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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #634D88 it is the complementary color #9CB277. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #634D88. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #634D88 shade: #684D83, #795F96, #8A71A9, #9B83BC and #AC95CF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #634D88. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #634D88 shade: #634D88, #523B75, #412962, #30174F and #1F053C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #634D88 shade: #634D89, #744D89, #844D89, #894D7E and #894D6E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #634D88 shade: #634D89, #534D89 and #4D4D89

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #634D88 shade matches the following richer shades: #634D89, #5F3C9A, #5B2AAC, #5619BD and #5208CE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #634D88 shade: #634D89, #685E78, #6C7066, #718155 and #759244

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #634D88 shade: #4D5789, #534D89, #634D89, #734D89 and #834D89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #634D88 shade: #3D2F54, #503E6F, #634D89, #775CA3 and #8D76B2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #634D88 shade: #634D88, #894D67 and #4F894D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #634D88 shade: #634D88, #89634D and #4D8963

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #634D88 shade: #634D88, #894D67, #73894D and #4D896F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #634D88 shade: #634D88, #894D55, #73894D and #4D8981

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 43 / 0 / 47

HEX #634D88

RGB 99 77 136

HSL 262.37, 0.28%, 0.42%

LAB 37.37, 22.48, -29.68

 

Complementary color

CMYK 12 / 0 / 33 / 30

HEX #9CB277

RGB 156 178 119

HSL 82.37, 0.28%, 0.58%

LAB 69.64, -17.86, 27.72

 

CMYK 21 / 41 / 0 / 49

HEX #684D83

RGB 104 77 131

HSL 270, 0.26%, 0.41%

LAB 37.64, 22.77, -26.15

 

CMYK 19 / 37 / 0 / 41

HEX #795F96

RGB 121 95 150

HSL 268.36, 0.22%, 0.48%

LAB 44.87, 21.97, -26.22

 

CMYK 18 / 33 / 0 / 34

HEX #8A71A9

RGB 138 113 169

HSL 266.79, 0.25%, 0.55%

LAB 51.93, 21.25, -26.33

 

CMYK 18 / 30 / 0 / 26

HEX #9B83BC

RGB 155 131 188

HSL 265.26, 0.3%, 0.63%

LAB 58.82, 20.61, -26.46

 

CMYK 17 / 28 / 0 / 19

HEX #AC95CF

RGB 172 149 207

HSL 263.79, 0.38%, 0.7%

LAB 65.57, 20.03, -26.62

 

CMYK 27 / 43 / 0 / 47

HEX #634D88

RGB 99 77 136

HSL 262.37, 0.28%, 0.42%

LAB 37.37, 22.48, -29.68

 

CMYK 30 / 50 / 0 / 54

HEX #523B75

RGB 82 59 117

HSL 263.79, 0.33%, 0.35%

LAB 29.93, 23.46, -29.75

 

CMYK 34 / 58 / 0 / 62

HEX #412962

RGB 65 41 98

HSL 265.26, 0.41%, 0.27%

LAB 22.27, 24.57, -29.84

 

CMYK 39 / 71 / 0 / 69

HEX #30174F

RGB 48 23 79

HSL 266.79, 0.55%, 0.2%

LAB 14.43, 25.72, -29.84

 

CMYK 48 / 92 / 0 / 76

HEX #1F053C

RGB 31 5 60

HSL 268.36, 0.85%, 0.13%

LAB 6.56, 26.34, -29.42

 

CMYK 28 / 44 / 0 / 46

HEX #634D89

RGB 99 77 137

HSL 262, 0.28%, 0.42%

LAB 37.42, 22.75, -30.21

 

CMYK 15 / 44 / 0 / 46

HEX #744D89

RGB 116 77 137

HSL 279, 0.28%, 0.42%

LAB 39.29, 28.07, -27.14

 

