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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #63B211 it is the complementary color #9C4DEE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #63B211. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #63B211 shade: #68B20C, #79C41F, #8AD632, #9BE845 and #ACFA58

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #63B211. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #63B211 shade: #63B211, #52A000, #418E00, #307C00 and #1F6A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #63B211 shade: #62B110, #8EB110, #B1A910, #B17E10 and #B15310

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #63B211 shade: #62B110, #37B110, #10B115, #10B141 and #10B16C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #63B211 shade matches the following richer shades: #62B110 and #63C101

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #63B211 shade: #62B110, #62A220, #629230, #628240 and #61734F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #63B211 shade: #B1A910, #8EB110, #64B110, #39B110 and #10B113

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #63B211 shade: #396609, #4D8C0D, #62B110, #77D714 and #8CEB29

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #63B211 shade: #63B211, #10B17E and #B110A4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #63B211 shade: #63B211, #1064B1 and #B11064

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #63B211 shade: #63B211, #10B17E, #5E10B1 and #B11043

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #63B211 shade: #63B211, #10B1AF, #5E10B1 and #B11013

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 90 / 30

HEX #63B211

RGB 99 178 17

HSL 89.44, 0.83%, 0.38%

LAB 65.38, -47.72, 63.87

 

Complementary color

CMYK 34 / 68 / 0 / 7

HEX #9C4DEE

RGB 156 77 238

HSL 269.44, 0.83%, 0.62%

LAB 50.15, 61.95, -68.49

 

CMYK 42 / 0 / 93 / 30

HEX #68B20C

RGB 104 178 12

HSL 86.75, 0.87%, 0.37%

LAB 65.6, -46.15, 64.91

 

CMYK 38 / 0 / 84 / 23

HEX #79C41F

RGB 121 196 31

HSL 87.27, 0.73%, 0.45%

LAB 71.99, -47.08, 67.07

 

CMYK 36 / 0 / 77 / 16

HEX #8AD632

RGB 138 214 50

HSL 87.8, 0.67%, 0.52%

LAB 78.3, -47.74, 67.95

 

CMYK 33 / 0 / 70 / 9

HEX #9BE845

RGB 155 232 69

HSL 88.34, 0.78%, 0.59%

LAB 84.54, -48.2, 68.01

 

CMYK 31 / 0 / 65 / 2

HEX #ACFA58

RGB 172 250 88

HSL 88.89, 0.94%, 0.66%

LAB 90.71, -48.52, 67.58

 

CMYK 44 / 0 / 90 / 30

HEX #63B211

RGB 99 178 17

HSL 89.44, 0.83%, 0.38%

LAB 65.38, -47.72, 63.87

 

CMYK 49 / 0 / 100 / 37

HEX #52A000

RGB 82 160 0

HSL 89.25, 1%, 0.31%

LAB 58.91, -46.54, 60.78

 

CMYK 54 / 0 / 100 / 44

HEX #418E00

RGB 65 142 0

HSL 92.54, 1%, 0.28%

LAB 52.36, -44.87, 55.35

 

CMYK 61 / 0 / 100 / 51

HEX #307C00

RGB 48 124 0

HSL 96.77, 1%, 0.24%

LAB 45.69, -42.97, 49.83

 

CMYK 71 / 0 / 100 / 58

HEX #1F6A00

RGB 31 106 0

HSL 102.45, 1%, 0.21%

LAB 38.9, -40.7, 44.23

 

CMYK 45 / 0 / 91 / 31

HEX #62B110

RGB 98 177 16

HSL 89.44, 0.83%, 0.38%

LAB 65.02, -47.68, 63.72

 

CMYK 20 / 0 / 91 / 31

HEX #8EB110

RGB 142 177 16

HSL 73.04, 0.83%, 0.38%

LAB 67.45, -31.14, 66.71

 

CMYK 0 / 5 / 91 / 31

HEX #B1A910

RGB 177 169 16

HSL 57.02, 0.83%, 0.38%

LAB 67.84, -12.07, 68.15

 

CMYK 0 / 29 / 91 / 31

HEX #B17E10

RGB 177 126 16

HSL 40.99, 0.83%, 0.38%

LAB 56.39, 11.22, 59.3

 

CMYK 0 / 53 / 91 / 31

HEX #B15310

RGB 177 83 16

HSL 24.97, 0.83%, 0.38%

LAB 46.41, 34.8, 51.74

 

CMYK 45 / 0 / 91 / 31

HEX #62B110

RGB 98 177 16

HSL 89.44, 0.83%, 0.38%

LAB 65.02, -47.68, 63.72

 

CMYK 69 / 0 / 91 / 31

HEX #37B110

RGB 55 177 16

HSL 105.47, 0.83%, 0.38%

LAB 63.59, -59.18, 61.93

 

CMYK 91 / 0 / 88 / 31

HEX #10B115

RGB 16 177 21

HSL 121.86, 0.83%, 0.38%

LAB 63.02, -64.11, 60.29

 

CMYK 91 / 0 / 63 / 31

HEX #10B141

RGB 16 177 65

HSL 138.26, 0.83%, 0.38%

LAB 63.29, -60.66, 45.65

 

CMYK 91 / 0 / 39 / 31

HEX #10B16C

RGB 16 177 108

HSL 154.29, 0.83%, 0.38%

LAB 63.87, -53.74, 24.96

 

CMYK 45 / 0 / 91 / 31

HEX #62B110

RGB 98 177 16

HSL 89.44, 0.83%, 0.38%

LAB 65.02, -47.68, 63.72

 

CMYK 49 / 0 / 99 / 24

HEX #63C101

RGB 99 193 1

HSL 89.38, 0.99%, 0.38%

LAB 70.03, -53.83, 69.66

 

