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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #63F31E it is the complementary color #9C0CE1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #63F31E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #63F31E shade: #68F319, #79FF2C, #8AFF3F, #9BFF52 and #ACFF65

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #63F31E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #63F31E shade: #63F31E, #52E10B, #41CF00, #30BD00 and #1FAB00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #63F31E shade: #65F320, #9DF320, #D6F320, #F3D720 and #F39E20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #63F31E shade: #65F320, #2CF320, #20F34E, #20F387 and #20F3BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #63F31E shade matches the following richer shades: #65F320

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #63F31E shade: #65F320, #6BE033, #72CD46, #79BA59 and #7FA76C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #63F31E shade: #D7F320, #9FF320, #67F320, #2EF320 and #20F34A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #63F31E shade: #42B70A, #50DE0C, #65F320, #80F547 and #9BF76F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #63F31E shade: #63F31E, #20F3D7 and #F320BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #63F31E shade: #63F31E, #2067F3 and #F32067

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #63F31E shade: #63F31E, #20F3D7, #AD20F3 and #F3203C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #63F31E shade: #63F31E, #20D0F3, #AD20F3 and #F34320

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 88 / 5

HEX #63F31E

RGB 99 243 30

HSL 100.56, 0.9%, 0.54%

LAB 85.43, -70.69, 78.56

 

Complementary color

CMYK 31 / 95 / 0 / 12

HEX #9C0CE1

RGB 156 12 225

HSL 280.56, 0.9%, 0.46%

LAB 42.41, 78.66, -73.74

 

CMYK 57 / 0 / 90 / 5

HEX #68F319

RGB 104 243 25

HSL 98.26, 0.9%, 0.53%

LAB 85.56, -69.63, 79.55

 

CMYK 53 / 0 / 83 / 0

HEX #79FF2C

RGB 121 255 44

HSL 98.1, 1%, 0.59%

LAB 89.75, -68.74, 79.77

 

CMYK 46 / 0 / 75 / 0

HEX #8AFF3F

RGB 138 255 63

HSL 96.56, 1%, 0.62%

LAB 90.45, -63.07, 75.56

 

CMYK 39 / 0 / 68 / 0

HEX #9BFF52

RGB 155 255 82

HSL 94.68, 1%, 0.66%

LAB 91.28, -56.64, 70.2

 

CMYK 33 / 0 / 60 / 0

HEX #ACFF65

RGB 172 255 101

HSL 92.34, 1%, 0.7%

LAB 92.23, -49.56, 64

 

CMYK 59 / 0 / 88 / 5

HEX #63F31E

RGB 99 243 30

HSL 100.56, 0.9%, 0.54%

LAB 85.43, -70.69, 78.56

 

CMYK 64 / 0 / 95 / 12

HEX #52E10B

RGB 82 225 11

HSL 100.09, 0.91%, 0.46%

LAB 79.42, -69.13, 75.96

 

CMYK 69 / 0 / 100 / 19

HEX #41CF00

RGB 65 207 0

HSL 101.16, 1%, 0.41%

LAB 73.38, -67.09, 71.98

 

CMYK 75 / 0 / 100 / 26

HEX #30BD00

RGB 48 189 0

HSL 104.76, 1%, 0.37%

LAB 67.29, -64.55, 66.99

 

CMYK 82 / 0 / 100 / 33

HEX #1FAB00

RGB 31 171 0

HSL 109.12, 1%, 0.34%

LAB 61.15, -61.57, 61.97

 

CMYK 58 / 0 / 87 / 5

HEX #65F320

RGB 101 243 32

HSL 100.38, 0.9%, 0.54%

LAB 85.49, -70.16, 78.28

 

CMYK 35 / 0 / 87 / 5

HEX #9DF320

RGB 157 243 32

HSL 84.45, 0.9%, 0.54%

LAB 87.67, -53.66, 81

 

CMYK 12 / 0 / 87 / 5

HEX #D6F320

RGB 214 243 32

HSL 68.25, 0.9%, 0.54%

LAB 91.01, -32.22, 85.13

 

CMYK 0 / 12 / 87 / 5

HEX #F3D720

RGB 243 215 32

HSL 52.04, 0.9%, 0.54%

LAB 85.89, -6.65, 81.95

 

CMYK 0 / 35 / 87 / 5

HEX #F39E20

RGB 243 158 32

HSL 35.83, 0.9%, 0.54%

LAB 71.97, 22.97, 70.88

 

CMYK 58 / 0 / 87 / 5

HEX #65F320

RGB 101 243 32

HSL 100.38, 0.9%, 0.54%

LAB 85.49, -70.16, 78.28

 

CMYK 82 / 0 / 87 / 5

HEX #2CF320

RGB 44 243 32

HSL 116.59, 0.9%, 0.54%

LAB 84.35, -79.88, 76.85

 

CMYK 87 / 0 / 68 / 5

HEX #20F34E

RGB 32 243 78

HSL 133.08, 0.9%, 0.54%

LAB 84.46, -78.02, 63.54

 

CMYK 87 / 0 / 44 / 5

HEX #20F387

RGB 32 243 135

HSL 149.29, 0.9%, 0.54%

LAB 85.08, -70.53, 38.93

 

CMYK 87 / 0 / 21 / 5

HEX #20F3BF

RGB 32 243 191

HSL 165.21, 0.9%, 0.54%

LAB 86.09, -59.06, 11.84

 

CMYK 58 / 0 / 87 / 5

HEX #65F320

RGB 101 243 32

HSL 100.38, 0.9%, 0.54%

LAB 85.49, -70.16, 78.28

 

CMYK 58 / 0 / 87 / 5

HEX #65F320

RGB 101 243 32

HSL 100.38, 0.9%, 0.54%

LAB 85.49, -70.16, 78.28

 

