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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #63ADD1 it is the complementary color #9C522E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #63ADD1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #63ADD1 shade: #68ADCC, #79BFDF, #8AD1F2, #9BE3FF and #ACF5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #63ADD1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #63ADD1 shade: #63ADD1, #529BBE, #4189AB, #307798 and #1F6585

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #63ADD1 shade: #62ACD0, #628ED0, #6271D0, #7162D0 and #8F62D0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #63ADD1 shade: #62ACD0, #628ED0, #6271D0 and #6262D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #63ADD1 shade matches the following richer shades: #62ACD0, #51B2E1 and #41B7F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #63ADD1 shade: #62ACD0, #72A6C0, #83A1AF, #939B9F and #A4958E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #63ADD1 shade: #62D0B8, #62CBD0, #62ADD0, #6290D0 and #6272D0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #63ADD1 shade: #3385AC, #429BC7, #62ACD0, #82BDDA and #A1CEE3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #63ADD1 shade: #63ADD1, #9B62D0 and #D0C762

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #63ADD1 shade: #63ADD1, #D062AD and #ADD062

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #63ADD1 shade: #63ADD1, #9B62D0, #D08562 and #97D062

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #63ADD1 shade: #63ADD1, #BC62D0, #D08562 and #76D062

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 17 / 0 / 18

HEX #63ADD1

RGB 99 173 209

HSL 199.64, 0.54%, 0.6%

LAB 67.38, -13.04, -25.35

 

Complementary color

CMYK 0 / 47 / 71 / 39

HEX #9C522E

RGB 156 82 46

HSL 19.64, 0.54%, 0.4%

LAB 43.21, 27.71, 34.28

 

CMYK 49 / 15 / 0 / 20

HEX #68ADCC

RGB 104 173 204

HSL 198.6, 0.5%, 0.6%

LAB 67.42, -13.36, -22.51

 

CMYK 46 / 14 / 0 / 13

HEX #79BFDF

RGB 121 191 223

HSL 198.82, 0.61%, 0.67%

LAB 73.97, -13.61, -22.85

 

CMYK 43 / 14 / 0 / 5

HEX #8AD1F2

RGB 138 209 242

HSL 199.04, 0.8%, 0.75%

LAB 80.41, -13.81, -23.18

 

CMYK 39 / 11 / 0 / 0

HEX #9BE3FF

RGB 155 227 255

HSL 196.8, 1%, 0.8%

LAB 86.57, -15.49, -20.65

 

CMYK 33 / 4 / 0 / 0

HEX #ACF5FF

RGB 172 245 255

HSL 187.23, 1%, 0.84%

LAB 92.26, -20.08, -12.01

 

CMYK 53 / 17 / 0 / 18

HEX #63ADD1

RGB 99 173 209

HSL 199.64, 0.54%, 0.6%

LAB 67.38, -13.04, -25.35

 

CMYK 57 / 18 / 0 / 25

HEX #529BBE

RGB 82 155 190

HSL 199.44, 0.45%, 0.53%

LAB 60.74, -12.59, -25.03

 

CMYK 62 / 20 / 0 / 33

HEX #4189AB

RGB 65 137 171

HSL 199.25, 0.45%, 0.46%

LAB 53.98, -11.99, -24.69

 

CMYK 68 / 22 / 0 / 40

HEX #307798

RGB 48 119 152

HSL 199.04, 0.52%, 0.39%

LAB 47.09, -11.18, -24.33

 

CMYK 77 / 24 / 0 / 48

HEX #1F6585

RGB 31 101 133

HSL 198.82, 0.62%, 0.32%

LAB 40.07, -10.02, -23.93

 

CMYK 53 / 17 / 0 / 18

HEX #62ACD0

RGB 98 172 208

HSL 199.64, 0.54%, 0.6%

LAB 67.02, -13.02, -25.36

 

CMYK 53 / 32 / 0 / 18

HEX #628ED0

RGB 98 142 208

HSL 216, 0.54%, 0.6%

LAB 58.51, 3.83, -38.56

 

