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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #635EE7 it is the complementary color #9CA118. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #635EE7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #635EE7 shade: #685EE2, #7970F5, #8A82FF, #9B94FF and #ACA6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #635EE7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #635EE7 shade: #635EE7, #524CD4, #413AC1, #3028AE and #1F169B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #635EE7 shade: #645FE7, #895FE7, #AE5FE7, #D25FE7 and #E75FD7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #635EE7 shade: #645FE7 and #5F5FE7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #635EE7 shade matches the following richer shades: #645FE7 and #5650F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #635EE7 shade: #645FE7, #726ED8, #807DC9, #8E8CBB and #9B9BAC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #635EE7 shade: #5FA3E7, #5F7FE7, #645FE7, #885FE7 and #AC5FE7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #635EE7 shade: #2620D4, #413BE2, #645FE7, #8783EC and #AAA7F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #635EE7 shade: #635EE7, #E75FC7 and #91E75F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #635EE7 shade: #635EE7, #E7645F and #5FE764

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #635EE7 shade: #635EE7, #E75FC7, #E3E75F and #5FE77F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #635EE7 shade: #635EE7, #E75F9F, #E3E75F and #5FE7A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 59 / 0 / 9

HEX #635EE7

RGB 99 94 231

HSL 242.19, 0.74%, 0.64%

LAB 47.53, 40.3, -69.06

 

Complementary color

CMYK 3 / 0 / 85 / 37

HEX #9CA118

RGB 156 161 24

HSL 62.19, 0.74%, 0.36%

LAB 63.85, -17.07, 62.61

 

CMYK 54 / 58 / 0 / 11

HEX #685EE2

RGB 104 94 226

HSL 244.55, 0.69%, 0.63%

LAB 47.55, 39.64, -66.19

 

CMYK 51 / 54 / 0 / 4

HEX #7970F5

RGB 121 112 245

HSL 244.06, 0.87%, 0.7%

LAB 54.29, 38.08, -65.88

 

CMYK 46 / 49 / 0 / 0

HEX #8A82FF

RGB 138 130 255

HSL 243.84, 1%, 0.75%

LAB 60.42, 34.09, -61.48

 

CMYK 39 / 42 / 0 / 0

HEX #9B94FF

RGB 155 148 255

HSL 243.93, 1%, 0.79%

LAB 66.03, 27.72, -52.46

 

CMYK 33 / 35 / 0 / 0

HEX #ACA6FF

RGB 172 166 255

HSL 244.04, 1%, 0.83%

LAB 71.73, 21.94, -43.4

 

CMYK 57 / 59 / 0 / 9

HEX #635EE7

RGB 99 94 231

HSL 242.19, 0.74%, 0.64%

LAB 47.53, 40.3, -69.06

 

CMYK 61 / 64 / 0 / 17

HEX #524CD4

RGB 82 76 212

HSL 242.65, 0.61%, 0.56%

LAB 40.76, 42.19, -69.32

 

CMYK 66 / 70 / 0 / 24

HEX #413AC1

RGB 65 58 193

HSL 243.11, 0.54%, 0.49%

LAB 33.98, 44.26, -69.44

 

CMYK 72 / 77 / 0 / 32

HEX #3028AE

RGB 48 40 174

HSL 243.58, 0.63%, 0.42%

LAB 27.3, 46.35, -69.22

 

CMYK 80 / 86 / 0 / 39

HEX #1F169B

RGB 31 22 155

HSL 244.06, 0.75%, 0.35%

LAB 20.95, 47.98, -68.26

 

CMYK 57 / 59 / 0 / 9

HEX #645FE7

RGB 100 95 231

HSL 242.21, 0.74%, 0.64%

LAB 47.83, 39.88, -68.56

 

CMYK 41 / 59 / 0 / 9

HEX #895FE7

RGB 137 95 231

HSL 258.53, 0.74%, 0.64%

LAB 51, 47.15, -63.28

 

CMYK 25 / 59 / 0 / 9

HEX #AE5FE7

RGB 174 95 231

HSL 274.85, 0.74%, 0.64%

LAB 55.02, 55.53, -56.6

 

CMYK 9 / 59 / 0 / 9

HEX #D25FE7

RGB 210 95 231

HSL 290.74, 0.74%, 0.64%

LAB 59.58, 64.21, -49.08

 

CMYK 0 / 59 / 7 / 9

HEX #E75FD7

RGB 231 95 215

HSL 307.06, 0.74%, 0.64%

LAB 61.72, 66.76, -36.53

 

CMYK 57 / 59 / 0 / 9

HEX #645FE7

RGB 100 95 231

HSL 242.21, 0.74%, 0.64%

LAB 47.83, 39.88, -68.56

 

CMYK 59 / 59 / 0 / 9

HEX #5F5FE7

RGB 95 95 231

HSL 240, 0.74%, 0.64%

LAB 47.48, 39.02, -69.16

 

CMYK 57 / 59 / 0 / 9

HEX #645FE7

RGB 100 95 231

HSL 242.21, 0.74%, 0.64%

LAB 47.83, 39.88, -68.56

 

CMYK 65 / 67 / 0 / 4

HEX #5650F6

RGB 86 80 246

HSL 242.17, 0.9%, 0.64%

LAB 44.76, 51.22, -82.06

 

CMYK 57 / 59 / 0 / 9

HEX #645FE7

RGB 100 95 231

HSL 242.21, 0.74%, 0.64%

LAB 47.83, 39.88, -68.56

 

