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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #639930 it is the complementary color #9C66CF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #639930. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #639930 shade: #68992B, #79AB3E, #8ABD51, #9BCF64 and #ACE177

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #639930. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #639930 shade: #639930, #52871D, #41750A, #306300 and #1F5100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #639930 shade: #629730, #7E9730, #979530, #977930 and #975D30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #639930 shade: #629730, #469730, #309735, #309751 and #30976D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #639930 shade matches the following richer shades: #629730, #62A720 and #61B710

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #639930 shade: #629730, #628740, #637750, #636760 and #645770

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #639930 shade: #979430, #7F9730, #639730, #489730 and #309733

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #639930 shade: #39581C, #4E7826, #629730, #76B73A and #8BC851

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #639930 shade: #639930, #309778 and #97308D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #639930 shade: #639930, #306397 and #973063

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #639930 shade: #639930, #309778, #633097 and #97304F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #639930 shade: #639930, #309797, #633097 and #973030

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 69 / 40

HEX #639930

RGB 99 153 48

HSL 90.86, 0.52%, 0.39%

LAB 57.7, -35.58, 47.54

 

Complementary color

CMYK 25 / 51 / 0 / 19

HEX #9C66CF

RGB 156 102 207

HSL 270.86, 0.52%, 0.61%

LAB 53.03, 41.83, -46.33

 

CMYK 32 / 0 / 72 / 40

HEX #68992B

RGB 104 153 43

HSL 86.73, 0.56%, 0.38%

LAB 57.94, -34.07, 49.88

 

CMYK 29 / 0 / 64 / 33

HEX #79AB3E

RGB 121 171 62

HSL 87.52, 0.47%, 0.46%

LAB 64.59, -34.39, 49.32

 

CMYK 27 / 0 / 57 / 26

HEX #8ABD51

RGB 138 189 81

HSL 88.33, 0.45%, 0.53%

LAB 71.14, -34.55, 48.4

 

CMYK 25 / 0 / 52 / 19

HEX #9BCF64

RGB 155 207 100

HSL 89.16, 0.53%, 0.6%

LAB 77.59, -34.63, 47.32

 

CMYK 24 / 0 / 47 / 12

HEX #ACE177

RGB 172 225 119

HSL 90, 0.64%, 0.67%

LAB 83.94, -34.64, 46.19

 

CMYK 35 / 0 / 69 / 40

HEX #639930

RGB 99 153 48

HSL 90.86, 0.52%, 0.39%

LAB 57.7, -35.58, 47.54

 

CMYK 39 / 0 / 79 / 47

HEX #52871D

RGB 82 135 29

HSL 90, 0.65%, 0.32%

LAB 50.93, -35.15, 47.72

 

CMYK 44 / 0 / 91 / 54

HEX #41750A

RGB 65 117 10

HSL 89.16, 0.84%, 0.25%

LAB 44.04, -34.37, 46.6

 

CMYK 52 / 0 / 100 / 61

HEX #306300

RGB 48 99 0

HSL 90.91, 1%, 0.19%

LAB 37.03, -33.07, 43.01

 

CMYK 62 / 0 / 100 / 68

HEX #1F5100

RGB 31 81 0

HSL 97.04, 1%, 0.16%

LAB 29.85, -31.18, 37.07

 

CMYK 35 / 0 / 68 / 41

HEX #629730

RGB 98 151 48

HSL 90.87, 0.52%, 0.39%

LAB 57.02, -35.05, 46.8

 

CMYK 17 / 0 / 68 / 41

HEX #7E9730

RGB 126 151 48

HSL 74.56, 0.52%, 0.39%

LAB 58.77, -23.89, 49.18

 

CMYK 0 / 1 / 68 / 41

HEX #979530

RGB 151 149 48

HSL 58.83, 0.52%, 0.39%

LAB 60.15, -12, 51.21

 

CMYK 0 / 20 / 68 / 41

HEX #977930

RGB 151 121 48

HSL 42.52, 0.52%, 0.39%

LAB 52.36, 3.39, 43.11

 

CMYK 0 / 38 / 68 / 41

HEX #975D30

RGB 151 93 48

HSL 26.21, 0.52%, 0.39%

LAB 45.11, 19.46, 35.15

 

CMYK 35 / 0 / 68 / 41

HEX #629730

RGB 98 151 48

HSL 90.87, 0.52%, 0.39%

LAB 57.02, -35.05, 46.8

 

CMYK 54 / 0 / 68 / 41

HEX #469730

RGB 70 151 48

HSL 107.18, 0.52%, 0.39%

LAB 55.73, -44.35, 45.05

 

CMYK 68 / 0 / 65 / 41

HEX #309735

RGB 48 151 53

HSL 122.91, 0.52%, 0.39%

LAB 55.09, -49.29, 41.96

 

CMYK 68 / 0 / 46 / 41

HEX #309751

RGB 48 151 81

HSL 139.22, 0.52%, 0.39%

LAB 55.44, -45.31, 28.45

 

CMYK 68 / 0 / 28 / 41

HEX #30976D

RGB 48 151 109

HSL 155.53, 0.52%, 0.39%

LAB 55.95, -39.67, 13.72

 

CMYK 35 / 0 / 68 / 41

HEX #629730

RGB 98 151 48

HSL 90.87, 0.52%, 0.39%

LAB 57.02, -35.05, 46.8

 

CMYK 41 / 0 / 81 / 35

HEX #62A720

RGB 98 167 32

HSL 90.67, 0.68%, 0.39%

LAB 61.95, -43.02, 57.38

 

CMYK 47 / 0 / 91 / 28

HEX #61B710

RGB 97 183 16

HSL 90.9, 0.84%, 0.39%

LAB 66.86, -50.36, 65.23

 