CMYK 52 / 0 / 77 / 12

HEX #6BE033

RGB 107 224 51

HSL 100.58, 0.74%, 0.54%

LAB 80, -61.24, 68.79

 

CMYK 44 / 0 / 66 / 20

HEX #72CD46

RGB 114 205 70

HSL 100.44, 0.57%, 0.54%

LAB 74.62, -50.66, 56.71

 

CMYK 35 / 0 / 52 / 27

HEX #79BA59

RGB 121 186 89

HSL 100.21, 0.41%, 0.54%

LAB 69.4, -38.42, 42.33

 

CMYK 24 / 0 / 35 / 35

HEX #7FA76C

RGB 127 167 108

HSL 100.68, 0.25%, 0.54%

LAB 64.35, -24.79, 26.24

 

CMYK 12 / 0 / 87 / 5

HEX #D7F320

RGB 215 243 32

HSL 67.96, 0.9%, 0.54%

LAB 91.08, -31.82, 85.21

 

CMYK 35 / 0 / 87 / 5

HEX #9FF320

RGB 159 243 32

HSL 83.89, 0.9%, 0.54%

LAB 87.76, -52.97, 81.12

 

CMYK 58 / 0 / 87 / 5

HEX #67F320

RGB 103 243 32

HSL 99.81, 0.9%, 0.54%

LAB 85.55, -69.68, 78.35

 

CMYK 81 / 0 / 87 / 5

HEX #2EF320

RGB 46 243 32

HSL 116.02, 0.9%, 0.54%

LAB 84.37, -79.67, 76.88

 

CMYK 87 / 0 / 70 / 5

HEX #20F34A

RGB 32 243 74

HSL 131.94, 0.9%, 0.54%

LAB 84.43, -78.38, 65

 

CMYK 64 / 0 / 95 / 28

HEX #42B70A

RGB 66 183 10

HSL 100.58, 0.9%, 0.38%

LAB 65.79, -58.97, 64.74

 

CMYK 64 / 0 / 95 / 13

HEX #50DE0C

RGB 80 222 12

HSL 100.57, 0.9%, 0.46%

LAB 78.45, -68.58, 75.04

 

CMYK 58 / 0 / 87 / 5

HEX #65F320

RGB 101 243 32

HSL 100.38, 0.9%, 0.54%

LAB 85.49, -70.16, 78.28

 

CMYK 48 / 0 / 71 / 4

HEX #80F547

RGB 128 245 71

HSL 100.34, 0.9%, 0.62%

LAB 87.17, -61.77, 69.57

 

CMYK 37 / 0 / 55 / 3

HEX #9BF76F

RGB 155 247 111

HSL 100.59, 0.89%, 0.7%

LAB 89.22, -50.87, 56.03

 

CMYK 59 / 0 / 88 / 5

HEX #63F31E

RGB 99 243 30

HSL 100.56, 0.9%, 0.54%

LAB 85.43, -70.69, 78.56

 

CMYK 87 / 0 / 12 / 5

HEX #20F3D7

RGB 32 243 215

HSL 172.04, 0.9%, 0.54%

LAB 86.66, -53.05, 0.13

 

CMYK 0 / 87 / 23 / 5

HEX #F320BB

RGB 243 32 187

HSL 315.92, 0.9%, 0.54%

LAB 55.76, 84.52, -29.68

 

CMYK 59 / 0 / 88 / 5

HEX #63F31E

RGB 99 243 30

HSL 100.56, 0.9%, 0.54%

LAB 85.43, -70.69, 78.56

 

CMYK 87 / 58 / 0 / 5

HEX #2067F3

RGB 32 103 243

HSL 219.81, 0.9%, 0.54%

LAB 47.6, 31.11, -75.82

 

CMYK 0 / 87 / 58 / 5

HEX #F32067

RGB 243 32 103

HSL 339.81, 0.9%, 0.54%

LAB 53.02, 76.95, 16.19

 

CMYK 59 / 0 / 88 / 5

HEX #63F31E

RGB 99 243 30

HSL 100.56, 0.9%, 0.54%

LAB 85.43, -70.69, 78.56

 

CMYK 87 / 0 / 12 / 5

HEX #20F3D7

RGB 32 243 215

HSL 172.04, 0.9%, 0.54%

LAB 86.66, -53.05, 0.13

 

CMYK 29 / 87 / 0 / 5

HEX #AD20F3

RGB 173 32 243

HSL 280.09, 0.9%, 0.54%

LAB 47.48, 81.06, -75.55

 

CMYK 0 / 87 / 75 / 5

HEX #F3203C

RGB 243 32 60

HSL 352.04, 0.9%, 0.54%

LAB 52.3, 74.89, 40.83

 

CMYK 59 / 0 / 88 / 5

HEX #63F31E

RGB 99 243 30

HSL 100.56, 0.9%, 0.54%

LAB 85.43, -70.69, 78.56

 

CMYK 87 / 14 / 0 / 5

HEX #20D0F3

RGB 32 208 243

HSL 189.95, 0.9%, 0.54%

LAB 77.21, -29.2, -28.87

 

CMYK 29 / 87 / 0 / 5

HEX #AD20F3

RGB 173 32 243

HSL 280.09, 0.9%, 0.54%

LAB 47.48, 81.06, -75.55

 

CMYK 0 / 72 / 87 / 5

HEX #F34320

RGB 243 67 32

HSL 9.95, 0.9%, 0.54%

LAB 55.25, 65.16, 57.65

 

Description

Color code: HEX #63F31E | qconv.com Color code: HEX #63F31E | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 243 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 243 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 88 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 88% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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