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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6366C63F it is the complementary color #9C99393F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6366C63F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6366C63F shade: #6866C13F, #7978D43F, #8A8AE73F, #9B9CFA3F and #ACAEFF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6366C63F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6366C63F shade: #6366C63F, #5254B33F, #4142A03F, #30308D3F and #1F1E7A3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6366C63F shade: #6366C5, #7A63C5, #9563C5, #AF63C5 and #C563C0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6366C63F shade: #6366C5 and #6363C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6366C63F shade matches the following richer shades: #6366C5, #5155D6, #4045E8 and #2F35F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6366C63F shade: #6366C5, #7476B4, #8586A3, #979691 and #A8A780

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6366C63F shade: #639AC5, #6380C5, #6366C5, #7A63C5 and #9463C5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6366C63F shade: #3A3D9C, #4548BA, #6366C5, #8183D0 and #9FA1DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6366C63F shade: #6366C6, #C563B5 and #8DC563

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6366C63F shade: #6366C6, #C56366 and #66C563

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6366C63F shade: #6366C6, #C563B5, #C5C263 and #63C573

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6366C63F shade: #6366C6, #C56397, #C5C263 and #63C591

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 12 / 0 / 6

HEX #6366C63F

RGBA 99 102 198 0.25

HSLA 238.18, 0.46%, 0.58%, 0.25

LABA 47.28, 25.09, -50.66, 0.25

 

Complementary color

CMYK 0 / 0 / 16 / 10

HEX #9C99393F

RGBA 156 153 57 0.25

HSLA 58.18, 0.46%, 0.42%, 0.25

LABA 61.78, -11.35, 49.21, 0.25

 

CMYK 12 / 12 / 0 / 6

HEX #6866C13F

RGBA 104 102 193 0.25

HSLA 241.32, 0.42%, 0.58%, 0.25

LABA 47.36, 24.71, -47.63, 0.25

 

CMYK 11 / 11 / 0 / 4

HEX #7978D43F

RGBA 121 120 212 0.25

HSLA 240.65, 0.52%, 0.65%, 0.25

LABA 54.29, 23.6, -47.37, 0.25

 

CMYK 10 / 10 / 0 / 2

HEX #8A8AE73F

RGBA 138 138 231 0.25

HSLA 240, 0.66%, 0.72%, 0.25

LABA 61.09, 22.63, -47.16, 0.25

 

CMYK 10 / 9 / 0 / 0

HEX #9B9CFA3F

RGBA 155 156 250 0.25

HSLA 239.37, 0.9%, 0.79%, 0.25

LABA 67.76, 21.79, -47, 0.25

 

CMYK 8 / 8 / 0 / 0

HEX #ACAEFF3F

RGBA 172 174 255 0.25

HSLA 238.55, 1%, 0.84%, 0.25

LABA 73.72, 17.46, -40.3, 0.25

 

CMYK 13 / 12 / 0 / 6

HEX #6366C63F

RGBA 99 102 198 0.25

HSLA 238.18, 0.46%, 0.58%, 0.25

LABA 47.28, 25.09, -50.66, 0.25

 

CMYK 14 / 13 / 0 / 7

HEX #5254B33F

RGBA 82 84 179 0.25

HSLA 238.76, 0.39%, 0.51%, 0.25

LABA 40.23, 26.55, -50.99, 0.25

 

CMYK 15 / 15 / 0 / 9

HEX #4142A03F

RGBA 65 66 160 0.25

HSLA 239.37, 0.42%, 0.44%, 0.25

LABA 33.05, 28.31, -51.34, 0.25

 

CMYK 16 / 16 / 0 / 11

HEX #30308D3F

RGBA 48 48 141 0.25

HSLA 240, 0.49%, 0.37%, 0.25

LABA 25.76, 30.42, -51.64, 0.25

 

CMYK 19 / 19 / 0 / 13

HEX #1F1E7A3F

RGBA 31 30 122 0.25

HSLA 240.65, 0.61%, 0.3%, 0.25

LABA 18.47, 32.85, -51.69, 0.25

 