CMYK 4 / 44 / 0 / 46

HEX #844D89

RGB 132 77 137

HSL 295, 0.28%, 0.42%

LAB 41.25, 33.21, -23.94

 

CMYK 0 / 44 / 8 / 46

HEX #894D7E

RGB 137 77 126

HSL 311, 0.28%, 0.42%

LAB 41.43, 32.72, -16.91

 

CMYK 0 / 44 / 20 / 46

HEX #894D6E

RGB 137 77 110

HSL 327, 0.28%, 0.42%

LAB 40.82, 29.92, -7.99

 

CMYK 28 / 44 / 0 / 46

HEX #634D89

RGB 99 77 137

HSL 262, 0.28%, 0.42%

LAB 37.42, 22.75, -30.21

 

CMYK 39 / 44 / 0 / 46

HEX #534D89

RGB 83 77 137

HSL 246, 0.28%, 0.42%

LAB 35.89, 18.02, -32.72

 

CMYK 44 / 44 / 0 / 46

HEX #4D4D89

RGB 77 77 137

HSL 240, 0.28%, 0.42%

LAB 35.38, 16.36, -33.56

 

CMYK 28 / 44 / 0 / 46

HEX #634D89

RGB 99 77 137

HSL 262, 0.28%, 0.42%

LAB 37.42, 22.75, -30.21

 

CMYK 38 / 61 / 0 / 40

HEX #5F3C9A

RGB 95 60 154

HSL 262.34, 0.44%, 0.42%

LAB 33.98, 36.57, -46.07

 

CMYK 47 / 76 / 0 / 33

HEX #5B2AAC

RGB 91 42 172

HSL 262.62, 0.61%, 0.42%

LAB 31.48, 50.2, -61

 

CMYK 54 / 87 / 0 / 26

HEX #5619BD

RGB 86 25 189

HSL 262.32, 0.77%, 0.42%

LAB 30.27, 60.59, -73.13

 

CMYK 60 / 96 / 0 / 19

HEX #5208CE

RGB 82 8 206

HSL 262.42, 0.93%, 0.42%

LAB 30.46, 68.18, -82.82

 

CMYK 28 / 44 / 0 / 46

HEX #634D89

RGB 99 77 137

HSL 262, 0.28%, 0.42%

LAB 37.42, 22.75, -30.21

 

CMYK 13 / 22 / 0 / 53

HEX #685E78

RGB 104 94 120

HSL 263.08, 0.12%, 0.42%

LAB 41.7, 9.6, -13.17

 

CMYK 4 / 0 / 9 / 56

HEX #6C7066

RGB 108 112 102

HSL 84, 0.05%, 0.42%

LAB 46.63, -3.53, 5.03

 

CMYK 12 / 0 / 34 / 49

HEX #718155

RGB 113 129 85

HSL 81.82, 0.21%, 0.42%

LAB 51.69, -13.96, 21.97

 

CMYK 20 / 0 / 53 / 43

HEX #759244

RGB 117 146 68

HSL 82.31, 0.36%, 0.42%

LAB 56.84, -23.37, 37.62

 

CMYK 44 / 36 / 0 / 46

HEX #4D5789

RGB 77 87 137

HSL 230, 0.28%, 0.42%

LAB 38.2, 9.93, -29.11

 

CMYK 39 / 44 / 0 / 46

HEX #534D89

RGB 83 77 137

HSL 246, 0.28%, 0.42%

LAB 35.89, 18.02, -32.72

 

CMYK 28 / 44 / 0 / 46

HEX #634D89

RGB 99 77 137

HSL 262, 0.28%, 0.42%

LAB 37.42, 22.75, -30.21

 

CMYK 16 / 44 / 0 / 46

HEX #734D89

RGB 115 77 137

HSL 278, 0.28%, 0.42%

LAB 39.17, 27.75, -27.33

 

CMYK 4 / 44 / 0 / 46

HEX #834D89

RGB 131 77 137

HSL 294, 0.28%, 0.42%

LAB 41.12, 32.88, -24.15

 

