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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6346CA it is the complementary color #9CB935. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6346CA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6346CA shade: #6846C5, #7958D8, #8A6AEB, #9B7CFE and #AC8EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6346CA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6346CA shade: #6346CA, #5234B7, #4122A4, #301091 and #1F007E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6346CA shade: #6245C9, #8645C9, #A945C9, #C945C5 and #C945A2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6346CA shade: #6245C9 and #4545C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6346CA shade matches the following richer shades: #6245C9, #5732DC and #4C1EF0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6346CA shade: #6245C9, #6D59B6, #786CA2, #837F8F and #8E937C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6346CA shade: #456FC9, #454CC9, #6245C9, #8545C9 and #A845C9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6346CA shade: #412A92, #4F34B2, #6245C9, #7D65D2 and #9885DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6346CA shade: #6346CA, #C94592 and #5DC945

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6346CA shade: #6346CA, #C96245 and #45C962

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6346CA shade: #6346CA, #C94592, #ADC945 and #45C97C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6346CA shade: #6346CA, #C9456B, #ADC945 and #45C9A4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 65 / 0 / 21

HEX #6346CA

RGB 99 70 202

HSL 253.18, 0.55%, 0.53%

LAB 40.08, 45.4, -64.61

 

Complementary color

CMYK 16 / 0 / 71 / 27

HEX #9CB935

RGB 156 185 53

HSL 73.18, 0.55%, 0.47%

LAB 70.89, -27.76, 60.15

 

CMYK 47 / 64 / 0 / 23

HEX #6846C5

RGB 104 70 197

HSL 256.06, 0.52%, 0.52%

LAB 40.17, 44.89, -61.53

 

CMYK 44 / 59 / 0 / 15

HEX #7958D8

RGB 121 88 216

HSL 255.47, 0.62%, 0.6%

LAB 46.98, 43.56, -61.36

 

CMYK 41 / 55 / 0 / 8

HEX #8A6AEB

RGB 138 106 235

HSL 254.88, 0.76%, 0.67%

LAB 53.72, 42.3, -61.15

 

CMYK 39 / 51 / 0 / 0

HEX #9B7CFE

RGB 155 124 254

HSL 254.31, 0.98%, 0.74%

LAB 60.37, 41.12, -60.92

 

CMYK 33 / 44 / 0 / 0

HEX #AC8EFF

RGB 172 142 255

HSL 255.93, 1%, 0.78%

LAB 66.01, 35.44, -52.41

 

CMYK 51 / 65 / 0 / 21

HEX #6346CA

RGB 99 70 202

HSL 253.18, 0.55%, 0.53%

LAB 40.08, 45.4, -64.61

 

CMYK 55 / 72 / 0 / 28

HEX #5234B7

RGB 82 52 183

HSL 253.74, 0.56%, 0.46%

LAB 33.28, 46.86, -64.64

 

CMYK 60 / 79 / 0 / 36

HEX #4122A4

RGB 65 34 164

HSL 254.31, 0.66%, 0.39%

LAB 26.59, 48.09, -64.33

 

CMYK 67 / 89 / 0 / 43

HEX #301091

RGB 48 16 145

HSL 254.88, 0.8%, 0.32%

LAB 20.22, 48.52, -63.26

 

CMYK 75 / 100 / 0 / 51

HEX #1F007E

RGB 31 0 126

HSL 254.76, 1%, 0.25%

LAB 14.39, 47.61, -61.03

 

CMYK 51 / 66 / 0 / 21

HEX #6245C9

RGB 98 69 201

HSL 253.18, 0.55%, 0.53%

LAB 39.7, 45.49, -64.65

 

CMYK 33 / 66 / 0 / 21

HEX #8645C9

RGB 134 69 201

HSL 269.55, 0.55%, 0.53%

LAB 43.57, 52.55, -58.19

 

CMYK 16 / 66 / 0 / 21

HEX #A945C9

RGB 169 69 201

HSL 285.45, 0.55%, 0.53%

LAB 48.14, 60.25, -50.59

 

CMYK 0 / 66 / 2 / 21

HEX #C945C5

RGB 201 69 197

HSL 301.82, 0.55%, 0.53%

LAB 52.63, 66.95, -40.87

 

CMYK 0 / 66 / 19 / 21

HEX #C945A2

RGB 201 69 162

HSL 317.73, 0.55%, 0.53%

LAB 51.02, 61.62, -22.98

 

CMYK 51 / 66 / 0 / 21

HEX #6245C9

RGB 98 69 201

HSL 253.18, 0.55%, 0.53%

LAB 39.7, 45.49, -64.65

 

CMYK 66 / 66 / 0 / 21

HEX #4545C9

RGB 69 69 201

HSL 240, 0.55%, 0.53%

LAB 37.37, 40.91, -68.55

 

CMYK 51 / 66 / 0 / 21

HEX #6245C9

RGB 98 69 201

HSL 253.18, 0.55%, 0.53%

LAB 39.7, 45.49, -64.65

 

CMYK 60 / 77 / 0 / 14

HEX #5732DC

RGB 87 50 220

HSL 253.06, 0.71%, 0.53%

LAB 36.88, 59.13, -80.27

 

CMYK 68 / 88 / 0 / 6

HEX #4C1EF0

RGB 76 30 240

HSL 253.14, 0.88%, 0.53%

LAB 35.51, 71.21, -93.97

 

CMYK 51 / 66 / 0 / 21

HEX #6245C9

RGB 98 69 201

HSL 253.18, 0.55%, 0.53%

LAB 39.7, 45.49, -64.65

 

