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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #63283E it is the complementary color #9CD7C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #63283E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #63283E shade: #682839, #793A4C, #8A4C5F, #9B5E72 and #AC7085

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #63283E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #63283E shade: #63283E, #52162B, #410418, #300005 and #1F0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #63283E shade: #62283D, #62282E and #622828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #63283E shade: #62283D, #62284D, #62285D, #572862 and #482862

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #63283E shade matches the following richer shades: #62283D, #6D1D3B, #781238 and #830735

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #63283E shade: #62283D, #573340, #4B3E43, #404946 and #355449

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #63283E shade: #62285D, #62284E, #62283E, #62282F and #623128

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #63283E shade: #271019, #441C2B, #62283D, #7F3450 and #9C4062

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #63283E shade: #63283E, #625728 and #285562

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #63283E shade: #63283E, #3E6228 and #283E62

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #63283E shade: #63283E, #625728, #28624C and #283362

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #63283E shade: #63283E, #5B6228, #28624C and #2F2862

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 37 / 61

HEX #63283E

RGB 99 40 62

HSL 337.63, 0.42%, 0.27%

LAB 25.32, 29.22, -0.73

 

Complementary color

CMYK 27 / 0 / 10 / 16

HEX #9CD7C1

RGB 156 215 193

HSL 157.63, 0.42%, 0.73%

LAB 81.58, -23.42, 4.79

 

CMYK 0 / 62 / 45 / 59

HEX #682839

RGB 104 40 57

HSL 344.06, 0.44%, 0.28%

LAB 26.03, 30.47, 3.78

 

CMYK 0 / 52 / 37 / 53

HEX #793A4C

RGB 121 58 76

HSL 342.86, 0.35%, 0.35%

LAB 33.16, 29.54, 1.9

 

CMYK 0 / 45 / 31 / 46

HEX #8A4C5F

RGB 138 76 95

HSL 341.61, 0.29%, 0.42%

LAB 40.24, 28.56, 0.48

 

CMYK 0 / 39 / 26 / 39

HEX #9B5E72

RGB 155 94 114

HSL 340.33, 0.24%, 0.49%

LAB 47.22, 27.63, -0.68

 

CMYK 0 / 35 / 23 / 33

HEX #AC7085

RGB 172 112 133

HSL 339, 0.27%, 0.56%

LAB 54.08, 26.77, -1.67

 

CMYK 0 / 60 / 37 / 61

HEX #63283E

RGB 99 40 62

HSL 337.63, 0.42%, 0.27%

LAB 25.32, 29.22, -0.73

 

CMYK 0 / 73 / 48 / 68

HEX #52162B

RGB 82 22 43

HSL 339, 0.58%, 0.2%

LAB 18.11, 29.79, 1.55

 

CMYK 0 / 94 / 63 / 75

HEX #410418

RGB 65 4 24

HSL 340.33, 0.88%, 0.14%

LAB 11.11, 29.59, 5.07

 

CMYK 0 / 100 / 90 / 81

HEX #300005

RGB 48 0 5

HSL 353.75, 1%, 0.09%

LAB 5.78, 24.05, 7.08

 

CMYK 0 / 100 / 100 / 88

HEX #1F0000

RGB 31 0 0

HSL 0, 1%, 0.06%

LAB 2.63, 11.81, 4.16

 

CMYK 0 / 59 / 38 / 62

HEX #62283D

RGB 98 40 61

HSL 338.28, 0.42%, 0.27%

LAB 25.11, 28.71, -0.38

 

CMYK 0 / 59 / 53 / 62

HEX #62282E

RGB 98 40 46

HSL 353.79, 0.42%, 0.27%

LAB 24.68, 26.91, 9.16

 

CMYK 0 / 59 / 59 / 62

HEX #622828

RGB 98 40 40

HSL 0, 0.42%, 0.27%

LAB 24.54, 26.32, 13

 

CMYK 0 / 59 / 38 / 62

HEX #62283D

RGB 98 40 61

HSL 338.28, 0.42%, 0.27%

LAB 25.11, 28.71, -0.38

 

CMYK 0 / 59 / 21 / 62

HEX #62284D

RGB 98 40 77

HSL 321.72, 0.42%, 0.27%

LAB 25.71, 31.13, -10.22

 

CMYK 0 / 59 / 5 / 62

HEX #62285D

RGB 98 40 93

HSL 305.17, 0.42%, 0.27%

LAB 26.46, 33.99, -19.64

 

CMYK 11 / 59 / 0 / 62

HEX #572862

RGB 87 40 98

HSL 288.62, 0.42%, 0.27%

LAB 25.03, 31.66, -25.27

 

CMYK 27 / 59 / 0 / 62

HEX #482862

RGB 72 40 98

HSL 273.1, 0.42%, 0.27%

LAB 22.92, 27.21, -28.75

 

CMYK 0 / 59 / 38 / 62

HEX #62283D

RGB 98 40 61

HSL 338.28, 0.42%, 0.27%

LAB 25.11, 28.71, -0.38

 

CMYK 0 / 73 / 46 / 57

HEX #6D1D3B

RGB 109 29 59

HSL 337.5, 0.58%, 0.27%

LAB 25.09, 37.67, 1.2

 

CMYK 0 / 85 / 53 / 53

HEX #781238

RGB 120 18 56

HSL 337.65, 0.74%, 0.27%

LAB 25.9, 44.54, 4.69

 

CMYK 0 / 95 / 60 / 49

HEX #830735

RGB 131 7 53

HSL 337.74, 0.9%, 0.27%

LAB 27.39, 49.63, 9.19

 

