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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6362AC it is the complementary color #9C9D53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6362AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6362AC shade: #6862A7, #7974BA, #8A86CD, #9B98E0 and #ACAAF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6362AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6362AC shade: #6362AC, #525099, #413E86, #302C73 and #1F1A60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6362AC shade: #6362AC, #7762AC, #8B62AC, #9F62AC and #AC62A5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6362AC shade: #6362AC and #6262AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6362AC shade matches the following richer shades: #6362AC, #504FC0, #3D3BD3, #2A28E6 and #1814FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6362AC shade: #6362AC, #767599, #898986, #9C9C72 and #AEB05F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6362AC shade: #628AAC, #6276AC, #6262AC, #7662AC and #8A62AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6362AC shade: #42417B, #504F96, #6362AC, #7E7DBB and #9998C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6362AC shade: #6362AC, #AC629D and #80AC62

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6362AC shade: #6362AC, #AC6262 and #62AC62

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6362AC shade: #6362AC, #AC629D, #ACAC62 and #62AC71

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6362AC shade: #6362AC, #AC6287, #ACAC62 and #62AC87

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 43 / 0 / 33

HEX #6362AC

RGB 99 98 172

HSL 240.81, 0.31%, 0.53%

LAB 44.75, 19.62, -39.57

 

Complementary color

CMYK 1 / 0 / 47 / 38

HEX #9C9D53

RGB 156 157 83

HSL 60.81, 0.31%, 0.47%

LAB 63.18, -11.29, 38.34

 

CMYK 38 / 41 / 0 / 35

HEX #6862A7

RGB 104 98 167

HSL 245.22, 0.28%, 0.52%

LAB 44.9, 19.51, -36.37

 

CMYK 35 / 38 / 0 / 27

HEX #7974BA

RGB 121 116 186

HSL 244.29, 0.34%, 0.59%

LAB 51.95, 18.66, -36.24

 

CMYK 33 / 35 / 0 / 20

HEX #8A86CD

RGB 138 134 205

HSL 243.38, 0.42%, 0.66%

LAB 58.85, 17.92, -36.15

 

CMYK 31 / 32 / 0 / 12

HEX #9B98E0

RGB 155 152 224

HSL 242.5, 0.54%, 0.74%

LAB 65.6, 17.27, -36.12

 

CMYK 29 / 30 / 0 / 5

HEX #ACAAF3

RGB 172 170 243

HSL 241.64, 0.75%, 0.81%

LAB 72.22, 16.7, -36.13

 

CMYK 42 / 43 / 0 / 33

HEX #6362AC

RGB 99 98 172

HSL 240.81, 0.31%, 0.53%

LAB 44.75, 19.62, -39.57

 

CMYK 46 / 48 / 0 / 40

HEX #525099

RGB 82 80 153

HSL 241.64, 0.31%, 0.46%

LAB 37.54, 20.75, -39.83

 

CMYK 51 / 54 / 0 / 47

HEX #413E86

RGB 65 62 134

HSL 242.5, 0.37%, 0.38%

LAB 30.13, 22.13, -40.15

 

CMYK 58 / 62 / 0 / 55

HEX #302C73

RGB 48 44 115

HSL 243.38, 0.45%, 0.31%

LAB 22.54, 23.86, -40.51

 

CMYK 68 / 73 / 0 / 62

HEX #1F1A60

RGB 31 26 96

HSL 244.29, 0.57%, 0.24%

LAB 14.82, 25.99, -40.77

 

CMYK 42 / 43 / 0 / 33

HEX #6362AC

RGB 99 98 172

HSL 240.81, 0.31%, 0.53%

LAB 44.75, 19.62, -39.57

 

CMYK 31 / 43 / 0 / 33

HEX #7762AC

RGB 119 98 172

HSL 257.03, 0.31%, 0.53%

LAB 46.49, 25.13, -36.71

 

CMYK 19 / 43 / 0 / 33

HEX #8B62AC

RGB 139 98 172

HSL 273.24, 0.31%, 0.53%

LAB 48.51, 31.05, -33.39

 

CMYK 8 / 43 / 0 / 33

HEX #9F62AC

RGB 159 98 172

HSL 289.46, 0.31%, 0.53%

LAB 50.79, 37.17, -29.67

 

CMYK 0 / 43 / 4 / 33

HEX #AC62A5

RGB 172 98 165

HSL 305.68, 0.31%, 0.53%

LAB 52.09, 39.89, -23.44

 

CMYK 42 / 43 / 0 / 33

HEX #6362AC

RGB 99 98 172

HSL 240.81, 0.31%, 0.53%

LAB 44.75, 19.62, -39.57

 

CMYK 43 / 43 / 0 / 33

HEX #6262AC

RGB 98 98 172

HSL 240, 0.31%, 0.53%

LAB 44.68, 19.36, -39.7

 

CMYK 42 / 43 / 0 / 33

HEX #6362AC

RGB 99 98 172

HSL 240.81, 0.31%, 0.53%

LAB 44.75, 19.62, -39.57

 

CMYK 58 / 59 / 0 / 25

HEX #504FC0

RGB 80 79 192

HSL 240.53, 0.47%, 0.53%

LAB 39.75, 33.55, -59.39

 

CMYK 71 / 72 / 0 / 17

HEX #3D3BD3

RGB 61 59 211

HSL 240.79, 0.63%, 0.53%

LAB 35.64, 49.08, -77.2

 

CMYK 82 / 83 / 0 / 10

HEX #2A28E6

RGB 42 40 230

HSL 240.63, 0.79%, 0.53%

LAB 33.4, 63.13, -91.86

 

CMYK 90 / 92 / 0 / 2

HEX #1814FA

RGB 24 20 250

HSL 241.04, 0.96%, 0.53%

LAB 33.13, 74.74, -103.66

 