CMYK 40 / 51 / 0 / 29

HEX #6D59B6

RGB 109 89 182

HSL 252.9, 0.39%, 0.53%

LAB 43.91, 30.62, -46.73

 

CMYK 26 / 33 / 0 / 36

HEX #786CA2

RGB 120 108 162

HSL 253.33, 0.23%, 0.53%

LAB 48.67, 16.8, -27.43

 

CMYK 8 / 11 / 0 / 44

HEX #837F8F

RGB 131 127 143

HSL 255, 0.07%, 0.53%

LAB 54.01, 4.78, -8.08

 

CMYK 3 / 0 / 16 / 42

HEX #8E937C

RGB 142 147 124

HSL 73.04, 0.1%, 0.53%

LAB 59.96, -6.07, 11.57

 

CMYK 66 / 45 / 0 / 21

HEX #456FC9

RGB 69 111 201

HSL 220.91, 0.55%, 0.53%

LAB 48.07, 14.54, -51.21

 

CMYK 66 / 62 / 0 / 21

HEX #454CC9

RGB 69 76 201

HSL 236.82, 0.55%, 0.53%

LAB 38.99, 36.64, -65.91

 

CMYK 51 / 66 / 0 / 21

HEX #6245C9

RGB 98 69 201

HSL 253.18, 0.55%, 0.53%

LAB 39.7, 45.49, -64.65

 

CMYK 34 / 66 / 0 / 21

HEX #8545C9

RGB 133 69 201

HSL 269.09, 0.55%, 0.53%

LAB 43.45, 52.34, -58.39

 

CMYK 16 / 66 / 0 / 21

HEX #A845C9

RGB 168 69 201

HSL 285, 0.55%, 0.53%

LAB 48, 60.02, -50.82

 

CMYK 55 / 71 / 0 / 43

HEX #412A92

RGB 65 42 146

HSL 253.27, 0.55%, 0.37%

LAB 26.32, 38.5, -53.76

 

CMYK 56 / 71 / 0 / 30

HEX #4F34B2

RGB 79 52 178

HSL 252.86, 0.55%, 0.45%

LAB 32.55, 44.91, -62.88

 

CMYK 51 / 66 / 0 / 21

HEX #6245C9

RGB 98 69 201

HSL 253.18, 0.55%, 0.53%

LAB 39.7, 45.49, -64.65

 

CMYK 40 / 52 / 0 / 18

HEX #7D65D2

RGB 125 101 210

HSL 253.21, 0.55%, 0.61%

LAB 49.88, 35.29, -53.25

 

CMYK 31 / 40 / 0 / 14

HEX #9885DC

RGB 152 133 220

HSL 253.1, 0.55%, 0.69%

LAB 60.44, 26.33, -41.98

 

CMYK 51 / 65 / 0 / 21

HEX #6346CA

RGB 99 70 202

HSL 253.18, 0.55%, 0.53%

LAB 40.08, 45.4, -64.61

 

CMYK 0 / 66 / 27 / 21

HEX #C94592

RGB 201 69 146

HSL 325, 0.55%, 0.53%

LAB 50.39, 59.49, -14.44

 

CMYK 54 / 0 / 66 / 21

HEX #5DC945

RGB 93 201 69

HSL 109.09, 0.55%, 0.53%

LAB 72.58, -55.28, 54.68

 

CMYK 51 / 65 / 0 / 21

HEX #6346CA

RGB 99 70 202

HSL 253.18, 0.55%, 0.53%

LAB 40.08, 45.4, -64.61

 

CMYK 0 / 51 / 66 / 21

HEX #C96245

RGB 201 98 69

HSL 13.18, 0.55%, 0.53%

LAB 53.58, 38.72, 35.37

 

CMYK 66 / 0 / 51 / 21

HEX #45C962

RGB 69 201 98

HSL 133.18, 0.55%, 0.53%

LAB 72.18, -57.39, 40.88

 

CMYK 51 / 65 / 0 / 21

HEX #6346CA

RGB 99 70 202

HSL 253.18, 0.55%, 0.53%

LAB 40.08, 45.4, -64.61

 

CMYK 0 / 66 / 27 / 21

HEX #C94592

RGB 201 69 146

HSL 325, 0.55%, 0.53%

LAB 50.39, 59.49, -14.44

 

CMYK 14 / 0 / 66 / 21

HEX #ADC945

RGB 173 201 69

HSL 72.73, 0.55%, 0.53%

LAB 76.73, -27.54, 60.34

 

CMYK 66 / 0 / 38 / 21

HEX #45C97C

RGB 69 201 124

HSL 145, 0.55%, 0.53%

LAB 72.56, -53.11, 28.23

 

CMYK 51 / 65 / 0 / 21

HEX #6346CA

RGB 99 70 202

HSL 253.18, 0.55%, 0.53%

LAB 40.08, 45.4, -64.61

 

CMYK 0 / 66 / 47 / 21

HEX #C9456B

RGB 201 69 107

HSL 342.73, 0.55%, 0.53%

LAB 49.17, 55.18, 7.24

 

CMYK 14 / 0 / 66 / 21

HEX #ADC945

RGB 173 201 69

HSL 72.73, 0.55%, 0.53%

LAB 76.73, -27.54, 60.34

 

CMYK 66 / 0 / 18 / 21

HEX #45C9A4

RGB 69 201 164

HSL 163.18, 0.55%, 0.53%

LAB 73.36, -44.59, 8.07

 

Description

Color code: HEX #6346CA | qconv.com Color code: HEX #6346CA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 70 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 70 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 65 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 65% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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