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Color name
HEX #63EB35

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #63EB35 it is the complementary color #9C14CA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #63EB35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #63EB35 shade: #68EB30, #79FD43, #8AFF56, #9BFF69 and #ACFF7C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #63EB35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #63EB35 shade: #63EB35, #52D922, #41C70F, #30B500 and #1FA300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #63EB35 shade: #61EB33, #93EB33, #C5EB33, #EBDF33 and #EBAE33

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #63EB35 shade: #61EB33, #33EB36, #33EB68, #33EB99 and #33EBCB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #63EB35 shade matches the following richer shades: #61EB33 and #58FD21

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #63EB35 shade: #61EB33, #6AD945, #73C657, #7CB469 and #85A27B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #63EB35 shade: #C6EB33, #95EB33, #64EB33, #33EB33 and #33EB64

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #63EB35 shade: #3CB912, #49DE16, #61EB33, #7EEF58 and #9BF27E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #63EB35 shade: #63EB35, #33EBDF and #EB33AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #63EB35 shade: #63EB35, #3364EB and #EB3364

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #63EB35 shade: #63EB35, #33EBDF, #BA33EB and #EB333F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #63EB35 shade: #63EB35, #33C0EB, #BA33EB and #EB5E33

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 77 / 8

HEX #63EB35

RGB 99 235 53

HSL 104.84, 0.82%, 0.56%

LAB 83.09, -67.03, 71.04

 

Complementary color

CMYK 23 / 90 / 0 / 21

HEX #9C14CA

RGB 156 20 202

HSL 284.84, 0.82%, 0.44%

LAB 40.95, 73.26, -62.87

 

CMYK 56 / 0 / 80 / 8

HEX #68EB30

RGB 104 235 48

HSL 102.03, 0.82%, 0.55%

LAB 83.22, -66.06, 72.63

 

CMYK 52 / 0 / 74 / 1

HEX #79FD43

RGB 121 253 67

HSL 102.58, 0.98%, 0.63%

LAB 89.26, -66.86, 72.93

 

CMYK 46 / 0 / 66 / 0

HEX #8AFF56

RGB 138 255 86

HSL 101.54, 1%, 0.67%

LAB 90.59, -61.51, 67.76

 

CMYK 39 / 0 / 59 / 0

HEX #9BFF69

RGB 155 255 105

HSL 100, 1%, 0.71%

LAB 91.46, -54.72, 61.24

 

CMYK 33 / 0 / 51 / 0

HEX #ACFF7C

RGB 172 255 124

HSL 98.02, 1%, 0.74%

LAB 92.46, -47.32, 54.21

 

CMYK 58 / 0 / 77 / 8

HEX #63EB35

RGB 99 235 53

HSL 104.84, 0.82%, 0.56%

LAB 83.09, -67.03, 71.04

 

CMYK 62 / 0 / 84 / 15

HEX #52D922

RGB 82 217 34

HSL 104.26, 0.73%, 0.49%

LAB 77, -65.89, 70.25

 

CMYK 67 / 0 / 92 / 22

HEX #41C70F

RGB 65 199 15

HSL 103.7, 0.86%, 0.42%

LAB 70.87, -64.29, 68.3

 

CMYK 73 / 0 / 100 / 29

HEX #30B500

RGB 48 181 0

HSL 104.09, 1%, 0.35%

LAB 64.7, -62.11, 64.92

 

CMYK 81 / 0 / 100 / 36

HEX #1FA300

RGB 31 163 0

HSL 108.59, 1%, 0.32%

LAB 58.5, -59.18, 59.85

 

CMYK 59 / 0 / 78 / 8

HEX #61EB33

RGB 97 235 51

HSL 105, 0.82%, 0.56%

LAB 83.02, -67.62, 71.54

 

CMYK 37 / 0 / 78 / 8

HEX #93EB33

RGB 147 235 51

HSL 88.7, 0.82%, 0.56%

LAB 84.92, -53.16, 74

 

