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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6402AC it is the complementary color #9BFD53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6402AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6402AC shade: #6902A7, #7A14BA, #8B26CD, #9C38E0 and #AD4AF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6402AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6402AC shade: #6402AC, #530099, #420086, #310073 and #200060

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6402AC shade: #6402AC, #9202AC, #AC0298, #AC026A and #AC023C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6402AC shade: #6402AC, #3602AC, #0802AC and #0202AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6402AC shade matches the following richer shades: #6402AC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6402AC shade: #6402AC, #62109E, #5F1E90, #5D2C82 and #5B3A74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6402AC shade: #0702AC, #3502AC, #6202AC, #8F02AC and #AC029B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6402AC shade: #34015A, #4C0183, #6402AC, #7B02D5 and #9303FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6402AC shade: #6402AC, #AC0229 and #02AC1E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6402AC shade: #6402AC, #AC6202 and #02AC62

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6402AC shade: #6402AC, #AC0229, #4BAC02 and #02AC84

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6402AC shade: #6402AC, #AC0D02, #4BAC02 and #02A0AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 99 / 0 / 33

HEX #6402AC

RGB 100 2 172

HSL 274.59, 0.98%, 0.34%

LAB 28.72, 63, -65.49

 

Complementary color

CMYK 39 / 0 / 67 / 1

HEX #9BFD53

RGB 155 253 83

HSL 94.59, 0.98%, 0.66%

LAB 90.71, -55.77, 69.23

 

CMYK 37 / 99 / 0 / 35

HEX #6902A7

RGB 105 2 167

HSL 277.45, 0.98%, 0.33%

LAB 29, 62.49, -62

 

CMYK 34 / 89 / 0 / 27

HEX #7A14BA

RGB 122 20 186

HSL 276.87, 0.81%, 0.4%

LAB 34.36, 65.4, -64.46

 

CMYK 32 / 81 / 0 / 20

HEX #8B26CD

RGB 139 38 205

HSL 276.29, 0.69%, 0.48%

LAB 40.05, 67.05, -66.19

 

CMYK 30 / 75 / 0 / 12

HEX #9C38E0

RGB 156 56 224

HSL 275.71, 0.73%, 0.55%

LAB 46.01, 67.67, -67.29

 

CMYK 29 / 70 / 0 / 5

HEX #AD4AF3

RGB 173 74 243

HSL 275.15, 0.88%, 0.62%

LAB 52.12, 67.67, -68

 

CMYK 42 / 99 / 0 / 33

HEX #6402AC

RGB 100 2 172

HSL 274.59, 0.98%, 0.34%

LAB 28.72, 63, -65.49

 

CMYK 46 / 100 / 0 / 40

HEX #530099

RGB 83 0 153

HSL 272.55, 1%, 0.3%

LAB 24.13, 57.59, -61.6

 

CMYK 51 / 100 / 0 / 47

HEX #420086

RGB 66 0 134

HSL 269.55, 1%, 0.26%

LAB 19.55, 51.74, -57.4

 

CMYK 57 / 100 / 0 / 55

HEX #310073

RGB 49 0 115

HSL 265.57, 1%, 0.23%

LAB 14.9, 45.8, -53.03

 

CMYK 67 / 100 / 0 / 62

HEX #200060

RGB 32 0 96

HSL 260, 1%, 0.19%

LAB 10.2, 39.78, -48.39

 

CMYK 42 / 99 / 0 / 33

HEX #6402AC

RGB 100 2 172

HSL 274.59, 0.98%, 0.34%

LAB 28.72, 63, -65.49

 

CMYK 15 / 99 / 0 / 33

HEX #9202AC

RGB 146 2 172

HSL 290.82, 0.98%, 0.34%

LAB 36.24, 68.83, -52.9

 

CMYK 0 / 99 / 12 / 33

HEX #AC0298

RGB 172 2 152

HSL 307.06, 0.98%, 0.34%

LAB 39.72, 70.07, -35.01

 

CMYK 0 / 99 / 38 / 33

HEX #AC026A

RGB 172 2 106

HSL 323.29, 0.98%, 0.34%

LAB 37.58, 64.63, -9.76

 

CMYK 0 / 99 / 65 / 33

HEX #AC023C

RGB 172 2 60

HSL 339.53, 0.98%, 0.34%

LAB 36.25, 61.11, 18

 

CMYK 42 / 99 / 0 / 33

HEX #6402AC

RGB 100 2 172

HSL 274.59, 0.98%, 0.34%

LAB 28.72, 63, -65.49

 

CMYK 69 / 99 / 0 / 33

HEX #3602AC

RGB 54 2 172

HSL 258.35, 0.98%, 0.34%

LAB 23.02, 59.62, -75.11

 

CMYK 95 / 99 / 0 / 33

HEX #0802AC

RGB 8 2 172

HSL 242.12, 0.98%, 0.34%

LAB 20.34, 58.49, -79.66

 

CMYK 99 / 99 / 0 / 33

HEX #0202AC

RGB 2 2 172

HSL 240, 0.98%, 0.34%

LAB 20.18, 58.43, -79.92

 

CMYK 42 / 99 / 0 / 33

HEX #6402AC

RGB 100 2 172

HSL 274.59, 0.98%, 0.34%

LAB 28.72, 63, -65.49

 

CMYK 42 / 99 / 0 / 33

HEX #6402AC

RGB 100 2 172

HSL 274.59, 0.98%, 0.34%

LAB 28.72, 63, -65.49

 

