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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #63B834 it is the complementary color #9C47CB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #63B834. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #63B834 shade: #68B82F, #79CA42, #8ADC55, #9BEE68 and #ACFF7B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #63B834. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #63B834 shade: #63B834, #52A621, #41940E, #308200 and #1F7000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #63B834 shade: #62B734, #86B734, #A9B734, #B7A134 and #B77E34

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #63B834 shade: #62B734, #3FB734, #34B74C, #34B76F and #34B793

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #63B834 shade matches the following richer shades: #62B734, #5DCA21 and #57DD0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #63B834 shade: #62B734, #68A447, #6D915A, #737E6D and #786B80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #63B834 shade: #AAB734, #87B734, #64B734, #41B734 and #34B74A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #63B834 shade: #407721, #51972B, #62B734, #77CB48 and #8FD569

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #63B834 shade: #63B834, #34B7A1 and #B73498

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #63B834 shade: #63B834, #3464B7 and #B73464

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #63B834 shade: #63B834, #34B7A1, #8734B7 and #B7344A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #63B834 shade: #63B834, #34A5B7, #8734B7 and #B74534

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 72 / 28

HEX #63B834

RGB 99 184 52

HSL 98.64, 0.56%, 0.46%

LAB 67.41, -48.39, 56

 

Complementary color

CMYK 23 / 65 / 0 / 20

HEX #9C47CB

RGB 156 71 203

HSL 278.64, 0.56%, 0.54%

LAB 46.82, 56.84, -53.95

 

CMYK 43 / 0 / 74 / 28

HEX #68B82F

RGB 104 184 47

HSL 95.04, 0.59%, 0.45%

LAB 67.6, -47.13, 58.05

 

CMYK 40 / 0 / 67 / 21

HEX #79CA42

RGB 121 202 66

HSL 95.74, 0.56%, 0.53%

LAB 74, -47.53, 57.74

 

CMYK 37 / 0 / 61 / 14

HEX #8ADC55

RGB 138 220 85

HSL 96.44, 0.66%, 0.6%

LAB 80.32, -47.75, 57

 

CMYK 35 / 0 / 56 / 7

HEX #9BEE68

RGB 155 238 104

HSL 97.16, 0.8%, 0.67%

LAB 86.56, -47.84, 56.05

 

CMYK 33 / 0 / 52 / 0

HEX #ACFF7B

RGB 172 255 123

HSL 97.73, 1%, 0.74%

LAB 92.45, -47.43, 54.65

 

CMYK 46 / 0 / 72 / 28

HEX #63B834

RGB 99 184 52

HSL 98.64, 0.56%, 0.46%

LAB 67.41, -48.39, 56

 

CMYK 51 / 0 / 80 / 35

HEX #52A621

RGB 82 166 33

HSL 97.89, 0.67%, 0.39%

LAB 60.94, -47.77, 55.9

 

CMYK 56 / 0 / 91 / 42

HEX #41940E

RGB 65 148 14

HSL 97.16, 0.83%, 0.32%

LAB 54.38, -46.75, 54.59

 

CMYK 63 / 0 / 100 / 49

HEX #308200

RGB 48 130 0

HSL 97.85, 1%, 0.25%

LAB 47.74, -45.17, 51.45

 

CMYK 72 / 0 / 100 / 56

HEX #1F7000

RGB 31 112 0

HSL 103.39, 1%, 0.22%

LAB 41.02, -42.81, 45.92

 

CMYK 46 / 0 / 72 / 28

HEX #62B734

RGB 98 183 52

HSL 98.93, 0.56%, 0.46%

LAB 67.06, -48.3, 55.62

 

CMYK 27 / 0 / 72 / 28

HEX #86B734

RGB 134 183 52

HSL 82.44, 0.56%, 0.46%

LAB 68.88, -35.64, 58.06

 