CMYK 53 / 46 / 0 / 18

HEX #6271D0

RGB 98 113 208

HSL 231.82, 0.54%, 0.6%

LAB 50.64, 21.26, -51.01

 

CMYK 46 / 53 / 0 / 18

HEX #7162D0

RGB 113 98 208

HSL 248.18, 0.54%, 0.6%

LAB 48.01, 33.7, -55.17

 

CMYK 31 / 53 / 0 / 18

HEX #8F62D0

RGB 143 98 208

HSL 264.55, 0.54%, 0.6%

LAB 50.84, 40.92, -50.48

 

CMYK 53 / 17 / 0 / 18

HEX #62ACD0

RGB 98 172 208

HSL 199.64, 0.54%, 0.6%

LAB 67.02, -13.02, -25.36

 

CMYK 53 / 32 / 0 / 18

HEX #628ED0

RGB 98 142 208

HSL 216, 0.54%, 0.6%

LAB 58.51, 3.83, -38.56

 

CMYK 53 / 46 / 0 / 18

HEX #6271D0

RGB 98 113 208

HSL 231.82, 0.54%, 0.6%

LAB 50.64, 21.26, -51.01

 

CMYK 53 / 53 / 0 / 18

HEX #6262D0

RGB 98 98 208

HSL 240, 0.54%, 0.6%

LAB 46.82, 30.46, -57.14

 

CMYK 53 / 17 / 0 / 18

HEX #62ACD0

RGB 98 172 208

HSL 199.64, 0.54%, 0.6%

LAB 67.02, -13.02, -25.36

 

CMYK 64 / 21 / 0 / 12

HEX #51B2E1

RGB 81 178 225

HSL 199.58, 0.71%, 0.6%

LAB 68.77, -14.31, -32.06

 

CMYK 73 / 24 / 0 / 5

HEX #41B7F1

RGB 65 183 241

HSL 199.77, 0.86%, 0.6%

LAB 70.41, -14.13, -38.26

 

CMYK 53 / 17 / 0 / 18

HEX #62ACD0

RGB 98 172 208

HSL 199.64, 0.54%, 0.6%

LAB 67.02, -13.02, -25.36

 

CMYK 41 / 14 / 0 / 25

HEX #72A6C0

RGB 114 166 192

HSL 200, 0.38%, 0.6%

LAB 65.48, -10.43, -18.77

 

CMYK 25 / 8 / 0 / 31

HEX #83A1AF

RGB 131 161 175

HSL 199.09, 0.22%, 0.6%

LAB 64.49, -7.11, -10.67

 

CMYK 8 / 3 / 0 / 38

HEX #939B9F

RGB 147 155 159

HSL 200, 0.06%, 0.6%

LAB 63.47, -2.05, -3.09

 

CMYK 0 / 9 / 13 / 36

HEX #A4958E

RGB 164 149 142

HSL 19.09, 0.11%, 0.6%

LAB 62.79, 4.32, 5.7

 

CMYK 53 / 0 / 12 / 18

HEX #62D0B8

RGB 98 208 184

HSL 166.91, 0.54%, 0.6%

LAB 76.78, -37.34, 2.33

 

CMYK 53 / 2 / 0 / 18

HEX #62CBD0

RGB 98 203 208

HSL 182.73, 0.54%, 0.6%

LAB 75.98, -28.86, -11.78

 

CMYK 53 / 17 / 0 / 18

HEX #62ADD0

RGB 98 173 208

HSL 199.09, 0.54%, 0.6%

LAB 67.31, -13.55, -24.92

 

CMYK 53 / 31 / 0 / 18

HEX #6290D0

RGB 98 144 208

HSL 214.91, 0.54%, 0.6%

LAB 59.06, 2.66, -37.69

 

CMYK 53 / 45 / 0 / 18

HEX #6272D0

RGB 98 114 208

HSL 231.27, 0.54%, 0.6%

LAB 50.9, 20.65, -50.59

 

