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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #63C7CB it is the complementary color #9C3834. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #63C7CB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #63C7CB: #68C7C6, #79D9D9, #8AEBEC, #9BFDFF and #ACFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #63C7CB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #63C7CB: #63C7CB, #52B5B8, #41A3A5, #309192 and #1F7F7F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 2 / 0 / 20

HEX #63C7CB

RGB 99 199 203

HSL 182.31, 0.5%, 0.59%

LAB 74.71, -28.05, -10.98

 

Complementary color

CMYK 0 / 64 / 67 / 39

HEX #9C3834

RGB 156 56 52

HSL 2.31, 0.5%, 0.41%

LAB 38.1, 41.41, 24.76

 

CMYK 48 / 0 / 1 / 22

HEX #68C7C6

RGB 104 199 198

HSL 179.37, 0.46%, 0.59%

LAB 74.74, -28.28, -8.2

 

CMYK 44 / 0 / 0 / 15

HEX #79D9D9

RGB 121 217 217

HSL 180, 0.56%, 0.66%

LAB 81.13, -28.31, -8.85

 

CMYK 42 / 0 / 0 / 7

HEX #8AEBEC

RGB 138 235 236

HSL 180.61, 0.72%, 0.73%

LAB 87.42, -28.31, -9.46

 

CMYK 39 / 1 / 0 / 0

HEX #9BFDFF

RGB 155 253 255

HSL 181.2, 1%, 0.8%

LAB 93.64, -28.28, -10.05

 

CMYK 33 / 0 / 0 / 0

HEX #ACFFFF

RGB 172 255 255

HSL 180, 1%, 0.84%

LAB 94.95, -24.96, -8.01

 

CMYK 51 / 2 / 0 / 20

HEX #63C7CB

RGB 99 199 203

HSL 182.31, 0.5%, 0.59%

LAB 74.71, -28.05, -10.98

 

CMYK 55 / 2 / 0 / 28

HEX #52B5B8

RGB 82 181 184

HSL 181.76, 0.42%, 0.52%

LAB 68.24, -27.85, -10.31

 

CMYK 61 / 1 / 0 / 35

HEX #41A3A5

RGB 65 163 165

HSL 181.2, 0.43%, 0.45%

LAB 61.68, -27.53, -9.58

 

CMYK 67 / 1 / 0 / 43

HEX #309192

RGB 48 145 146

HSL 180.61, 0.51%, 0.38%

LAB 55.03, -27.04, -8.76

 

CMYK 76 / 0 / 0 / 50

HEX #1F7F7F

RGB 31 127 127

HSL 180, 0.61%, 0.31%

LAB 48.26, -26.27, -7.84

 

CMYK 51 / 2 / 0 / 20

HEX #63C7CB

RGB 99 199 203

HSL 182.31, 0.5%, 0.59%

LAB 74.71, -28.05, -10.98

 

CMYK 51 / 10 / 0 / 21

HEX #62B5CA

RGB 98 181 202

HSL 192.12, 0.5%, 0.59%

LAB 69.4, -19.49, -18.42

 

CMYK 51 / 19 / 0 / 21

HEX #62A4CA

RGB 98 164 202

HSL 201.92, 0.5%, 0.59%

LAB 64.49, -10.45, -25.91

 

CMYK 51 / 28 / 0 / 21

HEX #6292CA

RGB 98 146 202

HSL 212.31, 0.5%, 0.59%

LAB 59.36, -0.35, -33.86

 

CMYK 51 / 36 / 0 / 21

HEX #6281CA

RGB 98 129 202

HSL 222.12, 0.5%, 0.59%

LAB 54.62, 9.65, -41.29

 

CMYK 51 / 2 / 0 / 20

HEX #63C7CB

RGB 99 199 203

HSL 182.31, 0.5%, 0.59%

LAB 74.71, -28.05, -10.98

 

CMYK 51 / 2 / 0 / 0

HEX #7CF9FE

RGB 124 249 254

HSL 182.31, 0.98%, 0.74%

LAB 91.32, -33.49, -13.11

 

CMYK 52 / 2 / 0 / 80

HEX #183132

RGB 24 49 50

HSL 182.31, 0.35%, 0.15%

LAB 18.46, -9.33, -3.67

 

CMYK 51 / 2 / 0 / 60

HEX #316365

RGB 49 99 101

HSL 182.31, 0.35%, 0.29%

LAB 38.75, -16.18, -6.34

 

CMYK 51 / 2 / 0 / 40

HEX #4A9598

RGB 74 149 152

HSL 182.31, 0.35%, 0.44%

LAB 57.29, -22.32, -8.74

 

CMYK 51 / 2 / 0 / 20

HEX #63C7CB

RGB 99 199 203

HSL 182.31, 0.5%, 0.59%

LAB 74.71, -28.05, -10.98

 

CMYK 40 / 51 / 0 / 21

HEX #7A62CA

RGB 122 98 202

HSL 253.85, 0.5%, 0.59%

LAB 48.43, 34.1, -51.01

 

CMYK 0 / 19 / 51 / 21

HEX #CAA462

RGB 202 164 98

HSL 38.08, 0.5%, 0.59%

LAB 69.46, 5.81, 39.29

 

CMYK 51 / 2 / 0 / 20

HEX #63C7CB

RGB 99 199 203

HSL 182.31, 0.5%, 0.59%

LAB 74.71, -28.05, -10.98

 

CMYK 0 / 51 / 1 / 21

HEX #CA62C7

RGB 202 98 199

HSL 301.73, 0.5%, 0.59%

LAB 57.48, 54.94, -34.39

 

CMYK 1 / 0 / 51 / 21

HEX #C7CA62

RGB 199 202 98

HSL 61.73, 0.5%, 0.59%

LAB 79.19, -15.27, 50.91

 

CMYK 51 / 2 / 0 / 20

HEX #63C7CB

RGB 99 199 203

HSL 182.31, 0.5%, 0.59%

LAB 74.71, -28.05, -10.98

 

CMYK 40 / 51 / 0 / 21

HEX #7A62CA

RGB 122 98 202

HSL 253.85, 0.5%, 0.59%

LAB 48.43, 34.1, -51.01

 

CMYK 0 / 50 / 51 / 21

HEX #CA6562

RGB 202 101 98

HSL 1.73, 0.5%, 0.59%

LAB 54.81, 39.76, 20.42

 

CMYK 12 / 0 / 51 / 21

HEX #B2CA62

RGB 178 202 98

HSL 73.85, 0.5%, 0.59%

LAB 77.63, -23.7, 48.68

 

CMYK 51 / 2 / 0 / 20

HEX #63C7CB

RGB 99 199 203

HSL 182.31, 0.5%, 0.59%

LAB 74.71, -28.05, -10.98

 

CMYK 24 / 51 / 0 / 21

HEX #9962CA

RGB 153 98 202

HSL 271.73, 0.5%, 0.59%

LAB 51.58, 42.06, -45.81

 

CMYK 0 / 50 / 51 / 21

HEX #CA6562

RGB 202 101 98

HSL 1.73, 0.5%, 0.59%

LAB 54.81, 39.76, 20.42

 

CMYK 28 / 0 / 51 / 21

HEX #92CA62

RGB 146 202 98

HSL 92.31, 0.5%, 0.59%

LAB 75.6, -35.82, 45.76

 

Description

Color code: HEX #63C7CB | qconv.com Color code: HEX #63C7CB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 199 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 199 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 2 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 2% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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