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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #63687D it is the complementary color #9C9782. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #63687D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #63687D shade: #686878, #797A8B, #8A8C9E, #9B9EB1 and #ACB0C4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #63687D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #63687D shade: #63687D, #52566A, #414457, #303244 and #1F2031

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #63687D shade: #63687E, #65637E, #6C637E, #73637E and #7B637E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #63687D shade: #63687E and #63637E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #63687D shade matches the following richer shades: #63687E, #515D90, #3E52A2, #2C46B4 and #1A3BC6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #63687D shade: #63687E, #75736C, #877E59, #998947 and #AB9535

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #63687D shade: #63767E, #636F7E, #63687E, #65637E and #6C637E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #63687D shade: #3E424F, #515567, #63687E, #767C93 and #8D92A6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #63687D shade: #63687D, #7E637E and #737E63

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #63687D shade: #63687D, #7E6368 and #687E63

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #63687D shade: #63687D, #7E637E, #7E7863 and #637E63

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #63687D shade: #63687D, #7E6376, #7E7863 and #637E6B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 17 / 0 / 51

HEX #63687D

RGB 99 104 125

HSL 228.46, 0.12%, 0.44%

LAB 44.28, 2.95, -12.32

 

Complementary color

CMYK 0 / 3 / 17 / 39

HEX #9C9782

RGB 156 151 130

HSL 48.46, 0.12%, 0.56%

LAB 62.35, -1.86, 11.73

 

CMYK 13 / 13 / 0 / 53

HEX #686878

RGB 104 104 120

HSL 240, 0.07%, 0.44%

LAB 44.52, 3.51, -8.91

 

CMYK 13 / 12 / 0 / 45

HEX #797A8B

RGB 121 122 139

HSL 236.67, 0.07%, 0.51%

LAB 51.67, 3.26, -9.34

 

CMYK 13 / 11 / 0 / 38

HEX #8A8C9E

RGB 138 140 158

HSL 234, 0.09%, 0.58%

LAB 58.63, 3.03, -9.77

 

CMYK 12 / 11 / 0 / 31

HEX #9B9EB1

RGB 155 158 177

HSL 231.82, 0.12%, 0.65%

LAB 65.43, 2.81, -10.21

 

CMYK 12 / 10 / 0 / 23

HEX #ACB0C4

RGB 172 176 196

HSL 230, 0.17%, 0.72%

LAB 72.1, 2.61, -10.64

 

CMYK 21 / 17 / 0 / 51

HEX #63687D

RGB 99 104 125

HSL 228.46, 0.12%, 0.44%

LAB 44.28, 2.95, -12.32

 

CMYK 23 / 19 / 0 / 58

HEX #52566A

RGB 82 86 106

HSL 230, 0.13%, 0.37%

LAB 36.91, 3.23, -12

 

CMYK 25 / 22 / 0 / 66

HEX #414457

RGB 65 68 87

HSL 231.82, 0.14%, 0.3%

LAB 29.28, 3.57, -11.72

 

CMYK 29 / 26 / 0 / 73

HEX #303244

RGB 48 50 68

HSL 234, 0.17%, 0.23%

LAB 21.31, 3.98, -11.49

 

CMYK 37 / 35 / 0 / 81

HEX #1F2031

RGB 31 32 49

HSL 236.67, 0.23%, 0.16%

LAB 12.9, 4.54, -11.36

 

CMYK 21 / 17 / 0 / 51

HEX #63687E

RGB 99 104 126

HSL 228.89, 0.12%, 0.44%

LAB 44.32, 3.19, -12.87

 

CMYK 20 / 21 / 0 / 51

HEX #65637E

RGB 101 99 126

HSL 244.44, 0.12%, 0.44%

LAB 43.06, 6.92, -14.76

 

CMYK 14 / 21 / 0 / 51

HEX #6C637E

RGB 108 99 126

HSL 260, 0.12%, 0.44%

LAB 43.68, 9.38, -13.76

 

CMYK 9 / 21 / 0 / 51

HEX #73637E

RGB 115 99 126

HSL 275.56, 0.12%, 0.44%

LAB 44.34, 11.89, -12.7

 

CMYK 2 / 21 / 0 / 51

HEX #7B637E

RGB 123 99 126

HSL 293.33, 0.12%, 0.44%

LAB 45.14, 14.81, -11.41

 

CMYK 21 / 17 / 0 / 51

HEX #63687E

RGB 99 104 126

HSL 228.89, 0.12%, 0.44%

LAB 44.32, 3.19, -12.87

 

CMYK 21 / 21 / 0 / 51

HEX #63637E

RGB 99 99 126

HSL 240, 0.12%, 0.44%

LAB 42.89, 6.23, -15.04

 

CMYK 21 / 17 / 0 / 51

HEX #63687E

RGB 99 104 126

HSL 228.89, 0.12%, 0.44%

LAB 44.32, 3.19, -12.87

 

CMYK 44 / 35 / 0 / 44

HEX #515D90

RGB 81 93 144

HSL 228.57, 0.28%, 0.44%

LAB 40.56, 9.4, -29.62

 

CMYK 62 / 49 / 0 / 36

HEX #3E52A2

RGB 62 82 162

HSL 228, 0.45%, 0.44%

LAB 37.24, 18, -45.79

 

CMYK 76 / 61 / 0 / 29

HEX #2C46B4

RGB 44 70 180

HSL 228.53, 0.61%, 0.44%

LAB 34.42, 29.74, -61.11

 

CMYK 87 / 70 / 0 / 22

HEX #1A3BC6

RGB 26 59 198

HSL 228.49, 0.77%, 0.44%

LAB 32.75, 41.95, -74.46

 

