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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #635BEC it is the complementary color #9CA413. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #635BEC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #635BEC shade: #685BE7, #796DFA, #8A7FFF, #9B91FF and #ACA3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #635BEC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #635BEC shade: #635BEC, #5249D9, #4137C6, #3025B3 and #1F13A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #635BEC shade: #635BEC, #8A5BEC, #B15BEC, #D85BEC and #EC5BD8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #635BEC shade: #635BEC and #5B5BEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #635BEC shade matches the following richer shades: #635BEC and #554CFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #635BEC shade: #635BEC, #706ADD, #7D78CE, #8A87BF and #9896B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #635BEC shade: #5BA1EC, #5B7AEC, #625BEC, #895BEC and #AF5BEC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #635BEC shade: #241ADA, #4036E7, #635BEC, #8680F0 and #A9A5F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #635BEC shade: #635BEC, #EC5BC7 and #8DEC5B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #635BEC shade: #635BEC, #EC625B and #5BEC62

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #635BEC shade: #635BEC, #EC5BC7, #E4EC5B and #5BEC7F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #635BEC shade: #635BEC, #EC5B9C, #E4EC5B and #5BECAA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 61 / 0 / 7

HEX #635BEC

RGB 99 91 236

HSL 243.31, 0.79%, 0.64%

LAB 47.22, 43.63, -72.37

 

Complementary color

CMYK 5 / 0 / 88 / 36

HEX #9CA413

RGB 156 164 19

HSL 63.31, 0.79%, 0.36%

LAB 64.7, -18.73, 64.38

 

CMYK 55 / 61 / 0 / 9

HEX #685BE7

RGB 104 91 231

HSL 245.57, 0.74%, 0.63%

LAB 47.23, 42.94, -69.53

 

CMYK 52 / 56 / 0 / 2

HEX #796DFA

RGB 121 109 250

HSL 245.11, 0.93%, 0.7%

LAB 53.93, 41.32, -69.24

 

CMYK 46 / 50 / 0 / 0

HEX #8A7FFF

RGB 138 127 255

HSL 245.16, 1%, 0.75%

LAB 59.71, 35.83, -62.61

 

CMYK 39 / 43 / 0 / 0

HEX #9B91FF

RGB 155 145 255

HSL 245.45, 1%, 0.78%

LAB 65.31, 29.43, -53.6

 

CMYK 33 / 36 / 0 / 0

HEX #ACA3FF

RGB 172 163 255

HSL 245.87, 1%, 0.82%

LAB 71, 23.62, -44.55

 

CMYK 58 / 61 / 0 / 7

HEX #635BEC

RGB 99 91 236

HSL 243.31, 0.79%, 0.64%

LAB 47.22, 43.63, -72.37

 

CMYK 62 / 66 / 0 / 15

HEX #5249D9

RGB 82 73 217

HSL 243.75, 0.65%, 0.57%

LAB 40.52, 45.54, -72.58

 

CMYK 67 / 72 / 0 / 22

HEX #4137C6

RGB 65 55 198

HSL 244.2, 0.57%, 0.5%

LAB 33.84, 47.56, -72.6

 

CMYK 73 / 79 / 0 / 30

HEX #3025B3

RGB 48 37 179

HSL 244.65, 0.66%, 0.42%

LAB 27.31, 49.48, -72.2

 

CMYK 81 / 88 / 0 / 37

HEX #1F13A0

RGB 31 19 160

HSL 245.11, 0.79%, 0.35%

LAB 21.19, 50.7, -70.92

 

CMYK 58 / 61 / 0 / 7

HEX #635BEC

RGB 99 91 236

HSL 243.31, 0.79%, 0.64%

LAB 47.22, 43.63, -72.37

 

CMYK 42 / 61 / 0 / 7

HEX #8A5BEC

RGB 138 91 236

HSL 259.45, 0.79%, 0.64%

LAB 50.62, 50.85, -66.71

 

CMYK 25 / 61 / 0 / 7

HEX #B15BEC

RGB 177 91 236

HSL 275.59, 0.79%, 0.64%

LAB 54.95, 59.29, -59.5

 

CMYK 8 / 61 / 0 / 7

HEX #D85BEC

RGB 216 91 236

HSL 291.72, 0.79%, 0.64%

LAB 60.01, 68.31, -51.13

 

CMYK 0 / 61 / 8 / 7

HEX #EC5BD8

RGB 236 91 216

HSL 308.28, 0.79%, 0.64%

LAB 61.89, 69.85, -36.78

 

CMYK 58 / 61 / 0 / 7

HEX #635BEC

RGB 99 91 236

HSL 243.31, 0.79%, 0.64%

LAB 47.22, 43.63, -72.37

 

CMYK 61 / 61 / 0 / 7

HEX #5B5BEC

RGB 91 91 236

HSL 240, 0.79%, 0.64%

LAB 46.66, 42.37, -73.31

 

CMYK 58 / 61 / 0 / 7

HEX #635BEC

RGB 99 91 236

HSL 243.31, 0.79%, 0.64%

LAB 47.22, 43.63, -72.37

 

CMYK 66 / 70 / 0 / 2

HEX #554CFB

RGB 85 76 251

HSL 243.09, 0.96%, 0.64%

LAB 44.33, 54.87, -85.57

 

CMYK 58 / 61 / 0 / 7

HEX #635BEC

RGB 99 91 236

HSL 243.31, 0.79%, 0.64%

LAB 47.22, 43.63, -72.37

 

CMYK 49 / 52 / 0 / 13

HEX #706ADD

RGB 112 106 221

HSL 243.13, 0.63%, 0.64%

LAB 50.66, 32.57, -58.31

 

