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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #62ED0B it is the complementary color #9D12F4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #62ED0B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #62ED0B shade: #67ED06, #78FF19, #89FF2C, #9AFF3F and #ABFF52

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #62ED0B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #62ED0B shade: #62ED0B, #51DB00, #40C900, #2FB700 and #1EA500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #62ED0B shade: #63EF0B, #A0EF0B, #DDEF0B, #EFC30B and #EF850B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #62ED0B shade: #63EF0B, #25EF0B, #0BEF2E, #0BEF6C and #0BEFA9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #62ED0B shade matches the following richer shades: #63EF0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #62ED0B shade: #63EF0B, #67DA1F, #6CC634, #71B248 and #759E5C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #62ED0B shade: #DFEF0B, #A3EF0B, #66EF0B, #2AEF0B and #0BEF2A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #62ED0B shade: #42A008, #52C709, #63EF0B, #7BF52E and #94F755

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #62ED0B shade: #62ED0B, #0BEFC1 and #EF0BC1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #62ED0B shade: #62ED0B, #0B66EF and #EF0B66

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #62ED0B shade: #62ED0B, #0BEFC1, #940BEF and #EF0B39

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #62ED0B shade: #62ED0B, #0BD8EF, #940BEF and #EF220B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 95 / 7

HEX #62ED0B

RGB 98 237 11

HSL 96.9, 0.91%, 0.49%

LAB 83.54, -69.38, 79.48

 

Complementary color

CMYK 36 / 93 / 0 / 4

HEX #9D12F4

RGB 157 18 244

HSL 276.9, 0.91%, 0.51%

LAB 44.42, 81.69, -81.21

 

CMYK 57 / 0 / 97 / 7

HEX #67ED06

RGB 103 237 6

HSL 94.81, 0.95%, 0.48%

LAB 83.69, -68.22, 80.07

 

CMYK 53 / 0 / 90 / 0

HEX #78FF19

RGB 120 255 25

HSL 95.22, 1%, 0.55%

LAB 89.67, -69.6, 83.18

 

CMYK 46 / 0 / 83 / 0

HEX #89FF2C

RGB 137 255 44

HSL 93.55, 1%, 0.59%

LAB 90.33, -64.25, 80.5

 

CMYK 40 / 0 / 75 / 0

HEX #9AFF3F

RGB 154 255 63

HSL 91.56, 1%, 0.62%

LAB 91.12, -58.14, 76.43

 

CMYK 33 / 0 / 68 / 0

HEX #ABFF52

RGB 171 255 82

HSL 89.13, 1%, 0.66%

LAB 92.04, -51.36, 71.22

 

CMYK 59 / 0 / 95 / 7

HEX #62ED0B

RGB 98 237 11

HSL 96.9, 0.91%, 0.49%

LAB 83.54, -69.38, 79.48

 

CMYK 63 / 0 / 100 / 14

HEX #51DB00

RGB 81 219 0

HSL 97.81, 1%, 0.43%

LAB 77.53, -67.59, 75.43

 

CMYK 68 / 0 / 100 / 21

HEX #40C900

RGB 64 201 0

HSL 100.9, 1%, 0.39%

LAB 71.46, -65.41, 70.44

 

CMYK 74 / 0 / 100 / 28

HEX #2FB700

RGB 47 183 0

HSL 104.59, 1%, 0.36%

LAB 65.33, -62.89, 65.42

 

CMYK 82 / 0 / 100 / 35

HEX #1EA500

RGB 30 165 0

HSL 109.09, 1%, 0.32%

LAB 59.15, -59.91, 60.36

 

CMYK 59 / 0 / 95 / 6

HEX #63EF0B

RGB 99 239 11

HSL 96.84, 0.91%, 0.49%

LAB 84.18, -69.8, 80.01

 

CMYK 33 / 0 / 95 / 6

HEX #A0EF0B

RGB 160 239 11

HSL 80.79, 0.91%, 0.49%

LAB 86.62, -51.4, 82.98

 

