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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #63DF2D it is the complementary color #9C20D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #63DF2D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #63DF2D shade: #68DF28, #79F13B, #8AFF4E, #9BFF61 and #ACFF74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #63DF2D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #63DF2D shade: #63DF2D, #52CD1A, #41BB07, #30A900 and #1F9700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #63DF2D shade: #64E02E, #94E02E, #C4E02E, #E0CC2E and #E09C2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #63DF2D shade: #64E02E, #34E02E, #2EE058, #2EE088 and #2EE0B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #63DF2D shade matches the following richer shades: #64E02E and #5DF31B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #63DF2D shade: #64E02E, #6CCC42, #74B955, #7BA669 and #83927C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #63DF2D shade: #C5E02E, #96E02E, #67E02E, #37E02E and #2EE055

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #63DF2D shade: #43A318, #51C71E, #64E02E, #7FE552 and #9AEB76

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #63DF2D shade: #63DF2D, #2EE0CB and #E02EAE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #63DF2D shade: #63DF2D, #2E67E0 and #E02E67

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #63DF2D shade: #63DF2D, #2EE0CB, #A82EE0 and #E02E43

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #63DF2D shade: #63DF2D, #2EBFE0, #A82EE0 and #E04F2E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 80 / 13

HEX #63DF2D

RGB 99 223 45

HSL 101.8, 0.74%, 0.53%

LAB 79.4, -63.33, 69.85

 

Complementary color

CMYK 26 / 85 / 0 / 18

HEX #9C20D2

RGB 156 32 210

HSL 281.8, 0.74%, 0.47%

LAB 42.39, 72.31, -65.16

 

CMYK 53 / 0 / 82 / 13

HEX #68DF28

RGB 104 223 40

HSL 99.02, 0.74%, 0.52%

LAB 79.54, -62.25, 71.35

 

CMYK 50 / 0 / 76 / 5

HEX #79F13B

RGB 121 241 59

HSL 99.56, 0.87%, 0.59%

LAB 85.65, -63.05, 71.94

 

CMYK 46 / 0 / 69 / 0

HEX #8AFF4E

RGB 138 255 78

HSL 99.66, 1%, 0.65%

LAB 90.54, -62.11, 70.66

 

CMYK 39 / 0 / 62 / 0

HEX #9BFF61

RGB 155 255 97

HSL 97.97, 1%, 0.69%

LAB 91.39, -55.45, 64.49

 

CMYK 33 / 0 / 55 / 0

HEX #ACFF74

RGB 172 255 116

HSL 95.83, 1%, 0.73%

LAB 92.38, -48.16, 57.71

 

CMYK 56 / 0 / 80 / 13

HEX #63DF2D

RGB 99 223 45

HSL 101.8, 0.74%, 0.53%

LAB 79.4, -63.33, 69.85

 

CMYK 60 / 0 / 87 / 20

HEX #52CD1A

RGB 82 205 26

HSL 101.23, 0.77%, 0.45%

LAB 73.24, -62.19, 68.65

 

CMYK 65 / 0 / 96 / 27

HEX #41BB07

RGB 65 187 7

HSL 100.67, 0.93%, 0.38%

LAB 67.04, -60.58, 66.11

 

CMYK 72 / 0 / 100 / 34

HEX #30A900

RGB 48 169 0

HSL 102.96, 1%, 0.33%

LAB 60.79, -58.35, 61.8

 

CMYK 79 / 0 / 100 / 41

HEX #1F9700

RGB 31 151 0

HSL 107.68, 1%, 0.3%

LAB 54.47, -55.53, 56.64

 

CMYK 55 / 0 / 79 / 12

HEX #64E02E

RGB 100 224 46

HSL 101.8, 0.74%, 0.53%

LAB 79.74, -63.37, 69.91

 

CMYK 34 / 0 / 79 / 12

HEX #94E02E

RGB 148 224 46

HSL 85.62, 0.74%, 0.53%

LAB 81.73, -48.57, 72.47

 

