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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #63E140 it is the complementary color #9C1EBF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #63E140. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #63E140 shade: #68E13B, #79F34E, #8AFF61, #9BFF74 and #ACFF87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #63E140. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #63E140 shade: #63E140, #52CF2D, #41BD1A, #30AB07 and #1F9900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #63E140 shade: #64E141, #8FE141, #BAE141, #E1DD41 and #E1B241

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #63E140 shade: #64E141, #41E14A, #41E175, #41E1A0 and #41E1CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #63E140 shade matches the following richer shades: #64E141 and #5AF330

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #63E140 shade: #64E141, #6ED053, #78BE65, #82AC77 and #8C9A88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #63E140 shade: #BCE141, #91E141, #67E141, #41E147 and #41E171

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #63E140 shade: #3DB41C, #49D822, #64E141, #81E765 and #9EED89

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #63E140 shade: #63E140, #41E1DC and #E141A7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #63E140 shade: #63E140, #4167E1 and #E14167

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #63E140 shade: #63E140, #41E1DC, #BC41E1 and #E14147

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #63E140 shade: #63E140, #41B7E1, #BC41E1 and #E16C41

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 72 / 12

HEX #63E140

RGB 99 225 64

HSL 106.96, 0.73%, 0.57%

LAB 80.11, -62.85, 64.55

 

Complementary color

CMYK 18 / 84 / 0 / 25

HEX #9C1EBF

RGB 156 30 191

HSL 286.96, 0.73%, 0.43%

LAB 40.83, 69.22, -56.64

 

CMYK 54 / 0 / 74 / 12

HEX #68E13B

RGB 104 225 59

HSL 103.73, 0.73%, 0.56%

LAB 80.24, -61.91, 66.45

 

CMYK 50 / 0 / 68 / 5

HEX #79F34E

RGB 121 243 78

HSL 104.36, 0.87%, 0.63%

LAB 86.36, -62.48, 66.13

 

CMYK 46 / 0 / 62 / 0

HEX #8AFF61

RGB 138 255 97

HSL 104.43, 1%, 0.69%

LAB 90.68, -60.57, 63.5

 

CMYK 39 / 0 / 55 / 0

HEX #9BFF74

RGB 155 255 116

HSL 103.17, 1%, 0.73%

LAB 91.57, -53.61, 56.56

 

CMYK 33 / 0 / 47 / 0

HEX #ACFF87

RGB 172 255 135

HSL 101.5, 1%, 0.76%

LAB 92.59, -46.06, 49.26

 

CMYK 56 / 0 / 72 / 12

HEX #63E140

RGB 99 225 64

HSL 106.96, 0.73%, 0.57%

LAB 80.11, -62.85, 64.55

 

CMYK 60 / 0 / 78 / 19

HEX #52CF2D

RGB 82 207 45

HSL 106.3, 0.64%, 0.49%

LAB 73.94, -61.99, 64.55

 

CMYK 66 / 0 / 86 / 26

HEX #41BD1A

RGB 65 189 26

HSL 105.64, 0.76%, 0.42%

LAB 67.72, -60.7, 63.66

 

CMYK 72 / 0 / 96 / 33

HEX #30AB07

RGB 48 171 7

HSL 105, 0.92%, 0.35%

LAB 61.45, -58.82, 61.39

 

CMYK 80 / 0 / 100 / 40

HEX #1F9900

RGB 31 153 0

HSL 107.84, 1%, 0.3%

LAB 55.15, -56.15, 57.18

 

CMYK 56 / 0 / 71 / 12

HEX #64E141

RGB 100 225 65

HSL 106.88, 0.73%, 0.57%

LAB 80.15, -62.53, 64.24

 

CMYK 36 / 0 / 71 / 12

HEX #8FE141

RGB 143 225 65

HSL 90.75, 0.73%, 0.57%

LAB 81.88, -49.68, 66.55

 