CMYK 0 / 59 / 38 / 62

HEX #62283D

RGB 98 40 61

HSL 338.28, 0.42%, 0.27%

LAB 25.11, 28.71, -0.38

 

CMYK 0 / 41 / 26 / 66

HEX #573340

RGB 87 51 64

HSL 338.33, 0.26%, 0.27%

LAB 26.05, 18.27, -1.21

 

CMYK 0 / 17 / 11 / 71

HEX #4B3E43

RGB 75 62 67

HSL 336.92, 0.09%, 0.27%

LAB 27.7, 6.63, -0.95

 

CMYK 12 / 0 / 4 / 71

HEX #404946

RGB 64 73 70

HSL 160, 0.07%, 0.27%

LAB 30.15, -4.34, 0.55

 

CMYK 37 / 0 / 13 / 67

HEX #355449

RGB 53 84 73

HSL 158.71, 0.23%, 0.27%

LAB 33.09, -14.28, 2.8

 

CMYK 0 / 59 / 5 / 62

HEX #62285D

RGB 98 40 93

HSL 305.17, 0.42%, 0.27%

LAB 26.46, 33.99, -19.64

 

CMYK 0 / 59 / 20 / 62

HEX #62284E

RGB 98 40 78

HSL 320.69, 0.42%, 0.27%

LAB 25.76, 31.29, -10.82

 

CMYK 0 / 59 / 37 / 62

HEX #62283E

RGB 98 40 62

HSL 337.24, 0.42%, 0.27%

LAB 25.14, 28.84, -1

 

CMYK 0 / 59 / 52 / 62

HEX #62282F

RGB 98 40 47

HSL 352.76, 0.42%, 0.27%

LAB 24.7, 27.01, 8.51

 

CMYK 0 / 50 / 59 / 62

HEX #623128

RGB 98 49 40

HSL 9.31, 0.42%, 0.27%

LAB 26.58, 21.12, 15.69

 

CMYK 0 / 59 / 36 / 85

HEX #271019

RGB 39 16 25

HSL 336.52, 0.42%, 0.11%

LAB 7.88, 13.42, -1.06

 

CMYK 0 / 59 / 37 / 73

HEX #441C2B

RGB 68 28 43

HSL 337.5, 0.42%, 0.19%

LAB 16.67, 21.22, -0.87

 

CMYK 0 / 59 / 38 / 62

HEX #62283D

RGB 98 40 61

HSL 338.28, 0.42%, 0.27%

LAB 25.11, 28.71, -0.38

 

CMYK 0 / 59 / 37 / 50

HEX #7F3450

RGB 127 52 80

HSL 337.6, 0.42%, 0.35%

LAB 33.02, 35.49, -0.77

 

CMYK 0 / 59 / 37 / 39

HEX #9C4062

RGB 156 64 98

HSL 337.83, 0.42%, 0.43%

LAB 40.6, 41.82, -0.55

 

CMYK 0 / 60 / 37 / 61

HEX #63283E

RGB 99 40 62

HSL 337.63, 0.42%, 0.27%

LAB 25.32, 29.22, -0.73

 

CMYK 0 / 11 / 59 / 62

HEX #625728

RGB 98 87 40

HSL 48.62, 0.42%, 0.27%

LAB 37.05, -2.24, 28.56

 

CMYK 59 / 13 / 0 / 62

HEX #285562

RGB 40 85 98

HSL 193.45, 0.42%, 0.27%

LAB 33.63, -11.25, -12.24

 

CMYK 0 / 60 / 37 / 61

HEX #63283E

RGB 99 40 62

HSL 337.63, 0.42%, 0.27%

LAB 25.32, 29.22, -0.73

 

CMYK 37 / 0 / 59 / 62

HEX #3E6228

RGB 62 98 40

HSL 97.24, 0.42%, 0.27%

LAB 37.69, -24.47, 28.57

 

CMYK 59 / 37 / 0 / 62

HEX #283E62

RGB 40 62 98

HSL 217.24, 0.42%, 0.27%

LAB 26.09, 3.41, -23.91

 

CMYK 0 / 60 / 37 / 61

HEX #63283E

RGB 99 40 62

HSL 337.63, 0.42%, 0.27%

LAB 25.32, 29.22, -0.73

 

CMYK 0 / 11 / 59 / 62

HEX #625728

RGB 98 87 40

HSL 48.62, 0.42%, 0.27%

LAB 37.05, -2.24, 28.56

 

CMYK 59 / 0 / 22 / 62

HEX #28624C

RGB 40 98 76

HSL 157.24, 0.42%, 0.27%

LAB 37.31, -24.84, 6.89

 

CMYK 59 / 48 / 0 / 62

HEX #283362

RGB 40 51 98

HSL 228.62, 0.42%, 0.27%

LAB 22.66, 11.04, -29.36

 

CMYK 0 / 60 / 37 / 61

HEX #63283E

RGB 99 40 62

HSL 337.63, 0.42%, 0.27%

LAB 25.32, 29.22, -0.73

 

CMYK 7 / 0 / 59 / 62

HEX #5B6228

RGB 91 98 40

HSL 67.24, 0.42%, 0.27%

LAB 39.77, -11.94, 31.52

 

CMYK 59 / 0 / 22 / 62

HEX #28624C

RGB 40 98 76

HSL 157.24, 0.42%, 0.27%

LAB 37.31, -24.84, 6.89

 

CMYK 52 / 59 / 0 / 62

HEX #2F2862

RGB 47 40 98

HSL 247.24, 0.42%, 0.27%

LAB 20.06, 20.44, -33.5

 

Description

Color code: HEX #63283E | qconv.com Color code: HEX #63283E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 40 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 40 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 37 yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 37% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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