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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #636892 it is the complementary color #9C976D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #636892. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #636892 shade: #68688D, #797AA0, #8A8CB3, #9B9EC6 and #ACB0D9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #636892. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #636892 shade: #636892, #52567F, #41446C, #303259 and #1F2046

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #636892 shade: #636892, #6B6392, #776392, #846392 and #906392

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #636892 shade: #636892 and #636392

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #636892 shade matches the following richer shades: #636892, #4F58A5, #3C49B9, #2839CD and #142AE1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #636892 shade: #636892, #77787E, #8B876A, #9F9756 and #B2A642

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #636892 shade: #638192, #637592, #636992, #6A6392 and #776392

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #636892 shade: #424561, #525779, #636892, #7A7EA4 and #9296B5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #636892 shade: #636892, #92638E and #7B9263

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #636892 shade: #636892, #926369 and #699263

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #636892 shade: #636892, #92638E, #928C63 and #639267

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #636892 shade: #636892, #926380, #928C63 and #639275

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 29 / 0 / 43

HEX #636892

RGB 99 104 146

HSL 233.62, 0.19%, 0.48%

LAB 45.12, 8.44, -23.61

 

Complementary color

CMYK 0 / 3 / 30 / 39

HEX #9C976D

RGB 156 151 109

HSL 53.62, 0.19%, 0.52%

LAB 61.92, -5, 22.84

 

CMYK 26 / 26 / 0 / 45

HEX #68688D

RGB 104 104 141

HSL 240, 0.15%, 0.48%

LAB 45.31, 8.7, -20.3

 

CMYK 24 / 24 / 0 / 37

HEX #797AA0

RGB 121 122 160

HSL 238.46, 0.17%, 0.55%

LAB 52.42, 8.26, -20.46

 

CMYK 23 / 22 / 0 / 30

HEX #8A8CB3

RGB 138 140 179

HSL 237.07, 0.21%, 0.62%

LAB 59.36, 7.87, -20.65

 

CMYK 22 / 20 / 0 / 22

HEX #9B9EC6

RGB 155 158 198

HSL 235.81, 0.27%, 0.69%

LAB 66.14, 7.52, -20.87

 

CMYK 21 / 19 / 0 / 15

HEX #ACB0D9

RGB 172 176 217

HSL 234.67, 0.37%, 0.76%

LAB 72.78, 7.2, -21.11

 

CMYK 32 / 29 / 0 / 43

HEX #636892

RGB 99 104 146

HSL 233.62, 0.19%, 0.48%

LAB 45.12, 8.44, -23.61

 

CMYK 35 / 32 / 0 / 50

HEX #52567F

RGB 82 86 127

HSL 234.67, 0.22%, 0.41%

LAB 37.81, 9.02, -23.59

 

CMYK 40 / 37 / 0 / 58

HEX #41446C

RGB 65 68 108

HSL 235.81, 0.25%, 0.34%

LAB 30.26, 9.74, -23.64

 

CMYK 46 / 44 / 0 / 65

HEX #303259

RGB 48 50 89

HSL 237.07, 0.3%, 0.27%

LAB 22.41, 10.68, -23.81

 

CMYK 56 / 54 / 0 / 73

HEX #1F2046

RGB 31 32 70

HSL 238.46, 0.39%, 0.2%

LAB 14.21, 12, -24.1

 

CMYK 32 / 29 / 0 / 43

HEX #636892

RGB 99 104 146

HSL 233.62, 0.19%, 0.48%

LAB 45.12, 8.44, -23.61

 

CMYK 27 / 32 / 0 / 43

HEX #6B6392

RGB 107 99 146

HSL 250.21, 0.19%, 0.48%

LAB 44.41, 14.03, -24.66

 

CMYK 18 / 32 / 0 / 43

HEX #776392

RGB 119 99 146

HSL 265.53, 0.19%, 0.48%

LAB 45.53, 17.93, -22.84

 

CMYK 10 / 32 / 0 / 43

HEX #846392

RGB 132 99 146

HSL 282.13, 0.19%, 0.48%

LAB 46.85, 22.3, -20.69

 

CMYK 1 / 32 / 0 / 43

HEX #906392

RGB 144 99 146

HSL 297.45, 0.19%, 0.48%

LAB 48.17, 26.4, -18.55

 

CMYK 32 / 29 / 0 / 43

HEX #636892

RGB 99 104 146

HSL 233.62, 0.19%, 0.48%

LAB 45.12, 8.44, -23.61

 

CMYK 32 / 32 / 0 / 43

HEX #636392

RGB 99 99 146

HSL 240, 0.19%, 0.48%

LAB 43.73, 11.52, -25.77

 

CMYK 32 / 29 / 0 / 43

HEX #636892

RGB 99 104 146

HSL 233.62, 0.19%, 0.48%

LAB 45.12, 8.44, -23.61

 

CMYK 52 / 47 / 0 / 35

HEX #4F58A5

RGB 79 88 165

HSL 233.72, 0.35%, 0.48%

LAB 40.18, 18.77, -42.81

 

CMYK 68 / 61 / 0 / 27

HEX #3C49B9

RGB 60 73 185

HSL 233.76, 0.51%, 0.48%

LAB 36.42, 31.68, -60.76

 

CMYK 80 / 72 / 0 / 20

HEX #2839CD

RGB 40 57 205

HSL 233.82, 0.67%, 0.48%

LAB 33.53, 46.46, -77.24

 

CMYK 91 / 81 / 0 / 12

HEX #142AE1

RGB 20 42 225

HSL 233.56, 0.84%, 0.48%

LAB 32.35, 60.03, -90.77

 

