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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #63E573 it is the complementary color #9C1A8C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #63E573. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #63E573 shade: #68E56E, #79F781, #8AFF94, #9BFFA7 and #ACFFBA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #63E573. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #63E573 shade: #63E573, #52D360, #41C14D, #30AF3A and #1F9D27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #63E573 shade: #62E472, #75E462, #98E462, #BBE462 and #DFE462

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #63E573 shade: #62E472, #62E495, #62E4B8, #62E4DC and #62CAE4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #63E573 shade matches the following richer shades: #62E472 and #53F367

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #63E573 shade: #62E472, #71D67D, #80C788, #8FB894 and #9DA99F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #63E573 shade: #98E462, #76E462, #62E471, #62E494 and #62E4B7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #63E573 shade: #23D139, #3FDE52, #62E472, #85EA92 and #A9F0B1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #63E573 shade: #63E573, #62BBE4 and #E46287

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #63E573 shade: #63E573, #7162E4 and #E47162

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #63E573 shade: #63E573, #62BBE4, #E462D5 and #E48B62

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #63E573 shade: #63E573, #6294E4, #E462D5 and #E4B262

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 50 / 10

HEX #63E573

RGB 99 229 115

HSL 127.38, 0.71%, 0.64%

LAB 81.8, -58.92, 44.74

 

Complementary color

CMYK 0 / 83 / 10 / 39

HEX #9C1A8C

RGB 156 26 140

HSL 307.38, 0.71%, 0.36%

LAB 37.3, 61.66, -31.69

 

CMYK 55 / 0 / 52 / 10

HEX #68E56E

RGB 104 229 110

HSL 122.88, 0.71%, 0.65%

LAB 81.9, -58.4, 47.26

 

CMYK 51 / 0 / 48 / 3

HEX #79F781

RGB 121 247 129

HSL 123.81, 0.89%, 0.72%

LAB 88.05, -58.49, 45.98

 

CMYK 46 / 0 / 42 / 0

HEX #8AFF94

RGB 138 255 148

HSL 125.13, 1%, 0.77%

LAB 91.26, -54.48, 41.03

 

CMYK 39 / 0 / 35 / 0

HEX #9BFFA7

RGB 155 255 167

HSL 127.2, 1%, 0.8%

LAB 92.26, -46.82, 33.09

 

CMYK 33 / 0 / 27 / 0

HEX #ACFFBA

RGB 172 255 186

HSL 130.12, 1%, 0.84%

LAB 93.38, -38.68, 25.18

 

CMYK 57 / 0 / 50 / 10

HEX #63E573

RGB 99 229 115

HSL 127.38, 0.71%, 0.64%

LAB 81.8, -58.92, 44.74

 

CMYK 61 / 0 / 55 / 17

HEX #52D360

RGB 82 211 96

HSL 126.51, 0.59%, 0.57%

LAB 75.59, -58.63, 46.07

 

CMYK 66 / 0 / 60 / 24

HEX #41C14D

RGB 65 193 77

HSL 125.63, 0.51%, 0.51%

LAB 69.33, -58.07, 47.35

 

CMYK 73 / 0 / 67 / 31

HEX #30AF3A

RGB 48 175 58

HSL 124.72, 0.57%, 0.44%

LAB 63.01, -57.11, 48.49

 

CMYK 80 / 0 / 75 / 38

HEX #1F9D27

RGB 31 157 39

HSL 123.81, 0.67%, 0.37%

LAB 56.64, -55.55, 49.24

 

CMYK 57 / 0 / 50 / 11

HEX #62E472

RGB 98 228 114

HSL 127.38, 0.71%, 0.64%

LAB 81.46, -58.91, 44.78

 

CMYK 49 / 0 / 57 / 11

HEX #75E462

RGB 117 228 98

HSL 111.23, 0.71%, 0.64%

LAB 81.92, -56.05, 52.91

 

