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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #637C99 it is the complementary color #9C8366. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #637C99. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #637C99 shade: #687C94, #798EA7, #8AA0BA, #9BB2CD and #ACC4E0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #637C99. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #637C99 shade: #637C99, #526A86, #415873, #304660 and #1F344D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #637C99 shade: #637B97, #636D97, #676397, #756397 and #836397

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #637C99 shade: #637B97, #636D97 and #636397

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #637C99 shade matches the following richer shades: #637B97, #4E7AAB, #3A78C0, #2677D4 and #1275E8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #637C99 shade: #637B97, #777D83, #8B7E6F, #9F7F5B and #B48146

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #637C99 shade: #639797, #638997, #637B97, #636D97 and #666397

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #637C99 shade: #425265, #52677E, #637B97, #7B90A9 and #94A5B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #637C99 shade: #637C99, #896397 and #909763

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #637C99 shade: #637C99, #97637B and #7B9763

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #637C99 shade: #637C99, #896397, #977F63 and #719763

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #637C99 shade: #637C99, #976395, #977F63 and #639764

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 19 / 0 / 40

HEX #637C99

RGB 99 124 153

HSL 212.22, 0.21%, 0.49%

LAB 51.11, -1.61, -18.52

 

Complementary color

CMYK 0 / 16 / 35 / 39

HEX #9C8366

RGB 156 131 102

HSL 32.22, 0.21%, 0.51%

LAB 56.35, 5.17, 19.25

 

CMYK 30 / 16 / 0 / 42

HEX #687C94

RGB 104 124 148

HSL 212.73, 0.17%, 0.49%

LAB 51.26, -1.41, -15.34

 

CMYK 28 / 15 / 0 / 35

HEX #798EA7

RGB 121 142 167

HSL 212.61, 0.21%, 0.56%

LAB 58.23, -1.59, -15.65

 

CMYK 26 / 14 / 0 / 27

HEX #8AA0BA

RGB 138 160 186

HSL 212.5, 0.26%, 0.64%

LAB 65.03, -1.76, -15.97

 

CMYK 24 / 13 / 0 / 20

HEX #9BB2CD

RGB 155 178 205

HSL 212.4, 0.33%, 0.71%

LAB 71.7, -1.91, -16.29

 

CMYK 23 / 13 / 0 / 12

HEX #ACC4E0

RGB 172 196 224

HSL 212.31, 0.46%, 0.78%

LAB 78.25, -2.05, -16.63

 

CMYK 35 / 19 / 0 / 40

HEX #637C99

RGB 99 124 153

HSL 212.22, 0.21%, 0.49%

LAB 51.11, -1.61, -18.52

 

CMYK 39 / 21 / 0 / 47

HEX #526A86

RGB 82 106 134

HSL 212.31, 0.24%, 0.42%

LAB 43.98, -1.33, -18.3

 

CMYK 43 / 23 / 0 / 55

HEX #415873

RGB 65 88 115

HSL 212.4, 0.28%, 0.35%

LAB 36.63, -0.98, -18.12

 

CMYK 50 / 27 / 0 / 62

HEX #304660

RGB 48 70 96

HSL 212.5, 0.33%, 0.28%

LAB 29.04, -0.5, -17.98

 

CMYK 60 / 32 / 0 / 70

HEX #1F344D

RGB 31 52 77

HSL 212.61, 0.43%, 0.21%

LAB 21.14, 0.21, -17.91

 

CMYK 34 / 19 / 0 / 41

HEX #637B97

RGB 99 123 151

HSL 212.31, 0.21%, 0.49%

LAB 50.75, -1.57, -17.91

 

CMYK 34 / 28 / 0 / 41

HEX #636D97

RGB 99 109 151

HSL 228.46, 0.21%, 0.49%

LAB 46.74, 6.78, -24.07

 

