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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #63EA7F it is the complementary color #9C1580. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #63EA7F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #63EA7F shade: #68EA7A, #79FC8D, #8AFFA0, #9BFFB3 and #ACFFC6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #63EA7F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #63EA7F shade: #63EA7F, #52D86C, #41C659, #30B446 and #1FA233

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #63EA7F shade: #62EA7E, #6AEA62, #8FEA62, #B4EA62 and #D8EA62

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #63EA7F shade: #62EA7E, #62EAA3, #62EAC7, #62E7EA and #62C3EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #63EA7F shade matches the following richer shades: #62EA7E and #53F876

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #63EA7F shade: #62EA7E, #70DB86, #7FCD8F, #8DBE97 and #9CB0A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #63EA7F shade: #8FEA62, #6BEA62, #62EA7D, #62EAA1 and #62EAC5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #63EA7F shade: #1EDB45, #3EE560, #62EA7E, #86EF9C and #ABF3BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #63EA7F shade: #63EA7F, #62B3EA and #EA627D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #63EA7F shade: #63EA7F, #7D62EA and #EA7D62

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #63EA7F shade: #63EA7F, #62B3EA, #EA62CE and #EA9862

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #63EA7F shade: #63EA7F, #628BEA, #EA62CE and #EAC162

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 46 / 8

HEX #63EA7F

RGB 99 234 127

HSL 132.44, 0.76%, 0.65%

LAB 83.46, -59.07, 41.02

 

Complementary color

CMYK 0 / 87 / 18 / 39

HEX #9C1580

RGB 156 21 128

HSL 312.44, 0.76%, 0.35%

LAB 36.3, 61.05, -25.84

 

CMYK 56 / 0 / 48 / 8

HEX #68EA7A

RGB 104 234 122

HSL 128.31, 0.76%, 0.66%

LAB 83.54, -58.66, 43.58

 

CMYK 52 / 0 / 44 / 1

HEX #79FC8D

RGB 121 252 141

HSL 129.16, 0.96%, 0.73%

LAB 89.68, -58.71, 42.27

 

CMYK 46 / 0 / 37 / 0

HEX #8AFFA0

RGB 138 255 160

HSL 131.28, 1%, 0.77%

LAB 91.44, -52.64, 35.37

 

CMYK 39 / 0 / 30 / 0

HEX #9BFFB3

RGB 155 255 179

HSL 134.4, 1%, 0.8%

LAB 92.46, -44.84, 27.34

 

CMYK 33 / 0 / 22 / 0

HEX #ACFFC6

RGB 172 255 198

HSL 138.8, 1%, 0.84%

LAB 93.61, -36.58, 19.39

 

CMYK 58 / 0 / 46 / 8

HEX #63EA7F

RGB 99 234 127

HSL 132.44, 0.76%, 0.65%

LAB 83.46, -59.07, 41.02

 

CMYK 62 / 0 / 50 / 15

HEX #52D86C

RGB 82 216 108

HSL 131.64, 0.63%, 0.58%

LAB 77.27, -58.82, 42.4

 

CMYK 67 / 0 / 55 / 22

HEX #41C659

RGB 65 198 89

HSL 130.83, 0.54%, 0.52%

LAB 71.03, -58.33, 43.8

 

CMYK 73 / 0 / 61 / 29

HEX #30B446

RGB 48 180 70

HSL 130, 0.58%, 0.45%

LAB 64.73, -57.47, 45.16

 

CMYK 81 / 0 / 69 / 36

HEX #1FA233

RGB 31 162 51

HSL 129.16, 0.68%, 0.38%

LAB 58.39, -56.06, 46.34

 

CMYK 58 / 0 / 46 / 8

HEX #62EA7E

RGB 98 234 126

HSL 132.35, 0.76%, 0.65%

LAB 83.42, -59.44, 41.45

 

CMYK 55 / 0 / 58 / 8

HEX #6AEA62

RGB 106 234 98

HSL 116.47, 0.76%, 0.65%

LAB 83.33, -61.21, 54.45

 