CMYK 50 / 48 / 0 / 23

HEX #6366C5

RGB 99 102 197

HSL 238.16, 0.46%, 0.58%

LAB 47.22, 24.78, -50.18

 

CMYK 38 / 50 / 0 / 23

HEX #7A63C5

RGB 122 99 197

HSL 254.08, 0.46%, 0.58%

LAB 48.38, 32.12, -48.22

 

CMYK 24 / 50 / 0 / 23

HEX #9563C5

RGB 149 99 197

HSL 270.61, 0.46%, 0.58%

LAB 51.09, 39.25, -43.75

 

CMYK 11 / 50 / 0 / 23

HEX #AF63C5

RGB 175 99 197

HSL 286.53, 0.46%, 0.58%

LAB 54.1, 46.47, -38.79

 

CMYK 0 / 50 / 3 / 23

HEX #C563C0

RGB 197 99 192

HSL 303.06, 0.46%, 0.58%

LAB 56.68, 51.8, -31.68

 

CMYK 50 / 48 / 0 / 23

HEX #6366C5

RGB 99 102 197

HSL 238.16, 0.46%, 0.58%

LAB 47.22, 24.78, -50.18

 

CMYK 50 / 50 / 0 / 23

HEX #6363C5

RGB 99 99 197

HSL 240, 0.46%, 0.58%

LAB 46.46, 26.62, -51.4

 

CMYK 50 / 48 / 0 / 23

HEX #6366C5

RGB 99 102 197

HSL 238.16, 0.46%, 0.58%

LAB 47.22, 24.78, -50.18

 

CMYK 62 / 60 / 0 / 16

HEX #5155D6

RGB 81 85 214

HSL 238.2, 0.62%, 0.58%

LAB 42.92, 37.27, -66.96

 

CMYK 72 / 70 / 0 / 9

HEX #4045E8

RGB 64 69 232

HSL 238.21, 0.79%, 0.58%

LAB 39.87, 50.55, -82.25

 

CMYK 81 / 79 / 0 / 2

HEX #2F35F9

RGB 47 53 249

HSL 238.22, 0.94%, 0.58%

LAB 37.82, 63.12, -95.26

 

CMYK 50 / 48 / 0 / 23

HEX #6366C5

RGB 99 102 197

HSL 238.16, 0.46%, 0.58%

LAB 47.22, 24.78, -50.18

 

CMYK 36 / 34 / 0 / 29

HEX #7476B4

RGB 116 118 180

HSL 238.13, 0.3%, 0.58%

LAB 51.8, 14.39, -33.05

 

CMYK 18 / 18 / 0 / 36

HEX #8586A3

RGB 133 134 163

HSL 238, 0.14%, 0.58%

LAB 56.76, 5.91, -15.49

 

CMYK 0 / 1 / 4 / 41

HEX #979691

RGB 151 150 145

HSL 50, 0.03%, 0.58%

LAB 62.03, -0.58, 2.75

 

CMYK 0 / 1 / 24 / 34

HEX #A8A780

RGB 168 167 128

HSL 58.5, 0.19%, 0.58%

LAB 67.67, -6.17, 20.36

 

CMYK 50 / 22 / 0 / 23

HEX #639AC5

RGB 99 154 197

HSL 206.33, 0.46%, 0.58%

LAB 61.48, -6.17, -27.76

 

CMYK 50 / 35 / 0 / 23

HEX #6380C5

RGB 99 128 197

HSL 222.24, 0.46%, 0.58%

LAB 54.16, 8.92, -39.17

 

CMYK 50 / 48 / 0 / 23

HEX #6366C5

RGB 99 102 197

HSL 238.16, 0.46%, 0.58%

LAB 47.22, 24.78, -50.18

 

CMYK 38 / 50 / 0 / 23

HEX #7A63C5

RGB 122 99 197

HSL 254.08, 0.46%, 0.58%

LAB 48.38, 32.12, -48.22

 

