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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6385EC it is the complementary color #9C7A13. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6385EC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6385EC shade: #6885E7, #7997FA, #8AA9FF, #9BBBFF and #ACCDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6385EC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6385EC shade: #6385EC, #5273D9, #4161C6, #304FB3 and #1F3DA0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6385EC shade: #6486EB, #6764EB, #8C64EB, #B064EB and #D564EB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6385EC shade: #6486EB and #6464EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6385EC shade matches the following richer shades: #6486EB and #567FF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6385EC shade: #6486EB, #728DDD, #8094CF, #8E9BC1 and #9CA2B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6385EC shade: #64CEEB, #64AAEB, #6486EB, #6664EB and #8A64EB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6385EC shade: #1B4DE2, #3F69E7, #6486EB, #89A2F0 and #AEBFF5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6385EC shade: #6385EC, #E564EB and #BCEB64

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6385EC shade: #6385EC, #EB6486 and #86EB64

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6385EC shade: #6385EC, #E564EB, #EBCA64 and #6BEB64

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6385EC shade: #6385EC, #EB64CA, #EBCA64 and #64EB86

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 44 / 0 / 7

HEX #6385EC

RGB 99 133 236

HSL 225.11, 0.78%, 0.66%

LAB 57.54, 18.34, -55.73

 

Complementary color

CMYK 0 / 22 / 88 / 39

HEX #9C7A13

RGB 156 122 19

HSL 45.11, 0.78%, 0.34%

LAB 52.99, 3.89, 54.87

 

CMYK 55 / 42 / 0 / 9

HEX #6885E7

RGB 104 133 231

HSL 226.3, 0.73%, 0.66%

LAB 57.55, 17.73, -52.92

 

CMYK 52 / 40 / 0 / 2

HEX #7997FA

RGB 121 151 250

HSL 226.05, 0.93%, 0.73%

LAB 64.24, 16.58, -52.71

 

CMYK 46 / 34 / 0 / 0

HEX #8AA9FF

RGB 138 169 255

HSL 224.1, 1%, 0.77%

LAB 70.18, 11.55, -46

 

CMYK 39 / 27 / 0 / 0

HEX #9BBBFF

RGB 155 187 255

HSL 220.8, 1%, 0.8%

LAB 75.9, 5.71, -36.99

 

CMYK 33 / 20 / 0 / 0

HEX #ACCDFF

RGB 172 205 255

HSL 216.14, 1%, 0.84%

LAB 81.65, 0.48, -28.05

 

CMYK 58 / 44 / 0 / 7

HEX #6385EC

RGB 99 133 236

HSL 225.11, 0.78%, 0.66%

LAB 57.54, 18.34, -55.73

 

CMYK 62 / 47 / 0 / 15

HEX #5273D9

RGB 82 115 217

HSL 225.33, 0.64%, 0.59%

LAB 50.76, 19.85, -55.98

 

CMYK 67 / 51 / 0 / 22

HEX #4161C6

RGB 65 97 198

HSL 225.56, 0.54%, 0.52%

LAB 43.87, 21.68, -56.25

 

CMYK 73 / 56 / 0 / 30

HEX #304FB3

RGB 48 79 179

HSL 225.8, 0.58%, 0.45%

LAB 36.88, 23.94, -56.5

 

CMYK 81 / 62 / 0 / 37

HEX #1F3DA0

RGB 31 61 160

HSL 226.05, 0.68%, 0.37%

LAB 29.83, 26.74, -56.66

 

CMYK 57 / 43 / 0 / 8

HEX #6486EB

RGB 100 134 235

HSL 224.89, 0.77%, 0.66%

LAB 57.81, 17.61, -54.75

 

CMYK 56 / 57 / 0 / 8

HEX #6764EB

RGB 103 100 235

HSL 241.33, 0.77%, 0.66%

LAB 49.49, 38.69, -68.11

 

CMYK 40 / 57 / 0 / 8

HEX #8C64EB

RGB 140 100 235

HSL 257.78, 0.77%, 0.66%

LAB 52.61, 46.1, -62.93

 

CMYK 25 / 57 / 0 / 8

HEX #B064EB

RGB 176 100 235

HSL 273.78, 0.77%, 0.66%

LAB 56.43, 54.38, -56.58

 

CMYK 9 / 57 / 0 / 8

HEX #D564EB

RGB 213 100 235

HSL 290.22, 0.77%, 0.66%

LAB 61.01, 63.43, -49.02

 

CMYK 57 / 43 / 0 / 8

HEX #6486EB

RGB 100 134 235

HSL 224.89, 0.77%, 0.66%

LAB 57.81, 17.61, -54.75

 

CMYK 57 / 57 / 0 / 8

HEX #6464EB

RGB 100 100 235

HSL 240, 0.77%, 0.66%

LAB 49.28, 38.16, -68.47

 

CMYK 57 / 43 / 0 / 8

HEX #6486EB

RGB 100 134 235

HSL 224.89, 0.77%, 0.66%

LAB 57.81, 17.61, -54.75

 

CMYK 65 / 49 / 0 / 2

HEX #567FF9

RGB 86 127 249

HSL 224.91, 0.93%, 0.66%

LAB 56.08, 24.05, -65.31

 

CMYK 57 / 43 / 0 / 8

HEX #6486EB

RGB 100 134 235

HSL 224.89, 0.77%, 0.66%

LAB 57.81, 17.61, -54.75

 

CMYK 48 / 36 / 0 / 13

HEX #728DDD

RGB 114 141 221

HSL 224.86, 0.61%, 0.66%

LAB 59.75, 12.08, -43.82

 

