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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #63C7C8 it is the complementary color #9C3837. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #63C7C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #63C7C8 shade: #68C7C3, #79D9D6, #8AEBE9, #9BFDFC and #ACFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #63C7C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #63C7C8 shade: #63C7C8, #52B5B5, #41A3A2, #30918F and #1F7F7C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #63C7C8 shade: #64C8C9, #64ADC9, #6492C9, #6476C9 and #6D64C9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #63C7C8 shade: #64C8C9, #64ADC9, #6492C9, #6476C9 and #6464C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #63C7C8 shade matches the following richer shades: #64C8C9, #53D8DA, #42E9EA and #32F9FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #63C7C8 shade: #64C8C9, #75B7B8, #86A6A7, #979696 and #A88585

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #63C7C8 shade: #64C993, #64C9AE, #64C9C9, #64AEC9 and #6493C9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #63C7C8 shade: #39A1A2, #46BDBE, #64C8C9, #83D3D3 and #A1DDDE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #63C7C8 shade: #63C7C8, #7864C9 and #C9A064

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #63C7C8 shade: #63C7C8, #C964C9 and #C9C964

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #63C7C8 shade: #63C7C8, #7864C9, #C96464 and #B5C964

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #63C7C8 shade: #63C7C8, #9664C9, #C96464 and #96C964

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 0 / 22

HEX #63C7C8

RGB 99 199 200

HSL 180.59, 0.48%, 0.59%

LAB 74.62, -28.84, -9.49

 

Complementary color

CMYK 0 / 64 / 65 / 39

HEX #9C3837

RGB 156 56 55

HSL 0.59, 0.48%, 0.41%

LAB 38.15, 41.6, 22.98

 

CMYK 48 / 0 / 2 / 22

HEX #68C7C3

RGB 104 199 195

HSL 177.47, 0.46%, 0.59%

LAB 74.65, -29.05, -6.7

 

CMYK 44 / 0 / 1 / 15

HEX #79D9D6

RGB 121 217 214

HSL 178.13, 0.56%, 0.66%

LAB 81.04, -29.06, -7.38

 

CMYK 41 / 0 / 1 / 8

HEX #8AEBE9

RGB 138 235 233

HSL 178.76, 0.71%, 0.73%

LAB 87.34, -29.04, -8.01

 

CMYK 39 / 0 / 0 / 1

HEX #9BFDFC

RGB 155 253 252

HSL 179.39, 0.96%, 0.8%

LAB 93.56, -28.99, -8.62

 

CMYK 33 / 0 / 0 / 0

HEX #ACFFFF

RGB 172 255 255

HSL 180, 1%, 0.84%

LAB 94.95, -24.96, -8.01

 

CMYK 51 / 0 / 0 / 22

HEX #63C7C8

RGB 99 199 200

HSL 180.59, 0.48%, 0.59%

LAB 74.62, -28.84, -9.49

 

CMYK 55 / 0 / 0 / 29

HEX #52B5B5

RGB 82 181 181

HSL 180, 0.4%, 0.52%

LAB 68.15, -28.67, -8.79

 

CMYK 60 / 0 / 1 / 36

HEX #41A3A2

RGB 65 163 162

HSL 179.39, 0.43%, 0.45%

LAB 61.59, -28.39, -8.03

 

CMYK 67 / 0 / 1 / 43

HEX #30918F

RGB 48 145 143

HSL 178.76, 0.5%, 0.38%

LAB 54.93, -27.93, -7.18

 

CMYK 76 / 0 / 2 / 50

HEX #1F7F7C

RGB 31 127 124

HSL 178.13, 0.61%, 0.31%

LAB 48.17, -27.2, -6.22

 

CMYK 50 / 0 / 0 / 21

HEX #64C8C9

RGB 100 200 201

HSL 180.59, 0.48%, 0.59%

LAB 74.97, -28.85, -9.5

 

CMYK 50 / 14 / 0 / 21

HEX #64ADC9

RGB 100 173 201

HSL 196.63, 0.48%, 0.59%

LAB 67.14, -15.13, -21.3

 