CMYK 47 / 49 / 0 / 15

HEX #726ED8

RGB 114 110 216

HSL 242.26, 0.58%, 0.64%

LAB 51.48, 29.11, -54.15

 

CMYK 36 / 38 / 0 / 21

HEX #807DC9

RGB 128 125 201

HSL 242.37, 0.41%, 0.64%

LAB 55.56, 19.35, -39.1

 

CMYK 24 / 25 / 0 / 27

HEX #8E8CBB

RGB 142 140 187

HSL 242.55, 0.26%, 0.64%

LAB 59.97, 11.07, -24.21

 

CMYK 10 / 10 / 0 / 33

HEX #9B9BAC

RGB 155 155 172

HSL 240, 0.09%, 0.64%

LAB 64.48, 3.42, -8.83

 

CMYK 59 / 29 / 0 / 9

HEX #5FA3E7

RGB 95 163 231

HSL 210, 0.74%, 0.64%

LAB 65.28, -1.62, -40.75

 

CMYK 59 / 45 / 0 / 9

HEX #5F7FE7

RGB 95 127 231

HSL 225.88, 0.74%, 0.64%

LAB 55.46, 19.57, -56.28

 

CMYK 57 / 59 / 0 / 9

HEX #645FE7

RGB 100 95 231

HSL 242.21, 0.74%, 0.64%

LAB 47.83, 39.88, -68.56

 

CMYK 41 / 59 / 0 / 9

HEX #885FE7

RGB 136 95 231

HSL 258.09, 0.74%, 0.64%

LAB 50.91, 46.93, -63.44

 

CMYK 26 / 59 / 0 / 9

HEX #AC5FE7

RGB 172 95 231

HSL 273.97, 0.74%, 0.64%

LAB 54.79, 55.06, -56.99

 

CMYK 82 / 85 / 0 / 17

HEX #2620D4

RGB 38 32 212

HSL 242, 0.74%, 0.48%

LAB 29.91, 61.05, -87.32

 

CMYK 71 / 74 / 0 / 11

HEX #413BE2

RGB 65 59 226

HSL 242.16, 0.74%, 0.56%

LAB 37.38, 54.22, -82.95

 

CMYK 57 / 59 / 0 / 9

HEX #645FE7

RGB 100 95 231

HSL 242.21, 0.74%, 0.64%

LAB 47.83, 39.88, -68.56

 

CMYK 43 / 44 / 0 / 7

HEX #8783EC

RGB 135 131 236

HSL 242.29, 0.73%, 0.72%

LAB 59.38, 27.39, -52.66

 

CMYK 30 / 31 / 0 / 5

HEX #AAA7F2

RGB 170 167 242

HSL 242.4, 0.74%, 0.8%

LAB 71.28, 17.56, -37.06

 

CMYK 57 / 59 / 0 / 9

HEX #635EE7

RGB 99 94 231

HSL 242.19, 0.74%, 0.64%

LAB 47.53, 40.3, -69.06

 

CMYK 0 / 59 / 14 / 9

HEX #E75FC7

RGB 231 95 199

HSL 314.12, 0.74%, 0.64%

LAB 61.04, 64.3, -28.54

 

CMYK 37 / 0 / 59 / 9

HEX #91E75F

RGB 145 231 95

HSL 97.94, 0.74%, 0.64%

LAB 83.96, -49.08, 56.89

 

CMYK 57 / 59 / 0 / 9

HEX #635EE7

RGB 99 94 231

HSL 242.19, 0.74%, 0.64%

LAB 47.53, 40.3, -69.06

 

CMYK 0 / 57 / 59 / 9

HEX #E7645F

RGB 231 100 95

HSL 2.21, 0.74%, 0.64%

LAB 58.91, 50.49, 28.36

 

CMYK 59 / 0 / 57 / 9

HEX #5FE764

RGB 95 231 100

HSL 122.21, 0.74%, 0.64%

LAB 82.11, -62.49, 52.05

 

CMYK 57 / 59 / 0 / 9

HEX #635EE7

RGB 99 94 231

HSL 242.19, 0.74%, 0.64%

LAB 47.53, 40.3, -69.06

 

CMYK 0 / 59 / 14 / 9

HEX #E75FC7

RGB 231 95 199

HSL 314.12, 0.74%, 0.64%

LAB 61.04, 64.3, -28.54

 

CMYK 2 / 0 / 59 / 9

HEX #E3E75F

RGB 227 231 95

HSL 61.76, 0.74%, 0.64%

LAB 89.07, -18.5, 64

 

CMYK 59 / 0 / 45 / 9

HEX #5FE77F

RGB 95 231 127

HSL 134.12, 0.74%, 0.64%

LAB 82.44, -58.82, 39.7

 

CMYK 57 / 59 / 0 / 9

HEX #635EE7

RGB 99 94 231

HSL 242.19, 0.74%, 0.64%

LAB 47.53, 40.3, -69.06

 

CMYK 0 / 59 / 31 / 9

HEX #E75F9F

RGB 231 95 159

HSL 331.76, 0.74%, 0.64%

LAB 59.6, 58.9, -7.78

 

CMYK 2 / 0 / 59 / 9

HEX #E3E75F

RGB 227 231 95

HSL 61.76, 0.74%, 0.64%

LAB 89.07, -18.5, 64

 

CMYK 59 / 0 / 27 / 9

HEX #5FE7A8

RGB 95 231 168

HSL 152.21, 0.74%, 0.64%

LAB 83.13, -51.47, 19.8

 

Description

Color code: HEX #635EE7 | qconv.com Color code: HEX #635EE7 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 94 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 94 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 59 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 59% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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