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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #638C8C it is the complementary color #9C7373. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #638C8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #638C8C shade: #688C87, #799E9A, #8AB0AD, #9BC2C0 and #ACD4D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #638C8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #638C8C shade: #638C8C, #527A79, #416866, #305653 and #1F4440

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #638C8C shade: #638C8C, #638C81, #638C76, #638C6B and #668C63

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #638C8C shade: #638C8C, #63818C, #63768C, #636B8C and #63638C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #638C8C shade matches the following richer shades: #638C8C, #509F9F, #3CB3B3, #29C6C6 and #15D9D9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #638C8C shade: #638C8C, #767878, #8A6565, #9D5252 and #B13E3E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #638C8C shade: #638C76, #638C81, #638C8C, #63818C and #63768C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #638C8C shade: #415B5B, #527474, #638C8C, #799F9F and #91B1B1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #638C8C shade: #638C8C, #6B638C and #8C7B63

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #638C8C shade: #638C8C, #8C638C and #8C8C63

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #638C8C shade: #638C8C, #6B638C, #8C6363 and #848C63

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #638C8C shade: #638C8C, #77638C, #8C6363 and #778C63

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 0 / 45

HEX #638C8C

RGB 99 140 140

HSL 180, 0.17%, 0.47%

LAB 55.38, -14.02, -4.55

 

Complementary color

CMYK 0 / 26 / 26 / 39

HEX #9C7373

RGB 156 115 115

HSL 0, 0.17%, 0.53%

LAB 52.47, 16.15, 6.33

 

CMYK 26 / 0 / 4 / 45

HEX #688C87

RGB 104 140 135

HSL 171.67, 0.15%, 0.48%

LAB 55.53, -13.63, -1.42

 

CMYK 23 / 0 / 3 / 38

HEX #799E9A

RGB 121 158 154

HSL 173.51, 0.16%, 0.55%

LAB 62.38, -13.51, -2.07

 

CMYK 22 / 0 / 2 / 31

HEX #8AB0AD

RGB 138 176 173

HSL 175.26, 0.19%, 0.62%

LAB 69.09, -13.41, -2.69

 

CMYK 20 / 0 / 1 / 24

HEX #9BC2C0

RGB 155 194 192

HSL 176.92, 0.24%, 0.68%

LAB 75.67, -13.33, -3.29

 

CMYK 19 / 0 / 0 / 17

HEX #ACD4D3

RGB 172 212 211

HSL 178.5, 0.32%, 0.75%

LAB 82.14, -13.26, -3.86

 

CMYK 29 / 0 / 0 / 45

HEX #638C8C

RGB 99 140 140

HSL 180, 0.17%, 0.47%

LAB 55.38, -14.02, -4.55

 

CMYK 33 / 0 / 1 / 52

HEX #527A79

RGB 82 122 121

HSL 178.5, 0.2%, 0.4%

LAB 48.38, -14.12, -3.92

 

CMYK 38 / 0 / 2 / 59

HEX #416866

RGB 65 104 102

HSL 176.92, 0.23%, 0.33%

LAB 41.19, -14.24, -3.25

 

CMYK 44 / 0 / 3 / 66

HEX #305653

RGB 48 86 83

HSL 175.26, 0.28%, 0.26%

LAB 33.79, -14.34, -2.51

 

CMYK 54 / 0 / 6 / 73

HEX #1F4440

RGB 31 68 64

HSL 173.51, 0.37%, 0.19%

LAB 26.14, -14.4, -1.66

 

CMYK 29 / 0 / 0 / 45

HEX #638C8C

RGB 99 140 140

HSL 180, 0.17%, 0.47%

LAB 55.38, -14.02, -4.55

 

CMYK 29 / 0 / 8 / 45

HEX #638C81

RGB 99 140 129

HSL 163.9, 0.17%, 0.47%

LAB 55.07, -16.62, 1.33

 

CMYK 29 / 0 / 16 / 45

HEX #638C76

RGB 99 140 118

HSL 147.8, 0.17%, 0.47%

LAB 54.78, -19.05, 7.24

 

