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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #63CB17 it is the complementary color #9C34E8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #63CB17. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #63CB17 shade: #68CB12, #79DD25, #8AEF38, #9BFF4B and #ACFF5E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #63CB17. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #63CB17 shade: #63CB17, #52B904, #41A700, #309500 and #1F8300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #63CB17 shade: #62CA16, #93CA16, #C3CA16, #CAA016 and #CA7016

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #63CB17 shade: #62CA16, #32CA16, #16CA2B, #16CA5C and #16CA8C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #63CB17 shade matches the following richer shades: #62CA16 and #5FDC04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #63CB17 shade: #62CA16, #65B829, #68A63B, #6B934D and #6E815F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #63CB17 shade: #C4CA16, #94CA16, #64CA16, #34CA16 and #16CA28

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #63CB17 shade: #3E800E, #50A512, #62CA16, #76E723 and #8DEB48

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #63CB17 shade: #63CB17, #16CAA0 and #CA16AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #63CB17 shade: #63CB17, #1664CA and #CA1664

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #63CB17 shade: #63CB17, #16CAA0, #7C16CA and #CA1640

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #63CB17 shade: #63CB17, #16BECA, #7C16CA and #CA2216

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 89 / 20

HEX #63CB17

RGB 99 203 23

HSL 94.67, 0.8%, 0.44%

LAB 73.17, -57.08, 69.37

 

Complementary color

CMYK 33 / 78 / 0 / 9

HEX #9C34E8

RGB 156 52 232

HSL 274.67, 0.8%, 0.56%

LAB 46.11, 70.83, -71.68

 

CMYK 49 / 0 / 91 / 20

HEX #68CB12

RGB 104 203 18

HSL 92.11, 0.84%, 0.43%

LAB 73.35, -55.74, 70.42

 

CMYK 45 / 0 / 83 / 13

HEX #79DD25

RGB 121 221 37

HSL 92.61, 0.73%, 0.51%

LAB 79.56, -56.71, 72.34

 

CMYK 42 / 0 / 77 / 6

HEX #8AEF38

RGB 138 239 56

HSL 93.11, 0.85%, 0.58%

LAB 85.72, -57.41, 73.15

 

CMYK 39 / 0 / 71 / 0

HEX #9BFF4B

RGB 155 255 75

HSL 93.33, 1%, 0.65%

LAB 91.23, -57.11, 72.65

 

CMYK 33 / 0 / 63 / 0

HEX #ACFF5E

RGB 172 255 94

HSL 90.93, 1%, 0.68%

LAB 92.18, -50.14, 66.79

 

CMYK 51 / 0 / 89 / 20

HEX #63CB17

RGB 99 203 23

HSL 94.67, 0.8%, 0.44%

LAB 73.17, -57.08, 69.37

 

CMYK 56 / 0 / 98 / 27

HEX #52B904

RGB 82 185 4

HSL 94.14, 0.96%, 0.37%

LAB 66.9, -55.78, 66.57

 

CMYK 61 / 0 / 100 / 35

HEX #41A700

RGB 65 167 0

HSL 96.65, 1%, 0.33%

LAB 60.57, -53.97, 61.82

 

CMYK 68 / 0 / 100 / 42

HEX #309500

RGB 48 149 0

HSL 100.67, 1%, 0.29%

LAB 54.16, -51.81, 56.54

 

CMYK 76 / 0 / 100 / 49

HEX #1F8300

RGB 31 131 0

HSL 105.8, 1%, 0.26%

LAB 47.65, -49.2, 51.2

 

CMYK 51 / 0 / 89 / 21

HEX #62CA16

RGB 98 202 22

HSL 94.67, 0.8%, 0.44%

LAB 72.82, -57.03, 69.24

 

CMYK 27 / 0 / 89 / 21

HEX #93CA16

RGB 147 202 22

HSL 78.33, 0.8%, 0.44%

LAB 75.14, -40.37, 72.11

 