CMYK 17 / 0 / 71 / 12

HEX #BAE141

RGB 186 225 65

HSL 74.63, 0.73%, 0.57%

LAB 84.31, -33.86, 69.78

 

CMYK 0 / 2 / 71 / 12

HEX #E1DD41

RGB 225 221 65

HSL 58.5, 0.73%, 0.57%

LAB 86.06, -16.14, 72.45

 

CMYK 0 / 21 / 71 / 12

HEX #E1B241

RGB 225 178 65

HSL 42.38, 0.73%, 0.57%

LAB 74.97, 5.86, 61.53

 

CMYK 56 / 0 / 71 / 12

HEX #64E141

RGB 100 225 65

HSL 106.88, 0.73%, 0.57%

LAB 80.15, -62.53, 64.24

 

CMYK 71 / 0 / 67 / 12

HEX #41E14A

RGB 65 225 74

HSL 123.38, 0.73%, 0.57%

LAB 79.31, -69.1, 59.71

 

CMYK 71 / 0 / 48 / 12

HEX #41E175

RGB 65 225 117

HSL 139.5, 0.73%, 0.57%

LAB 79.76, -63.79, 41.05

 

CMYK 71 / 0 / 29 / 12

HEX #41E1A0

RGB 65 225 160

HSL 155.63, 0.73%, 0.57%

LAB 80.47, -55.89, 20.17

 

CMYK 71 / 0 / 10 / 12

HEX #41E1CB

RGB 65 225 203

HSL 171.75, 0.73%, 0.57%

LAB 81.45, -45.7, -1.11

 

CMYK 56 / 0 / 71 / 12

HEX #64E141

RGB 100 225 65

HSL 106.88, 0.73%, 0.57%

LAB 80.15, -62.53, 64.24

 

CMYK 63 / 0 / 80 / 5

HEX #5AF330

RGB 90 243 48

HSL 107.08, 0.89%, 0.57%

LAB 85.24, -71.97, 74.36

 

CMYK 56 / 0 / 71 / 12

HEX #64E141

RGB 100 225 65

HSL 106.88, 0.73%, 0.57%

LAB 80.15, -62.53, 64.24

 

CMYK 47 / 0 / 60 / 18

HEX #6ED053

RGB 110 208 83

HSL 107.04, 0.57%, 0.57%

LAB 75.48, -51.83, 52.1

 

CMYK 37 / 0 / 47 / 25

HEX #78BE65

RGB 120 190 101

HSL 107.19, 0.41%, 0.57%

LAB 70.7, -39.03, 37.98

 

CMYK 24 / 0 / 31 / 33

HEX #82AC77

RGB 130 172 119

HSL 107.55, 0.24%, 0.57%

LAB 66.2, -24.46, 22.82

 

CMYK 9 / 0 / 12 / 40

HEX #8C9A88

RGB 140 154 136

HSL 106.67, 0.08%, 0.57%

LAB 62.05, -8.5, 7.76

 

CMYK 16 / 0 / 71 / 12

HEX #BCE141

RGB 188 225 65

HSL 73.88, 0.73%, 0.57%

LAB 84.44, -33.07, 69.95

 

CMYK 36 / 0 / 71 / 12

HEX #91E141

RGB 145 225 65

HSL 90, 0.73%, 0.57%

LAB 81.97, -49, 66.68

 

CMYK 54 / 0 / 71 / 12

HEX #67E141

RGB 103 225 65

HSL 105.75, 0.73%, 0.57%

LAB 80.24, -61.76, 64.37

 

CMYK 71 / 0 / 68 / 12

HEX #41E147

RGB 65 225 71

HSL 122.25, 0.73%, 0.57%

LAB 79.29, -69.38, 60.84

 

CMYK 71 / 0 / 50 / 12

HEX #41E171

RGB 65 225 113

HSL 138, 0.73%, 0.57%

LAB 79.71, -64.39, 42.92

 