CMYK 16 / 0 / 78 / 8

HEX #C5EB33

RGB 197 235 51

HSL 72.39, 0.82%, 0.56%

LAB 87.74, -34.75, 77.61

 

CMYK 0 / 5 / 78 / 8

HEX #EBDF33

RGB 235 223 51

HSL 56.09, 0.82%, 0.56%

LAB 87.33, -13.51, 78.31

 

CMYK 0 / 26 / 78 / 8

HEX #EBAE33

RGB 235 174 51

HSL 40.11, 0.82%, 0.56%

LAB 74.93, 11.66, 67.17

 

CMYK 59 / 0 / 78 / 8

HEX #61EB33

RGB 97 235 51

HSL 105, 0.82%, 0.56%

LAB 83.02, -67.62, 71.54

 

CMYK 78 / 0 / 77 / 8

HEX #33EB36

RGB 51 235 54

HSL 120.98, 0.82%, 0.56%

LAB 82.05, -75.73, 69.39

 

CMYK 78 / 0 / 56 / 8

HEX #33EB68

RGB 51 235 104

HSL 137.28, 0.82%, 0.56%

LAB 82.44, -70.88, 50.4

 

CMYK 78 / 0 / 35 / 8

HEX #33EB99

RGB 51 235 153

HSL 153.26, 0.82%, 0.56%

LAB 83.14, -62.81, 27.39

 

CMYK 78 / 0 / 14 / 8

HEX #33EBCB

RGB 51 235 203

HSL 169.57, 0.82%, 0.56%

LAB 84.19, -51.46, 2.86

 

CMYK 59 / 0 / 78 / 8

HEX #61EB33

RGB 97 235 51

HSL 105, 0.82%, 0.56%

LAB 83.02, -67.62, 71.54

 

CMYK 65 / 0 / 87 / 1

HEX #58FD21

RGB 88 253 33

HSL 105, 0.98%, 0.56%

LAB 88.18, -76.15, 80.28

 

CMYK 59 / 0 / 78 / 8

HEX #61EB33

RGB 97 235 51

HSL 105, 0.82%, 0.56%

LAB 83.02, -67.62, 71.54

 

CMYK 51 / 0 / 68 / 15

HEX #6AD945

RGB 106 217 69

HSL 105, 0.66%, 0.56%

LAB 77.95, -57.72, 60.54

 

CMYK 42 / 0 / 56 / 22

HEX #73C657

RGB 115 198 87

HSL 104.86, 0.49%, 0.56%

LAB 72.71, -45.81, 47.14

 

CMYK 31 / 0 / 42 / 29

HEX #7CB469

RGB 124 180 105

HSL 104.8, 0.33%, 0.56%

LAB 67.98, -32.57, 32.53

 

CMYK 18 / 0 / 24 / 36

HEX #85A27B

RGB 133 162 123

HSL 104.62, 0.17%, 0.56%

LAB 63.55, -17.64, 17.05

 

CMYK 16 / 0 / 78 / 8

HEX #C6EB33

RGB 198 235 51

HSL 72.07, 0.82%, 0.56%

LAB 87.81, -34.36, 77.7

 

CMYK 37 / 0 / 78 / 8

HEX #95EB33

RGB 149 235 51

HSL 88.04, 0.82%, 0.56%

LAB 85.02, -52.49, 74.12

 

CMYK 57 / 0 / 78 / 8

HEX #64EB33

RGB 100 235 51

HSL 104.02, 0.82%, 0.56%

LAB 83.11, -66.9, 71.65

 

CMYK 78 / 0 / 78 / 8

HEX #33EB33

RGB 51 235 51

HSL 120, 0.82%, 0.56%

LAB 82.03, -75.92, 70.26

 

CMYK 78 / 0 / 57 / 8

HEX #33EB64

RGB 51 235 100

HSL 135.98, 0.82%, 0.56%

LAB 82.4, -71.4, 52.16

 