CMYK 38 / 90 / 0 / 38

HEX #62109E

RGB 98 16 158

HSL 274.65, 0.82%, 0.34%

LAB 27.94, 57.13, -58.3

 

CMYK 34 / 79 / 0 / 44

HEX #5F1E90

RGB 95 30 144

HSL 274.21, 0.66%, 0.34%

LAB 27.78, 49.05, -49.99

 

CMYK 28 / 66 / 0 / 49

HEX #5D2C82

RGB 93 44 130

HSL 274.19, 0.49%, 0.34%

LAB 28.75, 38.71, -39.73

 

CMYK 22 / 50 / 0 / 55

HEX #5B3A74

RGB 91 58 116

HSL 274.14, 0.33%, 0.34%

LAB 30.67, 26.57, -27.88

 

CMYK 96 / 99 / 0 / 33

HEX #0702AC

RGB 7 2 172

HSL 241.76, 0.98%, 0.34%

LAB 20.31, 58.48, -79.7

 

CMYK 69 / 99 / 0 / 33

HEX #3502AC

RGB 53 2 172

HSL 258, 0.98%, 0.34%

LAB 22.93, 59.57, -75.27

 

CMYK 43 / 99 / 0 / 33

HEX #6202AC

RGB 98 2 172

HSL 273.88, 0.98%, 0.34%

LAB 28.43, 62.8, -65.98

 

CMYK 17 / 99 / 0 / 33

HEX #8F02AC

RGB 143 2 172

HSL 289.76, 0.98%, 0.34%

LAB 35.72, 68.39, -53.77

 

CMYK 0 / 99 / 10 / 33

HEX #AC029B

RGB 172 2 155

HSL 306, 0.98%, 0.34%

LAB 39.88, 70.48, -36.56

 

CMYK 42 / 99 / 0 / 65

HEX #34015A

RGB 52 1 90

HSL 274.38, 0.98%, 0.18%

LAB 12.54, 39.63, -40.38

 

CMYK 42 / 99 / 0 / 49

HEX #4C0183

RGB 76 1 131

HSL 274.62, 0.98%, 0.26%

LAB 20.82, 51.77, -53.38

 

CMYK 42 / 99 / 0 / 33

HEX #6402AC

RGB 100 2 172

HSL 274.59, 0.98%, 0.34%

LAB 28.72, 63, -65.49

 

CMYK 42 / 99 / 0 / 16

HEX #7B02D5

RGB 123 2 213

HSL 274.41, 0.98%, 0.42%

LAB 36.1, 73.83, -77.39

 

CMYK 42 / 99 / 0 / 1

HEX #9303FC

RGB 147 3 252

HSL 274.7, 0.98%, 0.5%

LAB 43.21, 83.85, -87.75

 

CMYK 42 / 99 / 0 / 33

HEX #6402AC

RGB 100 2 172

HSL 274.59, 0.98%, 0.34%

LAB 28.72, 63, -65.49

 

CMYK 0 / 99 / 76 / 33

HEX #AC0229

RGB 172 2 41

HSL 346.24, 0.98%, 0.34%

LAB 35.93, 60.24, 29.74

 

CMYK 99 / 0 / 83 / 33

HEX #02AC1E

RGB 2 172 30

HSL 129.88, 0.98%, 0.34%

LAB 61.32, -62.99, 56.56

 

CMYK 42 / 99 / 0 / 33

HEX #6402AC

RGB 100 2 172

HSL 274.59, 0.98%, 0.34%

LAB 28.72, 63, -65.49

 

CMYK 0 / 43 / 99 / 33

HEX #AC6202

RGB 172 98 2

HSL 33.88, 0.98%, 0.34%

LAB 48.9, 24.41, 56.53

 

CMYK 99 / 0 / 43 / 33

HEX #02AC62

RGB 2 172 98

HSL 153.88, 0.98%, 0.34%

LAB 62, -54.58, 27.79

 

CMYK 42 / 99 / 0 / 33

HEX #6402AC

RGB 100 2 172

HSL 274.59, 0.98%, 0.34%

LAB 28.72, 63, -65.49

 

CMYK 0 / 99 / 76 / 33

HEX #AC0229

RGB 172 2 41

HSL 346.24, 0.98%, 0.34%

LAB 35.93, 60.24, 29.74

 

CMYK 56 / 0 / 99 / 33

HEX #4BAC02

RGB 75 172 2

HSL 94.24, 0.98%, 0.34%

LAB 62.51, -53.07, 63.22

 

CMYK 99 / 0 / 23 / 33

HEX #02AC84

RGB 2 172 132

HSL 165.88, 0.98%, 0.34%

LAB 62.66, -47, 10.21

 

CMYK 42 / 99 / 0 / 33

HEX #6402AC

RGB 100 2 172

HSL 274.59, 0.98%, 0.34%

LAB 28.72, 63, -65.49

 

CMYK 0 / 92 / 99 / 33

HEX #AC0D02

RGB 172 13 2

HSL 3.88, 0.98%, 0.34%

LAB 36.11, 58.05, 49.35

 

CMYK 56 / 0 / 99 / 33

HEX #4BAC02

RGB 75 172 2

HSL 94.24, 0.98%, 0.34%

LAB 62.51, -53.07, 63.22

 

CMYK 99 / 7 / 0 / 33

HEX #02A0AC

RGB 2 160 172

HSL 184.24, 0.98%, 0.34%

LAB 60.01, -30.02, -16.14

 

Description

Color code: HEX #6402AC | qconv.com Color code: HEX #6402AC | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 2 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 2 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 99 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 99% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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