CMYK 66 / 0 / 84 / 29

HEX #3DB41C

RGB 61 180 28

HSL 106.97, 0.73%, 0.41%

LAB 64.74, -58.48, 60.5

 

CMYK 66 / 0 / 84 / 15

HEX #49D822

RGB 73 216 34

HSL 107.14, 0.73%, 0.49%

LAB 76.46, -67.48, 69.68

 

CMYK 56 / 0 / 71 / 12

HEX #64E141

RGB 100 225 65

HSL 106.88, 0.73%, 0.57%

LAB 80.15, -62.53, 64.24

 

CMYK 44 / 0 / 56 / 9

HEX #81E765

RGB 129 231 101

HSL 107.08, 0.73%, 0.65%

LAB 83.32, -53.46, 53.31

 

CMYK 33 / 0 / 42 / 7

HEX #9EED89

RGB 158 237 137

HSL 107.4, 0.74%, 0.73%

LAB 86.82, -42.55, 40.89

 

CMYK 56 / 0 / 72 / 12

HEX #63E140

RGB 99 225 64

HSL 106.96, 0.73%, 0.57%

LAB 80.11, -62.85, 64.55

 

CMYK 71 / 0 / 2 / 12

HEX #41E1DC

RGB 65 225 220

HSL 178.13, 0.73%, 0.57%

LAB 81.92, -41.14, -9.45

 

CMYK 0 / 71 / 26 / 12

HEX #E141A7

RGB 225 65 167

HSL 321.75, 0.73%, 0.57%

LAB 54.64, 69.97, -20.02

 

CMYK 56 / 0 / 72 / 12

HEX #63E140

RGB 99 225 64

HSL 106.96, 0.73%, 0.57%

LAB 80.11, -62.85, 64.55

 

CMYK 71 / 54 / 0 / 12

HEX #4167E1

RGB 65 103 225

HSL 225.75, 0.73%, 0.57%

LAB 47.31, 27.53, -66.11

 

CMYK 0 / 71 / 54 / 12

HEX #E14167

RGB 225 65 103

HSL 345.75, 0.73%, 0.57%

LAB 52.69, 63.61, 15.2

 

CMYK 56 / 0 / 72 / 12

HEX #63E140

RGB 99 225 64

HSL 106.96, 0.73%, 0.57%

LAB 80.11, -62.85, 64.55

 

CMYK 71 / 0 / 2 / 12

HEX #41E1DC

RGB 65 225 220

HSL 178.13, 0.73%, 0.57%

LAB 81.92, -41.14, -9.45

 

CMYK 16 / 71 / 0 / 12

HEX #BC41E1

RGB 188 65 225

HSL 286.13, 0.73%, 0.57%

LAB 51.73, 70.54, -58.4

 

CMYK 0 / 71 / 68 / 12

HEX #E14147

RGB 225 65 71

HSL 357.75, 0.73%, 0.57%

LAB 52.11, 61.63, 33.41

 

CMYK 56 / 0 / 72 / 12

HEX #63E140

RGB 99 225 64

HSL 106.96, 0.73%, 0.57%

LAB 80.11, -62.85, 64.55

 

CMYK 71 / 19 / 0 / 12

HEX #41B7E1

RGB 65 183 225

HSL 195.75, 0.73%, 0.57%

LAB 69.77, -19.34, -30.54

 

CMYK 16 / 71 / 0 / 12

HEX #BC41E1

RGB 188 65 225

HSL 286.13, 0.73%, 0.57%

LAB 51.73, 70.54, -58.4

 

CMYK 0 / 52 / 71 / 12

HEX #E16C41

RGB 225 108 65

HSL 16.13, 0.73%, 0.57%

LAB 59.08, 42.67, 44.77

 

Description

Color code: HEX #63E140 | qconv.com Color code: HEX #63E140 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 225 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 225 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 72 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 72% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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