CMYK 8 / 0 / 72 / 28

HEX #A9B734

RGB 169 183 52

HSL 66.41, 0.56%, 0.46%

LAB 71.25, -21.43, 61.18

 

CMYK 0 / 12 / 72 / 28

HEX #B7A134

RGB 183 161 52

HSL 49.92, 0.56%, 0.46%

LAB 66.37, -4, 56.79

 

CMYK 0 / 31 / 72 / 28

HEX #B77E34

RGB 183 126 52

HSL 33.89, 0.56%, 0.46%

LAB 57.31, 15.17, 47.57

 

CMYK 46 / 0 / 72 / 28

HEX #62B734

RGB 98 183 52

HSL 98.93, 0.56%, 0.46%

LAB 67.06, -48.3, 55.62

 

CMYK 66 / 0 / 72 / 28

HEX #3FB734

RGB 63 183 52

HSL 114.96, 0.56%, 0.46%

LAB 65.88, -57.52, 54.04

 

CMYK 72 / 0 / 58 / 28

HEX #34B74C

RGB 52 183 76

HSL 130.99, 0.56%, 0.46%

LAB 65.84, -57.09, 43.69

 

CMYK 72 / 0 / 39 / 28

HEX #34B76F

RGB 52 183 111

HSL 147.02, 0.56%, 0.46%

LAB 66.32, -51.53, 26.72

 

CMYK 72 / 0 / 20 / 28

HEX #34B793

RGB 52 183 147

HSL 163.51, 0.56%, 0.46%

LAB 67.05, -43.66, 8.25

 

CMYK 46 / 0 / 72 / 28

HEX #62B734

RGB 98 183 52

HSL 98.93, 0.56%, 0.46%

LAB 67.06, -48.3, 55.62

 

CMYK 54 / 0 / 84 / 21

HEX #5DCA21

RGB 93 202 33

HSL 98.7, 0.72%, 0.46%

LAB 72.68, -58.04, 66.76

 

CMYK 61 / 0 / 94 / 13

HEX #57DD0E

RGB 87 221 14

HSL 98.84, 0.88%, 0.46%

LAB 78.33, -66.66, 74.81

 

CMYK 46 / 0 / 72 / 28

HEX #62B734

RGB 98 183 52

HSL 98.93, 0.56%, 0.46%

LAB 67.06, -48.3, 55.62

 

CMYK 37 / 0 / 57 / 36

HEX #68A447

RGB 104 164 71

HSL 98.71, 0.4%, 0.46%

LAB 61.61, -36.53, 41.57

 

CMYK 25 / 0 / 38 / 43

HEX #6D915A

RGB 109 145 90

HSL 99.27, 0.23%, 0.46%

LAB 56.33, -23.16, 25.25

 

CMYK 9 / 0 / 13 / 51

HEX #737E6D

RGB 115 126 109

HSL 98.82, 0.07%, 0.46%

LAB 51.46, -7.47, 7.88

 

CMYK 6 / 16 / 0 / 50

HEX #786B80

RGB 120 107 128

HSL 277.14, 0.09%, 0.46%

LAB 47.06, 9.34, -9.75

 

CMYK 7 / 0 / 72 / 28

HEX #AAB734

RGB 170 183 52

HSL 65.95, 0.56%, 0.46%

LAB 71.32, -21.01, 61.28

 

CMYK 26 / 0 / 72 / 28

HEX #87B734

RGB 135 183 52

HSL 81.98, 0.56%, 0.46%

LAB 68.94, -35.25, 58.14

 

CMYK 45 / 0 / 72 / 28

HEX #64B734

RGB 100 183 52

HSL 98.02, 0.56%, 0.46%

LAB 67.14, -47.67, 55.74

 

CMYK 64 / 0 / 72 / 28

HEX #41B734

RGB 65 183 52

HSL 114.05, 0.56%, 0.46%

LAB 65.93, -57.1, 54.11

 

CMYK 72 / 0 / 60 / 28

HEX #34B74A

RGB 52 183 74

HSL 130.08, 0.56%, 0.46%

LAB 65.82, -57.34, 44.6

 