CMYK 39 / 42 / 0 / 19

HEX #7D78CE

RGB 125 120 206

HSL 243.49, 0.47%, 0.64%

LAB 54.29, 22.9, -43.95

 

CMYK 28 / 29 / 0 / 25

HEX #8A87BF

RGB 138 135 191

HSL 243.21, 0.3%, 0.64%

LAB 58.5, 13.72, -28.78

 

CMYK 14 / 15 / 0 / 31

HEX #9896B0

RGB 152 150 176

HSL 244.62, 0.14%, 0.64%

LAB 63.03, 6.07, -13.28

 

CMYK 61 / 32 / 0 / 7

HEX #5BA1EC

RGB 91 161 236

HSL 211.03, 0.79%, 0.64%

LAB 64.78, 0.37, -44.28

 

CMYK 61 / 48 / 0 / 7

HEX #5B7AEC

RGB 91 122 236

HSL 227.17, 0.79%, 0.64%

LAB 54.24, 23.54, -61.05

 

CMYK 58 / 61 / 0 / 7

HEX #625BEC

RGB 98 91 236

HSL 242.9, 0.79%, 0.64%

LAB 47.15, 43.47, -72.5

 

CMYK 42 / 61 / 0 / 7

HEX #895BEC

RGB 137 91 236

HSL 259.03, 0.79%, 0.64%

LAB 50.52, 50.65, -66.87

 

CMYK 26 / 61 / 0 / 7

HEX #AF5BEC

RGB 175 91 236

HSL 274.76, 0.79%, 0.64%

LAB 54.71, 58.84, -59.9

 

CMYK 83 / 88 / 0 / 15

HEX #241ADA

RGB 36 26 218

HSL 243.13, 0.79%, 0.48%

LAB 29.85, 64.85, -90.89

 

CMYK 72 / 77 / 0 / 9

HEX #4036E7

RGB 64 54 231

HSL 243.39, 0.79%, 0.56%

LAB 36.93, 58.24, -86.54

 

CMYK 58 / 61 / 0 / 7

HEX #635BEC

RGB 99 91 236

HSL 243.31, 0.79%, 0.64%

LAB 47.22, 43.63, -72.37

 

CMYK 44 / 47 / 0 / 6

HEX #8680F0

RGB 134 128 240

HSL 243.21, 0.79%, 0.72%

LAB 58.79, 30.05, -55.83

 

CMYK 31 / 32 / 0 / 4

HEX #A9A5F4

RGB 169 165 244

HSL 243.04, 0.78%, 0.8%

LAB 70.79, 18.9, -38.92

 

CMYK 58 / 61 / 0 / 7

HEX #635BEC

RGB 99 91 236

HSL 243.31, 0.79%, 0.64%

LAB 47.22, 43.63, -72.37

 

CMYK 0 / 61 / 16 / 7

HEX #EC5BC7

RGB 236 91 199

HSL 315.31, 0.79%, 0.64%

LAB 61.17, 67.32, -28.29

 

CMYK 40 / 0 / 61 / 7

HEX #8DEC5B

RGB 141 236 91

HSL 99.31, 0.79%, 0.64%

LAB 85.2, -52.78, 59.94

 

CMYK 58 / 61 / 0 / 7

HEX #635BEC

RGB 99 91 236

HSL 243.31, 0.79%, 0.64%

LAB 47.22, 43.63, -72.37

 

CMYK 0 / 58 / 61 / 7

HEX #EC625B

RGB 236 98 91

HSL 2.9, 0.79%, 0.64%

LAB 59.27, 52.87, 31.25

 

CMYK 61 / 0 / 58 / 7

HEX #5BEC62

RGB 91 236 98

HSL 122.9, 0.79%, 0.64%

LAB 83.49, -65.37, 54.52

 

CMYK 58 / 61 / 0 / 7

HEX #635BEC

RGB 99 91 236

HSL 243.31, 0.79%, 0.64%

LAB 47.22, 43.63, -72.37

 

CMYK 0 / 61 / 16 / 7

HEX #EC5BC7

RGB 236 91 199

HSL 315.31, 0.79%, 0.64%

LAB 61.17, 67.32, -28.29

 

CMYK 3 / 0 / 61 / 7

HEX #E4EC5B

RGB 228 236 91

HSL 63.31, 0.79%, 0.64%

LAB 90.43, -20.79, 67.15

 

CMYK 61 / 0 / 46 / 7

HEX #5BEC7F

RGB 91 236 127

HSL 134.9, 0.79%, 0.64%

LAB 83.83, -61.52, 41.45

 

CMYK 58 / 61 / 0 / 7

HEX #635BEC

RGB 99 91 236

HSL 243.31, 0.79%, 0.64%

LAB 47.22, 43.63, -72.37

 

CMYK 0 / 61 / 34 / 7

HEX #EC5B9C

RGB 236 91 156

HSL 333.1, 0.79%, 0.64%

LAB 59.63, 61.77, -5.9

 

CMYK 3 / 0 / 61 / 7

HEX #E4EC5B

RGB 228 236 91

HSL 63.31, 0.79%, 0.64%

LAB 90.43, -20.79, 67.15

 

CMYK 61 / 0 / 28 / 7

HEX #5BECAA

RGB 91 236 170

HSL 152.69, 0.79%, 0.64%

LAB 84.54, -53.86, 20.71

 

Description

Color code: HEX #635BEC | qconv.com Color code: HEX #635BEC | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 91 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 91 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 61 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 61% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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