CMYK 70 / 23 / 0 / 33

HEX #3385AC

RGB 51 133 172

HSL 199.34, 0.54%, 0.44%

LAB 52.35, -11.81, -27.83

 

CMYK 67 / 22 / 0 / 22

HEX #429BC7

RGB 66 155 199

HSL 199.85, 0.54%, 0.52%

LAB 60.54, -12.66, -30.44

 

CMYK 53 / 17 / 0 / 18

HEX #62ACD0

RGB 98 172 208

HSL 199.64, 0.54%, 0.6%

LAB 67.02, -13.02, -25.36

 

CMYK 40 / 13 / 0 / 15

HEX #82BDDA

RGB 130 189 218

HSL 199.77, 0.54%, 0.68%

LAB 73.68, -11.66, -20.54

 

CMYK 29 / 9 / 0 / 11

HEX #A1CEE3

RGB 161 206 227

HSL 199.09, 0.54%, 0.76%

LAB 80.33, -9.88, -15.18

 

CMYK 53 / 17 / 0 / 18

HEX #63ADD1

RGB 99 173 209

HSL 199.64, 0.54%, 0.6%

LAB 67.38, -13.04, -25.35

 

CMYK 25 / 53 / 0 / 18

HEX #9B62D0

RGB 155 98 208

HSL 271.09, 0.54%, 0.6%

LAB 52.13, 44, -48.35

 

CMYK 0 / 4 / 53 / 18

HEX #D0C762

RGB 208 199 98

HSL 55.09, 0.54%, 0.6%

LAB 79.12, -10.07, 51.01

 

CMYK 53 / 17 / 0 / 18

HEX #63ADD1

RGB 99 173 209

HSL 199.64, 0.54%, 0.6%

LAB 67.38, -13.04, -25.35

 

CMYK 0 / 53 / 17 / 18

HEX #D062AD

RGB 208 98 173

HSL 319.09, 0.54%, 0.6%

LAB 57.23, 52.43, -19.78

 

CMYK 17 / 0 / 53 / 18

HEX #ADD062

RGB 173 208 98

HSL 79.09, 0.54%, 0.6%

LAB 78.97, -28.54, 50.18

 

CMYK 53 / 17 / 0 / 18

HEX #63ADD1

RGB 99 173 209

HSL 199.64, 0.54%, 0.6%

LAB 67.38, -13.04, -25.35

 

CMYK 25 / 53 / 0 / 18

HEX #9B62D0

RGB 155 98 208

HSL 271.09, 0.54%, 0.6%

LAB 52.13, 44, -48.35

 

CMYK 0 / 36 / 53 / 18

HEX #D08562

RGB 208 133 98

HSL 19.09, 0.54%, 0.6%

LAB 62.56, 25.14, 30.75

 

CMYK 27 / 0 / 53 / 18

HEX #97D062

RGB 151 208 98

HSL 91.09, 0.54%, 0.6%

LAB 77.62, -36.75, 48.25

 

CMYK 53 / 17 / 0 / 18

HEX #63ADD1

RGB 99 173 209

HSL 199.64, 0.54%, 0.6%

LAB 67.38, -13.04, -25.35

 

CMYK 10 / 53 / 0 / 18

HEX #BC62D0

RGB 188 98 208

HSL 289.09, 0.54%, 0.6%

LAB 56.07, 52.76, -41.85

 

CMYK 0 / 36 / 53 / 18

HEX #D08562

RGB 208 133 98

HSL 19.09, 0.54%, 0.6%

LAB 62.56, 25.14, 30.75

 

CMYK 43 / 0 / 53 / 18

HEX #76D062

RGB 118 208 98

HSL 109.09, 0.54%, 0.6%

LAB 75.97, -47.77, 45.89

 

Description

Color code: HEX #63ADD1 | qconv.com Color code: HEX #63ADD1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 173 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 173 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 17 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 17% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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