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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #63EB01 it is the complementary color #9C14FE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #63EB01. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #63EB01 shade: #68EB00, #79FD0F, #8AFF22, #9BFF35 and #ACFF48

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #63EB01. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #63EB01 shade: #63EB01, #52D900, #41C700, #30B500 and #1FA300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #63EB01 shade: #62E901, #A1E901, #E0E901, #E9B501 and #E97601

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #63EB01 shade: #62E901, #24E901, #01E91D, #01E95C and #01E99A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #63EB01 shade matches the following richer shades: #62E901

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #63EB01 shade: #62E901, #66D614, #69C327, #6CB03A and #6F9E4D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #63EB01 shade: #E2E901, #A4E901, #66E901, #28E901 and #01E918

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #63EB01 shade: #409701, #51C001, #62E901, #77FE16 and #8FFE3F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #63EB01 shade: #63EB01, #01E9B3 and #E901C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #63EB01 shade: #63EB01, #0166E9 and #E90166

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #63EB01 shade: #63EB01, #01E9B3, #8501E9 and #E90137

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #63EB01 shade: #63EB01, #01DAE9, #8501E9 and #E91101

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 100 / 8

HEX #63EB01

RGB 99 235 1

HSL 94.87, 0.99%, 0.46%

LAB 82.95, -68.61, 79.85

 

Complementary color

CMYK 39 / 92 / 0 / 0

HEX #9C14FE

RGB 156 20 254

HSL 274.87, 0.99%, 0.54%

LAB 45.25, 83.27, -85.45

 

CMYK 56 / 0 / 100 / 8

HEX #68EB00

RGB 104 235 0

HSL 93.45, 1%, 0.46%

LAB 83.1, -67.37, 80.13

 

CMYK 52 / 0 / 94 / 1

HEX #79FD0F

RGB 121 253 15

HSL 93.28, 0.98%, 0.53%

LAB 89.09, -68.84, 83.9

 

CMYK 46 / 0 / 87 / 0

HEX #8AFF22

RGB 138 255 34

HSL 91.76, 1%, 0.57%

LAB 90.34, -64.29, 82.56

 

CMYK 39 / 0 / 79 / 0

HEX #9BFF35

RGB 155 255 53

HSL 89.7, 1%, 0.6%

LAB 91.12, -58.31, 79.29

 

CMYK 33 / 0 / 72 / 0

HEX #ACFF48

RGB 172 255 72

HSL 87.21, 1%, 0.64%

LAB 92.02, -51.65, 74.73

 

CMYK 58 / 0 / 100 / 8

HEX #63EB01

RGB 99 235 1

HSL 94.87, 0.99%, 0.46%

LAB 82.95, -68.61, 79.85

 

CMYK 62 / 0 / 100 / 15

HEX #52D900

RGB 82 217 0

HSL 97.33, 1%, 0.43%

LAB 76.93, -66.72, 74.97

 

CMYK 67 / 0 / 100 / 22

HEX #41C700

RGB 65 199 0

HSL 100.4, 1%, 0.39%

LAB 70.85, -64.58, 69.97

 

CMYK 73 / 0 / 100 / 29

HEX #30B500

RGB 48 181 0

HSL 104.09, 1%, 0.35%

LAB 64.7, -62.11, 64.92

 

CMYK 81 / 0 / 100 / 36

HEX #1FA300

RGB 31 163 0

HSL 108.59, 1%, 0.32%

LAB 58.5, -59.18, 59.85

 

CMYK 58 / 0 / 100 / 9

HEX #62E901

RGB 98 233 1

HSL 94.91, 0.99%, 0.46%

LAB 82.31, -68.19, 79.34

 

CMYK 31 / 0 / 100 / 9

HEX #A1E901

RGB 161 233 1

HSL 78.62, 0.99%, 0.46%

LAB 84.92, -48.69, 82.5

 

CMYK 4 / 0 / 100 / 9

HEX #E0E901

RGB 224 233 1

HSL 62.33, 0.99%, 0.46%

LAB 88.98, -23.87, 87.35

 

CMYK 0 / 22 / 100 / 9

HEX #E9B501

RGB 233 181 1

HSL 46.55, 0.99%, 0.46%

LAB 76.3, 6.15, 78.6

 

CMYK 0 / 49 / 100 / 9

HEX #E97601

RGB 233 118 1

HSL 30.26, 0.99%, 0.46%

LAB 61.9, 39.2, 69.17

 

CMYK 58 / 0 / 100 / 9

HEX #62E901

RGB 98 233 1

HSL 94.91, 0.99%, 0.46%

LAB 82.31, -68.19, 79.34

 

CMYK 85 / 0 / 100 / 9

HEX #24E901

RGB 36 233 1

HSL 110.95, 0.99%, 0.46%

LAB 81.1, -78.59, 77.86

 

CMYK 100 / 0 / 88 / 9

HEX #01E91D

RGB 1 233 29

HSL 127.24, 0.99%, 0.46%

LAB 80.95, -79.82, 74.34

 

CMYK 100 / 0 / 61 / 9

HEX #01E95C

RGB 1 233 92

HSL 143.53, 0.99%, 0.46%

LAB 81.32, -75.01, 54.32

 

CMYK 100 / 0 / 34 / 9

HEX #01E99A

RGB 1 233 154

HSL 159.57, 0.99%, 0.46%

LAB 82.17, -64.83, 25.51

 

CMYK 58 / 0 / 100 / 9

HEX #62E901

RGB 98 233 1

HSL 94.91, 0.99%, 0.46%

LAB 82.31, -68.19, 79.34

 

CMYK 58 / 0 / 100 / 9

HEX #62E901

RGB 98 233 1

HSL 94.91, 0.99%, 0.46%

LAB 82.31, -68.19, 79.34

 

