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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #63E202 it is the complementary color #9C1DFD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #63E202. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #63E202 shade: #68E200, #79F410, #8AFF23, #9BFF36 and #ACFF49

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #63E202. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #63E202 shade: #63E202, #52D000, #41BE00, #30AC00 and #1F9A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #63E202 shade: #64E302, #A0E302, #DDE302, #E3AD02 and #E37002

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #63E202 shade: #64E302, #27E302, #02E31A, #02E357 and #02E394

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #63E202 shade matches the following richer shades: #64E302

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #63E202 shade: #64E302, #66D115, #69BE27, #6BAC3A and #6E994D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #63E202 shade: #DCE302, #A0E302, #64E302, #28E302 and #02E319

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #63E202 shade: #409201, #52BA02, #64E302, #78FD12 and #8FFD3B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #63E202 shade: #63E202, #02E3AF and #E302BE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #63E202 shade: #63E202, #0264E3 and #E30264

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #63E202 shade: #63E202, #02E3AF, #8202E3 and #E30237

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #63E202 shade: #63E202, #02D4E3, #8202E3 and #E31102

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 99 / 11

HEX #63E202

RGB 99 226 2

HSL 94.02, 0.98%, 0.45%

LAB 80.21, -65.58, 77.59

 

Complementary color

CMYK 38 / 89 / 0 / 1

HEX #9C1DFD

RGB 156 29 253

HSL 274.02, 0.98%, 0.55%

LAB 45.69, 81.51, -84.18

 

CMYK 54 / 0 / 100 / 11

HEX #68E200

RGB 104 226 0

HSL 92.39, 1%, 0.44%

LAB 80.37, -64.29, 77.97

 

CMYK 50 / 0 / 93 / 4

HEX #79F410

RGB 121 244 16

HSL 92.37, 0.91%, 0.51%

LAB 86.41, -65.69, 81.63

 

CMYK 46 / 0 / 86 / 0

HEX #8AFF23

RGB 138 255 35

HSL 91.91, 1%, 0.57%

LAB 90.34, -64.26, 82.38

 

CMYK 39 / 0 / 79 / 0

HEX #9BFF36

RGB 155 255 54

HSL 89.85, 1%, 0.61%

LAB 91.12, -58.26, 79.03

 

CMYK 33 / 0 / 71 / 0

HEX #ACFF49

RGB 172 255 73

HSL 87.36, 1%, 0.64%

LAB 92.03, -51.59, 74.4

 

CMYK 56 / 0 / 99 / 11

HEX #63E202

RGB 99 226 2

HSL 94.02, 0.98%, 0.45%

LAB 80.21, -65.58, 77.59

 

CMYK 61 / 0 / 100 / 18

HEX #52D000

RGB 82 208 0

HSL 96.35, 1%, 0.41%

LAB 74.13, -63.77, 72.76

 

CMYK 66 / 0 / 100 / 25

HEX #41BE00

RGB 65 190 0

HSL 99.47, 1%, 0.37%

LAB 67.98, -61.69, 67.69

 

CMYK 72 / 0 / 100 / 33

HEX #30AC00

RGB 48 172 0

HSL 103.26, 1%, 0.34%

LAB 61.77, -59.3, 62.59

 

CMYK 80 / 0 / 100 / 40

HEX #1F9A00

RGB 31 154 0

HSL 107.92, 1%, 0.3%

LAB 55.48, -56.45, 57.44

 

CMYK 56 / 0 / 99 / 11

HEX #64E302

RGB 100 227 2

HSL 93.87, 0.98%, 0.45%

LAB 80.54, -65.66, 77.88

 

CMYK 30 / 0 / 99 / 11

HEX #A0E302

RGB 160 227 2

HSL 77.87, 0.98%, 0.45%

LAB 83.13, -46.53, 81.01

 

CMYK 3 / 0 / 99 / 11

HEX #DDE302

RGB 221 227 2

HSL 61.6, 0.98%, 0.45%

LAB 87.15, -22.23, 85.81

 

CMYK 0 / 24 / 99 / 11

HEX #E3AD02

RGB 227 173 2

HSL 45.6, 0.98%, 0.45%

LAB 73.69, 7.76, 76.39

 

CMYK 0 / 51 / 99 / 11

HEX #E37002

RGB 227 112 2

HSL 29.33, 0.98%, 0.45%

LAB 59.82, 39.86, 67.3

 

CMYK 56 / 0 / 99 / 11

HEX #64E302

RGB 100 227 2

HSL 93.87, 0.98%, 0.45%

LAB 80.54, -65.66, 77.88

 

CMYK 83 / 0 / 99 / 11

HEX #27E302

RGB 39 227 2

HSL 110.13, 0.98%, 0.45%

LAB 79.26, -76.64, 76.3

 

CMYK 99 / 0 / 89 / 11

HEX #02E31A

RGB 2 227 26

HSL 126.4, 0.98%, 0.45%

LAB 79.06, -78.3, 73.24

 

CMYK 99 / 0 / 62 / 11

HEX #02E357

RGB 2 227 87

HSL 142.67, 0.98%, 0.45%

LAB 79.41, -73.81, 54.29

 

CMYK 99 / 0 / 35 / 11

HEX #02E394

RGB 2 227 148

HSL 158.93, 0.98%, 0.45%

LAB 80.23, -63.93, 25.97

 

CMYK 56 / 0 / 99 / 11

HEX #64E302

RGB 100 227 2

HSL 93.87, 0.98%, 0.45%

LAB 80.54, -65.66, 77.88

 

CMYK 56 / 0 / 99 / 11

HEX #64E302

RGB 100 227 2

HSL 93.87, 0.98%, 0.45%

LAB 80.54, -65.66, 77.88

 

