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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #63AB7B it is the complementary color #9C5484. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #63AB7B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #63AB7B: #68AB76, #79BD89, #8ACF9C, #9BE1AF and #ACF3C2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #63AB7B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #63AB7B: #63AB7B, #529968, #418755, #307542 and #1F632F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 28 / 33

HEX #63AB7B

RGB 99 171 123

HSL 140, 0.3%, 0.53%

LAB 64.33, -33.39, 17.82

 

Complementary color

CMYK 0 / 46 / 15 / 39

HEX #9C5484

RGB 156 84 132

HSL 320, 0.3%, 0.47%

LAB 45.74, 36.39, -13.75

 

CMYK 39 / 0 / 31 / 33

HEX #68AB76

RGB 104 171 118

HSL 132.54, 0.29%, 0.54%

LAB 64.46, -32.83, 20.77

 

CMYK 36 / 0 / 28 / 26

HEX #79BD89

RGB 121 189 137

HSL 134.12, 0.34%, 0.61%

LAB 71.05, -32.55, 19.64

 

CMYK 33 / 0 / 25 / 19

HEX #8ACF9C

RGB 138 207 156

HSL 135.65, 0.42%, 0.68%

LAB 77.54, -32.28, 18.6

 

CMYK 31 / 0 / 22 / 12

HEX #9BE1AF

RGB 155 225 175

HSL 137.14, 0.54%, 0.75%

LAB 83.92, -32.02, 17.61

 

CMYK 29 / 0 / 20 / 5

HEX #ACF3C2

RGB 172 243 194

HSL 138.59, 0.75%, 0.81%

LAB 90.21, -31.78, 16.69

 

CMYK 42 / 0 / 28 / 33

HEX #63AB7B

RGB 99 171 123

HSL 140, 0.3%, 0.53%

LAB 64.33, -33.39, 17.82

 

CMYK 46 / 0 / 32 / 40

HEX #529968

RGB 82 153 104

HSL 138.59, 0.3%, 0.46%

LAB 57.63, -33.64, 19.01

 

CMYK 52 / 0 / 37 / 47

HEX #418755

RGB 65 135 85

HSL 137.14, 0.35%, 0.39%

LAB 50.81, -33.83, 20.32

 

CMYK 59 / 0 / 44 / 54

HEX #307542

RGB 48 117 66

HSL 135.65, 0.42%, 0.32%

LAB 43.86, -33.88, 21.76

 

CMYK 69 / 0 / 53 / 61

HEX #1F632F

RGB 31 99 47

HSL 134.12, 0.52%, 0.25%

LAB 36.78, -33.64, 23.34

 

CMYK 42 / 0 / 28 / 33

HEX #63AB7B

RGB 99 171 123

HSL 140, 0.3%, 0.53%

LAB 64.33, -33.39, 17.82

 

CMYK 42 / 0 / 21 / 33

HEX #63AB87

RGB 99 171 135

HSL 150, 0.3%, 0.53%

LAB 64.59, -30.97, 11.57

 

CMYK 42 / 0 / 14 / 33

HEX #63AB93

RGB 99 171 147

HSL 160, 0.3%, 0.53%

LAB 64.87, -28.33, 5.32

 

CMYK 42 / 0 / 7 / 33

HEX #63AB9F

RGB 99 171 159

HSL 170, 0.3%, 0.53%

LAB 65.19, -25.5, -0.9

 

CMYK 42 / 0 / 0 / 33

HEX #63ABAB

RGB 99 171 171

HSL 180, 0.3%, 0.53%

LAB 65.53, -22.49, -7.08

 

CMYK 42 / 0 / 28 / 33

HEX #63AB7B

RGB 99 171 123

HSL 140, 0.3%, 0.53%

LAB 64.33, -33.39, 17.82

 

CMYK 42 / 0 / 28 / 13

HEX #81DEA0

RGB 129 222 160

HSL 140, 0.58%, 0.69%

LAB 81.54, -41.04, 21.95

 

CMYK 44 / 0 / 28 / 93

HEX #0A120D

RGB 10 18 13

HSL 142.5, 0.29%, 0.05%

LAB 4.75, -3.52, 1.61

 

CMYK 42 / 0 / 28 / 73

HEX #284532

RGB 40 69 50

HSL 140.69, 0.27%, 0.21%

LAB 26.56, -15.85, 8.12

 

CMYK 43 / 0 / 28 / 53

HEX #457856

RGB 69 120 86

HSL 140, 0.27%, 0.37%

LAB 46.14, -25.28, 13.43

 

CMYK 42 / 0 / 28 / 33

HEX #63AB7B

RGB 99 171 123

HSL 140, 0.3%, 0.53%

LAB 64.33, -33.39, 17.82

 

CMYK 42 / 23 / 0 / 33

HEX #6384AB

RGB 99 132 171

HSL 212.5, 0.3%, 0.53%

LAB 54.13, -1.22, -24.33

 

CMYK 0 / 42 / 40 / 33

HEX #AB6367

RGB 171 99 103

HSL 356.67, 0.3%, 0.53%

LAB 50.17, 29.51, 10.41

 

CMYK 42 / 0 / 28 / 33

HEX #63AB7B

RGB 99 171 123

HSL 140, 0.3%, 0.53%

LAB 64.33, -33.39, 17.82

 

CMYK 28 / 42 / 0 / 33

HEX #7B63AB

RGB 123 99 171

HSL 260, 0.3%, 0.53%

LAB 47.07, 25.44, -35.18

 

CMYK 0 / 28 / 42 / 33

HEX #AB7B63

RGB 171 123 99

HSL 20, 0.3%, 0.53%

LAB 55.81, 15.58, 20.5

 

CMYK 42 / 0 / 28 / 33

HEX #63AB7B

RGB 99 171 123

HSL 140, 0.3%, 0.53%

LAB 64.33, -33.39, 17.82

 

CMYK 42 / 23 / 0 / 33

HEX #6384AB

RGB 99 132 171

HSL 212.5, 0.3%, 0.53%

LAB 54.13, -1.22, -24.33

 

CMYK 0 / 42 / 14 / 33

HEX #AB6393

RGB 171 99 147

HSL 320, 0.3%, 0.53%

LAB 51.48, 35.86, -13.8

 

CMYK 0 / 20 / 42 / 33

HEX #AB8963

RGB 171 137 99

HSL 31.67, 0.3%, 0.53%

LAB 59.39, 7.71, 25.27

 

CMYK 42 / 0 / 28 / 33

HEX #63AB7B

RGB 99 171 123

HSL 140, 0.3%, 0.53%

LAB 64.33, -33.39, 17.82

 

CMYK 42 / 35 / 0 / 33

HEX #636FAB

RGB 99 111 171

HSL 230, 0.3%, 0.53%

LAB 48.21, 11.31, -33.53

 

CMYK 0 / 42 / 14 / 33

HEX #AB6393

RGB 171 99 147

HSL 320, 0.3%, 0.53%

LAB 51.48, 35.86, -13.8

 

CMYK 0 / 7 / 42 / 33

HEX #AB9F63

RGB 171 159 99

HSL 50, 0.3%, 0.53%

LAB 65.24, -4.37, 32.85

 

Description

Color code: HEX #63AB7B | qconv.com Color code: HEX #63AB7B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 171 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 171 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 28 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 28% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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