CMYK 45 / 0 / 91 / 31

HEX #62B110

RGB 98 177 16

HSL 89.44, 0.83%, 0.38%

LAB 65.02, -47.68, 63.72

 

CMYK 40 / 0 / 80 / 36

HEX #62A220

RGB 98 162 32

HSL 89.54, 0.67%, 0.38%

LAB 60.37, -40.92, 55.93

 

CMYK 33 / 0 / 67 / 43

HEX #629230

RGB 98 146 48

HSL 89.39, 0.51%, 0.38%

LAB 55.45, -32.76, 45.14

 

CMYK 25 / 0 / 51 / 49

HEX #628240

RGB 98 130 64

HSL 89.09, 0.34%, 0.38%

LAB 50.61, -23.39, 31.89

 

CMYK 16 / 0 / 31 / 55

HEX #61734F

RGB 97 115 79

HSL 90, 0.19%, 0.38%

LAB 46.13, -13.74, 17.78

 

CMYK 0 / 5 / 91 / 31

HEX #B1A910

RGB 177 169 16

HSL 57.02, 0.83%, 0.38%

LAB 67.84, -12.07, 68.15

 

CMYK 20 / 0 / 91 / 31

HEX #8EB110

RGB 142 177 16

HSL 73.04, 0.83%, 0.38%

LAB 67.45, -31.14, 66.71

 

CMYK 44 / 0 / 91 / 31

HEX #64B110

RGB 100 177 16

HSL 88.7, 0.83%, 0.38%

LAB 65.11, -47.02, 63.83

 

CMYK 68 / 0 / 91 / 31

HEX #39B110

RGB 57 177 16

HSL 104.72, 0.83%, 0.38%

LAB 63.63, -58.78, 61.99

 

CMYK 91 / 0 / 89 / 31

HEX #10B113

RGB 16 177 19

HSL 121.12, 0.83%, 0.38%

LAB 63.01, -64.19, 60.68

 

CMYK 44 / 0 / 91 / 60

HEX #396609

RGB 57 102 9

HSL 89.03, 0.84%, 0.22%

LAB 38.54, -30.73, 41.95

 

CMYK 45 / 0 / 91 / 45

HEX #4D8C0D

RGB 77 140 13

HSL 89.76, 0.83%, 0.3%

LAB 52.25, -39.81, 53.17

 

CMYK 45 / 0 / 91 / 31

HEX #62B110

RGB 98 177 16

HSL 89.44, 0.83%, 0.38%

LAB 65.02, -47.68, 63.72

 

CMYK 45 / 0 / 91 / 16

HEX #77D714

RGB 119 215 20

HSL 89.54, 0.83%, 0.46%

LAB 77.62, -55.58, 73.91

 

CMYK 40 / 0 / 83 / 8

HEX #8CEB29

RGB 140 235 41

HSL 89.38, 0.83%, 0.54%

LAB 84.56, -55.9, 76.14

 

CMYK 44 / 0 / 90 / 30

HEX #63B211

RGB 99 178 17

HSL 89.44, 0.83%, 0.38%

LAB 65.38, -47.72, 63.87

 

CMYK 91 / 0 / 29 / 31

HEX #10B17E

RGB 16 177 126

HSL 160.99, 0.83%, 0.38%

LAB 64.21, -49.82, 15.69

 

CMYK 0 / 91 / 7 / 31

HEX #B110A4

RGB 177 16 164

HSL 304.84, 0.83%, 0.38%

LAB 41.84, 71.12, -38.82

 

CMYK 44 / 0 / 90 / 30

HEX #63B211

RGB 99 178 17

HSL 89.44, 0.83%, 0.38%

LAB 65.38, -47.72, 63.87

 

CMYK 91 / 44 / 0 / 31

HEX #1064B1

RGB 16 100 177

HSL 208.7, 0.83%, 0.38%

LAB 41.84, 6.34, -47.37

 

CMYK 0 / 91 / 44 / 31

HEX #B11064

RGB 177 16 100

HSL 328.7, 0.83%, 0.38%

LAB 38.96, 63.51, -3.78

 

CMYK 44 / 0 / 90 / 30

HEX #63B211

RGB 99 178 17

HSL 89.44, 0.83%, 0.38%

LAB 65.38, -47.72, 63.87

 

CMYK 91 / 0 / 29 / 31

HEX #10B17E

RGB 16 177 126

HSL 160.99, 0.83%, 0.38%

LAB 64.21, -49.82, 15.69

 

CMYK 47 / 91 / 0 / 31

HEX #5E10B1

RGB 94 16 177

HSL 269.07, 0.83%, 0.38%

LAB 29.22, 60.95, -67.7

 

CMYK 0 / 91 / 62 / 31

HEX #B11043

RGB 177 16 67

HSL 340.99, 0.83%, 0.38%

LAB 38.06, 61.01, 16.08

 

CMYK 44 / 0 / 90 / 30

HEX #63B211

RGB 99 178 17

HSL 89.44, 0.83%, 0.38%

LAB 65.38, -47.72, 63.87

 

CMYK 91 / 0 / 1 / 31

HEX #10B1AF

RGB 16 177 175

HSL 179.25, 0.83%, 0.38%

LAB 65.47, -36.59, -9.59

 

CMYK 47 / 91 / 0 / 31

HEX #5E10B1

RGB 94 16 177

HSL 269.07, 0.83%, 0.38%

LAB 29.22, 60.95, -67.7

 

CMYK 0 / 91 / 89 / 31

HEX #B11013

RGB 177 16 19

HSL 358.88, 0.83%, 0.38%

LAB 37.42, 59.18, 43.84

 

Description

Color code: HEX #63B211 | qconv.com Color code: HEX #63B211 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 178 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 178 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 90 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 90% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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