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Color name
HEX #62E52D

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #62E52D it is the complementary color #9D1AD2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #62E52D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #62E52D shade: #67E528, #78F73B, #89FF4E, #9AFF61 and #ABFF74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #62E52D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #62E52D shade: #62E52D, #51D31A, #40C107, #2FAF00 and #1E9D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #62E52D shade: #63E52E, #94E52E, #C6E52E, #E5D32E and #E5A22E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #62E52D shade: #63E52E, #32E52E, #2EE55C, #2EE58E and #2EE5BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #62E52D shade matches the following richer shades: #63E52E and #5BF81B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #62E52D shade: #63E52E, #6BD241, #73BF54, #7BAC67 and #83997A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #62E52D shade: #C7E52E, #96E52E, #65E52E, #34E52E and #2EE559

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #62E52D shade: #41AC15, #4ED01A, #63E52E, #7EEA53 and #9AEE78

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #62E52D shade: #62E52D, #2EE5D3 and #E52EAE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #62E52D shade: #62E52D, #2E65E5 and #E52E65

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #62E52D shade: #62E52D, #2EE5D3, #AE2EE5 and #E52E41

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #62E52D shade: #62E52D, #2EC1E5, #AE2EE5 and #E5532E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 80 / 10

HEX #62E52D

RGB 98 229 45

HSL 102.72, 0.78%, 0.54%

LAB 81.2, -65.65, 71.5

 

Complementary color

CMYK 25 / 88 / 0 / 18

HEX #9D1AD2

RGB 157 26 210

HSL 282.72, 0.78%, 0.46%

LAB 42.09, 73.79, -65.64

 

CMYK 55 / 0 / 83 / 10

HEX #67E528

RGB 103 229 40

HSL 100, 0.78%, 0.53%

LAB 81.33, -64.62, 72.95

 

CMYK 51 / 0 / 76 / 3

HEX #78F73B

RGB 120 247 59

HSL 100.53, 0.92%, 0.6%

LAB 87.4, -65.48, 73.61

 

CMYK 46 / 0 / 69 / 0

HEX #89FF4E

RGB 137 255 78

HSL 100, 1%, 0.65%

LAB 90.5, -62.4, 70.61

 

CMYK 40 / 0 / 62 / 0

HEX #9AFF61

RGB 154 255 97

HSL 98.35, 1%, 0.69%

LAB 91.35, -55.76, 64.43

 

CMYK 33 / 0 / 55 / 0

HEX #ABFF74

RGB 171 255 116

HSL 96.26, 1%, 0.73%

LAB 92.33, -48.49, 57.64

 

CMYK 57 / 0 / 80 / 10

HEX #62E52D

RGB 98 229 45

HSL 102.72, 0.78%, 0.54%

LAB 81.2, -65.65, 71.5

 

CMYK 62 / 0 / 88 / 17

HEX #51D31A

RGB 81 211 26

HSL 102.16, 0.78%, 0.46%

LAB 75.08, -64.43, 70.23

 

CMYK 67 / 0 / 96 / 24

HEX #40C107

RGB 64 193 7

HSL 101.61, 0.93%, 0.39%

LAB 68.93, -62.74, 67.64

 

CMYK 73 / 0 / 100 / 31

HEX #2FAF00

RGB 47 175 0

HSL 103.89, 1%, 0.34%

LAB 62.73, -60.42, 63.34

 

CMYK 81 / 0 / 100 / 38

HEX #1E9D00

RGB 30 157 0

HSL 108.54, 1%, 0.31%

LAB 56.48, -57.5, 58.23

 

CMYK 57 / 0 / 80 / 10

HEX #63E52E

RGB 99 229 46

HSL 102.62, 0.78%, 0.54%

LAB 81.23, -65.35, 71.28

 

CMYK 35 / 0 / 80 / 10

HEX #94E52E

RGB 148 229 46

HSL 86.56, 0.78%, 0.54%

LAB 83.2, -50.62, 73.8

 