CMYK 29 / 0 / 24 / 45

HEX #638C6B

RGB 99 140 107

HSL 131.71, 0.17%, 0.47%

LAB 54.52, -21.29, 13.18

 

CMYK 27 / 0 / 29 / 45

HEX #668C63

RGB 102 140 99

HSL 115.61, 0.17%, 0.47%

LAB 54.53, -21.71, 17.76

 

CMYK 29 / 0 / 0 / 45

HEX #638C8C

RGB 99 140 140

HSL 180, 0.17%, 0.47%

LAB 55.38, -14.02, -4.55

 

CMYK 29 / 8 / 0 / 45

HEX #63818C

RGB 99 129 140

HSL 196.1, 0.17%, 0.47%

LAB 52.11, -7.91, -9.42

 

CMYK 29 / 16 / 0 / 45

HEX #63768C

RGB 99 118 140

HSL 212.2, 0.17%, 0.47%

LAB 48.89, -1.57, -14.28

 

CMYK 29 / 24 / 0 / 45

HEX #636B8C

RGB 99 107 140

HSL 228.29, 0.17%, 0.47%

LAB 45.72, 4.99, -19.12

 

CMYK 29 / 29 / 0 / 45

HEX #63638C

RGB 99 99 140

HSL 240, 0.17%, 0.47%

LAB 43.46, 9.88, -22.59

 

CMYK 29 / 0 / 0 / 45

HEX #638C8C

RGB 99 140 140

HSL 180, 0.17%, 0.47%

LAB 55.38, -14.02, -4.55

 

CMYK 50 / 0 / 0 / 38

HEX #509F9F

RGB 80 159 159

HSL 180, 0.33%, 0.47%

LAB 60.79, -24.14, -7.48

 

CMYK 66 / 0 / 0 / 30

HEX #3CB3B3

RGB 60 179 179

HSL 180, 0.5%, 0.47%

LAB 66.87, -32.11, -9.67

 

CMYK 79 / 0 / 0 / 22

HEX #29C6C6

RGB 41 198 198

HSL 180, 0.66%, 0.47%

LAB 72.85, -37.69, -11.19

 

CMYK 90 / 0 / 0 / 15

HEX #15D9D9

RGB 21 217 217

HSL 180, 0.82%, 0.47%

LAB 78.92, -41.95, -12.37

 

CMYK 29 / 0 / 0 / 45

HEX #638C8C

RGB 99 140 140

HSL 180, 0.17%, 0.47%

LAB 55.38, -14.02, -4.55

 

CMYK 2 / 0 / 0 / 53

HEX #767878

RGB 118 120 120

HSL 180, 0.01%, 0.47%

LAB 50.26, -0.75, -0.27

 

CMYK 0 / 27 / 27 / 46

HEX #8A6565

RGB 138 101 101

HSL 0, 0.15%, 0.47%

LAB 46.51, 14.91, 5.86

 

CMYK 0 / 48 / 48 / 38

HEX #9D5252

RGB 157 82 82

HSL 0, 0.31%, 0.47%

LAB 43.96, 31.02, 14.13

 

CMYK 0 / 65 / 65 / 31

HEX #B13E3E

RGB 177 62 62

HSL 0, 0.48%, 0.47%

LAB 42.97, 46.74, 25.57

 

CMYK 29 / 0 / 16 / 45

HEX #638C76

RGB 99 140 118

HSL 147.8, 0.17%, 0.47%

LAB 54.78, -19.05, 7.24

 

CMYK 29 / 0 / 8 / 45

HEX #638C81

RGB 99 140 129

HSL 163.9, 0.17%, 0.47%

LAB 55.07, -16.62, 1.33

 

CMYK 29 / 0 / 0 / 45

HEX #638C8C

RGB 99 140 140

HSL 180, 0.17%, 0.47%

LAB 55.38, -14.02, -4.55

 

CMYK 29 / 8 / 0 / 45

HEX #63818C

RGB 99 129 140

HSL 196.1, 0.17%, 0.47%

LAB 52.11, -7.91, -9.42

 