CMYK 50 / 27 / 0 / 21

HEX #6492C9

RGB 100 146 201

HSL 212.67, 0.48%, 0.59%

LAB 59.42, -0.19, -33.19

 

CMYK 50 / 41 / 0 / 21

HEX #6476C9

RGB 100 118 201

HSL 229.31, 0.48%, 0.59%

LAB 51.7, 16.44, -45.32

 

CMYK 46 / 50 / 0 / 21

HEX #6D64C9

RGB 109 100 201

HSL 245.35, 0.48%, 0.59%

LAB 47.73, 29.51, -51.62

 

CMYK 50 / 0 / 0 / 21

HEX #64C8C9

RGB 100 200 201

HSL 180.59, 0.48%, 0.59%

LAB 74.97, -28.85, -9.5

 

CMYK 50 / 14 / 0 / 21

HEX #64ADC9

RGB 100 173 201

HSL 196.63, 0.48%, 0.59%

LAB 67.14, -15.13, -21.3

 

CMYK 50 / 27 / 0 / 21

HEX #6492C9

RGB 100 146 201

HSL 212.67, 0.48%, 0.59%

LAB 59.42, -0.19, -33.19

 

CMYK 50 / 41 / 0 / 21

HEX #6476C9

RGB 100 118 201

HSL 229.31, 0.48%, 0.59%

LAB 51.7, 16.44, -45.32

 

CMYK 50 / 50 / 0 / 21

HEX #6464C9

RGB 100 100 201

HSL 240, 0.48%, 0.59%

LAB 47.03, 27.47, -52.79

 

CMYK 50 / 0 / 0 / 21

HEX #64C8C9

RGB 100 200 201

HSL 180.59, 0.48%, 0.59%

LAB 74.97, -28.85, -9.5

 

CMYK 62 / 1 / 0 / 15

HEX #53D8DA

RGB 83 216 218

HSL 180.89, 0.65%, 0.59%

LAB 79.62, -35.05, -11.76

 

CMYK 72 / 0 / 0 / 8

HEX #42E9EA

RGB 66 233 234

HSL 180.36, 0.8%, 0.59%

LAB 84.68, -40.72, -12.73

 

CMYK 80 / 1 / 0 / 2

HEX #32F9FB

RGB 50 249 251

HSL 180.6, 0.96%, 0.59%

LAB 89.58, -44.56, -14.33

 

CMYK 50 / 0 / 0 / 21

HEX #64C8C9

RGB 100 200 201

HSL 180.59, 0.48%, 0.59%

LAB 74.97, -28.85, -9.5

 

CMYK 36 / 1 / 0 / 28

HEX #75B7B8

RGB 117 183 184

HSL 180.9, 0.32%, 0.59%

LAB 70.25, -20.64, -7.16

 

CMYK 20 / 1 / 0 / 35

HEX #86A6A7

RGB 134 166 167

HSL 181.82, 0.16%, 0.59%

LAB 65.85, -10.7, -4.16

 

CMYK 0 / 1 / 1 / 41

HEX #979696

RGB 151 150 150

HSL 0, 0%, 0.59%

LAB 62.16, 0.37, 0.12

 

CMYK 0 / 21 / 21 / 34

HEX #A88585

RGB 168 133 133

HSL 0, 0.17%, 0.59%

LAB 58.78, 13.37, 5.1

 

CMYK 50 / 0 / 27 / 21

HEX #64C993

RGB 100 201 147

HSL 147.92, 0.48%, 0.59%

LAB 73.93, -41.93, 18.12

 

CMYK 50 / 0 / 13 / 21

HEX #64C9AE

RGB 100 201 174

HSL 163.96, 0.48%, 0.59%

LAB 74.53, -36.05, 4.47

 

CMYK 50 / 0 / 0 / 21

HEX #64C9C9

RGB 100 201 201

HSL 180, 0.48%, 0.59%

LAB 75.26, -29.34, -9.06

 

CMYK 50 / 13 / 0 / 21

HEX #64AEC9

RGB 100 174 201

HSL 196.04, 0.48%, 0.59%

LAB 67.43, -15.66, -20.86

 

