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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6414BC it is the complementary color #9BEB43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6414BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6414BC shade: #6914B7, #7A26CA, #8B38DD, #9C4AF0 and #AD5CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6414BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6414BC shade: #6414BC, #5302A9, #420096, #310083 and #200070

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6414BC shade: #6514BD, #9214BD, #BD14BB, #BD148D and #BD145F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6414BC shade: #6514BD, #3714BD and #1414BD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6414BC shade matches the following richer shades: #6514BD and #6403CE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6414BC shade: #6514BD, #6525AC, #66369B, #67478A and #68587A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6414BC shade: #141FBD, #3614BD, #6314BD, #9014BD and #BD14BD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6414BC shade: #3D0C73, #511098, #6514BD, #7818E3 and #8E39EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6414BC shade: #6414BC, #BD144C and #14BD1F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6414BC shade: #6414BC, #BD6314 and #14BD63

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6414BC shade: #6414BC, #BD144C, #6EBD14 and #14BD85

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6414BC shade: #6414BC, #BD141A, #6EBD14 and #14BDB8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 89 / 0 / 26

HEX #6414BC

RGB 100 20 188

HSL 268.57, 0.81%, 0.41%

LAB 31.44, 63.19, -70.56

 

Complementary color

CMYK 34 / 0 / 71 / 8

HEX #9BEB43

RGB 155 235 67

HSL 88.57, 0.81%, 0.59%

LAB 85.4, -49.57, 69.57

 

CMYK 43 / 89 / 0 / 28

HEX #6914B7

RGB 105 20 183

HSL 271.29, 0.8%, 0.4%

LAB 31.63, 62.62, -67.26

 

CMYK 40 / 81 / 0 / 21

HEX #7A26CA

RGB 122 38 202

HSL 270.73, 0.68%, 0.47%

LAB 37.46, 63.86, -68.78

 

CMYK 37 / 75 / 0 / 13

HEX #8B38DD

RGB 139 56 221

HSL 270.18, 0.71%, 0.54%

LAB 43.56, 64.1, -69.67

 

CMYK 35 / 69 / 0 / 6

HEX #9C4AF0

RGB 156 74 240

HSL 269.64, 0.85%, 0.62%

LAB 49.81, 63.78, -70.18

 

CMYK 32 / 64 / 0 / 0

HEX #AD5CFF

RGB 173 92 255

HSL 269.82, 1%, 0.68%

LAB 55.85, 62.22, -68.66

 

CMYK 47 / 89 / 0 / 26

HEX #6414BC

RGB 100 20 188

HSL 268.57, 0.81%, 0.41%

LAB 31.44, 63.19, -70.56

 

CMYK 51 / 99 / 0 / 34

HEX #5302A9

RGB 83 2 169

HSL 269.1, 0.98%, 0.34%

LAB 26, 60.76, -68.25

 

CMYK 56 / 100 / 0 / 41

HEX #420096

RGB 66 0 150

HSL 266.4, 1%, 0.29%

LAB 21.43, 55.49, -64.28

 

CMYK 63 / 100 / 0 / 49

HEX #310083

RGB 49 0 131

HSL 262.44, 1%, 0.26%

LAB 16.95, 49.76, -59.89

 

CMYK 71 / 100 / 0 / 56

HEX #200070

RGB 32 0 112

HSL 257.14, 1%, 0.22%

LAB 12.46, 43.99, -55.2

 

CMYK 47 / 89 / 0 / 26

HEX #6514BD

RGB 101 20 189

HSL 268.76, 0.81%, 0.41%

LAB 31.67, 63.52, -70.76

 

CMYK 23 / 89 / 0 / 26

HEX #9214BD

RGB 146 20 189

HSL 284.73, 0.81%, 0.41%

LAB 38.35, 69.39, -59.57

 

CMYK 0 / 89 / 1 / 26

HEX #BD14BB

RGB 189 20 187

HSL 300.71, 0.81%, 0.41%

LAB 45.51, 76.1, -46.48

 

CMYK 0 / 89 / 25 / 26

HEX #BD148D

RGB 189 20 141

HSL 317.04, 0.81%, 0.41%

LAB 43.13, 69.91, -22.74

 

CMYK 0 / 89 / 50 / 26

HEX #BD145F

RGB 189 20 95

HSL 333.37, 0.81%, 0.41%

LAB 41.45, 65.32, 3.31

 

CMYK 47 / 89 / 0 / 26

HEX #6514BD

RGB 101 20 189

HSL 268.76, 0.81%, 0.41%

LAB 31.67, 63.52, -70.76

 

CMYK 71 / 89 / 0 / 26

HEX #3714BD

RGB 55 20 189

HSL 252.43, 0.81%, 0.41%

LAB 26.7, 59.71, -79.15

 

CMYK 89 / 89 / 0 / 26

HEX #1414BD

RGB 20 20 189

HSL 240, 0.81%, 0.41%

LAB 24.71, 58.37, -82.51

 

CMYK 47 / 89 / 0 / 26

HEX #6514BD

RGB 101 20 189

HSL 268.76, 0.81%, 0.41%

LAB 31.67, 63.52, -70.76

 

CMYK 51 / 99 / 0 / 19

HEX #6403CE

RGB 100 3 206

HSL 268.67, 0.97%, 0.41%

LAB 32.33, 70.22, -79.66

 

CMYK 47 / 89 / 0 / 26

HEX #6514BD

RGB 101 20 189

HSL 268.76, 0.81%, 0.41%

LAB 31.67, 63.52, -70.76

 