CMYK 39 / 0 / 58 / 8

HEX #8FEA62

RGB 143 234 98

HSL 100.15, 0.76%, 0.65%

LAB 84.78, -50.67, 56.49

 

CMYK 23 / 0 / 58 / 8

HEX #B4EA62

RGB 180 234 98

HSL 83.82, 0.76%, 0.65%

LAB 86.72, -37.91, 59.21

 

CMYK 8 / 0 / 58 / 8

HEX #D8EA62

RGB 216 234 98

HSL 67.94, 0.76%, 0.65%

LAB 89.08, -24.13, 62.5

 

CMYK 58 / 0 / 46 / 8

HEX #62EA7E

RGB 98 234 126

HSL 132.35, 0.76%, 0.65%

LAB 83.42, -59.44, 41.45

 

CMYK 58 / 0 / 30 / 8

HEX #62EAA3

RGB 98 234 163

HSL 148.68, 0.76%, 0.65%

LAB 84.01, -53.07, 23.62

 

CMYK 58 / 0 / 15 / 8

HEX #62EAC7

RGB 98 234 199

HSL 164.56, 0.76%, 0.65%

LAB 84.77, -45.34, 5.93

 

CMYK 58 / 1 / 0 / 8

HEX #62E7EA

RGB 98 231 234

HSL 181.32, 0.76%, 0.65%

LAB 84.84, -35.19, -12.42

 

CMYK 58 / 17 / 0 / 8

HEX #62C3EA

RGB 98 195 234

HSL 197.21, 0.76%, 0.65%

LAB 74.55, -17.48, -27.99

 

CMYK 58 / 0 / 46 / 8

HEX #62EA7E

RGB 98 234 126

HSL 132.35, 0.76%, 0.65%

LAB 83.42, -59.44, 41.45

 

CMYK 67 / 0 / 52 / 3

HEX #53F876

RGB 83 248 118

HSL 132.73, 0.92%, 0.65%

LAB 87.13, -68.59, 49.77

 

CMYK 58 / 0 / 46 / 8

HEX #62EA7E

RGB 98 234 126

HSL 132.35, 0.76%, 0.65%

LAB 83.42, -59.44, 41.45

 

CMYK 49 / 0 / 39 / 14

HEX #70DB86

RGB 112 219 134

HSL 132.34, 0.6%, 0.65%

LAB 79.52, -48.89, 32.53

 

CMYK 38 / 0 / 30 / 20

HEX #7FCD8F

RGB 127 205 143

HSL 132.31, 0.44%, 0.65%

LAB 76.17, -37.05, 23.49

 

CMYK 26 / 0 / 21 / 25

HEX #8DBE97

RGB 141 190 151

HSL 132.24, 0.27%, 0.65%

LAB 72.71, -24.04, 14.57

 

CMYK 11 / 0 / 9 / 31

HEX #9CB0A0

RGB 156 176 160

HSL 132, 0.11%, 0.65%

LAB 69.93, -10.05, 5.85

 

CMYK 39 / 0 / 58 / 8

HEX #8FEA62

RGB 143 234 98

HSL 100.15, 0.76%, 0.65%

LAB 84.78, -50.67, 56.49

 

CMYK 54 / 0 / 58 / 8

HEX #6BEA62

RGB 107 234 98

HSL 116.03, 0.76%, 0.65%

LAB 83.37, -60.96, 54.49

 

CMYK 58 / 0 / 47 / 8

HEX #62EA7D

RGB 98 234 125

HSL 131.91, 0.76%, 0.65%

LAB 83.4, -59.59, 41.91

 

CMYK 58 / 0 / 31 / 8

HEX #62EAA1

RGB 98 234 161

HSL 147.79, 0.76%, 0.65%

LAB 83.97, -53.46, 24.6

 

CMYK 58 / 0 / 16 / 8

HEX #62EAC5

RGB 98 234 197

HSL 163.68, 0.76%, 0.65%

LAB 84.73, -45.81, 6.91

 