CMYK 50 / 27 / 0 / 21

HEX #6493C9

RGB 100 147 201

HSL 212.08, 0.48%, 0.59%

LAB 59.7, -0.76, -32.75

 

CMYK 65 / 1 / 0 / 36

HEX #39A1A2

RGB 57 161 162

HSL 180.57, 0.48%, 0.43%

LAB 60.75, -28.78, -9.3

 

CMYK 63 / 1 / 0 / 25

HEX #46BDBE

RGB 70 189 190

HSL 180.5, 0.48%, 0.51%

LAB 70.47, -32.2, -10.32

 

CMYK 50 / 0 / 0 / 21

HEX #64C8C9

RGB 100 200 201

HSL 180.59, 0.48%, 0.59%

LAB 74.97, -28.85, -9.5

 

CMYK 38 / 0 / 0 / 17

HEX #83D3D3

RGB 131 211 211

HSL 180, 0.48%, 0.67%

LAB 79.68, -24.42, -7.75

 

CMYK 27 / 0 / 0 / 13

HEX #A1DDDE

RGB 161 221 222

HSL 180.98, 0.48%, 0.75%

LAB 84.26, -18.7, -6.66

 

CMYK 51 / 0 / 0 / 22

HEX #63C7C8

RGB 99 199 200

HSL 180.59, 0.48%, 0.59%

LAB 74.62, -28.84, -9.49

 

CMYK 40 / 50 / 0 / 21

HEX #7864C9

RGB 120 100 201

HSL 251.88, 0.48%, 0.59%

LAB 48.67, 32.14, -50.07

 

CMYK 0 / 20 / 50 / 21

HEX #C9A064

RGB 201 160 100

HSL 35.64, 0.48%, 0.59%

LAB 68.37, 7.74, 36.87

 

CMYK 51 / 0 / 0 / 22

HEX #63C7C8

RGB 99 199 200

HSL 180.59, 0.48%, 0.59%

LAB 74.62, -28.84, -9.49

 

CMYK 0 / 50 / 0 / 21

HEX #C964C9

RGB 201 100 201

HSL 300, 0.48%, 0.59%

LAB 57.8, 54.04, -35.04

 

CMYK 0 / 0 / 50 / 21

HEX #C9C964

RGB 201 201 100

HSL 60, 0.48%, 0.59%

LAB 79.11, -13.78, 49.9

 

CMYK 51 / 0 / 0 / 22

HEX #63C7C8

RGB 99 199 200

HSL 180.59, 0.48%, 0.59%

LAB 74.62, -28.84, -9.49

 

CMYK 40 / 50 / 0 / 21

HEX #7864C9

RGB 120 100 201

HSL 251.88, 0.48%, 0.59%

LAB 48.67, 32.14, -50.07

 

CMYK 0 / 50 / 50 / 21

HEX #C96464

RGB 201 100 100

HSL 0, 0.48%, 0.59%

LAB 54.5, 40.08, 18.82

 

CMYK 10 / 0 / 50 / 21

HEX #B5C964

RGB 181 201 100

HSL 71.88, 0.48%, 0.59%

LAB 77.59, -21.83, 47.73

 

CMYK 51 / 0 / 0 / 22

HEX #63C7C8

RGB 99 199 200

HSL 180.59, 0.48%, 0.59%

LAB 74.62, -28.84, -9.49

 

CMYK 25 / 50 / 0 / 21

HEX #9664C9

RGB 150 100 201

HSL 269.7, 0.48%, 0.59%

LAB 51.63, 39.91, -45.18

 

CMYK 0 / 50 / 50 / 21

HEX #C96464

RGB 201 100 100

HSL 0, 0.48%, 0.59%

LAB 54.5, 40.08, 18.82

 

CMYK 25 / 0 / 50 / 21

HEX #96C964

RGB 150 201 100

HSL 90.3, 0.48%, 0.59%

LAB 75.56, -33.69, 44.82

 

Description

Color code: HEX #63C7C8 | qconv.com Color code: HEX #63C7C8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 199 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 199 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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