CMYK 14 / 0 / 80 / 10

HEX #C6E52E

RGB 198 229 46

HSL 70.16, 0.78%, 0.54%

LAB 86.13, -31.79, 77.53

 

CMYK 0 / 8 / 80 / 10

HEX #E5D32E

RGB 229 211 46

HSL 54.1, 0.78%, 0.54%

LAB 83.68, -10.22, 76.3

 

CMYK 0 / 29 / 80 / 10

HEX #E5A22E

RGB 229 162 46

HSL 38.03, 0.78%, 0.54%

LAB 71.35, 15.28, 65.41

 

CMYK 57 / 0 / 80 / 10

HEX #63E52E

RGB 99 229 46

HSL 102.62, 0.78%, 0.54%

LAB 81.23, -65.35, 71.28

 

CMYK 78 / 0 / 80 / 10

HEX #32E52E

RGB 50 229 46

HSL 118.69, 0.78%, 0.54%

LAB 80.13, -74.58, 69.86

 

CMYK 80 / 0 / 60 / 10

HEX #2EE55C

RGB 46 229 92

HSL 135.08, 0.78%, 0.54%

LAB 80.4, -71.05, 53.35

 

CMYK 80 / 0 / 38 / 10

HEX #2EE58E

RGB 46 229 142

HSL 151.48, 0.78%, 0.54%

LAB 81.06, -63.31, 30.2

 

CMYK 80 / 0 / 17 / 10

HEX #2EE5BF

RGB 46 229 191

HSL 167.54, 0.78%, 0.54%

LAB 82.04, -52.5, 6.07

 

CMYK 57 / 0 / 80 / 10

HEX #63E52E

RGB 99 229 46

HSL 102.62, 0.78%, 0.54%

LAB 81.23, -65.35, 71.28

 

CMYK 63 / 0 / 89 / 3

HEX #5BF81B

RGB 91 248 27

HSL 102.62, 0.94%, 0.54%

LAB 86.72, -74.16, 80.08

 

CMYK 57 / 0 / 80 / 10

HEX #63E52E

RGB 99 229 46

HSL 102.62, 0.78%, 0.54%

LAB 81.23, -65.35, 71.28

 

CMYK 49 / 0 / 69 / 18

HEX #6BD241

RGB 107 210 65

HSL 102.62, 0.62%, 0.54%

LAB 75.82, -55.12, 59.86

 

CMYK 40 / 0 / 56 / 25

HEX #73BF54

RGB 115 191 84

HSL 102.62, 0.46%, 0.54%

LAB 70.56, -43.19, 46.02

 

CMYK 28 / 0 / 40 / 33

HEX #7BAC67

RGB 123 172 103

HSL 102.61, 0.29%, 0.54%

LAB 65.51, -29.41, 30.38

 

CMYK 14 / 0 / 20 / 40

HEX #83997A

RGB 131 153 122

HSL 102.58, 0.13%, 0.54%

LAB 60.79, -13.82, 13.75

 

CMYK 13 / 0 / 80 / 10

HEX #C7E52E

RGB 199 229 46

HSL 69.84, 0.78%, 0.54%

LAB 86.2, -31.39, 77.62

 

CMYK 34 / 0 / 80 / 10

HEX #96E52E

RGB 150 229 46

HSL 85.9, 0.78%, 0.54%

LAB 83.29, -49.93, 73.93

 

CMYK 56 / 0 / 80 / 10

HEX #65E52E

RGB 101 229 46

HSL 101.97, 0.78%, 0.54%

LAB 81.29, -64.85, 71.36

 

CMYK 77 / 0 / 80 / 10

HEX #34E52E

RGB 52 229 46

HSL 118.03, 0.78%, 0.54%

LAB 80.16, -74.32, 69.9

 

CMYK 80 / 0 / 61 / 10

HEX #2EE559

RGB 46 229 89

HSL 134.1, 0.78%, 0.54%

LAB 80.37, -71.41, 54.61

 

