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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #62E232 it is the complementary color #9D1DCD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #62E232. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #62E232 shade: #67E22D, #78F440, #89FF53, #9AFF66 and #ABFF79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #62E232. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #62E232 shade: #62E232, #51D01F, #40BE0C, #2FAC00 and #1E9A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #62E232 shade: #62E232, #91E232, #C1E232, #E2D332 and #E2A432

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #62E232 shade: #62E232, #32E232, #32E261, #32E290 and #32E2C0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #62E232 shade matches the following richer shades: #62E232 and #59F51F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #62E232 shade: #62E232, #6ACF45, #73BC58, #7CA96B and #84967E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #62E232 shade: #C1E232, #92E232, #64E232, #35E232 and #32E25E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #62E232 shade: #40A918, #4DCD1D, #62E232, #7DE756 and #99EC7A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #62E232 shade: #62E232, #32E2D3 and #E232AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #62E232 shade: #62E232, #3264E2 and #E23264

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #62E232 shade: #62E232, #32E2D3, #B032E2 and #E23240

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #62E232 shade: #62E232, #32BCE2, #B032E2 and #E25832

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 78 / 11

HEX #62E232

RGB 98 226 50

HSL 103.64, 0.75%, 0.54%

LAB 80.3, -64.36, 69.27

 

Complementary color

CMYK 23 / 86 / 0 / 20

HEX #9D1DCD

RGB 157 29 205

HSL 283.64, 0.75%, 0.46%

LAB 41.93, 72.21, -63.01

 

CMYK 54 / 0 / 80 / 11

HEX #67E22D

RGB 103 226 45

HSL 100.77, 0.76%, 0.53%

LAB 80.44, -63.34, 70.87

 

CMYK 51 / 0 / 74 / 4

HEX #78F440

RGB 120 244 64

HSL 101.33, 0.89%, 0.6%

LAB 86.54, -64.11, 71.2

 

CMYK 46 / 0 / 67 / 0

HEX #89FF53

RGB 137 255 83

HSL 101.16, 1%, 0.66%

LAB 90.53, -62.03, 68.82

 

CMYK 40 / 0 / 60 / 0

HEX #9AFF66

RGB 154 255 102

HSL 99.61, 1%, 0.7%

LAB 91.39, -55.31, 62.41

 

CMYK 33 / 0 / 53 / 0

HEX #ABFF79

RGB 171 255 121

HSL 97.61, 1%, 0.74%

LAB 92.38, -47.97, 55.46

 

CMYK 57 / 0 / 78 / 11

HEX #62E232

RGB 98 226 50

HSL 103.64, 0.75%, 0.54%

LAB 80.3, -64.36, 69.27

 

CMYK 61 / 0 / 85 / 18

HEX #51D01F

RGB 81 208 31

HSL 103.05, 0.74%, 0.47%

LAB 74.16, -63.25, 68.4

 

CMYK 66 / 0 / 94 / 25

HEX #40BE0C

RGB 64 190 12

HSL 102.47, 0.88%, 0.4%

LAB 67.98, -61.67, 66.28

 

CMYK 73 / 0 / 100 / 33

HEX #2FAC00

RGB 47 172 0

HSL 103.6, 1%, 0.34%

LAB 61.75, -59.48, 62.56

 

CMYK 81 / 0 / 100 / 40

HEX #1E9A00

RGB 30 154 0

HSL 108.31, 1%, 0.3%

LAB 55.47, -56.59, 57.43

 

CMYK 57 / 0 / 78 / 11

HEX #62E232

RGB 98 226 50

HSL 103.64, 0.75%, 0.54%

LAB 80.3, -64.36, 69.27

 

CMYK 36 / 0 / 78 / 11

HEX #91E232

RGB 145 226 50

HSL 87.61, 0.75%, 0.54%

LAB 82.19, -50.25, 71.71

 

CMYK 15 / 0 / 78 / 11

HEX #C1E232

RGB 193 226 50

HSL 71.25, 0.75%, 0.54%

LAB 84.98, -32.25, 75.3

 

CMYK 0 / 7 / 78 / 11

HEX #E2D332

RGB 226 211 50

HSL 54.89, 0.75%, 0.54%

LAB 83.44, -11.36, 74.85

 

CMYK 0 / 27 / 78 / 11

HEX #E2A432

RGB 226 164 50

HSL 38.86, 0.75%, 0.54%

LAB 71.52, 13.07, 64.02

 

CMYK 57 / 0 / 78 / 11

HEX #62E232

RGB 98 226 50

HSL 103.64, 0.75%, 0.54%

LAB 80.3, -64.36, 69.27

 

CMYK 78 / 0 / 78 / 11

HEX #32E232

RGB 50 226 50

HSL 120, 0.75%, 0.54%

LAB 79.21, -73.46, 67.85

 

CMYK 78 / 0 / 57 / 11

HEX #32E261

RGB 50 226 97

HSL 136.02, 0.75%, 0.54%

LAB 79.58, -69.02, 50.18

 

CMYK 78 / 0 / 36 / 11

HEX #32E290

RGB 50 226 144

HSL 152.05, 0.75%, 0.54%

LAB 80.23, -61.42, 28.08

 

CMYK 78 / 0 / 15 / 11

HEX #32E2C0

RGB 50 226 192

HSL 168.41, 0.75%, 0.54%

LAB 81.22, -50.64, 4.36

 

CMYK 57 / 0 / 78 / 11

HEX #62E232

RGB 98 226 50

HSL 103.64, 0.75%, 0.54%

LAB 80.3, -64.36, 69.27

 

CMYK 64 / 0 / 87 / 4

HEX #59F51F

RGB 89 245 31

HSL 103.74, 0.91%, 0.54%

LAB 85.77, -73.52, 78.58

 