CMYK 35 / 0 / 68 / 41

HEX #629730

RGB 98 151 48

HSL 90.87, 0.52%, 0.39%

LAB 57.02, -35.05, 46.8

 

CMYK 27 / 0 / 53 / 47

HEX #628740

RGB 98 135 64

HSL 91.27, 0.36%, 0.39%

LAB 52.17, -25.89, 33.78

 

CMYK 17 / 0 / 33 / 53

HEX #637750

RGB 99 119 80

HSL 90.77, 0.2%, 0.39%

LAB 47.53, -14.96, 19.1

 

CMYK 4 / 0 / 7 / 60

HEX #636760

RGB 99 103 96

HSL 94.29, 0.04%, 0.39%

LAB 43.06, -2.99, 3.41

 

CMYK 11 / 22 / 0 / 56

HEX #645770

RGB 100 87 112

HSL 271.2, 0.13%, 0.39%

LAB 39.06, 10.59, -12.3

 

CMYK 0 / 2 / 68 / 41

HEX #979430

RGB 151 148 48

HSL 58.25, 0.52%, 0.39%

LAB 59.86, -11.47, 50.92

 

CMYK 16 / 0 / 68 / 41

HEX #7F9730

RGB 127 151 48

HSL 73.98, 0.52%, 0.39%

LAB 58.84, -23.47, 49.27

 

CMYK 34 / 0 / 68 / 41

HEX #639730

RGB 99 151 48

HSL 90.29, 0.52%, 0.39%

LAB 57.07, -34.68, 46.88

 

CMYK 52 / 0 / 68 / 41

HEX #489730

RGB 72 151 48

HSL 106.02, 0.52%, 0.39%

LAB 55.81, -43.77, 45.16

 

CMYK 68 / 0 / 66 / 41

HEX #309733

RGB 48 151 51

HSL 121.75, 0.52%, 0.39%

LAB 55.07, -49.51, 42.83

 

CMYK 35 / 0 / 68 / 65

HEX #39581C

RGB 57 88 28

HSL 91, 0.52%, 0.23%

LAB 33.84, -22.78, 30.28

 

CMYK 35 / 0 / 68 / 53

HEX #4E7826

RGB 78 120 38

HSL 90.73, 0.52%, 0.31%

LAB 45.9, -29.13, 38.99

 

CMYK 35 / 0 / 68 / 41

HEX #629730

RGB 98 151 48

HSL 90.87, 0.52%, 0.39%

LAB 57.02, -35.05, 46.8

 

CMYK 36 / 0 / 68 / 28

HEX #76B73A

RGB 118 183 58

HSL 91.2, 0.52%, 0.47%

LAB 68.04, -41.16, 54.61

 

CMYK 31 / 0 / 60 / 22

HEX #8BC851

RGB 139 200 81

HSL 90.76, 0.52%, 0.55%

LAB 74.44, -39.16, 52.17

 

CMYK 35 / 0 / 69 / 40

HEX #639930

RGB 99 153 48

HSL 90.86, 0.52%, 0.39%

LAB 57.7, -35.58, 47.54

 

CMYK 68 / 0 / 21 / 41

HEX #309778

RGB 48 151 120

HSL 161.94, 0.52%, 0.39%

LAB 56.21, -37.03, 7.85

 

CMYK 0 / 68 / 7 / 41

HEX #97308D

RGB 151 48 141

HSL 305.83, 0.52%, 0.39%

LAB 38.93, 53.68, -29.8

 

CMYK 35 / 0 / 69 / 40

HEX #639930

RGB 99 153 48

HSL 90.86, 0.52%, 0.39%

LAB 57.7, -35.58, 47.54

 

CMYK 68 / 34 / 0 / 41

HEX #306397

RGB 48 99 151

HSL 210.29, 0.52%, 0.39%

LAB 40.87, 0.47, -33.45

 

CMYK 0 / 68 / 34 / 41

HEX #973063

RGB 151 48 99

HSL 330.29, 0.52%, 0.39%

LAB 37.1, 47.59, -6.44

 

CMYK 35 / 0 / 69 / 40

HEX #639930

RGB 99 153 48

HSL 90.86, 0.52%, 0.39%

LAB 57.7, -35.58, 47.54

 

CMYK 68 / 0 / 21 / 41

HEX #309778

RGB 48 151 120

HSL 161.94, 0.52%, 0.39%

LAB 56.21, -37.03, 7.85

 

CMYK 34 / 68 / 0 / 41

HEX #633097

RGB 99 48 151

HSL 269.71, 0.52%, 0.39%

LAB 31.81, 43.28, -47.72

 

CMYK 0 / 68 / 48 / 41

HEX #97304F

RGB 151 48 79

HSL 341.94, 0.52%, 0.39%

LAB 36.48, 45.39, 5.4

 

CMYK 35 / 0 / 69 / 40

HEX #639930

RGB 99 153 48

HSL 90.86, 0.52%, 0.39%

LAB 57.7, -35.58, 47.54

 

CMYK 68 / 0 / 0 / 41

HEX #309797

RGB 48 151 151

HSL 180, 0.52%, 0.39%

LAB 57.07, -28.52, -8.58

 

CMYK 34 / 68 / 0 / 41

HEX #633097

RGB 99 48 151

HSL 269.71, 0.52%, 0.39%

LAB 31.81, 43.28, -47.72

 

CMYK 0 / 68 / 68 / 41

HEX #973030

RGB 151 48 48

HSL 0, 0.52%, 0.39%

LAB 35.8, 42.97, 24.19

 

Description

Color code: HEX #639930 | qconv.com Color code: HEX #639930 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 153 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 153 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 69 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 69% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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