CMYK 38 / 29 / 0 / 19

HEX #8094CF

RGB 128 148 207

HSL 224.81, 0.45%, 0.66%

LAB 61.89, 7.53, -32.59

 

CMYK 26 / 20 / 0 / 24

HEX #8E9BC1

RGB 142 155 193

HSL 224.71, 0.29%, 0.66%

LAB 64.2, 3.97, -21.12

 

CMYK 13 / 9 / 0 / 30

HEX #9CA2B3

RGB 156 162 179

HSL 224.35, 0.13%, 0.66%

LAB 66.64, 1.36, -9.51

 

CMYK 57 / 12 / 0 / 8

HEX #64CEEB

RGB 100 206 235

HSL 192.89, 0.77%, 0.66%

LAB 77.79, -22.44, -23.58

 

CMYK 57 / 28 / 0 / 8

HEX #64AAEB

RGB 100 170 235

HSL 208.89, 0.77%, 0.66%

LAB 67.62, -3.32, -39.26

 

CMYK 57 / 43 / 0 / 8

HEX #6486EB

RGB 100 134 235

HSL 224.89, 0.77%, 0.66%

LAB 57.81, 17.61, -54.75

 

CMYK 57 / 57 / 0 / 8

HEX #6664EB

RGB 102 100 235

HSL 240.89, 0.77%, 0.66%

LAB 49.42, 38.51, -68.23

 

CMYK 41 / 57 / 0 / 8

HEX #8A64EB

RGB 138 100 235

HSL 256.89, 0.77%, 0.66%

LAB 52.42, 45.67, -63.24

 

CMYK 88 / 66 / 0 / 11

HEX #1B4DE2

RGB 27 77 226

HSL 224.92, 0.79%, 0.5%

LAB 39.63, 40.99, -79.28

 

CMYK 73 / 55 / 0 / 9

HEX #3F69E7

RGB 63 105 231

HSL 225, 0.78%, 0.58%

LAB 48.17, 28.17, -68.11

 

CMYK 57 / 43 / 0 / 8

HEX #6486EB

RGB 100 134 235

HSL 224.89, 0.77%, 0.66%

LAB 57.81, 17.61, -54.75

 

CMYK 43 / 33 / 0 / 6

HEX #89A2F0

RGB 137 162 240

HSL 225.44, 0.77%, 0.74%

LAB 67.61, 11.03, -41.86

 

CMYK 29 / 22 / 0 / 4

HEX #AEBFF5

RGB 174 191 245

HSL 225.63, 0.78%, 0.82%

LAB 77.79, 6.16, -28.61

 

CMYK 58 / 44 / 0 / 7

HEX #6385EC

RGB 99 133 236

HSL 225.11, 0.78%, 0.66%

LAB 57.54, 18.34, -55.73

 

CMYK 3 / 57 / 0 / 8

HEX #E564EB

RGB 229 100 235

HSL 297.33, 0.77%, 0.66%

LAB 63.15, 67.41, -45.49

 

CMYK 20 / 0 / 57 / 8

HEX #BCEB64

RGB 188 235 100

HSL 80.89, 0.77%, 0.66%

LAB 87.5, -35.23, 59.36

 

CMYK 58 / 44 / 0 / 7

HEX #6385EC

RGB 99 133 236

HSL 225.11, 0.78%, 0.66%

LAB 57.54, 18.34, -55.73

 

CMYK 0 / 57 / 43 / 8

HEX #EB6486

RGB 235 100 134

HSL 344.89, 0.77%, 0.66%

LAB 60.34, 55.16, 7.88

 

CMYK 43 / 0 / 57 / 8

HEX #86EB64

RGB 134 235 100

HSL 104.89, 0.77%, 0.66%

LAB 84.69, -53.66, 55.41

 

CMYK 58 / 44 / 0 / 7

HEX #6385EC

RGB 99 133 236

HSL 225.11, 0.78%, 0.66%

LAB 57.54, 18.34, -55.73

 

CMYK 3 / 57 / 0 / 8

HEX #E564EB

RGB 229 100 235

HSL 297.33, 0.77%, 0.66%

LAB 63.15, 67.41, -45.49

 

CMYK 0 / 14 / 57 / 8

HEX #EBCA64

RGB 235 202 100

HSL 45.33, 0.77%, 0.66%

LAB 82.28, -0.32, 54.35

 

CMYK 54 / 0 / 57 / 8

HEX #6BEB64

RGB 107 235 100

HSL 116.89, 0.77%, 0.66%

LAB 83.69, -61.1, 53.98

 

CMYK 58 / 44 / 0 / 7

HEX #6385EC

RGB 99 133 236

HSL 225.11, 0.78%, 0.66%

LAB 57.54, 18.34, -55.73

 

CMYK 0 / 57 / 14 / 8

HEX #EB64CA

RGB 235 100 202

HSL 314.67, 0.77%, 0.66%

LAB 62.54, 63.68, -27.87

 

CMYK 0 / 14 / 57 / 8

HEX #EBCA64

RGB 235 202 100

HSL 45.33, 0.77%, 0.66%

LAB 82.28, -0.32, 54.35

 

CMYK 57 / 0 / 43 / 8

HEX #64EB86

RGB 100 235 134

HSL 135.11, 0.77%, 0.66%

LAB 83.89, -58.15, 38.14

 

Description

Color code: HEX #6385EC | qconv.com Color code: HEX #6385EC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 133 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 133 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 44 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 44% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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