CMYK 25 / 50 / 0 / 23

HEX #9463C5

RGB 148 99 197

HSL 270, 0.46%, 0.58%

LAB 50.98, 38.97, -43.92

 

CMYK 63 / 61 / 0 / 39

HEX #3A3D9C

RGB 58 61 156

HSL 238.16, 0.46%, 0.42%

LAB 30.97, 28.9, -52.32

 

CMYK 63 / 61 / 0 / 27

HEX #4548BA

RGB 69 72 186

HSL 238.46, 0.46%, 0.5%

LAB 36.83, 34.04, -60.67

 

CMYK 50 / 48 / 0 / 23

HEX #6366C5

RGB 99 102 197

HSL 238.16, 0.46%, 0.58%

LAB 47.22, 24.78, -50.18

 

CMYK 38 / 37 / 0 / 18

HEX #8183D0

RGB 129 131 208

HSL 238.48, 0.46%, 0.66%

LAB 57.51, 18, -39.98

 

CMYK 27 / 26 / 0 / 14

HEX #9FA1DB

RGB 159 161 219

HSL 238, 0.45%, 0.74%

LAB 68, 12.08, -29.61

 

CMYK 50 / 48 / 0 / 22

HEX #6366C6

RGB 99 102 198

HSL 238.18, 0.46%, 0.58%

LAB 47.28, 25.09, -50.66

 

CMYK 0 / 50 / 8 / 23

HEX #C563B5

RGB 197 99 181

HSL 309.8, 0.46%, 0.58%

LAB 56.22, 49.9, -26.08

 

CMYK 28 / 0 / 50 / 23

HEX #8DC563

RGB 141 197 99

HSL 94.29, 0.46%, 0.58%

LAB 73.87, -35.21, 43.12

 

CMYK 50 / 48 / 0 / 22

HEX #6366C6

RGB 99 102 198

HSL 238.18, 0.46%, 0.58%

LAB 47.28, 25.09, -50.66

 

CMYK 0 / 50 / 48 / 23

HEX #C56366

RGB 197 99 102

HSL 358.16, 0.46%, 0.58%

LAB 53.76, 39.29, 16.55

 

CMYK 48 / 0 / 50 / 23

HEX #66C563

RGB 102 197 99

HSL 118.16, 0.46%, 0.58%

LAB 72, -47.82, 40.41

 

CMYK 50 / 48 / 0 / 22

HEX #6366C6

RGB 99 102 198

HSL 238.18, 0.46%, 0.58%

LAB 47.28, 25.09, -50.66

 

CMYK 0 / 50 / 8 / 23

HEX #C563B5

RGB 197 99 181

HSL 309.8, 0.46%, 0.58%

LAB 56.22, 49.9, -26.08

 

CMYK 0 / 2 / 50 / 23

HEX #C5C263

RGB 197 194 99

HSL 58.16, 0.46%, 0.58%

LAB 76.89, -11.95, 47.68

 

CMYK 50 / 0 / 42 / 23

HEX #63C573

RGB 99 197 115

HSL 129.8, 0.46%, 0.58%

LAB 72.11, -46.28, 32.47

 

CMYK 50 / 48 / 0 / 22

HEX #6366C6

RGB 99 102 198

HSL 238.18, 0.46%, 0.58%

LAB 47.28, 25.09, -50.66

 

CMYK 0 / 50 / 23 / 23

HEX #C56397

RGB 197 99 151

HSL 328.16, 0.46%, 0.58%

LAB 55.1, 45.21, -10.36

 

CMYK 0 / 2 / 50 / 23

HEX #C5C263

RGB 197 194 99

HSL 58.16, 0.46%, 0.58%

LAB 76.89, -11.95, 47.68

 

CMYK 50 / 0 / 26 / 23

HEX #63C591

RGB 99 197 145

HSL 148.16, 0.46%, 0.58%

LAB 72.65, -40.83, 17.41

 

Description

Color code: HEX #6366C63F | qconv.com Color code: HEX #6366C63F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 102 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 102 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 12 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 12% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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