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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #63FCA8 it is the complementary color #9C0357. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #63FCA8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #63FCA8 shade: #68FCA3, #79FFB6, #8AFFC9, #9BFFDC and #ACFFEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #63FCA8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #63FCA8 shade: #63FCA8, #52EA95, #41D882, #30C66F and #1FB45C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #63FCA8 shade: #64FBA8, #64FB7F, #71FB64, #9AFB64 and #C3FB64

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #63FCA8 shade: #64FBA8, #64FBD1, #64FBFA, #64D4FB and #64ABFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #63FCA8 shade matches the following richer shades: #64FBA8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #63FCA8 shade: #64FBA8, #70EFA9, #7DE2AB, #8AD5AC and #97C8AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #63FCA8 shade: #70FB64, #64FB7F, #64FBA8, #64FBD0 and #64FBF9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #63FCA8 shade: #13FA7B, #3BFB91, #64FBA8, #8CFCBF and #B4FDD5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #63FCA8 shade: #63FCA8, #6499FB and #FB6B64

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #63FCA8 shade: #63FCA8, #A864FB and #FBA864

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #63FCA8 shade: #63FCA8, #6499FB, #FB64B7 and #FBC664

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #63FCA8 shade: #63FCA8, #646BFB, #FB64B7 and #FBF464

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 33 / 1

HEX #63FCA8

RGB 99 252 168

HSL 147.06, 0.96%, 0.69%

LAB 89.44, -59.03, 28.46

 

Complementary color

CMYK 0 / 98 / 44 / 39

HEX #9C0357

RGB 156 3 87

HSL 327.06, 0.96%, 0.31%

LAB 33.61, 59.13, -3.83

 

CMYK 59 / 0 / 35 / 1

HEX #68FCA3

RGB 104 252 163

HSL 143.92, 0.96%, 0.7%

LAB 89.49, -58.95, 31.07

 

CMYK 53 / 0 / 29 / 0

HEX #79FFB6

RGB 121 255 182

HSL 147.31, 1%, 0.74%

LAB 91.22, -52.97, 23.9

 

CMYK 46 / 0 / 21 / 0

HEX #8AFFC9

RGB 138 255 201

HSL 152.31, 1%, 0.77%

LAB 92.19, -45.24, 15.65

 

CMYK 39 / 0 / 14 / 0

HEX #9BFFDC

RGB 155 255 220

HSL 159, 1%, 0.8%

LAB 93.3, -37.04, 7.54

 

CMYK 33 / 0 / 6 / 0

HEX #ACFFEF

RGB 172 255 239

HSL 168.43, 1%, 0.84%

LAB 94.54, -28.48, -0.37

 

CMYK 61 / 0 / 33 / 1

HEX #63FCA8

RGB 99 252 168

HSL 147.06, 0.96%, 0.69%

LAB 89.44, -59.03, 28.46

 

CMYK 65 / 0 / 36 / 8

HEX #52EA95

RGB 82 234 149

HSL 146.45, 0.78%, 0.62%

LAB 83.34, -58.8, 29.81

 

CMYK 70 / 0 / 40 / 15

HEX #41D882

RGB 65 216 130

HSL 145.83, 0.66%, 0.55%

LAB 77.19, -58.38, 31.25

 

CMYK 76 / 0 / 44 / 22

HEX #30C66F

RGB 48 198 111

HSL 145.2, 0.61%, 0.48%

LAB 70.98, -57.67, 32.8

 

CMYK 83 / 0 / 49 / 29

HEX #1FB45C

RGB 31 180 92

HSL 144.56, 0.71%, 0.41%

LAB 64.73, -56.55, 34.45

 

CMYK 60 / 0 / 33 / 2

HEX #64FBA8

RGB 100 251 168

HSL 147.02, 0.95%, 0.69%

LAB 89.17, -58.45, 28.11

 