CMYK 42 / 43 / 0 / 33

HEX #6362AC

RGB 99 98 172

HSL 240.81, 0.31%, 0.53%

LAB 44.75, 19.62, -39.57

 

CMYK 23 / 24 / 0 / 40

HEX #767599

RGB 118 117 153

HSL 241.67, 0.15%, 0.53%

LAB 50.54, 8.5, -19.28

 

CMYK 0 / 0 / 2 / 46

HEX #898986

RGB 137 137 134

HSL 60, 0.01%, 0.53%

LAB 57.01, -0.58, 1.6

 

CMYK 0 / 0 / 27 / 39

HEX #9C9C72

RGB 156 156 114

HSL 60, 0.18%, 0.53%

LAB 63.39, -7.02, 22.07

 

CMYK 1 / 0 / 46 / 31

HEX #AEB05F

RGB 174 176 95

HSL 61.48, 0.34%, 0.53%

LAB 70.09, -12.53, 41.01

 

CMYK 43 / 20 / 0 / 33

HEX #628AAC

RGB 98 138 172

HSL 207.57, 0.31%, 0.53%

LAB 55.84, -4.66, -22.28

 

CMYK 43 / 31 / 0 / 33

HEX #6276AC

RGB 98 118 172

HSL 223.78, 0.31%, 0.53%

LAB 50.14, 7.09, -31.11

 

CMYK 43 / 43 / 0 / 33

HEX #6262AC

RGB 98 98 172

HSL 240, 0.31%, 0.53%

LAB 44.68, 19.36, -39.7

 

CMYK 31 / 43 / 0 / 33

HEX #7662AC

RGB 118 98 172

HSL 256.22, 0.31%, 0.53%

LAB 46.4, 24.85, -36.86

 

CMYK 20 / 43 / 0 / 33

HEX #8A62AC

RGB 138 98 172

HSL 272.43, 0.31%, 0.53%

LAB 48.41, 30.74, -33.56

 

CMYK 46 / 47 / 0 / 52

HEX #42417B

RGB 66 65 123

HSL 241.03, 0.31%, 0.37%

LAB 30.32, 16.79, -32.98

 

CMYK 47 / 47 / 0 / 41

HEX #504F96

RGB 80 79 150

HSL 240.85, 0.31%, 0.45%

LAB 36.93, 19.94, -39

 

CMYK 42 / 43 / 0 / 33

HEX #6362AC

RGB 99 98 172

HSL 240.81, 0.31%, 0.53%

LAB 44.75, 19.62, -39.57

 

CMYK 33 / 33 / 0 / 27

HEX #7E7DBB

RGB 126 125 187

HSL 240.97, 0.31%, 0.61%

LAB 54.75, 15, -32.4

 

CMYK 24 / 24 / 0 / 21

HEX #9998C9

RGB 153 152 201

HSL 241.22, 0.31%, 0.69%

LAB 64.52, 11, -25.03

 

CMYK 42 / 43 / 0 / 33

HEX #6362AC

RGB 99 98 172

HSL 240.81, 0.31%, 0.53%

LAB 44.75, 19.62, -39.57

 

CMYK 0 / 43 / 9 / 33

HEX #AC629D

RGB 172 98 157

HSL 312.16, 0.31%, 0.53%

LAB 51.77, 38.46, -19.24

 

CMYK 26 / 0 / 43 / 33

HEX #80AC62

RGB 128 172 98

HSL 95.68, 0.31%, 0.53%

LAB 65.73, -28.3, 33.34

 

CMYK 42 / 43 / 0 / 33

HEX #6362AC

RGB 99 98 172

HSL 240.81, 0.31%, 0.53%

LAB 44.75, 19.62, -39.57

 

CMYK 0 / 43 / 43 / 33

HEX #AC6262

RGB 172 98 98

HSL 0, 0.31%, 0.53%

LAB 49.96, 29.88, 13.12

 

CMYK 43 / 0 / 43 / 33

HEX #62AC62

RGB 98 172 98

HSL 120, 0.31%, 0.53%

LAB 64.15, -38.5, 30.99

 

CMYK 42 / 43 / 0 / 33

HEX #6362AC

RGB 99 98 172

HSL 240.81, 0.31%, 0.53%

LAB 44.75, 19.62, -39.57

 

CMYK 0 / 43 / 9 / 33

HEX #AC629D

RGB 172 98 157

HSL 312.16, 0.31%, 0.53%

LAB 51.77, 38.46, -19.24

 

CMYK 0 / 0 / 43 / 33

HEX #ACAC62

RGB 172 172 98

HSL 60, 0.31%, 0.53%

LAB 68.87, -10.97, 37.95

 

CMYK 43 / 0 / 34 / 33

HEX #62AC71

RGB 98 172 113

HSL 132.16, 0.31%, 0.53%

LAB 64.4, -36.01, 23.34

 

CMYK 42 / 43 / 0 / 33

HEX #6362AC

RGB 99 98 172

HSL 240.81, 0.31%, 0.53%

LAB 44.75, 19.62, -39.57

 

CMYK 0 / 43 / 22 / 33

HEX #AC6287

RGB 172 98 135

HSL 330, 0.31%, 0.53%

LAB 50.98, 34.82, -7.43

 

CMYK 0 / 0 / 43 / 33

HEX #ACAC62

RGB 172 172 98

HSL 60, 0.31%, 0.53%

LAB 68.87, -10.97, 37.95

 

CMYK 43 / 0 / 22 / 33

HEX #62AC87

RGB 98 172 135

HSL 150, 0.31%, 0.53%

LAB 64.84, -31.72, 11.93

 

Description

Color code: HEX #6362AC | qconv.com Color code: HEX #6362AC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 98 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 98 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 43 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 43% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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