CMYK 86 / 0 / 68 / 14

HEX #1EDB45

RGB 30 219 69

HSL 132.38, 0.76%, 0.49%

LAB 76.9, -71.99, 58.93

 

CMYK 73 / 0 / 58 / 10

HEX #3EE560

RGB 62 229 96

HSL 132.22, 0.76%, 0.57%

LAB 80.69, -68.5, 51.98

 

CMYK 58 / 0 / 46 / 8

HEX #62EA7E

RGB 98 234 126

HSL 132.35, 0.76%, 0.65%

LAB 83.42, -59.44, 41.45

 

CMYK 44 / 0 / 35 / 6

HEX #86EF9C

RGB 134 239 156

HSL 132.57, 0.77%, 0.73%

LAB 86.6, -47.72, 30.91

 

CMYK 30 / 0 / 23 / 5

HEX #ABF3BA

RGB 171 243 186

HSL 132.5, 0.75%, 0.81%

LAB 90, -33.51, 20.5

 

CMYK 58 / 0 / 46 / 8

HEX #63EA7F

RGB 99 234 127

HSL 132.44, 0.76%, 0.65%

LAB 83.46, -59.07, 41.02

 

CMYK 58 / 24 / 0 / 8

HEX #62B3EA

RGB 98 179 234

HSL 204.26, 0.76%, 0.65%

LAB 70.02, -8.98, -34.99

 

CMYK 0 / 58 / 47 / 8

HEX #EA627D

RGB 234 98 125

HSL 348.09, 0.76%, 0.65%

LAB 59.62, 54.87, 12.08

 

CMYK 58 / 0 / 46 / 8

HEX #63EA7F

RGB 99 234 127

HSL 132.44, 0.76%, 0.65%

LAB 83.46, -59.07, 41.02

 

CMYK 47 / 58 / 0 / 8

HEX #7D62EA

RGB 125 98 234

HSL 251.91, 0.76%, 0.65%

LAB 50.73, 43.78, -65.46

 

CMYK 0 / 47 / 58 / 8

HEX #EA7D62

RGB 234 125 98

HSL 11.91, 0.76%, 0.65%

LAB 64.19, 39.56, 33.52

 

CMYK 58 / 0 / 46 / 8

HEX #63EA7F

RGB 99 234 127

HSL 132.44, 0.76%, 0.65%

LAB 83.46, -59.07, 41.02

 

CMYK 58 / 24 / 0 / 8

HEX #62B3EA

RGB 98 179 234

HSL 204.26, 0.76%, 0.65%

LAB 70.02, -8.98, -34.99

 

CMYK 0 / 58 / 12 / 8

HEX #EA62CE

RGB 234 98 206

HSL 312.35, 0.76%, 0.65%

LAB 62.24, 64.87, -30.61

 

CMYK 0 / 35 / 58 / 8

HEX #EA9862

RGB 234 152 98

HSL 23.82, 0.76%, 0.65%

LAB 70.06, 25.47, 40.81

 

CMYK 58 / 0 / 46 / 8

HEX #63EA7F

RGB 99 234 127

HSL 132.44, 0.76%, 0.65%

LAB 83.46, -59.07, 41.02

 

CMYK 58 / 41 / 0 / 8

HEX #628BEA

RGB 98 139 234

HSL 221.91, 0.76%, 0.65%

LAB 58.98, 13.9, -52.34

 

CMYK 0 / 58 / 12 / 8

HEX #EA62CE

RGB 234 98 206

HSL 312.35, 0.76%, 0.65%

LAB 62.24, 64.87, -30.61

 

CMYK 0 / 18 / 58 / 8

HEX #EAC162

RGB 234 193 98

HSL 41.91, 0.76%, 0.65%

LAB 79.91, 3.79, 52.52

 

Description

Color code: HEX #63EA7F | qconv.com Color code: HEX #63EA7F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 234 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 234 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 46 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 46% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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