CMYK 13 / 0 / 79 / 12

HEX #C4E02E

RGB 196 224 46

HSL 69.44, 0.74%, 0.53%

LAB 84.61, -30.27, 76.14

 

CMYK 0 / 9 / 79 / 12

HEX #E0CC2E

RGB 224 204 46

HSL 53.26, 0.74%, 0.53%

LAB 81.42, -8.81, 74.16

 

CMYK 0 / 30 / 79 / 12

HEX #E09C2E

RGB 224 156 46

HSL 37.08, 0.74%, 0.53%

LAB 69.34, 16.35, 63.38

 

CMYK 55 / 0 / 79 / 12

HEX #64E02E

RGB 100 224 46

HSL 101.8, 0.74%, 0.53%

LAB 79.74, -63.37, 69.91

 

CMYK 77 / 0 / 79 / 12

HEX #34E02E

RGB 52 224 46

HSL 117.98, 0.74%, 0.53%

LAB 78.6, -72.85, 68.43

 

CMYK 79 / 0 / 61 / 12

HEX #2EE058

RGB 46 224 88

HSL 134.16, 0.74%, 0.53%

LAB 78.81, -69.96, 53.26

 

CMYK 79 / 0 / 39 / 12

HEX #2EE088

RGB 46 224 136

HSL 150.34, 0.74%, 0.53%

LAB 79.43, -62.66, 31.09

 

CMYK 79 / 0 / 18 / 12

HEX #2EE0B8

RGB 46 224 184

HSL 166.52, 0.74%, 0.53%

LAB 80.38, -52.21, 7.37

 

CMYK 55 / 0 / 79 / 12

HEX #64E02E

RGB 100 224 46

HSL 101.8, 0.74%, 0.53%

LAB 79.74, -63.37, 69.91

 

CMYK 62 / 0 / 89 / 5

HEX #5DF31B

RGB 93 243 27

HSL 101.67, 0.9%, 0.53%

LAB 85.25, -72.14, 78.86

 

CMYK 55 / 0 / 79 / 12

HEX #64E02E

RGB 100 224 46

HSL 101.8, 0.74%, 0.53%

LAB 79.74, -63.37, 69.91

 

CMYK 47 / 0 / 68 / 20

HEX #6CCC42

RGB 108 204 66

HSL 101.74, 0.58%, 0.53%

LAB 74.04, -52.43, 57.61

 

CMYK 37 / 0 / 54 / 27

HEX #74B955

RGB 116 185 85

HSL 101.4, 0.42%, 0.53%

LAB 68.8, -40.15, 43.48

 

CMYK 26 / 0 / 37 / 35

HEX #7BA669

RGB 123 166 105

HSL 102.3, 0.26%, 0.53%

LAB 63.76, -26.2, 27.03

 

CMYK 10 / 0 / 15 / 43

HEX #83927C

RGB 131 146 124

HSL 100.91, 0.09%, 0.53%

LAB 58.82, -9.69, 9.86

 

CMYK 12 / 0 / 79 / 12

HEX #C5E02E

RGB 197 224 46

HSL 69.1, 0.74%, 0.53%

LAB 84.68, -29.86, 76.23

 

CMYK 33 / 0 / 79 / 12

HEX #96E02E

RGB 150 224 46

HSL 84.94, 0.74%, 0.53%

LAB 81.83, -47.86, 72.6

 

CMYK 54 / 0 / 79 / 12

HEX #67E02E

RGB 103 224 46

HSL 100.79, 0.74%, 0.53%

LAB 79.84, -62.58, 70.03

 

CMYK 75 / 0 / 79 / 12

HEX #37E02E

RGB 55 224 46

HSL 116.97, 0.74%, 0.53%

LAB 78.65, -72.43, 68.5

 

CMYK 79 / 0 / 62 / 12

HEX #2EE055

RGB 46 224 85

HSL 133.15, 0.74%, 0.53%

LAB 78.78, -70.3, 54.52

 