CMYK 60 / 0 / 49 / 2

HEX #64FB7F

RGB 100 251 127

HSL 130.73, 0.95%, 0.69%

LAB 88.56, -65.13, 47.42

 

CMYK 55 / 0 / 60 / 2

HEX #71FB64

RGB 113 251 100

HSL 114.83, 0.95%, 0.69%

LAB 88.65, -65.44, 59.73

 

CMYK 39 / 0 / 60 / 2

HEX #9AFB64

RGB 154 251 100

HSL 98.54, 0.95%, 0.69%

LAB 90.22, -53.89, 61.93

 

CMYK 22 / 0 / 60 / 2

HEX #C3FB64

RGB 195 251 100

HSL 82.25, 0.95%, 0.69%

LAB 92.36, -39.82, 64.91

 

CMYK 60 / 0 / 33 / 2

HEX #64FBA8

RGB 100 251 168

HSL 147.02, 0.95%, 0.69%

LAB 89.17, -58.45, 28.11

 

CMYK 60 / 0 / 17 / 2

HEX #64FBD1

RGB 100 251 209

HSL 163.31, 0.95%, 0.69%

LAB 90, -49.91, 8.24

 

CMYK 60 / 0 / 0 / 2

HEX #64FBFA

RGB 100 251 250

HSL 179.6, 0.95%, 0.69%

LAB 91.06, -39.78, -11.5

 

CMYK 60 / 16 / 0 / 2

HEX #64D4FB

RGB 100 212 251

HSL 195.5, 0.95%, 0.69%

LAB 80.05, -20.82, -28.67

 

CMYK 60 / 32 / 0 / 2

HEX #64ABFB

RGB 100 171 251

HSL 211.79, 0.95%, 0.69%

LAB 68.61, 1.16, -46.43

 

CMYK 60 / 0 / 33 / 2

HEX #64FBA8

RGB 100 251 168

HSL 147.02, 0.95%, 0.69%

LAB 89.17, -58.45, 28.11

 

CMYK 60 / 0 / 33 / 2

HEX #64FBA8

RGB 100 251 168

HSL 147.02, 0.95%, 0.69%

LAB 89.17, -58.45, 28.11

 

CMYK 53 / 0 / 29 / 6

HEX #70EFA9

RGB 112 239 169

HSL 146.93, 0.8%, 0.69%

LAB 86.03, -50.92, 23.36

 

CMYK 45 / 0 / 24 / 11

HEX #7DE2AB

RGB 125 226 171

HSL 147.33, 0.64%, 0.69%

LAB 82.75, -41.8, 17.86

 

CMYK 35 / 0 / 19 / 16

HEX #8AD5AC

RGB 138 213 172

HSL 147.2, 0.47%, 0.69%

LAB 79.6, -32.06, 13

 

CMYK 25 / 0 / 14 / 22

HEX #97C8AD

RGB 151 200 173

HSL 146.94, 0.31%, 0.69%

LAB 76.62, -21.56, 8.33

 

CMYK 55 / 0 / 60 / 2

HEX #70FB64

RGB 112 251 100

HSL 115.23, 0.95%, 0.69%

LAB 88.62, -65.68, 59.69

 

CMYK 60 / 0 / 49 / 2

HEX #64FB7F

RGB 100 251 127

HSL 130.73, 0.95%, 0.69%

LAB 88.56, -65.13, 47.42

 

CMYK 60 / 0 / 33 / 2

HEX #64FBA8

RGB 100 251 168

HSL 147.02, 0.95%, 0.69%

LAB 89.17, -58.45, 28.11

 

CMYK 60 / 0 / 17 / 2

HEX #64FBD0

RGB 100 251 208

HSL 162.91, 0.95%, 0.69%

LAB 89.98, -50.14, 8.72

 

CMYK 60 / 0 / 1 / 2

HEX #64FBF9

RGB 100 251 249

HSL 179.21, 0.95%, 0.69%

LAB 91.03, -40.04, -11.03

 

