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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #63D20B it is the complementary color #9C2DF4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #63D20B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #63D20B shade: #68D206, #79E419, #8AF62C, #9BFF3F and #ACFF52

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #63D20B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #63D20B shade: #63D20B, #52C000, #41AE00, #309C00 and #1F8A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #63D20B shade: #62D00B, #97D00B, #CDD00B, #D09F0B and #D06A0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #63D20B shade: #62D00B, #2DD00B, #0BD01E, #0BD053 and #0BD089

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #63D20B shade matches the following richer shades: #62D00B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #63D20B shade: #62D00B, #64BF1D, #66AD2E, #689B40 and #6A8952

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #63D20B shade: #CDD00B, #98D00B, #64D00B, #2FD00B and #0BD01B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #63D20B shade: #3D8207, #50A909, #62D00B, #75F312 and #8CF539

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #63D20B shade: #63D20B, #0BD09F and #D00BB3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #63D20B shade: #63D20B, #0B64D0 and #D00B64

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #63D20B shade: #63D20B, #0BD09F, #780BD0 and #D00B3C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #63D20B shade: #63D20B, #0BC6D0, #780BD0 and #D0150B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 95 / 18

HEX #63D20B

RGB 99 210 11

HSL 93.47, 0.9%, 0.43%

LAB 75.31, -59.88, 72.83

 

Complementary color

CMYK 36 / 82 / 0 / 4

HEX #9C2DF4

RGB 156 45 244

HSL 273.47, 0.9%, 0.57%

LAB 46.28, 75.64, -78.17

 

CMYK 50 / 0 / 97 / 18

HEX #68D206

RGB 104 210 6

HSL 91.18, 0.94%, 0.42%

LAB 75.48, -58.53, 73.54

 

CMYK 47 / 0 / 89 / 11

HEX #79E419

RGB 121 228 25

HSL 91.63, 0.8%, 0.5%

LAB 81.63, -59.72, 76.5

 

CMYK 44 / 0 / 82 / 4

HEX #8AF62C

RGB 138 246 44

HSL 92.08, 0.92%, 0.57%

LAB 87.73, -60.62, 78.21

 

CMYK 39 / 0 / 75 / 0

HEX #9BFF3F

RGB 155 255 63

HSL 91.25, 1%, 0.62%

LAB 91.17, -57.82, 76.49

 

CMYK 33 / 0 / 68 / 0

HEX #ACFF52

RGB 172 255 82

HSL 88.79, 1%, 0.66%

LAB 92.09, -51.02, 71.29

 

CMYK 53 / 0 / 95 / 18

HEX #63D20B

RGB 99 210 11

HSL 93.47, 0.9%, 0.43%

LAB 75.31, -59.88, 72.83

 

CMYK 57 / 0 / 100 / 25

HEX #52C000

RGB 82 192 0

HSL 94.38, 1%, 0.38%

LAB 69.11, -58.32, 68.79

 

CMYK 63 / 0 / 100 / 32

HEX #41AE00

RGB 65 174 0

HSL 97.59, 1%, 0.34%

LAB 62.84, -56.38, 63.62

 

CMYK 69 / 0 / 100 / 39

HEX #309C00

RGB 48 156 0

HSL 101.54, 1%, 0.31%

LAB 56.49, -54.14, 58.39

 

CMYK 78 / 0 / 100 / 46

HEX #1F8A00

RGB 31 138 0

HSL 106.52, 1%, 0.27%

LAB 50.06, -51.45, 53.12

 

CMYK 53 / 0 / 95 / 18

HEX #62D00B

RGB 98 208 11

HSL 93.5, 0.9%, 0.43%

LAB 74.66, -59.44, 72.28

 

CMYK 27 / 0 / 95 / 18

HEX #97D00B

RGB 151 208 11

HSL 77.36, 0.9%, 0.43%

LAB 77.11, -41.67, 75.28

 

CMYK 1 / 0 / 95 / 18

HEX #CDD00B

RGB 205 208 11

HSL 60.91, 0.9%, 0.43%

LAB 80.8, -19.65, 79.73

 

CMYK 0 / 24 / 95 / 18

HEX #D09F0B

RGB 208 159 11

HSL 45.08, 0.9%, 0.43%

LAB 68.19, 6.97, 70.48

 

CMYK 0 / 49 / 95 / 18

HEX #D06A0B

RGB 208 106 11

HSL 28.93, 0.9%, 0.43%

LAB 55.83, 35.4, 61.78

 

CMYK 53 / 0 / 95 / 18

HEX #62D00B

RGB 98 208 11

HSL 93.5, 0.9%, 0.43%

LAB 74.66, -59.44, 72.28

 

CMYK 78 / 0 / 95 / 18

HEX #2DD00B

RGB 45 208 11

HSL 109.64, 0.9%, 0.43%

LAB 73.35, -70.41, 70.67

 

CMYK 95 / 0 / 86 / 18

HEX #0BD01E

RGB 11 208 30

HSL 125.79, 0.9%, 0.43%

LAB 73.07, -72.68, 67.24

 

CMYK 95 / 0 / 60 / 18

HEX #0BD053

RGB 11 208 83

HSL 141.93, 0.9%, 0.43%

LAB 73.42, -68.29, 49.19

 

CMYK 95 / 0 / 34 / 18

HEX #0BD089

RGB 11 208 137

HSL 158.38, 0.9%, 0.43%

LAB 74.18, -59.19, 23.49

 

CMYK 53 / 0 / 95 / 18

HEX #62D00B

RGB 98 208 11

HSL 93.5, 0.9%, 0.43%

LAB 74.66, -59.44, 72.28

 