CMYK 3 / 0 / 89 / 21

HEX #C3CA16

RGB 195 202 22

HSL 62.33, 0.8%, 0.44%

LAB 78.4, -20.8, 76.11

 

CMYK 0 / 21 / 89 / 21

HEX #CAA016

RGB 202 160 22

HSL 46, 0.8%, 0.44%

LAB 67.84, 3.94, 68.05

 

CMYK 0 / 45 / 89 / 21

HEX #CA7016

RGB 202 112 22

HSL 30, 0.8%, 0.44%

LAB 56.29, 29.95, 59.09

 

CMYK 51 / 0 / 89 / 21

HEX #62CA16

RGB 98 202 22

HSL 94.67, 0.8%, 0.44%

LAB 72.82, -57.03, 69.24

 

CMYK 75 / 0 / 89 / 21

HEX #32CA16

RGB 50 202 22

HSL 110.67, 0.8%, 0.44%

LAB 71.54, -67.65, 67.64

 

CMYK 89 / 0 / 79 / 21

HEX #16CA2B

RGB 22 202 43

HSL 127, 0.8%, 0.44%

LAB 71.27, -69.71, 62.23

 

CMYK 89 / 0 / 54 / 21

HEX #16CA5C

RGB 22 202 92

HSL 143.33, 0.8%, 0.44%

LAB 71.68, -64.63, 43

 

CMYK 89 / 0 / 31 / 21

HEX #16CA8C

RGB 22 202 140

HSL 159.33, 0.8%, 0.44%

LAB 72.43, -55.83, 19.52

 

CMYK 51 / 0 / 89 / 21

HEX #62CA16

RGB 98 202 22

HSL 94.67, 0.8%, 0.44%

LAB 72.82, -57.03, 69.24

 

CMYK 57 / 0 / 98 / 14

HEX #5FDC04

RGB 95 220 4

HSL 94.72, 0.96%, 0.44%

LAB 78.24, -64.53, 75.8

 

CMYK 51 / 0 / 89 / 21

HEX #62CA16

RGB 98 202 22

HSL 94.67, 0.8%, 0.44%

LAB 72.82, -57.03, 69.24

 

CMYK 45 / 0 / 78 / 28

HEX #65B829

RGB 101 184 41

HSL 94.83, 0.64%, 0.44%

LAB 67.43, -48.46, 59.83

 

CMYK 37 / 0 / 64 / 35

HEX #68A63B

RGB 104 166 59

HSL 94.77, 0.48%, 0.44%

LAB 62.11, -38.62, 47.65

 

CMYK 27 / 0 / 48 / 42

HEX #6B934D

RGB 107 147 77

HSL 94.29, 0.31%, 0.44%

LAB 56.61, -26.73, 32.57

 

CMYK 15 / 0 / 26 / 49

HEX #6E815F

RGB 110 129 95

HSL 93.53, 0.15%, 0.44%

LAB 51.66, -13.57, 16.2

 

CMYK 3 / 0 / 89 / 21

HEX #C4CA16

RGB 196 202 22

HSL 62, 0.8%, 0.44%

LAB 78.48, -20.37, 76.21

 

CMYK 27 / 0 / 89 / 21

HEX #94CA16

RGB 148 202 22

HSL 78, 0.8%, 0.44%

LAB 75.2, -39.99, 72.19

 

CMYK 50 / 0 / 89 / 21

HEX #64CA16

RGB 100 202 22

HSL 94, 0.8%, 0.44%

LAB 72.9, -56.45, 69.33

 

CMYK 74 / 0 / 89 / 21

HEX #34CA16

RGB 52 202 22

HSL 110, 0.8%, 0.44%

LAB 71.57, -67.34, 67.68

 

CMYK 89 / 0 / 80 / 21

HEX #16CA28

RGB 22 202 40

HSL 126, 0.8%, 0.44%

LAB 71.26, -69.89, 63.09

 