CMYK 33 / 0 / 57 / 11

HEX #98E462

RGB 152 228 98

HSL 95.08, 0.71%, 0.64%

LAB 83.47, -45.2, 55.1

 

CMYK 18 / 0 / 57 / 11

HEX #BBE462

RGB 187 228 98

HSL 78.92, 0.71%, 0.64%

LAB 85.47, -32.56, 57.92

 

CMYK 2 / 0 / 57 / 11

HEX #DFE462

RGB 223 228 98

HSL 62.31, 0.71%, 0.64%

LAB 88, -18.44, 61.45

 

CMYK 57 / 0 / 50 / 11

HEX #62E472

RGB 98 228 114

HSL 127.38, 0.71%, 0.64%

LAB 81.46, -58.91, 44.78

 

CMYK 57 / 0 / 35 / 11

HEX #62E495

RGB 98 228 149

HSL 143.54, 0.71%, 0.64%

LAB 81.98, -53.3, 28.05

 

CMYK 57 / 0 / 19 / 11

HEX #62E4B8

RGB 98 228 184

HSL 159.69, 0.71%, 0.64%

LAB 82.67, -46.19, 10.8

 

CMYK 57 / 0 / 4 / 11

HEX #62E4DC

RGB 98 228 220

HSL 176.31, 0.71%, 0.64%

LAB 83.57, -37.49, -6.9

 

CMYK 57 / 11 / 0 / 11

HEX #62CAE4

RGB 98 202 228

HSL 192, 0.71%, 0.64%

LAB 76.34, -22.81, -22.03

 

CMYK 57 / 0 / 50 / 11

HEX #62E472

RGB 98 228 114

HSL 127.38, 0.71%, 0.64%

LAB 81.46, -58.91, 44.78

 

CMYK 66 / 0 / 58 / 5

HEX #53F367

RGB 83 243 103

HSL 127.5, 0.87%, 0.64%

LAB 85.46, -68.79, 54.56

 

CMYK 57 / 0 / 50 / 11

HEX #62E472

RGB 98 228 114

HSL 127.38, 0.71%, 0.64%

LAB 81.46, -58.91, 44.78

 

CMYK 47 / 0 / 42 / 16

HEX #71D67D

RGB 113 214 125

HSL 127.13, 0.55%, 0.64%

LAB 77.92, -47.98, 35.02

 

CMYK 36 / 0 / 32 / 22

HEX #80C788

RGB 128 199 136

HSL 126.76, 0.39%, 0.64%

LAB 74.33, -35.21, 24.69

 

CMYK 22 / 0 / 20 / 28

HEX #8FB894

RGB 143 184 148

HSL 127.32, 0.22%, 0.64%

LAB 71.05, -20.93, 13.88

 

CMYK 7 / 0 / 6 / 34

HEX #9DA99F

RGB 157 169 159

HSL 130, 0.07%, 0.64%

LAB 68.06, -6.16, 3.7

 

CMYK 33 / 0 / 57 / 11

HEX #98E462

RGB 152 228 98

HSL 95.08, 0.71%, 0.64%

LAB 83.47, -45.2, 55.1

 

CMYK 48 / 0 / 57 / 11

HEX #76E462

RGB 118 228 98

HSL 110.77, 0.71%, 0.64%

LAB 81.96, -55.78, 52.96

 

CMYK 57 / 0 / 50 / 11

HEX #62E471

RGB 98 228 113

HSL 126.92, 0.71%, 0.64%

LAB 81.44, -59.05, 45.24

 

CMYK 57 / 0 / 35 / 11

HEX #62E494

RGB 98 228 148

HSL 143.08, 0.71%, 0.64%

LAB 81.96, -53.49, 28.54

 

CMYK 57 / 0 / 20 / 11

HEX #62E4B7

RGB 98 228 183

HSL 159.23, 0.71%, 0.64%

LAB 82.65, -46.41, 11.29

 