CMYK 29 / 16 / 0 / 45

HEX #63768C

RGB 99 118 140

HSL 212.2, 0.17%, 0.47%

LAB 48.89, -1.57, -14.28

 

CMYK 29 / 0 / 0 / 64

HEX #415B5B

RGB 65 91 91

HSL 180, 0.17%, 0.31%

LAB 36.67, -9.66, -3.16

 

CMYK 29 / 0 / 0 / 55

HEX #527474

RGB 82 116 116

HSL 180, 0.17%, 0.39%

LAB 46.37, -12.04, -3.92

 

CMYK 29 / 0 / 0 / 45

HEX #638C8C

RGB 99 140 140

HSL 180, 0.17%, 0.47%

LAB 55.38, -14.02, -4.55

 

CMYK 24 / 0 / 0 / 38

HEX #799F9F

RGB 121 159 159

HSL 180, 0.17%, 0.55%

LAB 62.81, -12.9, -4.25

 

CMYK 18 / 0 / 0 / 31

HEX #91B1B1

RGB 145 177 177

HSL 180, 0.17%, 0.63%

LAB 69.92, -10.83, -3.62

 

CMYK 29 / 0 / 0 / 45

HEX #638C8C

RGB 99 140 140

HSL 180, 0.17%, 0.47%

LAB 55.38, -14.02, -4.55

 

CMYK 24 / 29 / 0 / 45

HEX #6B638C

RGB 107 99 140

HSL 251.71, 0.17%, 0.47%

LAB 44.15, 12.48, -21.47

 

CMYK 0 / 12 / 29 / 45

HEX #8C7B63

RGB 140 123 99

HSL 35.12, 0.17%, 0.47%

LAB 52.56, 2.64, 15.54

 

CMYK 29 / 0 / 0 / 45

HEX #638C8C

RGB 99 140 140

HSL 180, 0.17%, 0.47%

LAB 55.38, -14.02, -4.55

 

CMYK 0 / 29 / 0 / 45

HEX #8C638C

RGB 140 99 140

HSL 300, 0.17%, 0.47%

LAB 47.49, 23.8, -16.07

 

CMYK 0 / 0 / 29 / 45

HEX #8C8C63

RGB 140 140 99

HSL 60, 0.17%, 0.47%

LAB 57.3, -6.9, 21.97

 

CMYK 29 / 0 / 0 / 45

HEX #638C8C

RGB 99 140 140

HSL 180, 0.17%, 0.47%

LAB 55.38, -14.02, -4.55

 

CMYK 24 / 29 / 0 / 45

HEX #6B638C

RGB 107 99 140

HSL 251.71, 0.17%, 0.47%

LAB 44.15, 12.48, -21.47

 

CMYK 0 / 29 / 29 / 45

HEX #8C6363

RGB 140 99 99

HSL 0, 0.17%, 0.47%

LAB 46.18, 16.6, 6.61

 

CMYK 6 / 0 / 29 / 45

HEX #848C63

RGB 132 140 99

HSL 71.71, 0.17%, 0.47%

LAB 56.65, -10.16, 20.98

 

CMYK 29 / 0 / 0 / 45

HEX #638C8C

RGB 99 140 140

HSL 180, 0.17%, 0.47%

LAB 55.38, -14.02, -4.55

 

CMYK 15 / 29 / 0 / 45

HEX #77638C

RGB 119 99 140

HSL 269.27, 0.17%, 0.47%

LAB 45.27, 16.51, -19.65

 

CMYK 0 / 29 / 29 / 45

HEX #8C6363

RGB 140 99 99

HSL 0, 0.17%, 0.47%

LAB 46.18, 16.6, 6.61

 

CMYK 15 / 0 / 29 / 45

HEX #778C63

RGB 119 140 99

HSL 90.73, 0.17%, 0.47%

LAB 55.66, -15.33, 19.49

 

Description

Color code: HEX #638C8C | qconv.com Color code: HEX #638C8C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 140 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 140 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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