CMYK 62 / 0 / 88 / 33

HEX #41AC15

RGB 65 172 21

HSL 102.52, 0.78%, 0.38%

LAB 62.24, -55.15, 59.94

 

CMYK 63 / 0 / 88 / 18

HEX #4ED01A

RGB 78 208 26

HSL 102.86, 0.78%, 0.46%

LAB 74.07, -64.12, 69.32

 

CMYK 57 / 0 / 80 / 10

HEX #63E52E

RGB 99 229 46

HSL 102.62, 0.78%, 0.54%

LAB 81.23, -65.35, 71.28

 

CMYK 46 / 0 / 65 / 8

HEX #7EEA53

RGB 126 234 83

HSL 102.91, 0.78%, 0.62%

LAB 83.92, -57.27, 61.63

 

CMYK 35 / 0 / 50 / 7

HEX #9AEE78

RGB 154 238 120

HSL 102.71, 0.78%, 0.7%

LAB 86.69, -46.42, 48.86

 

CMYK 57 / 0 / 80 / 10

HEX #62E52D

RGB 98 229 45

HSL 102.72, 0.78%, 0.54%

LAB 81.2, -65.65, 71.5

 

CMYK 80 / 0 / 8 / 10

HEX #2EE5D3

RGB 46 229 211

HSL 174.1, 0.78%, 0.54%

LAB 82.55, -47.3, -3.77

 

CMYK 0 / 80 / 24 / 10

HEX #E52EAE

RGB 229 46 174

HSL 318.03, 0.78%, 0.54%

LAB 53.67, 77.26, -25.54

 

CMYK 57 / 0 / 80 / 10

HEX #62E52D

RGB 98 229 45

HSL 102.72, 0.78%, 0.54%

LAB 81.2, -65.65, 71.5

 

CMYK 80 / 56 / 0 / 10

HEX #2E65E5

RGB 46 101 229

HSL 221.97, 0.78%, 0.54%

LAB 46.37, 28.17, -69.93

 

CMYK 0 / 80 / 56 / 10

HEX #E52E65

RGB 229 46 101

HSL 341.97, 0.78%, 0.54%

LAB 51.33, 70.35, 14.64

 

CMYK 57 / 0 / 80 / 10

HEX #62E52D

RGB 98 229 45

HSL 102.72, 0.78%, 0.54%

LAB 81.2, -65.65, 71.5

 

CMYK 80 / 0 / 8 / 10

HEX #2EE5D3

RGB 46 229 211

HSL 174.1, 0.78%, 0.54%

LAB 82.55, -47.3, -3.77

 

CMYK 24 / 80 / 0 / 10

HEX #AE2EE5

RGB 174 46 229

HSL 281.97, 0.78%, 0.54%

LAB 47.76, 75.06, -67.17

 

CMYK 0 / 80 / 72 / 10

HEX #E52E41

RGB 229 46 65

HSL 353.77, 0.78%, 0.54%

LAB 50.68, 68.37, 35.37

 

CMYK 57 / 0 / 80 / 10

HEX #62E52D

RGB 98 229 45

HSL 102.72, 0.78%, 0.54%

LAB 81.2, -65.65, 71.5

 

CMYK 80 / 16 / 0 / 10

HEX #2EC1E5

RGB 46 193 229

HSL 191.8, 0.78%, 0.54%

LAB 72.48, -25.27, -28.58

 

CMYK 24 / 80 / 0 / 10

HEX #AE2EE5

RGB 174 46 229

HSL 281.97, 0.78%, 0.54%

LAB 47.76, 75.06, -67.17

 

CMYK 0 / 64 / 80 / 10

HEX #E5532E

RGB 229 83 46

HSL 12.13, 0.78%, 0.54%

LAB 55.12, 54.89, 50.33

 

Description

Color code: HEX #62E52D | qconv.com Color code: HEX #62E52D | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 229 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 229 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 80 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 80% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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