CMYK 32 / 34 / 0 / 41

HEX #676397

RGB 103 99 151

HSL 244.62, 0.21%, 0.49%

LAB 44.29, 14.12, -27.85

 

CMYK 23 / 34 / 0 / 41

HEX #756397

RGB 117 99 151

HSL 260.77, 0.21%, 0.49%

LAB 45.55, 18.51, -25.79

 

CMYK 13 / 34 / 0 / 41

HEX #836397

RGB 131 99 151

HSL 276.92, 0.21%, 0.49%

LAB 46.95, 23.08, -23.51

 

CMYK 34 / 19 / 0 / 41

HEX #637B97

RGB 99 123 151

HSL 212.31, 0.21%, 0.49%

LAB 50.75, -1.57, -17.91

 

CMYK 34 / 28 / 0 / 41

HEX #636D97

RGB 99 109 151

HSL 228.46, 0.21%, 0.49%

LAB 46.74, 6.78, -24.07

 

CMYK 34 / 34 / 0 / 41

HEX #636397

RGB 99 99 151

HSL 240, 0.21%, 0.49%

LAB 43.96, 12.91, -28.39

 

CMYK 34 / 19 / 0 / 41

HEX #637B97

RGB 99 123 151

HSL 212.31, 0.21%, 0.49%

LAB 50.75, -1.57, -17.91

 

CMYK 54 / 29 / 0 / 33

HEX #4E7AAB

RGB 78 122 171

HSL 211.61, 0.37%, 0.49%

LAB 50.07, -0.6, -30.71

 

CMYK 70 / 38 / 0 / 25

HEX #3A78C0

RGB 58 120 192

HSL 212.24, 0.54%, 0.49%

LAB 49.66, 3.97, -43.54

 

CMYK 82 / 44 / 0 / 17

HEX #2677D4

RGB 38 119 212

HSL 212.07, 0.7%, 0.49%

LAB 49.93, 9.61, -54.57

 

CMYK 92 / 50 / 0 / 9

HEX #1275E8

RGB 18 117 232

HSL 212.24, 0.86%, 0.49%

LAB 50.31, 17.31, -65.27

 

CMYK 34 / 19 / 0 / 41

HEX #637B97

RGB 99 123 151

HSL 212.31, 0.21%, 0.49%

LAB 50.75, -1.57, -17.91

 

CMYK 9 / 5 / 0 / 49

HEX #777D83

RGB 119 125 131

HSL 210, 0.05%, 0.49%

LAB 52.09, -0.96, -4.03

 

CMYK 0 / 9 / 20 / 45

HEX #8B7E6F

RGB 139 126 111

HSL 32.14, 0.11%, 0.49%

LAB 53.56, 2.36, 9.97

 

CMYK 0 / 20 / 43 / 38

HEX #9F7F5B

RGB 159 127 91

HSL 31.76, 0.27%, 0.49%

LAB 55.39, 7.35, 24.24

 

CMYK 0 / 28 / 61 / 29

HEX #B48146

RGB 180 129 70

HSL 32.18, 0.44%, 0.49%

LAB 57.89, 13.32, 39.26

 

CMYK 34 / 0 / 0 / 41

HEX #639797

RGB 99 151 151

HSL 180, 0.21%, 0.49%

LAB 58.99, -17.19, -5.51

 

CMYK 34 / 9 / 0 / 41

HEX #638997

RGB 99 137 151

HSL 196.15, 0.21%, 0.49%

LAB 54.84, -9.57, -11.71

 

CMYK 34 / 19 / 0 / 41

HEX #637B97

RGB 99 123 151

HSL 212.31, 0.21%, 0.49%

LAB 50.75, -1.57, -17.91

 

CMYK 34 / 28 / 0 / 41

HEX #636D97

RGB 99 109 151

HSL 228.46, 0.21%, 0.49%

LAB 46.74, 6.78, -24.07

 

CMYK 32 / 34 / 0 / 41

HEX #666397

RGB 102 99 151

HSL 243.46, 0.21%, 0.49%

LAB 44.21, 13.81, -27.99

 