CMYK 8 / 0 / 95 / 6

HEX #DDEF0B

RGB 221 239 11

HSL 64.74, 0.91%, 0.49%

LAB 90.38, -27.85, 87.52

 

CMYK 0 / 18 / 95 / 6

HEX #EFC30B

RGB 239 195 11

HSL 48.42, 0.91%, 0.49%

LAB 80.41, 1.54, 80.78

 

CMYK 0 / 44 / 95 / 6

HEX #EF850B

RGB 239 133 11

HSL 32.11, 0.91%, 0.49%

LAB 65.87, 34.05, 70.59

 

CMYK 59 / 0 / 95 / 6

HEX #63EF0B

RGB 99 239 11

HSL 96.84, 0.91%, 0.49%

LAB 84.18, -69.8, 80.01

 

CMYK 85 / 0 / 95 / 6

HEX #25EF0B

RGB 37 239 11

HSL 113.16, 0.91%, 0.49%

LAB 82.99, -79.99, 78.55

 

CMYK 95 / 0 / 81 / 6

HEX #0BEF2E

RGB 11 239 46

HSL 129.21, 0.91%, 0.49%

LAB 82.91, -80.35, 72.33

 

CMYK 95 / 0 / 55 / 6

HEX #0BEF6C

RGB 11 239 108

HSL 145.53, 0.91%, 0.49%

LAB 83.38, -74.45, 49.62

 

CMYK 95 / 0 / 29 / 6

HEX #0BEFA9

RGB 11 239 169

HSL 161.58, 0.91%, 0.49%

LAB 84.31, -63.5, 20.73

 

CMYK 59 / 0 / 95 / 6

HEX #63EF0B

RGB 99 239 11

HSL 96.84, 0.91%, 0.49%

LAB 84.18, -69.8, 80.01

 

CMYK 59 / 0 / 95 / 6

HEX #63EF0B

RGB 99 239 11

HSL 96.84, 0.91%, 0.49%

LAB 84.18, -69.8, 80.01

 

CMYK 53 / 0 / 86 / 15

HEX #67DA1F

RGB 103 218 31

HSL 96.9, 0.75%, 0.49%

LAB 77.95, -61.1, 71.98

 

CMYK 45 / 0 / 74 / 22

HEX #6CC634

RGB 108 198 52

HSL 96.99, 0.58%, 0.49%

LAB 72.11, -51.11, 60.83

 

CMYK 37 / 0 / 60 / 30

HEX #71B248

RGB 113 178 72

HSL 96.79, 0.42%, 0.49%

LAB 66.38, -39.5, 46.72

 

CMYK 26 / 0 / 42 / 38

HEX #759E5C

RGB 117 158 92

HSL 97.27, 0.26%, 0.49%

LAB 60.79, -26.36, 30.05

 

CMYK 7 / 0 / 95 / 6

HEX #DFEF0B

RGB 223 239 11

HSL 64.21, 0.91%, 0.49%

LAB 90.53, -27.03, 87.69

 

CMYK 32 / 0 / 95 / 6

HEX #A3EF0B

RGB 163 239 11

HSL 80, 0.91%, 0.49%

LAB 86.77, -50.33, 83.17

 

CMYK 57 / 0 / 95 / 6

HEX #66EF0B

RGB 102 239 11

HSL 96.05, 0.91%, 0.49%

LAB 84.27, -69.07, 80.11

 

CMYK 82 / 0 / 95 / 6

HEX #2AEF0B

RGB 42 239 11

HSL 111.84, 0.91%, 0.49%

LAB 83.05, -79.52, 78.61

 

CMYK 95 / 0 / 82 / 6

HEX #0BEF2A

RGB 11 239 42

HSL 128.16, 0.91%, 0.49%

LAB 82.9, -80.56, 73.32

 