CMYK 57 / 0 / 78 / 11

HEX #62E232

RGB 98 226 50

HSL 103.64, 0.75%, 0.54%

LAB 80.3, -64.36, 69.27

 

CMYK 49 / 0 / 67 / 19

HEX #6ACF45

RGB 106 207 69

HSL 103.91, 0.59%, 0.54%

LAB 74.9, -53.93, 57.31

 

CMYK 39 / 0 / 53 / 26

HEX #73BC58

RGB 115 188 88

HSL 103.8, 0.43%, 0.54%

LAB 69.69, -41.44, 43.09

 

CMYK 27 / 0 / 37 / 34

HEX #7CA96B

RGB 124 169 107

HSL 103.55, 0.26%, 0.54%

LAB 64.74, -27.01, 27.27

 

CMYK 12 / 0 / 16 / 41

HEX #84967E

RGB 132 150 126

HSL 105, 0.1%, 0.54%

LAB 60.09, -11.13, 10.53

 

CMYK 15 / 0 / 78 / 11

HEX #C1E232

RGB 193 226 50

HSL 71.25, 0.75%, 0.54%

LAB 84.98, -32.25, 75.3

 

CMYK 35 / 0 / 78 / 11

HEX #92E232

RGB 146 226 50

HSL 87.27, 0.75%, 0.54%

LAB 82.24, -49.91, 71.78

 

CMYK 56 / 0 / 78 / 11

HEX #64E232

RGB 100 226 50

HSL 102.95, 0.75%, 0.54%

LAB 80.37, -63.85, 69.35

 

CMYK 77 / 0 / 78 / 11

HEX #35E232

RGB 53 226 50

HSL 118.98, 0.75%, 0.54%

LAB 79.26, -73.07, 67.91

 

CMYK 78 / 0 / 58 / 11

HEX #32E25E

RGB 50 226 94

HSL 135, 0.75%, 0.54%

LAB 79.54, -69.4, 51.49

 

CMYK 62 / 0 / 86 / 34

HEX #40A918

RGB 64 169 24

HSL 103.45, 0.75%, 0.38%

LAB 61.25, -54.23, 58.38

 

CMYK 62 / 0 / 86 / 20

HEX #4DCD1D

RGB 77 205 29

HSL 103.64, 0.75%, 0.46%

LAB 73.11, -63.24, 67.86

 

CMYK 57 / 0 / 78 / 11

HEX #62E232

RGB 98 226 50

HSL 103.64, 0.75%, 0.54%

LAB 80.3, -64.36, 69.27

 

CMYK 46 / 0 / 63 / 9

HEX #7DE756

RGB 125 231 86

HSL 103.86, 0.75%, 0.62%

LAB 83.01, -56.14, 59.41

 

CMYK 35 / 0 / 48 / 7

HEX #99EC7A

RGB 153 236 122

HSL 103.68, 0.75%, 0.7%

LAB 86.09, -45.66, 47.17

 

CMYK 57 / 0 / 78 / 11

HEX #62E232

RGB 98 226 50

HSL 103.64, 0.75%, 0.54%

LAB 80.3, -64.36, 69.27

 

CMYK 78 / 0 / 7 / 11

HEX #32E2D3

RGB 50 226 211

HSL 174.89, 0.75%, 0.54%

LAB 81.72, -45.65, -4.99

 

CMYK 0 / 78 / 25 / 11

HEX #E232AA

RGB 226 50 170

HSL 319.09, 0.75%, 0.54%

LAB 53.33, 75.1, -23.77

 

CMYK 57 / 0 / 78 / 11

HEX #62E232

RGB 98 226 50

HSL 103.64, 0.75%, 0.54%

LAB 80.3, -64.36, 69.27

 

CMYK 78 / 56 / 0 / 11

HEX #3264E2

RGB 50 100 226

HSL 222.95, 0.75%, 0.54%

LAB 46.02, 28.07, -68.81

 

CMYK 0 / 78 / 56 / 11

HEX #E23264

RGB 226 50 100

HSL 342.95, 0.75%, 0.54%

LAB 51.12, 68.42, 14.87

 

CMYK 57 / 0 / 78 / 11

HEX #62E232

RGB 98 226 50

HSL 103.64, 0.75%, 0.54%

LAB 80.3, -64.36, 69.27

 

CMYK 78 / 0 / 7 / 11

HEX #32E2D3

RGB 50 226 211

HSL 174.89, 0.75%, 0.54%

LAB 81.72, -45.65, -4.99

 

CMYK 22 / 78 / 0 / 11

HEX #B032E2

RGB 176 50 226

HSL 282.95, 0.75%, 0.54%

LAB 48.26, 73.62, -64.65

 

CMYK 0 / 78 / 72 / 11

HEX #E23240

RGB 226 50 64

HSL 355.23, 0.75%, 0.54%

LAB 50.48, 66.41, 35.57

 

CMYK 57 / 0 / 78 / 11

HEX #62E232

RGB 98 226 50

HSL 103.64, 0.75%, 0.54%

LAB 80.3, -64.36, 69.27

 

CMYK 78 / 17 / 0 / 11

HEX #32BCE2

RGB 50 188 226

HSL 192.95, 0.75%, 0.54%

LAB 70.96, -23.33, -29.28

 

CMYK 22 / 78 / 0 / 11

HEX #B032E2

RGB 176 50 226

HSL 282.95, 0.75%, 0.54%

LAB 48.26, 73.62, -64.65

 

CMYK 0 / 61 / 78 / 11

HEX #E25832

RGB 226 88 50

HSL 12.95, 0.75%, 0.54%

LAB 55.46, 51.82, 48.55

 

Description

Color code: HEX #62E232 | qconv.com Color code: HEX #62E232 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 226 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 226 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 78 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 78% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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