CMYK 35 / 19 / 0 / 60

HEX #425265

RGB 66 82 101

HSL 212.57, 0.21%, 0.33%

LAB 34.26, -1.09, -13.03

 

CMYK 35 / 18 / 0 / 51

HEX #52677E

RGB 82 103 126

HSL 211.36, 0.21%, 0.41%

LAB 42.76, -1.8, -15.34

 

CMYK 34 / 19 / 0 / 41

HEX #637B97

RGB 99 123 151

HSL 212.31, 0.21%, 0.49%

LAB 50.75, -1.57, -17.91

 

CMYK 27 / 15 / 0 / 34

HEX #7B90A9

RGB 123 144 169

HSL 212.61, 0.21%, 0.57%

LAB 58.99, -1.6, -15.61

 

CMYK 20 / 11 / 0 / 27

HEX #94A5B9

RGB 148 165 185

HSL 212.43, 0.21%, 0.65%

LAB 67.06, -1.6, -12.29

 

CMYK 35 / 19 / 0 / 40

HEX #637C99

RGB 99 124 153

HSL 212.22, 0.21%, 0.49%

LAB 51.11, -1.61, -18.52

 

CMYK 9 / 34 / 0 / 41

HEX #896397

RGB 137 99 151

HSL 283.85, 0.21%, 0.49%

LAB 47.59, 25.08, -22.47

 

CMYK 5 / 0 / 34 / 41

HEX #909763

RGB 144 151 99

HSL 68.08, 0.21%, 0.49%

LAB 60.75, -11.23, 26.6

 

CMYK 35 / 19 / 0 / 40

HEX #637C99

RGB 99 124 153

HSL 212.22, 0.21%, 0.49%

LAB 51.11, -1.61, -18.52

 

CMYK 0 / 34 / 19 / 41

HEX #97637B

RGB 151 99 123

HSL 332.31, 0.21%, 0.49%

LAB 48.18, 24.69, -4.74

 

CMYK 19 / 0 / 34 / 41

HEX #7B9763

RGB 123 151 99

HSL 92.31, 0.21%, 0.49%

LAB 59.2, -19.55, 24.27

 

CMYK 35 / 19 / 0 / 40

HEX #637C99

RGB 99 124 153

HSL 212.22, 0.21%, 0.49%

LAB 51.11, -1.61, -18.52

 

CMYK 9 / 34 / 0 / 41

HEX #896397

RGB 137 99 151

HSL 283.85, 0.21%, 0.49%

LAB 47.59, 25.08, -22.47

 

CMYK 0 / 16 / 34 / 41

HEX #977F63

RGB 151 127 99

HSL 32.31, 0.21%, 0.49%

LAB 54.72, 4.95, 18.67

 

CMYK 25 / 0 / 34 / 41

HEX #719763

RGB 113 151 99

HSL 103.85, 0.21%, 0.49%

LAB 58.55, -23.31, 23.29

 

CMYK 35 / 19 / 0 / 40

HEX #637C99

RGB 99 124 153

HSL 212.22, 0.21%, 0.49%

LAB 51.11, -1.61, -18.52

 

CMYK 0 / 34 / 1 / 41

HEX #976395

RGB 151 99 149

HSL 302.31, 0.21%, 0.49%

LAB 49.1, 29.4, -18.84

 

CMYK 0 / 16 / 34 / 41

HEX #977F63

RGB 151 127 99

HSL 32.31, 0.21%, 0.49%

LAB 54.72, 4.95, 18.67

 

CMYK 34 / 0 / 34 / 41

HEX #639764

RGB 99 151 100

HSL 121.15, 0.21%, 0.49%

LAB 57.76, -28.09, 21.53

 

Description

Color code: HEX #637C99 | qconv.com Color code: HEX #637C99 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 124 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 124 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 19 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 19% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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