, 58.99, -63.29

 

CMYK 46 / 96 / 0 / 27

HEX #6507BB

RGB 101 7 187

HSL 271.33, 0.93%, 0.38%

LAB 30.66, 65.52, -71.25

 

CMYK 42 / 87 / 0 / 33

HEX #6416AC

RGB 100 22 172

HSL 271.2, 0.77%, 0.38%

LAB 30.06, 58.99, -63.29

 

CMYK 36 / 76 / 0 / 39

HEX #64269C

RGB 100 38 156

HSL 271.53, 0.61%, 0.38%

LAB 30.63, 49.49, -52.68

 

CMYK 29 / 61 / 0 / 45

HEX #63368C

RGB 99 54 140

HSL 271.4, 0.44%, 0.38%

LAB 32.22, 37.26, -40.31

 

CMYK 21 / 44 / 0 / 51

HEX #62457C

RGB 98 69 124

HSL 271.64, 0.28%, 0.38%

LAB 34.62, 24.03, -26.61

 

CMYK 11 / 22 / 0 / 57

HEX #61556D

RGB 97 85 109

HSL 270, 0.12%, 0.38%

LAB 38.1, 10.03, -11.94

 

CMYK 87 / 85 / 0 / 33

HEX #1619AC

RGB 22 25 172

HSL 238.8, 0.77%, 0.38%

LAB 23.15, 51.51, -74.95

 

CMYK 65 / 87 / 0 / 33

HEX #3C16AC

RGB 60 22 172

HSL 255.2, 0.77%, 0.38%

LAB 25.3, 54.81, -71.31

 

CMYK 42 / 87 / 0 / 33

HEX #6316AC

RGB 99 22 172

HSL 270.8, 0.77%, 0.38%

LAB 29.92, 58.86, -63.52

 

CMYK 19 / 87 / 0 / 33

HEX #8B16AC

RGB 139 22 172

HSL 286.8, 0.77%, 0.38%

LAB 36.06, 64.73, -53.24

 

CMYK 0 / 87 / 5 / 33

HEX #AC16A4

RGB 172 22 164

HSL 303.2, 0.77%, 0.38%

LAB 41.26, 69.24, -39.81

 

CMYK 41 / 87 / 0 / 62

HEX #3A0D62

RGB 58 13 98

HSL 271.76, 0.77%, 0.22%

LAB 15.85, 37.99, -40.28

 

CMYK 41 / 87 / 0 / 47

HEX #4F1287

RGB 79 18 135

HSL 271.28, 0.76%, 0.3%

LAB 23.15, 48.66, -52.05

 

CMYK 42 / 87 / 0 / 33

HEX #6416AC

RGB 100 22 172

HSL 271.2, 0.77%, 0.38%

LAB 30.06, 58.99, -63.29

 

CMYK 41 / 87 / 0 / 18

HEX #7A1BD0

RGB 122 27 208

HSL 271.49, 0.77%, 0.46%

LAB 36.88, 68.47, -73.21

 

CMYK 38 / 79 / 0 / 11

HEX #8E30E4

RGB 142 48 228

HSL 271.33, 0.77%, 0.54%

LAB 43.46, 69.19, -73.82

 

CMYK 42 / 87 / 0 / 33

HEX #6416AB

RGB 100 22 171

HSL 271.41, 0.77%, 0.38%

LAB 29.97, 58.76, -62.84

 

CMYK 0 / 87 / 62 / 33

HEX #AC1641

RGB 172 22 65

HSL 342.8, 0.77%, 0.38%

LAB 37.35, 58.54, 16.22

 

CMYK 87 / 0 / 77 / 33

HEX #16AC28

RGB 22 172 40

HSL 127.2, 0.77%, 0.38%

LAB 61.51, -61.11, 53.7

 

CMYK 42 / 87 / 0 / 33

HEX #6416AB

RGB 100 22 171

HSL 271.41, 0.77%, 0.38%

LAB 29.97, 58.76, -62.84

 

CMYK 0 / 42 / 87 / 33

HEX #AC6316

RGB 172 99 22

HSL 30.8, 0.77%, 0.38%

LAB 49.19, 24.21, 51.69

 

CMYK 87 / 0 / 42 / 33

HEX #16AC63

RGB 22 172 99

HSL 150.8, 0.77%, 0.38%

LAB 62.15, -53.29, 27.48

 

CMYK 42 / 87 / 0 / 33

HEX #6416AB

RGB 100 22 171

HSL 271.41, 0.77%, 0.38%

LAB 29.97, 58.76, -62.84

 

CMYK 0 / 87 / 62 / 33

HEX #AC1641

RGB 172 22 65

HSL 342.8, 0.77%, 0.38%

LAB 37.35, 58.54, 16.22

 

CMYK 45 / 0 / 87 / 33

HEX #5EAC16

RGB 94 172 22

HSL 91.2, 0.77%, 0.38%

LAB 63.3, -46.83, 61.05

 

CMYK 87 / 0 / 25 / 33

HEX #16AC81

RGB 22 172 129

HSL 162.8, 0.77%, 0.38%

LAB 62.73, -46.75, 11.98

 

CMYK 42 / 87 / 0 / 33

HEX #6416AB

RGB 100 22 171

HSL 271.41, 0.77%, 0.38%

LAB 29.97, 58.76, -62.84

 

CMYK 0 / 85 / 87 / 33

HEX #AC1916

RGB 172 25 22

HSL 1.2, 0.77%, 0.38%

LAB 36.97, 56.14, 41.6

 

CMYK 45 / 0 / 87 / 33

HEX #5EAC16

RGB 94 172 22

HSL 91.2, 0.77%, 0.38%

LAB 63.3, -46.83, 61.05

 

CMYK 87 / 2 / 0 / 33

HEX #16A9AC

RGB 22 169 172

HSL 181.2, 0.77%, 0.38%

LAB 62.95, -33.46, -11.7

 

Description

Color code: HEX #6416AB | qconv.com Color code: HEX #6416AB | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 22 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 22 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 87 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 87% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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