CMYK 53 / 0 / 95 / 18

HEX #62D00B

RGB 98 208 11

HSL 93.5, 0.9%, 0.43%

LAB 74.66, -59.44, 72.28

 

CMYK 48 / 0 / 85 / 25

HEX #64BF1D

RGB 100 191 29

HSL 93.7, 0.74%, 0.43%

LAB 69.51, -52.08, 65

 

CMYK 41 / 0 / 73 / 32

HEX #66AD2E

RGB 102 173 46

HSL 93.54, 0.58%, 0.43%

LAB 64.09, -43.34, 54.9

 

CMYK 33 / 0 / 59 / 39

HEX #689B40

RGB 104 155 64

HSL 93.63, 0.42%, 0.43%

LAB 58.75, -33.18, 41.6

 

CMYK 23 / 0 / 40 / 46

HEX #6A8952

RGB 106 137 82

HSL 93.82, 0.25%, 0.43%

LAB 53.56, -21.41, 26

 

CMYK 1 / 0 / 95 / 18

HEX #CDD00B

RGB 205 208 11

HSL 60.91, 0.9%, 0.43%

LAB 80.8, -19.65, 79.73

 

CMYK 27 / 0 / 95 / 18

HEX #98D00B

RGB 152 208 11

HSL 77.06, 0.9%, 0.43%

LAB 77.17, -41.28, 75.35

 

CMYK 52 / 0 / 95 / 18

HEX #64D00B

RGB 100 208 11

HSL 92.89, 0.9%, 0.43%

LAB 74.73, -58.88, 72.37

 

CMYK 77 / 0 / 95 / 18

HEX #2FD00B

RGB 47 208 11

HSL 109.04, 0.9%, 0.43%

LAB 73.38, -70.15, 70.71

 

CMYK 95 / 0 / 87 / 18

HEX #0BD01B

RGB 11 208 27

HSL 124.87, 0.9%, 0.43%

LAB 73.06, -72.81, 67.86

 

CMYK 53 / 0 / 95 / 49

HEX #3D8207

RGB 61 130 7

HSL 93.66, 0.9%, 0.27%

LAB 48.23, -41.22, 50.65

 

CMYK 53 / 0 / 95 / 34

HEX #50A909

RGB 80 169 9

HSL 93.38, 0.9%, 0.35%

LAB 61.74, -50.4, 61.74

 

CMYK 53 / 0 / 95 / 18

HEX #62D00B

RGB 98 208 11

HSL 93.5, 0.9%, 0.43%

LAB 74.66, -59.44, 72.28

 

CMYK 52 / 0 / 93 / 5

HEX #75F312

RGB 117 243 18

HSL 93.6, 0.9%, 0.51%

LAB 85.97, -66.41, 80.99

 

CMYK 43 / 0 / 77 / 4

HEX #8CF539

RGB 140 245 57

HSL 93.51, 0.9%, 0.59%

LAB 87.57, -59.03, 74.64

 

CMYK 53 / 0 / 95 / 18

HEX #63D20B

RGB 99 210 11

HSL 93.47, 0.9%, 0.43%

LAB 75.31, -59.88, 72.83

 

CMYK 95 / 0 / 24 / 18

HEX #0BD09F

RGB 11 208 159

HSL 165.08, 0.9%, 0.43%

LAB 74.63, -54.21, 12.44

 

CMYK 0 / 95 / 14 / 18

HEX #D00BB3

RGB 208 11 179

HSL 308.83, 0.9%, 0.43%

LAB 48.14, 79.41, -37.4

 

CMYK 53 / 0 / 95 / 18

HEX #63D20B

RGB 99 210 11

HSL 93.47, 0.9%, 0.43%

LAB 75.31, -59.88, 72.83

 

CMYK 95 / 52 / 0 / 18

HEX #0B64D0

RGB 11 100 208

HSL 212.89, 0.9%, 0.43%

LAB 43.86, 18.53, -62.1

 

CMYK 0 / 95 / 52 / 18

HEX #D00B64

RGB 208 11 100

HSL 332.89, 0.9%, 0.43%

LAB 45.04, 71.3, 5.83

 

CMYK 53 / 0 / 95 / 18

HEX #63D20B

RGB 99 210 11

HSL 93.47, 0.9%, 0.43%

LAB 75.31, -59.88, 72.83

 

CMYK 95 / 0 / 24 / 18

HEX #0BD09F

RGB 11 208 159

HSL 165.08, 0.9%, 0.43%

LAB 74.63, -54.21, 12.44

 

CMYK 42 / 95 / 0 / 18

HEX #780BD0

RGB 120 11 208

HSL 273.2, 0.9%, 0.43%

LAB 35.57, 71.35, -75.38

 

CMYK 0 / 95 / 71 / 18

HEX #D00B3C

RGB 208 11 60

HSL 345.08, 0.9%, 0.43%

LAB 44.2, 69, 29.62

 

CMYK 53 / 0 / 95 / 18

HEX #63D20B

RGB 99 210 11

HSL 93.47, 0.9%, 0.43%

LAB 75.31, -59.88, 72.83

 

CMYK 95 / 5 / 0 / 18

HEX #0BC6D0

RGB 11 198 208

HSL 183.05, 0.9%, 0.43%

LAB 72.9, -36.38, -16.57

 

CMYK 42 / 95 / 0 / 18

HEX #780BD0

RGB 120 11 208

HSL 273.2, 0.9%, 0.43%

LAB 35.57, 71.35, -75.38

 

CMYK 0 / 90 / 95 / 18

HEX #D0150B

RGB 208 21 11

HSL 3.05, 0.9%, 0.43%

LAB 44.19, 66.55, 54.54

 

Description

Color code: HEX #63D20B | qconv.com Color code: HEX #63D20B | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 210 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 210 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 95 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 95% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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