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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #63E118 it is the complementary color #9C1EE7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #63E118. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #63E118 shade: #68E113, #79F326, #8AFF39, #9BFF4C and #ACFF5F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #63E118. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #63E118 shade: #63E118, #52CF05, #41BD00, #30AB00 and #1F9900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #63E118 shade: #63E218, #9AE218, #D0E218, #E2BD18 and #E28718

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #63E118 shade: #63E218, #2DE218, #18E239, #18E270 and #18E2A7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #63E118 shade matches the following richer shades: #63E218 and #5EF604

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #63E118 shade: #63E218, #68CE2C, #6EBA40, #73A654 and #789169

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #63E118 shade: #D1E218, #9BE218, #65E218, #2FE218 and #18E236

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #63E118 shade: #429710, #53BD14, #63E218, #7BEA39 and #94EE5E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #63E118 shade: #63E118, #18E2BD and #E218B6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #63E118 shade: #63E118, #1865E2 and #E21865

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #63E118 shade: #63E118, #18E2BD, #9518E2 and #E2183D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #63E118 shade: #63E118, #18CBE2, #9518E2 and #E22F18

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 89 / 12

HEX #63E118

RGB 99 225 24

HSL 97.61, 0.81%, 0.49%

LAB 79.94, -64.83, 74.92

 

Complementary color

CMYK 32 / 87 / 0 / 9

HEX #9C1EE7

RGB 156 30 231

HSL 277.61, 0.81%, 0.51%

LAB 43.9, 76.88, -74.73

 

CMYK 54 / 0 / 92 / 12

HEX #68E113

RGB 104 225 19

HSL 95.24, 0.84%, 0.48%

LAB 80.09, -63.64, 75.86

 

CMYK 50 / 0 / 84 / 5

HEX #79F326

RGB 121 243 38

HSL 95.71, 0.9%, 0.55%

LAB 86.16, -64.76, 77.92

 

CMYK 46 / 0 / 78 / 0

HEX #8AFF39

RGB 138 255 57

HSL 95.45, 1%, 0.61%

LAB 90.42, -63.39, 77.29

 

CMYK 39 / 0 / 70 / 0

HEX #9BFF4C

RGB 155 255 76

HSL 93.52, 1%, 0.65%

LAB 91.24, -57.05, 72.31

 

CMYK 33 / 0 / 63 / 0

HEX #ACFF5F

RGB 172 255 95

HSL 91.13, 1%, 0.69%

LAB 92.18, -50.06, 66.4

 

CMYK 56 / 0 / 89 / 12

HEX #63E118

RGB 99 225 24

HSL 97.61, 0.81%, 0.49%

LAB 79.94, -64.83, 74.92

 

CMYK 60 / 0 / 98 / 19

HEX #52CF05

RGB 82 207 5

HSL 97.13, 0.95%, 0.42%

LAB 73.82, -63.35, 72

 

CMYK 66 / 0 / 100 / 26

HEX #41BD00

RGB 65 189 0

HSL 99.37, 1%, 0.37%

LAB 67.66, -61.37, 67.44

 

CMYK 72 / 0 / 100 / 33

HEX #30AB00

RGB 48 171 0

HSL 103.16, 1%, 0.34%

LAB 61.44, -58.98, 62.33

 

CMYK 80 / 0 / 100 / 40

HEX #1F9900

RGB 31 153 0

HSL 107.84, 1%, 0.3%

LAB 55.15, -56.15, 57.18

 

CMYK 56 / 0 / 89 / 11

HEX #63E218

RGB 99 226 24

HSL 97.72, 0.81%, 0.49%

LAB 80.24, -65.17, 75.18

 

CMYK 32 / 0 / 89 / 11

HEX #9AE218

RGB 154 226 24

HSL 81.39, 0.81%, 0.49%

LAB 82.56, -47.98, 78.04

 

CMYK 8 / 0 / 89 / 11

HEX #D0E218

RGB 208 226 24

HSL 65.35, 0.81%, 0.49%

LAB 85.94, -26.89, 82.19

 

CMYK 0 / 16 / 89 / 11

HEX #E2BD18

RGB 226 189 24

HSL 49.01, 0.81%, 0.49%

LAB 77.66, -0.8, 76.33

 

CMYK 0 / 40 / 89 / 11

HEX #E28718

RGB 226 135 24

HSL 32.97, 0.81%, 0.49%

LAB 64.61, 27.82, 66.32

 

CMYK 56 / 0 / 89 / 11

HEX #63E218

RGB 99 226 24

HSL 97.72, 0.81%, 0.49%

LAB 80.24, -65.17, 75.18

 

CMYK 80 / 0 / 89 / 11

HEX #2DE218

RGB 45 226 24

HSL 113.76, 0.81%, 0.49%

LAB 79.05, -75.26, 73.69

 

CMYK 89 / 0 / 75 / 11

HEX #18E239

RGB 24 226 57

HSL 129.8, 0.81%, 0.49%

LAB 78.97, -75.45, 65.34

 

CMYK 89 / 0 / 50 / 11

HEX #18E270

RGB 24 226 112

HSL 146.14, 0.81%, 0.49%

LAB 79.48, -69.23, 42.99

 

CMYK 89 / 0 / 26 / 11

HEX #18E2A7

RGB 24 226 167

HSL 162.48, 0.81%, 0.49%

LAB 80.39, -58.65, 16.32

 

CMYK 56 / 0 / 89 / 11

HEX #63E218

RGB 99 226 24

HSL 97.72, 0.81%, 0.49%

LAB 80.24, -65.17, 75.18

 

CMYK 62 / 0 / 98 / 4

HEX #5EF604

RGB 94 246 4

HSL 97.69, 0.97%, 0.49%

LAB 86.16, -73.3, 82.1

 