CMYK 92 / 0 / 51 / 2

HEX #13FA7B

RGB 19 250 123

HSL 147.01, 0.96%, 0.53%

LAB 86.97, -75.39, 47.05

 

CMYK 76 / 0 / 42 / 2

HEX #3BFB91

RGB 59 251 145

HSL 146.88, 0.96%, 0.61%

LAB 87.95, -69.02, 37.81

 

CMYK 60 / 0 / 33 / 2

HEX #64FBA8

RGB 100 251 168

HSL 147.02, 0.95%, 0.69%

LAB 89.17, -58.45, 28.11

 

CMYK 44 / 0 / 24 / 1

HEX #8CFCBF

RGB 140 252 191

HSL 147.32, 0.95%, 0.77%

LAB 91.22, -45.4, 19.41

 

CMYK 29 / 0 / 16 / 1

HEX #B4FDD5

RGB 180 253 213

HSL 147.12, 0.95%, 0.85%

LAB 93.78, -30.51, 11.99

 

CMYK 61 / 0 / 33 / 1

HEX #63FCA8

RGB 99 252 168

HSL 147.06, 0.96%, 0.69%

LAB 89.44, -59.03, 28.46

 

CMYK 60 / 39 / 0 / 2

HEX #6499FB

RGB 100 153 251

HSL 218.94, 0.95%, 0.69%

LAB 63.72, 11.53, -54.16

 

CMYK 0 / 57 / 60 / 2

HEX #FB6B64

RGB 251 107 100

HSL 2.78, 0.95%, 0.69%

LAB 63.3, 54.55, 31.78

 

CMYK 61 / 0 / 33 / 1

HEX #63FCA8

RGB 99 252 168

HSL 147.06, 0.96%, 0.69%

LAB 89.44, -59.03, 28.46

 

CMYK 33 / 60 / 0 / 2

HEX #A864FB

RGB 168 100 251

HSL 267.02, 0.95%, 0.69%

LAB 56.49, 56.27, -65.43

 

CMYK 0 / 33 / 60 / 2

HEX #FBA864

RGB 251 168 100

HSL 27.02, 0.95%, 0.69%

LAB 75.72, 24.03, 47.08

 

CMYK 61 / 0 / 33 / 1

HEX #63FCA8

RGB 99 252 168

HSL 147.06, 0.96%, 0.69%

LAB 89.44, -59.03, 28.46

 

CMYK 60 / 39 / 0 / 2

HEX #6499FB

RGB 100 153 251

HSL 218.94, 0.95%, 0.69%

LAB 63.72, 11.53, -54.16

 

CMYK 0 / 60 / 27 / 2

HEX #FB64B7

RGB 251 100 183

HSL 327.02, 0.95%, 0.69%

LAB 64.2, 65.58, -14.36

 

CMYK 0 / 21 / 60 / 2

HEX #FBC664

RGB 251 198 100

HSL 38.94, 0.95%, 0.69%

LAB 82.82, 8.35, 55.36

 

CMYK 61 / 0 / 33 / 1

HEX #63FCA8

RGB 99 252 168

HSL 147.06, 0.96%, 0.69%

LAB 89.44, -59.03, 28.46

 

CMYK 60 / 57 / 0 / 2

HEX #646BFB

RGB 100 107 251

HSL 237.22, 0.95%, 0.69%

LAB 52.05, 39.07, -72.9

 

CMYK 0 / 60 / 27 / 2

HEX #FB64B7

RGB 251 100 183

HSL 327.02, 0.95%, 0.69%

LAB 64.2, 65.58, -14.36

 

CMYK 0 / 3 / 60 / 2

HEX #FBF464

RGB 251 244 100

HSL 57.22, 0.95%, 0.69%

LAB 94.37, -14.85, 68.22

 

Description

Color code: HEX #63FCA8 | qconv.com Color code: HEX #63FCA8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 252 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 252 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 33 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 33% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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