CMYK 83 / 0 / 73 / 18

HEX #23D139

RGB 35 209 57

HSL 127.59, 0.71%, 0.48%

LAB 73.71, -69.64, 60.07

 

CMYK 72 / 0 / 63 / 13

HEX #3FDE52

RGB 63 222 82

HSL 127.17, 0.71%, 0.56%

LAB 78.41, -67.66, 55.45

 

CMYK 57 / 0 / 50 / 11

HEX #62E472

RGB 98 228 114

HSL 127.38, 0.71%, 0.64%

LAB 81.46, -58.91, 44.78

 

CMYK 43 / 0 / 38 / 8

HEX #85EA92

RGB 133 234 146

HSL 127.72, 0.71%, 0.72%

LAB 84.95, -47.51, 33.76

 

CMYK 30 / 0 / 26 / 6

HEX #A9F0B1

RGB 169 240 177

HSL 126.76, 0.7%, 0.8%

LAB 88.89, -34.3, 23.57

 

CMYK 57 / 0 / 50 / 10

HEX #63E573

RGB 99 229 115

HSL 127.38, 0.71%, 0.64%

LAB 81.8, -58.92, 44.74

 

CMYK 57 / 18 / 0 / 11

HEX #62BBE4

RGB 98 187 228

HSL 198.92, 0.71%, 0.64%

LAB 72.05, -15.08, -28.58

 

CMYK 0 / 57 / 41 / 11

HEX #E46287

RGB 228 98 135

HSL 342.92, 0.71%, 0.64%

LAB 58.95, 53.9, 5.18

 

CMYK 57 / 0 / 50 / 10

HEX #63E573

RGB 99 229 115

HSL 127.38, 0.71%, 0.64%

LAB 81.8, -58.92, 44.74

 

CMYK 50 / 57 / 0 / 11

HEX #7162E4

RGB 113 98 228

HSL 246.92, 0.71%, 0.64%

LAB 49.31, 39.62, -64.43

 

CMYK 0 / 50 / 57 / 11

HEX #E47162

RGB 228 113 98

HSL 6.92, 0.71%, 0.64%

LAB 60.95, 43.36, 29.2

 

CMYK 57 / 0 / 50 / 10

HEX #63E573

RGB 99 229 115

HSL 127.38, 0.71%, 0.64%

LAB 81.8, -58.92, 44.74

 

CMYK 57 / 18 / 0 / 11

HEX #62BBE4

RGB 98 187 228

HSL 198.92, 0.71%, 0.64%

LAB 72.05, -15.08, -28.58

 

CMYK 0 / 57 / 7 / 11

HEX #E462D5

RGB 228 98 213

HSL 306.92, 0.71%, 0.64%

LAB 61.68, 64.36, -35.49

 

CMYK 0 / 39 / 57 / 11

HEX #E48B62

RGB 228 139 98

HSL 18.92, 0.71%, 0.64%

LAB 66.4, 29.95, 36.12

 

CMYK 57 / 0 / 50 / 10

HEX #63E573

RGB 99 229 115

HSL 127.38, 0.71%, 0.64%

LAB 81.8, -58.92, 44.74

 

CMYK 57 / 35 / 0 / 11

HEX #6294E4

RGB 98 148 228

HSL 216.92, 0.71%, 0.64%

LAB 61.11, 6.64, -45.62

 

CMYK 0 / 57 / 7 / 11

HEX #E462D5

RGB 228 98 213

HSL 306.92, 0.71%, 0.64%

LAB 61.68, 64.36, -35.49

 

CMYK 0 / 22 / 57 / 11

HEX #E4B262

RGB 228 178 98

HSL 36.92, 0.71%, 0.64%

LAB 75.59, 9.18, 47.31

 

Description

Color code: HEX #63E573 | qconv.com Color code: HEX #63E573 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 229 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 229 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 50 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 50% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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