CMYK 27 / 44 / 0 / 67

HEX #3D2F54

RGB 61 47 84

HSL 262.7, 0.28%, 0.26%

LAB 22.53, 15.34, -20.22

 

CMYK 28 / 44 / 0 / 56

HEX #503E6F

RGB 80 62 111

HSL 262.04, 0.28%, 0.34%

LAB 30.15, 19.27, -25.61

 

CMYK 28 / 44 / 0 / 46

HEX #634D89

RGB 99 77 137

HSL 262, 0.28%, 0.42%

LAB 37.42, 22.75, -30.21

 

CMYK 27 / 44 / 0 / 36

HEX #775CA3

RGB 119 92 163

HSL 262.82, 0.28%, 0.5%

LAB 44.55, 26.39, -34.47

 

CMYK 21 / 34 / 0 / 30

HEX #8D76B2

RGB 141 118 178

HSL 263, 0.28%, 0.58%

LAB 53.85, 21.4, -28.53

 

CMYK 27 / 43 / 0 / 47

HEX #634D88

RGB 99 77 136

HSL 262.37, 0.28%, 0.42%

LAB 37.37, 22.48, -29.68

 

CMYK 0 / 44 / 25 / 46

HEX #894D67

RGB 137 77 103

HSL 334, 0.28%, 0.42%

LAB 40.58, 28.8, -4.01

 

CMYK 42 / 0 / 44 / 46

HEX #4F894D

RGB 79 137 77

HSL 118, 0.28%, 0.42%

LAB 51.94, -31.9, 26.34

 

CMYK 27 / 43 / 0 / 47

HEX #634D88

RGB 99 77 136

HSL 262.37, 0.28%, 0.42%

LAB 37.37, 22.48, -29.68

 

CMYK 0 / 28 / 44 / 46

HEX #89634D

RGB 137 99 77

HSL 22, 0.28%, 0.42%

LAB 45.33, 12.41, 18.54

 

CMYK 44 / 0 / 28 / 46

HEX #4D8963

RGB 77 137 99

HSL 142, 0.28%, 0.42%

LAB 52.25, -28.52, 14.42

 

CMYK 27 / 43 / 0 / 47

HEX #634D88

RGB 99 77 136

HSL 262.37, 0.28%, 0.42%

LAB 37.37, 22.48, -29.68

 

CMYK 0 / 44 / 25 / 46

HEX #894D67

RGB 137 77 103

HSL 334, 0.28%, 0.42%

LAB 40.58, 28.8, -4.01

 

CMYK 16 / 0 / 44 / 46

HEX #73894D

RGB 115 137 77

HSL 82, 0.28%, 0.42%

LAB 54.1, -18.51, 29.54

 

CMYK 44 / 0 / 19 / 46

HEX #4D896F

RGB 77 137 111

HSL 154, 0.28%, 0.42%

LAB 52.53, -25.93, 7.91

 

CMYK 27 / 43 / 0 / 47

HEX #634D88

RGB 99 77 136

HSL 262.37, 0.28%, 0.42%

LAB 37.37, 22.48, -29.68

 

CMYK 0 / 44 / 38 / 46

HEX #894D55

RGB 137 77 85

HSL 352, 0.28%, 0.42%

LAB 40.05, 26.24, 6.4

 

CMYK 16 / 0 / 44 / 46

HEX #73894D

RGB 115 137 77

HSL 82, 0.28%, 0.42%

LAB 54.1, -18.51, 29.54

 

CMYK 44 / 0 / 6 / 46

HEX #4D8981

RGB 77 137 129

HSL 172, 0.28%, 0.42%

LAB 53.01, -21.55, -1.82

 

Description

Color code: HEX #634D88 | qconv.com Color code: HEX #634D88 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 77 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 77 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 43 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 43% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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