CMYK 41 / 78 / 0 / 33

HEX #6525AC

RGB 101 37 172

HSL 268.44, 0.65%, 0.41%

LAB 31.96, 53.98, -60.17

 

CMYK 34 / 65 / 0 / 39

HEX #66369B

RGB 102 54 155

HSL 268.51, 0.48%, 0.41%

LAB 33.63, 41.82, -47.2

 

CMYK 25 / 49 / 0 / 46

HEX #67478A

RGB 103 71 138

HSL 268.66, 0.32%, 0.41%

LAB 36.41, 27.9, -32.38

 

CMYK 15 / 28 / 0 / 52

HEX #68587A

RGB 104 88 122

HSL 268.24, 0.16%, 0.41%

LAB 40.13, 13.77, -16.78

 

CMYK 89 / 84 / 0 / 26

HEX #141FBD

RGB 20 31 189

HSL 236.09, 0.81%, 0.41%

LAB 26.17, 54.01, -80.09

 

CMYK 71 / 89 / 0 / 26

HEX #3614BD

RGB 54 20 189

HSL 252.07, 0.81%, 0.41%

LAB 26.62, 59.65, -79.29

 

CMYK 48 / 89 / 0 / 26

HEX #6314BD

RGB 99 20 189

HSL 268.05, 0.81%, 0.41%

LAB 31.41, 63.31, -71.2

 

CMYK 24 / 89 / 0 / 26

HEX #9014BD

RGB 144 20 189

HSL 284.02, 0.81%, 0.41%

LAB 38.03, 69.09, -60.1

 

CMYK 0 / 89 / 0 / 26

HEX #BD14BD

RGB 189 20 189

HSL 300, 0.81%, 0.41%

LAB 45.62, 76.4, -47.47

 

CMYK 47 / 90 / 0 / 55

HEX #3D0C73

RGB 61 12 115

HSL 268.54, 0.81%, 0.25%

LAB 17.89, 43.15, -48.05

 

CMYK 47 / 89 / 0 / 40

HEX #511098

RGB 81 16 152

HSL 268.68, 0.81%, 0.33%

LAB 24.91, 53.61, -59.7

 

CMYK 47 / 89 / 0 / 26

HEX #6514BD

RGB 101 20 189

HSL 268.76, 0.81%, 0.41%

LAB 31.67, 63.52, -70.76

 

CMYK 47 / 89 / 0 / 11

HEX #7818E3

RGB 120 24 227

HSL 268.37, 0.81%, 0.49%

LAB 38.19, 73.15, -82.01

 

CMYK 39 / 76 / 0 / 8

HEX #8E39EA

RGB 142 57 234

HSL 268.81, 0.81%, 0.57%

LAB 45.11, 67.19, -74.52

 

CMYK 47 / 89 / 0 / 26

HEX #6414BC

RGB 100 20 188

HSL 268.57, 0.81%, 0.41%

LAB 31.44, 63.19, -70.56

 

CMYK 0 / 89 / 60 / 26

HEX #BD144C

RGB 189 20 76

HSL 340.12, 0.81%, 0.41%

LAB 40.96, 63.96, 14.67

 

CMYK 89 / 0 / 84 / 26

HEX #14BD1F

RGB 20 189 31

HSL 123.91, 0.81%, 0.41%

LAB 67.01, -66.81, 61.57

 

CMYK 47 / 89 / 0 / 26

HEX #6414BC

RGB 100 20 188

HSL 268.57, 0.81%, 0.41%

LAB 31.44, 63.19, -70.56

 

CMYK 0 / 48 / 89 / 26

HEX #BD6314

RGB 189 99 20

HSL 28.05, 0.81%, 0.41%

LAB 51.6, 31.4, 55.26

 

CMYK 89 / 0 / 48 / 26

HEX #14BD63

RGB 20 189 99

HSL 148.05, 0.81%, 0.41%

LAB 67.61, -59.38, 34.51

 

CMYK 47 / 89 / 0 / 26

HEX #6414BC

RGB 100 20 188

HSL 268.57, 0.81%, 0.41%

LAB 31.44, 63.19, -70.56

 

CMYK 0 / 89 / 60 / 26

HEX #BD144C

RGB 189 20 76

HSL 340.12, 0.81%, 0.41%

LAB 40.96, 63.96, 14.67

 

CMYK 42 / 0 / 89 / 26

HEX #6EBD14

RGB 110 189 20

HSL 88.05, 0.81%, 0.41%

LAB 69.3, -48.36, 66.83

 

CMYK 89 / 0 / 30 / 26

HEX #14BD85

RGB 20 189 133

HSL 160.12, 0.81%, 0.41%

LAB 68.2, -52.6, 17.42

 

CMYK 47 / 89 / 0 / 26

HEX #6414BC

RGB 100 20 188

HSL 268.57, 0.81%, 0.41%

LAB 31.44, 63.19, -70.56

 

CMYK 0 / 89 / 86 / 26

HEX #BD141A

RGB 189 20 26

HSL 357.87, 0.81%, 0.41%

LAB 40.24, 61.89, 43.77

 

CMYK 42 / 0 / 89 / 26

HEX #6EBD14

RGB 110 189 20

HSL 88.05, 0.81%, 0.41%

LAB 69.3, -48.36, 66.83

 

CMYK 89 / 0 / 3 / 26

HEX #14BDB8

RGB 20 189 184

HSL 178.22, 0.81%, 0.41%

LAB 69.47, -39.18, -8.6

 

Description

Color code: HEX #6414BC | qconv.com Color code: HEX #6414BC | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 20 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 20 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 89 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 89% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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