CMYK 46 / 0 / 72 / 53

HEX #407721

RGB 64 119 33

HSL 98.37, 0.57%, 0.3%

LAB 44.79, -34.26, 39.78

 

CMYK 46 / 0 / 72 / 41

HEX #51972B

RGB 81 151 43

HSL 98.89, 0.56%, 0.38%

LAB 56.14, -41.39, 47.68

 

CMYK 46 / 0 / 72 / 28

HEX #62B734

RGB 98 183 52

HSL 98.93, 0.56%, 0.46%

LAB 67.06, -48.3, 55.62

 

CMYK 41 / 0 / 65 / 20

HEX #77CB48

RGB 119 203 72

HSL 98.47, 0.56%, 0.54%

LAB 74.25, -48.09, 55.55

 

CMYK 33 / 0 / 51 / 16

HEX #8FD569

RGB 143 213 105

HSL 98.89, 0.56%, 0.62%

LAB 78.72, -41.01, 46.15

 

CMYK 46 / 0 / 72 / 28

HEX #63B834

RGB 99 184 52

HSL 98.64, 0.56%, 0.46%

LAB 67.41, -48.39, 56

 

CMYK 72 / 0 / 12 / 28

HEX #34B7A1

RGB 52 183 161

HSL 169.92, 0.56%, 0.46%

LAB 67.4, -40.07, 1.06

 

CMYK 0 / 72 / 17 / 28

HEX #B73498

RGB 183 52 152

HSL 314.2, 0.56%, 0.46%

LAB 45.35, 61.91, -26.04

 

CMYK 46 / 0 / 72 / 28

HEX #63B834

RGB 99 184 52

HSL 98.64, 0.56%, 0.46%

LAB 67.41, -48.39, 56

 

CMYK 72 / 45 / 0 / 28

HEX #3464B7

RGB 52 100 183

HSL 218.02, 0.56%, 0.46%

LAB 43.16, 12.3, -48.72

 

CMYK 0 / 72 / 45 / 28

HEX #B73464

RGB 183 52 100

HSL 338.02, 0.56%, 0.46%

LAB 43.42, 55.7, 2.88

 

CMYK 46 / 0 / 72 / 28

HEX #63B834

RGB 99 184 52

HSL 98.64, 0.56%, 0.46%

LAB 67.41, -48.39, 56

 

CMYK 72 / 0 / 12 / 28

HEX #34B7A1

RGB 52 183 161

HSL 169.92, 0.56%, 0.46%

LAB 67.4, -40.07, 1.06

 

CMYK 26 / 72 / 0 / 28

HEX #8734B7

RGB 135 52 183

HSL 278.02, 0.56%, 0.46%

LAB 39.62, 56.48, -54.04

 

CMYK 0 / 72 / 60 / 28

HEX #B7344A

RGB 183 52 74

HSL 349.92, 0.56%, 0.46%

LAB 42.79, 53.56, 18.18

 

CMYK 46 / 0 / 72 / 28

HEX #63B834

RGB 99 184 52

HSL 98.64, 0.56%, 0.46%

LAB 67.41, -48.39, 56

 

CMYK 72 / 10 / 0 / 28

HEX #34A5B7

RGB 52 165 183

HSL 188.24, 0.56%, 0.46%

LAB 62.56, -25.15, -18.4

 

CMYK 26 / 72 / 0 / 28

HEX #8734B7

RGB 135 52 183

HSL 278.02, 0.56%, 0.46%

LAB 39.62, 56.48, -54.04

 

CMYK 0 / 62 / 72 / 28

HEX #B74534

RGB 183 69 52

HSL 7.79, 0.56%, 0.46%

LAB 45.04, 45.17, 34.17

 

Description

Color code: HEX #63B834 | qconv.com Color code: HEX #63B834 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 184 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 184 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 72 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 72% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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