CMYK 52 / 0 / 89 / 50

HEX #3E800E

RGB 62 128 14

HSL 94.74, 0.8%, 0.28%

LAB 47.62, -39.87, 48.72

 

CMYK 52 / 0 / 89 / 35

HEX #50A512

RGB 80 165 18

HSL 94.69, 0.8%, 0.36%

LAB 60.48, -48.65, 59.23

 

CMYK 51 / 0 / 89 / 21

HEX #62CA16

RGB 98 202 22

HSL 94.67, 0.8%, 0.44%

LAB 72.82, -57.03, 69.24

 

CMYK 49 / 0 / 85 / 9

HEX #76E723

RGB 118 231 35

HSL 94.59, 0.8%, 0.52%

LAB 82.45, -61.4, 75.27

 

CMYK 40 / 0 / 69 / 8

HEX #8DEB48

RGB 141 235 72

HSL 94.6, 0.8%, 0.6%

LAB 84.76, -53.91, 66.94

 

CMYK 51 / 0 / 89 / 20

HEX #63CB17

RGB 99 203 23

HSL 94.67, 0.8%, 0.44%

LAB 73.17, -57.08, 69.37

 

CMYK 89 / 0 / 21 / 21

HEX #16CAA0

RGB 22 202 160

HSL 166, 0.8%, 0.44%

LAB 72.86, -51.13, 9.41

 

CMYK 0 / 89 / 15 / 21

HEX #CA16AC

RGB 202 22 172

HSL 310, 0.8%, 0.44%

LAB 47.12, 76.11, -34.95

 

CMYK 51 / 0 / 89 / 20

HEX #63CB17

RGB 99 203 23

HSL 94.67, 0.8%, 0.44%

LAB 73.17, -57.08, 69.37

 

CMYK 89 / 50 / 0 / 21

HEX #1664CA

RGB 22 100 202

HSL 214, 0.8%, 0.44%

LAB 43.58, 16.65, -59.1

 

CMYK 0 / 89 / 50 / 21

HEX #CA1664

RGB 202 22 100

HSL 334, 0.8%, 0.44%

LAB 44.31, 68.52, 4.62

 

CMYK 51 / 0 / 89 / 20

HEX #63CB17

RGB 99 203 23

HSL 94.67, 0.8%, 0.44%

LAB 73.17, -57.08, 69.37

 

CMYK 89 / 0 / 21 / 21

HEX #16CAA0

RGB 22 202 160

HSL 166, 0.8%, 0.44%

LAB 72.86, -51.13, 9.41

 

CMYK 39 / 89 / 0 / 21

HEX #7C16CA

RGB 124 22 202

HSL 274, 0.8%, 0.44%

LAB 36.22, 68.59, -70.8

 

CMYK 0 / 89 / 68 / 21

HEX #CA1640

RGB 202 22 64

HSL 346, 0.8%, 0.44%

LAB 43.51, 66.27, 26.04

 

CMYK 51 / 0 / 89 / 20

HEX #63CB17

RGB 99 203 23

HSL 94.67, 0.8%, 0.44%

LAB 73.17, -57.08, 69.37

 

CMYK 89 / 6 / 0 / 21

HEX #16BECA

RGB 22 190 202

HSL 184, 0.8%, 0.44%

LAB 70.36, -34.07, -17.14

 

CMYK 39 / 89 / 0 / 21

HEX #7C16CA

RGB 124 22 202

HSL 274, 0.8%, 0.44%

LAB 36.22, 68.59, -70.8

 

CMYK 0 / 83 / 89 / 21

HEX #CA2216

RGB 202 34 22

HSL 4, 0.8%, 0.44%

LAB 43.88, 62.55, 49.67

 

Description

Color code: HEX #63CB17 | qconv.com Color code: HEX #63CB17 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 203 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 203 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 89 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 89% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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