CMYK 59 / 0 / 85 / 36

HEX #43A318

RGB 67 163 24

HSL 101.44, 0.74%, 0.37%

LAB 59.39, -51.34, 56.77

 

CMYK 59 / 0 / 85 / 22

HEX #51C71E

RGB 81 199 30

HSL 101.89, 0.74%, 0.45%

LAB 71.34, -60.23, 66.13

 

CMYK 55 / 0 / 79 / 12

HEX #64E02E

RGB 100 224 46

HSL 101.8, 0.74%, 0.53%

LAB 79.74, -63.37, 69.91

 

CMYK 45 / 0 / 64 / 10

HEX #7FE552

RGB 127 229 82

HSL 101.63, 0.74%, 0.61%

LAB 82.46, -55.12, 60.47

 

CMYK 34 / 0 / 50 / 8

HEX #9AEB76

RGB 154 235 118

HSL 101.54, 0.75%, 0.69%

LAB 85.8, -45.38, 48.73

 

CMYK 56 / 0 / 80 / 13

HEX #63DF2D

RGB 99 223 45

HSL 101.8, 0.74%, 0.53%

LAB 79.4, -63.33, 69.85

 

CMYK 79 / 0 / 9 / 12

HEX #2EE0CB

RGB 46 224 203

HSL 172.92, 0.74%, 0.53%

LAB 80.85, -47.32, -2.02

 

CMYK 0 / 79 / 22 / 12

HEX #E02EAE

RGB 224 46 174

HSL 316.85, 0.74%, 0.53%

LAB 52.79, 76.16, -26.98

 

CMYK 56 / 0 / 80 / 13

HEX #63DF2D

RGB 99 223 45

HSL 101.8, 0.74%, 0.53%

LAB 79.4, -63.33, 69.85

 

CMYK 79 / 54 / 0 / 12

HEX #2E67E0

RGB 46 103 224

HSL 220.79, 0.74%, 0.53%

LAB 46.53, 25.03, -66.85

 

CMYK 0 / 79 / 54 / 12

HEX #E02E67

RGB 224 46 103

HSL 340.79, 0.74%, 0.53%

LAB 50.43, 69.18, 12.04

 

CMYK 56 / 0 / 80 / 13

HEX #63DF2D

RGB 99 223 45

HSL 101.8, 0.74%, 0.53%

LAB 79.4, -63.33, 69.85

 

CMYK 79 / 0 / 9 / 12

HEX #2EE0CB

RGB 46 224 203

HSL 172.92, 0.74%, 0.53%

LAB 80.85, -47.32, -2.02

 

CMYK 25 / 79 / 0 / 12

HEX #A82EE0

RGB 168 46 224

HSL 281.12, 0.74%, 0.53%

LAB 46.53, 73.1, -66.38

 

CMYK 0 / 79 / 70 / 12

HEX #E02E43

RGB 224 46 67

HSL 352.92, 0.74%, 0.53%

LAB 49.75, 67.08, 32.86

 

CMYK 56 / 0 / 80 / 13

HEX #63DF2D

RGB 99 223 45

HSL 101.8, 0.74%, 0.53%

LAB 79.4, -63.33, 69.85

 

CMYK 79 / 15 / 0 / 12

HEX #2EBFE0

RGB 46 191 224

HSL 191.12, 0.74%, 0.53%

LAB 71.71, -25.87, -27.05

 

CMYK 25 / 79 / 0 / 12

HEX #A82EE0

RGB 168 46 224

HSL 281.12, 0.74%, 0.53%

LAB 46.53, 73.1, -66.38

 

CMYK 0 / 65 / 79 / 12

HEX #E04F2E

RGB 224 79 46

HSL 11.12, 0.74%, 0.53%

LAB 53.64, 54.87, 48.6

 

Description

Color code: HEX #63DF2D | qconv.com Color code: HEX #63DF2D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 223 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 223 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 80 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 80% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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