CMYK 56 / 0 / 89 / 11

HEX #63E218

RGB 99 226 24

HSL 97.72, 0.81%, 0.49%

LAB 80.24, -65.17, 75.18

 

CMYK 50 / 0 / 79 / 19

HEX #68CE2C

RGB 104 206 44

HSL 97.78, 0.65%, 0.49%

LAB 74.36, -55.86, 65.5

 

CMYK 41 / 0 / 66 / 27

HEX #6EBA40

RGB 110 186 64

HSL 97.38, 0.49%, 0.49%

LAB 68.61, -44.7, 52.65

 

CMYK 31 / 0 / 49 / 35

HEX #73A654

RGB 115 166 84

HSL 97.32, 0.33%, 0.49%

LAB 62.98, -32, 36.92

 

CMYK 17 / 0 / 28 / 43

HEX #789169

RGB 120 145 105

HSL 97.5, 0.16%, 0.49%

LAB 57.33, -16.62, 18.39

 

CMYK 8 / 0 / 89 / 11

HEX #D1E218

RGB 209 226 24

HSL 65.05, 0.81%, 0.49%

LAB 86.01, -26.48, 82.28

 

CMYK 31 / 0 / 89 / 11

HEX #9BE218

RGB 155 226 24

HSL 81.09, 0.81%, 0.49%

LAB 82.61, -47.62, 78.11

 

CMYK 55 / 0 / 89 / 11

HEX #65E218

RGB 101 226 24

HSL 97.13, 0.81%, 0.49%

LAB 80.31, -64.66, 75.26

 

CMYK 79 / 0 / 89 / 11

HEX #2FE218

RGB 47 226 24

HSL 113.17, 0.81%, 0.49%

LAB 79.08, -75.02, 73.73

 

CMYK 89 / 0 / 76 / 11

HEX #18E236

RGB 24 226 54

HSL 128.91, 0.81%, 0.49%

LAB 78.96, -75.66, 66.28

 

CMYK 56 / 0 / 89 / 41

HEX #429710

RGB 66 151 16

HSL 97.78, 0.81%, 0.33%

LAB 55.41, -47.52, 55.08

 

CMYK 56 / 0 / 89 / 26

HEX #53BD14

RGB 83 189 20

HSL 97.63, 0.81%, 0.41%

LAB 68.23, -56.57, 65.5

 

CMYK 56 / 0 / 89 / 11

HEX #63E218

RGB 99 226 24

HSL 97.72, 0.81%, 0.49%

LAB 80.24, -65.17, 75.18

 

CMYK 47 / 0 / 76 / 8

HEX #7BEA39

RGB 123 234 57

HSL 97.63, 0.81%, 0.57%

LAB 83.63, -60.02, 70.64

 

CMYK 38 / 0 / 61 / 7

HEX #94EE5E

RGB 148 238 94

HSL 97.5, 0.81%, 0.65%

LAB 86.13, -51.09, 59.8

 

CMYK 56 / 0 / 89 / 12

HEX #63E118

RGB 99 225 24

HSL 97.61, 0.81%, 0.49%

LAB 79.94, -64.83, 74.92

 

CMYK 89 / 0 / 16 / 11

HEX #18E2BD

RGB 24 226 189

HSL 169.01, 0.81%, 0.49%

LAB 80.88, -53.32, 5.43

 

CMYK 0 / 89 / 19 / 11

HEX #E218B6

RGB 226 24 182

HSL 313.07, 0.81%, 0.49%

LAB 52.06, 81.74, -32.77

 

CMYK 56 / 0 / 89 / 12

HEX #63E118

RGB 99 225 24

HSL 97.61, 0.81%, 0.49%

LAB 79.94, -64.83, 74.92

 

CMYK 89 / 55 / 0 / 11

HEX #1865E2

RGB 24 101 226

HSL 217.13, 0.81%, 0.49%

LAB 45.62, 25.49, -69.48

 

CMYK 0 / 89 / 55 / 11

HEX #E21865

RGB 226 24 101

HSL 337.13, 0.81%, 0.49%

LAB 49.21, 74.02, 11.61

 

CMYK 56 / 0 / 89 / 12

HEX #63E118

RGB 99 225 24

HSL 97.61, 0.81%, 0.49%

LAB 79.94, -64.83, 74.92

 

CMYK 89 / 0 / 16 / 11

HEX #18E2BD

RGB 24 226 189

HSL 169.01, 0.81%, 0.49%

LAB 80.88, -53.32, 5.43

 

CMYK 34 / 89 / 0 / 11

HEX #9518E2

RGB 149 24 226

HSL 277.13, 0.81%, 0.49%

LAB 42.05, 76.21, -74.94

 

CMYK 0 / 89 / 73 / 11

HEX #E2183D

RGB 226 24 61

HSL 349.01, 0.81%, 0.49%

LAB 48.46, 71.91, 34.98

 

CMYK 56 / 0 / 89 / 12

HEX #63E118

RGB 99 225 24

HSL 97.61, 0.81%, 0.49%

LAB 79.94, -64.83, 74.92

 

CMYK 89 / 10 / 0 / 11

HEX #18CBE2

RGB 24 203 226

HSL 186.83, 0.81%, 0.49%

LAB 75.07, -32.62, -23.01

 

CMYK 34 / 89 / 0 / 11

HEX #9518E2

RGB 149 24 226

HSL 277.13, 0.81%, 0.49%

LAB 42.05, 76.21, -74.94

 

CMYK 0 / 79 / 89 / 11

HEX #E22F18

RGB 226 47 24

HSL 6.83, 0.81%, 0.49%

LAB 49.82, 66.1, 55.34

 

Description

Color code: HEX #63E118 | qconv.com Color code: HEX #63E118 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 225 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 225 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 89 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 89% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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