CMYK 52 / 0 / 91 / 16

HEX #66D614

RGB 102 214 20

HSL 94.64, 0.83%, 0.46%

LAB 76.66, -60.28, 72.84

 

CMYK 46 / 0 / 80 / 24

HEX #69C327

RGB 105 195 39

HSL 94.62, 0.67%, 0.46%

LAB 70.99, -51.63, 63.83

 

CMYK 39 / 0 / 67 / 31

HEX #6CB03A

RGB 108 176 58

HSL 94.58, 0.5%, 0.46%

LAB 65.39, -41.65, 51.67

 

CMYK 30 / 0 / 51 / 38

HEX #6F9E4D

RGB 111 158 77

HSL 94.81, 0.34%, 0.46%

LAB 60.22, -30.54, 37.05

 

CMYK 3 / 0 / 100 / 9

HEX #E2E901

RGB 226 233 1

HSL 61.81, 0.99%, 0.46%

LAB 89.13, -23.04, 87.53

 

CMYK 30 / 0 / 100 / 9

HEX #A4E901

RGB 164 233 1

HSL 77.84, 0.99%, 0.46%

LAB 85.08, -47.59, 82.69

 

CMYK 56 / 0 / 100 / 9

HEX #66E901

RGB 102 233 1

HSL 93.88, 0.99%, 0.46%

LAB 82.44, -67.2, 79.49

 

CMYK 83 / 0 / 100 / 9

HEX #28E901

RGB 40 233 1

HSL 109.91, 0.99%, 0.46%

LAB 81.14, -78.22, 77.91

 

CMYK 100 / 0 / 90 / 9

HEX #01E918

RGB 1 233 24

HSL 125.95, 0.99%, 0.46%

LAB 80.93, -79.99, 75.17

 

CMYK 58 / 0 / 99 / 41

HEX #409701

RGB 64 151 1

HSL 94.8, 0.99%, 0.3%

LAB 55.3, -48.5, 57.48

 

CMYK 58 / 0 / 99 / 25

HEX #51C001

RGB 81 192 1

HSL 94.87, 0.99%, 0.38%

LAB 69.08, -58.56, 68.64

 

CMYK 58 / 0 / 100 / 9

HEX #62E901

RGB 98 233 1

HSL 94.91, 0.99%, 0.46%

LAB 82.31, -68.19, 79.34

 

CMYK 53 / 0 / 91 / 0

HEX #77FE16

RGB 119 254 22

HSL 94.91, 0.99%, 0.54%

LAB 89.33, -69.59, 83.29

 

CMYK 44 / 0 / 75 / 0

HEX #8FFE3F

RGB 143 254 63

HSL 94.87, 0.99%, 0.62%

LAB 90.36, -61.2, 75.54

 

CMYK 58 / 0 / 100 / 8

HEX #63EB01

RGB 99 235 1

HSL 94.87, 0.99%, 0.46%

LAB 82.95, -68.61, 79.85

 

CMYK 100 / 0 / 23 / 9

HEX #01E9B3

RGB 1 233 179

HSL 166.03, 0.99%, 0.46%

LAB 82.67, -59.26, 13.23

 

CMYK 0 / 100 / 16 / 9

HEX #E901C3

RGB 233 1 195

HSL 309.83, 0.99%, 0.46%

LAB 53.26, 86.68, -38.35

 

CMYK 58 / 0 / 100 / 8

HEX #63EB01

RGB 99 235 1

HSL 94.87, 0.99%, 0.46%

LAB 82.95, -68.61, 79.85

 

CMYK 100 / 56 / 0 / 9

HEX #0166E9

RGB 1 102 233

HSL 213.88, 0.99%, 0.46%

LAB 46.17, 26.79, -72.56

 

CMYK 0 / 100 / 56 / 9

HEX #E90166

RGB 233 1 102

HSL 333.88, 0.99%, 0.46%

LAB 49.86, 77.91, 12.12

 

CMYK 58 / 0 / 100 / 8

HEX #63EB01

RGB 99 235 1

HSL 94.87, 0.99%, 0.46%

LAB 82.95, -68.61, 79.85

 

CMYK 100 / 0 / 23 / 9

HEX #01E9B3

RGB 1 233 179

HSL 166.03, 0.99%, 0.46%

LAB 82.67, -59.26, 13.23

 

CMYK 43 / 100 / 0 / 9

HEX #8501E9

RGB 133 1 233

HSL 274.14, 0.99%, 0.46%

LAB 39.4, 78.96, -83.37

 

CMYK 0 / 100 / 76 / 9

HEX #E90137

RGB 233 1 55

HSL 346.03, 0.99%, 0.46%

LAB 49.03, 75.68, 39.53

 

CMYK 58 / 0 / 100 / 8

HEX #63EB01

RGB 99 235 1

HSL 94.87, 0.99%, 0.46%

LAB 82.95, -68.61, 79.85

 

CMYK 100 / 6 / 0 / 9

HEX #01DAE9

RGB 1 218 233

HSL 183.88, 0.99%, 0.46%

LAB 79.63, -38.16, -19.85

 

CMYK 43 / 100 / 0 / 9

HEX #8501E9

RGB 133 1 233

HSL 274.14, 0.99%, 0.46%

LAB 39.4, 78.96, -83.37

 

CMYK 0 / 93 / 100 / 9

HEX #E91101

RGB 233 17 1

HSL 4.14, 0.99%, 0.46%

LAB 49.16, 73.4, 62.68

 

Description

Color code: HEX #63EB01 | qconv.com Color code: HEX #63EB01 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 235 green and 1 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 235 1 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 100 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 100% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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