CMYK 59 / 0 / 95 / 37

HEX #42A008

RGB 66 160 8

HSL 97.11, 0.9%, 0.33%

LAB 58.34, -51.05, 58.89

 

CMYK 59 / 0 / 95 / 22

HEX #52C709

RGB 82 199 9

HSL 96.95, 0.91%, 0.41%

LAB 71.32, -60.58, 69.57

 

CMYK 59 / 0 / 95 / 6

HEX #63EF0B

RGB 99 239 11

HSL 96.84, 0.91%, 0.49%

LAB 84.18, -69.8, 80.01

 

CMYK 50 / 0 / 81 / 4

HEX #7BF52E

RGB 123 245 46

HSL 96.78, 0.91%, 0.57%

LAB 86.86, -64.59, 76.72

 

CMYK 40 / 0 / 66 / 3

HEX #94F755

RGB 148 247 85

HSL 96.67, 0.91%, 0.65%

LAB 88.67, -55.47, 66.23

 

CMYK 59 / 0 / 95 / 7

HEX #62ED0B

RGB 98 237 11

HSL 96.9, 0.91%, 0.49%

LAB 83.54, -69.38, 79.48

 

CMYK 95 / 0 / 19 / 6

HEX #0BEFC1

RGB 11 239 193

HSL 167.89, 0.91%, 0.49%

LAB 84.82, -57.92, 8.97

 

CMYK 0 / 95 / 19 / 6

HEX #EF0BC1

RGB 239 11 193

HSL 312.11, 0.91%, 0.49%

LAB 54.49, 86.84, -35.19

 

CMYK 59 / 0 / 95 / 7

HEX #62ED0B

RGB 98 237 11

HSL 96.9, 0.91%, 0.49%

LAB 83.54, -69.38, 79.48

 

CMYK 95 / 57 / 0 / 6

HEX #0B66EF

RGB 11 102 239

HSL 216.05, 0.91%, 0.49%

LAB 46.72, 29.36, -75.03

 

CMYK 0 / 95 / 57 / 6

HEX #EF0B66

RGB 239 11 102

HSL 336.05, 0.91%, 0.49%

LAB 51.32, 78.52, 14.33

 

CMYK 59 / 0 / 95 / 7

HEX #62ED0B

RGB 98 237 11

HSL 96.9, 0.91%, 0.49%

LAB 83.54, -69.38, 79.48

 

CMYK 95 / 0 / 19 / 6

HEX #0BEFC1

RGB 11 239 193

HSL 167.89, 0.91%, 0.49%

LAB 84.82, -57.92, 8.97

 

CMYK 38 / 95 / 0 / 6

HEX #940BEF

RGB 148 11 239

HSL 276.05, 0.91%, 0.49%

LAB 42.41, 80.58, -81.74

 

CMYK 0 / 95 / 76 / 6

HEX #EF0B39

RGB 239 11 57

HSL 347.89, 0.91%, 0.49%

LAB 50.55, 76.41, 40.39

 

CMYK 59 / 0 / 95 / 7

HEX #62ED0B

RGB 98 237 11

HSL 96.9, 0.91%, 0.49%

LAB 83.54, -69.38, 79.48

 

CMYK 95 / 10 / 0 / 6

HEX #0BD8EF

RGB 11 216 239

HSL 186.05, 0.91%, 0.49%

LAB 79.28, -35.14, -23.58

 

CMYK 38 / 95 / 0 / 6

HEX #940BEF

RGB 148 11 239

HSL 276.05, 0.91%, 0.49%

LAB 42.41, 80.58, -81.74

 

CMYK 0 / 86 / 95 / 6

HEX #EF220B

RGB 239 34 11

HSL 6.05, 0.91%, 0.49%

LAB 51.29, 72.49, 61.75

 

Description

Color code: HEX #62ED0B | qconv.com Color code: HEX #62ED0B | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 237 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 237 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 95 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 95% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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