CMYK 68 / 0 / 90 / 27

HEX #3CB912

RGB 60 185 18

HSL 104.91, 0.82%, 0.4%

LAB 66.29, -60.71, 63.94

 

CMYK 67 / 0 / 90 / 13

HEX #49DE16

RGB 73 222 22

HSL 104.7, 0.82%, 0.48%

LAB 78.3, -69.79, 73.57

 

CMYK 59 / 0 / 78 / 8

HEX #61EB33

RGB 97 235 51

HSL 105, 0.82%, 0.56%

LAB 83.02, -67.62, 71.54

 

CMYK 47 / 0 / 63 / 6

HEX #7EEF58

RGB 126 239 88

HSL 104.9, 0.83%, 0.64%

LAB 85.44, -58.74, 61.27

 

CMYK 36 / 0 / 48 / 5

HEX #9BF27E

RGB 155 242 126

HSL 105, 0.82%, 0.72%

LAB 87.96, -47.08, 47.6

 

CMYK 58 / 0 / 77 / 8

HEX #63EB35

RGB 99 235 53

HSL 104.84, 0.82%, 0.56%

LAB 83.09, -67.03, 71.04

 

CMYK 78 / 0 / 5 / 8

HEX #33EBDF

RGB 51 235 223

HSL 176.09, 0.82%, 0.56%

LAB 84.71, -46.18, -6.9

 

CMYK 0 / 78 / 26 / 8

HEX #EB33AD

RGB 235 51 173

HSL 320.22, 0.82%, 0.56%

LAB 55.12, 77.25, -22.64

 

CMYK 58 / 0 / 77 / 8

HEX #63EB35

RGB 99 235 53

HSL 104.84, 0.82%, 0.56%

LAB 83.09, -67.03, 71.04

 

CMYK 78 / 57 / 0 / 8

HEX #3364EB

RGB 51 100 235

HSL 224.02, 0.82%, 0.56%

LAB 46.73, 31.48, -72.72

 

CMYK 0 / 78 / 57 / 8

HEX #EB3364

RGB 235 51 100

HSL 344.02, 0.82%, 0.56%

LAB 52.89, 70.56, 17.57

 

CMYK 58 / 0 / 77 / 8

HEX #63EB35

RGB 99 235 53

HSL 104.84, 0.82%, 0.56%

LAB 83.09, -67.03, 71.04

 

CMYK 78 / 0 / 5 / 8

HEX #33EBDF

RGB 51 235 223

HSL 176.09, 0.82%, 0.56%

LAB 84.71, -46.18, -6.9

 

CMYK 21 / 78 / 0 / 8

HEX #BA33EB

RGB 186 51 235

HSL 284.02, 0.82%, 0.56%

LAB 50.46, 76.74, -66.12

 

CMYK 0 / 78 / 73 / 8

HEX #EB333F

RGB 235 51 63

HSL 356.09, 0.82%, 0.56%

LAB 52.27, 68.62, 38.67

 

CMYK 58 / 0 / 77 / 8

HEX #63EB35

RGB 99 235 53

HSL 104.84, 0.82%, 0.56%

LAB 83.09, -67.03, 71.04

 

CMYK 78 / 18 / 0 / 8

HEX #33C0EB

RGB 51 192 235

HSL 194.02, 0.82%, 0.56%

LAB 72.5, -22.35, -31.8

 

CMYK 21 / 78 / 0 / 8

HEX #BA33EB

RGB 186 51 235

HSL 284.02, 0.82%, 0.56%

LAB 50.46, 76.74, -66.12

 

CMYK 0 / 60 / 78 / 8

HEX #EB5E33

RGB 235 94 51

HSL 14.02, 0.82%, 0.56%

LAB 57.95, 52.36, 51.04

 

Description

Color code: HEX #63EB35 | qconv.com Color code: HEX #63EB35 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 235 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 235 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 77 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 77% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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