CMYK 32 / 29 / 0 / 43

HEX #636892

RGB 99 104 146

HSL 233.62, 0.19%, 0.48%

LAB 45.12, 8.44, -23.61

 

CMYK 6 / 5 / 0 / 51

HEX #77787E

RGB 119 120 126

HSL 231.43, 0.03%, 0.48%

LAB 50.52, 0.87, -3.41

 

CMYK 0 / 3 / 24 / 45

HEX #8B876A

RGB 139 135 106

HSL 52.73, 0.13%, 0.48%

LAB 55.94, -3.52, 16.17

 

CMYK 0 / 5 / 46 / 38

HEX #9F9756

RGB 159 151 86

HSL 53.42, 0.3%, 0.48%

LAB 61.81, -6.51, 35.16

 

CMYK 0 / 7 / 63 / 30

HEX #B2A642

RGB 178 166 66

HSL 53.57, 0.46%, 0.48%

LAB 67.38, -8.03, 51.79

 

CMYK 32 / 12 / 0 / 43

HEX #638192

RGB 99 129 146

HSL 201.7, 0.19%, 0.48%

LAB 52.32, -6.37, -12.61

 

CMYK 32 / 20 / 0 / 43

HEX #637592

RGB 99 117 146

HSL 217.02, 0.19%, 0.48%

LAB 48.82, 0.61, -17.92

 

CMYK 32 / 28 / 0 / 43

HEX #636992

RGB 99 105 146

HSL 232.34, 0.19%, 0.48%

LAB 45.4, 7.83, -23.18

 

CMYK 27 / 32 / 0 / 43

HEX #6A6392

RGB 106 99 146

HSL 248.94, 0.19%, 0.48%

LAB 44.32, 13.71, -24.8

 

CMYK 18 / 32 / 0 / 43

HEX #776392

RGB 119 99 146

HSL 265.53, 0.19%, 0.48%

LAB 45.53, 17.93, -22.84

 

CMYK 32 / 29 / 0 / 62

HEX #424561

RGB 66 69 97

HSL 234.19, 0.19%, 0.32%

LAB 30.1, 6.09, -16.87

 

CMYK 32 / 28 / 0 / 53

HEX #525779

RGB 82 87 121

HSL 232.31, 0.19%, 0.4%

LAB 37.83, 6.67, -19.88

 

CMYK 32 / 29 / 0 / 43

HEX #636892

RGB 99 104 146

HSL 233.62, 0.19%, 0.48%

LAB 45.12, 8.44, -23.61

 

CMYK 26 / 23 / 0 / 36

HEX #7A7EA4

RGB 122 126 164

HSL 234.29, 0.19%, 0.56%

LAB 53.75, 7.22, -20.74

 

CMYK 19 / 17 / 0 / 29

HEX #9296B5

RGB 146 150 181

HSL 233.14, 0.19%, 0.64%

LAB 62.73, 5.21, -16.6

 

CMYK 32 / 29 / 0 / 43

HEX #636892

RGB 99 104 146

HSL 233.62, 0.19%, 0.48%

LAB 45.12, 8.44, -23.61

 

CMYK 0 / 32 / 3 / 43

HEX #92638E

RGB 146 99 142

HSL 305.11, 0.19%, 0.48%

LAB 48.24, 26.3, -16.04

 

CMYK 16 / 0 / 32 / 43

HEX #7B9263

RGB 123 146 99

HSL 89.36, 0.19%, 0.48%

LAB 57.72, -16.95, 22.3

 

CMYK 32 / 29 / 0 / 43

HEX #636892

RGB 99 104 146

HSL 233.62, 0.19%, 0.48%

LAB 45.12, 8.44, -23.61

 

CMYK 0 / 32 / 28 / 43

HEX #926369

RGB 146 99 105

HSL 352.34, 0.19%, 0.48%

LAB 47.05, 19.91, 4.34

 

CMYK 28 / 0 / 32 / 43

HEX #699263

RGB 105 146 99

HSL 112.34, 0.19%, 0.48%

LAB 56.55, -23.69, 20.52

 

CMYK 32 / 29 / 0 / 43

HEX #636892

RGB 99 104 146

HSL 233.62, 0.19%, 0.48%

LAB 45.12, 8.44, -23.61

 

CMYK 0 / 32 / 3 / 43

HEX #92638E

RGB 146 99 142

HSL 305.11, 0.19%, 0.48%

LAB 48.24, 26.3, -16.04

 

CMYK 0 / 4 / 32 / 43

HEX #928C63

RGB 146 140 99

HSL 52.34, 0.19%, 0.48%

LAB 57.82, -4.42, 22.75

 

CMYK 32 / 0 / 29 / 43

HEX #639267

RGB 99 146 103

HSL 125.11, 0.19%, 0.48%

LAB 56.28, -25.09, 17.86

 

CMYK 32 / 29 / 0 / 43

HEX #636892

RGB 99 104 146

HSL 233.62, 0.19%, 0.48%

LAB 45.12, 8.44, -23.61

 

CMYK 0 / 32 / 12 / 43

HEX #926380

RGB 146 99 128

HSL 322.98, 0.19%, 0.48%

LAB 47.74, 23.69, -8.44

 

CMYK 0 / 4 / 32 / 43

HEX #928C63

RGB 146 140 99

HSL 52.34, 0.19%, 0.48%

LAB 57.82, -4.42, 22.75

 

CMYK 32 / 0 / 20 / 43

HEX #639275

RGB 99 146 117

HSL 142.98, 0.19%, 0.48%

LAB 56.58, -22.37, 10.37

 

Description

Color code: HEX #636892 | qconv.com Color code: HEX #636892 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 104 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 104 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 29 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 29% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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