CMYK 51 / 0 / 90 / 18

HEX #66D115

RGB 102 209 21

HSL 94.15, 0.82%, 0.45%

LAB 75.13, -58.46, 71.41

 

CMYK 45 / 0 / 79 / 25

HEX #69BE27

RGB 105 190 39

HSL 93.77, 0.66%, 0.45%

LAB 69.45, -49.67, 62.4

 

CMYK 38 / 0 / 66 / 33

HEX #6BAC3A

RGB 107 172 58

HSL 94.21, 0.5%, 0.45%

LAB 64.11, -40.27, 50.28

 

CMYK 28 / 0 / 50 / 40

HEX #6E994D

RGB 110 153 77

HSL 93.95, 0.33%, 0.45%

LAB 58.63, -28.52, 35.1

 

CMYK 3 / 0 / 99 / 11

HEX #DCE302

RGB 220 227 2

HSL 61.87, 0.98%, 0.45%

LAB 87.07, -22.65, 85.72

 

CMYK 30 / 0 / 99 / 11

HEX #A0E302

RGB 160 227 2

HSL 77.87, 0.98%, 0.45%

LAB 83.13, -46.53, 81.01

 

CMYK 56 / 0 / 99 / 11

HEX #64E302

RGB 100 227 2

HSL 93.87, 0.98%, 0.45%

LAB 80.54, -65.66, 77.88

 

CMYK 82 / 0 / 99 / 11

HEX #28E302

RGB 40 227 2

HSL 109.87, 0.98%, 0.45%

LAB 79.27, -76.54, 76.32

 

CMYK 99 / 0 / 89 / 11

HEX #02E319

RGB 2 227 25

HSL 126.13, 0.98%, 0.45%

LAB 79.05, -78.33, 73.41

 

CMYK 56 / 0 / 99 / 43

HEX #409201

RGB 64 146 1

HSL 93.93, 0.99%, 0.29%

LAB 53.65, -46.65, 56.17

 

CMYK 56 / 0 / 99 / 27

HEX #52BA02

RGB 82 186 2

HSL 93.91, 0.98%, 0.37%

LAB 67.21, -56.17, 67.06

 

CMYK 56 / 0 / 99 / 11

HEX #64E302

RGB 100 227 2

HSL 93.87, 0.98%, 0.45%

LAB 80.54, -65.66, 77.88

 

CMYK 53 / 0 / 93 / 1

HEX #78FD12

RGB 120 253 18

HSL 93.96, 0.98%, 0.53%

LAB 89.06, -69.06, 83.55

 

CMYK 43 / 0 / 77 / 1

HEX #8FFD3B

RGB 143 253 59

HSL 94.02, 0.98%, 0.61%

LAB 90.05, -61.04, 76.44

 

CMYK 56 / 0 / 99 / 11

HEX #63E202

RGB 99 226 2

HSL 94.02, 0.98%, 0.45%

LAB 80.21, -65.58, 77.59

 

CMYK 99 / 0 / 23 / 11

HEX #02E3AF

RGB 2 227 175

HSL 166.13, 0.98%, 0.45%

LAB 80.76, -57.92, 12.63

 

CMYK 0 / 99 / 16 / 11

HEX #E302BE

RGB 227 2 190

HSL 309.87, 0.98%, 0.45%

LAB 51.94, 84.92, -37.6

 

CMYK 56 / 0 / 99 / 11

HEX #63E202

RGB 99 226 2

HSL 94.02, 0.98%, 0.45%

LAB 80.21, -65.58, 77.59

 

CMYK 99 / 56 / 0 / 11

HEX #0264E3

RGB 2 100 227

HSL 213.87, 0.98%, 0.45%

LAB 45.18, 25.77, -70.77

 

CMYK 0 / 99 / 56 / 11

HEX #E30264

RGB 227 2 100

HSL 333.87, 0.98%, 0.45%

LAB 48.63, 76.37, 11.45

 

CMYK 56 / 0 / 99 / 11

HEX #63E202

RGB 99 226 2

HSL 94.02, 0.98%, 0.45%

LAB 80.21, -65.58, 77.59

 

CMYK 99 / 0 / 23 / 11

HEX #02E3AF

RGB 2 227 175

HSL 166.13, 0.98%, 0.45%

LAB 80.76, -57.92, 12.63

 

CMYK 43 / 99 / 0 / 11

HEX #8202E3

RGB 130 2 227

HSL 274.13, 0.98%, 0.45%

LAB 38.44, 77.35, -81.55

 

CMYK 0 / 99 / 76 / 11

HEX #E30237

RGB 227 2 55

HSL 345.87, 0.98%, 0.45%

LAB 47.82, 74.17, 37.83

 

CMYK 56 / 0 / 99 / 11

HEX #63E202

RGB 99 226 2

HSL 94.02, 0.98%, 0.45%

LAB 80.21, -65.58, 77.59

 

CMYK 99 / 7 / 0 / 11

HEX #02D4E3

RGB 2 212 227

HSL 184, 0.98%, 0.45%

LAB 77.67, -37.23, -19.62

 

CMYK 43 / 99 / 0 / 11

HEX #8202E3

RGB 130 2 227

HSL 274.13, 0.98%, 0.45%

LAB 38.44, 77.35, -81.55

 

CMYK 0 / 93 / 99 / 11

HEX #E31102

RGB 227 17 2

HSL 4, 0.98%, 0.45%

LAB 47.93, 71.89, 61.16

 

Description

Color code: HEX #63E202 | qconv.com Color code: HEX #63E202 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 226 green and 2 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 226 2 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 99 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 99% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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