CMYK 21 / 17 / 0 / 51

HEX #63687E

RGB 99 104 126

HSL 228.89, 0.12%, 0.44%

LAB 44.32, 3.19, -12.87

 

CMYK 0 / 2 / 8 / 54

HEX #75736C

RGB 117 115 108

HSL 46.67, 0.04%, 0.44%

LAB 48.42, -0.59, 4.14

 

CMYK 0 / 7 / 34 / 47

HEX #877E59

RGB 135 126 89

HSL 48.26, 0.21%, 0.44%

LAB 52.72, -2.56, 21.42

 

CMYK 0 / 10 / 54 / 40

HEX #998947

RGB 153 137 71

HSL 48.29, 0.37%, 0.44%

LAB 57.19, -2.91, 37.22

 

CMYK 0 / 13 / 69 / 33

HEX #AB9535

RGB 171 149 53

HSL 48.81, 0.53%, 0.44%

LAB 62.01, -2.81, 51.6

 

CMYK 21 / 6 / 0 / 51

HEX #63767E

RGB 99 118 126

HSL 197.78, 0.12%, 0.44%

LAB 48.41, -5.09, -6.72

 

CMYK 21 / 12 / 0 / 51

HEX #636F7E

RGB 99 111 126

HSL 213.33, 0.12%, 0.44%

LAB 46.35, -0.99, -9.8

 

CMYK 21 / 17 / 0 / 51

HEX #63687E

RGB 99 104 126

HSL 228.89, 0.12%, 0.44%

LAB 44.32, 3.19, -12.87

 

CMYK 20 / 21 / 0 / 51

HEX #65637E

RGB 101 99 126

HSL 244.44, 0.12%, 0.44%

LAB 43.06, 6.92, -14.76

 

CMYK 14 / 21 / 0 / 51

HEX #6C637E

RGB 108 99 126

HSL 260, 0.12%, 0.44%

LAB 43.68, 9.38, -13.76

 

CMYK 22 / 16 / 0 / 69

HEX #3E424F

RGB 62 66 79

HSL 225.88, 0.12%, 0.28%

LAB 28.07, 1.6, -8.38

 

CMYK 21 / 17 / 0 / 60

HEX #515567

RGB 81 85 103

HSL 229.09, 0.12%, 0.36%

LAB 36.42, 2.73, -10.89

 

CMYK 21 / 17 / 0 / 51

HEX #63687E

RGB 99 104 126

HSL 228.89, 0.12%, 0.44%

LAB 44.32, 3.19, -12.87

 

CMYK 20 / 16 / 0 / 42

HEX #767C93

RGB 118 124 147

HSL 227.59, 0.12%, 0.52%

LAB 52.26, 2.91, -13.16

 

CMYK 15 / 12 / 0 / 35

HEX #8D92A6

RGB 141 146 166

HSL 228, 0.12%, 0.6%

LAB 60.76, 2.42, -11.12

 

CMYK 21 / 17 / 0 / 51

HEX #63687D

RGB 99 104 125

HSL 228.46, 0.12%, 0.44%

LAB 44.28, 2.95, -12.32

 

CMYK 0 / 21 / 0 / 51

HEX #7E637E

RGB 126 99 126

HSL 300, 0.12%, 0.44%

LAB 45.45, 15.91, -10.91

 

CMYK 9 / 0 / 21 / 51

HEX #737E63

RGB 115 126 99

HSL 84.44, 0.12%, 0.44%

LAB 51.23, -9.27, 13.37

 

CMYK 21 / 17 / 0 / 51

HEX #63687D

RGB 99 104 125

HSL 228.46, 0.12%, 0.44%

LAB 44.28, 2.95, -12.32

 

CMYK 0 / 21 / 17 / 51

HEX #7E6368

RGB 126 99 104

HSL 348.89, 0.12%, 0.44%

LAB 44.74, 11.73, 1.33

 

CMYK 17 / 0 / 21 / 51

HEX #687E63

RGB 104 126 99

HSL 108.89, 0.12%, 0.44%

LAB 50.41, -13.55, 12.1

 

CMYK 21 / 17 / 0 / 51

HEX #63687D

RGB 99 104 125

HSL 228.46, 0.12%, 0.44%

LAB 44.28, 2.95, -12.32

 

CMYK 0 / 21 / 0 / 51

HEX #7E637E

RGB 126 99 126

HSL 300, 0.12%, 0.44%

LAB 45.45, 15.91, -10.91

 

CMYK 0 / 5 / 21 / 51

HEX #7E7863

RGB 126 120 99

HSL 46.67, 0.12%, 0.44%

LAB 50.42, -1.44, 12.38

 

CMYK 21 / 0 / 21 / 51

HEX #637E63

RGB 99 126 99

HSL 120, 0.12%, 0.44%

LAB 50.07, -15.42, 11.57

 

CMYK 21 / 17 / 0 / 51

HEX #63687D

RGB 99 104 125

HSL 228.46, 0.12%, 0.44%

LAB 44.28, 2.95, -12.32

 

CMYK 0 / 21 / 6 / 51

HEX #7E6376

RGB 126 99 118

HSL 317.78, 0.12%, 0.44%

LAB 45.18, 14.31, -6.5

 

CMYK 0 / 5 / 21 / 51

HEX #7E7863

RGB 126 120 99

HSL 46.67, 0.12%, 0.44%

LAB 50.42, -1.44, 12.38

 

CMYK 21 / 0 / 15 / 51

HEX #637E6B

RGB 99 126 107

HSL 137.78, 0.12%, 0.44%

LAB 50.26, -13.84, 7.18

 

Description

Color code: HEX #63687D | qconv.com Color code: HEX #63687D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 104 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 104 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 17 magenta, none yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 17% 0% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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