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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #62D642 it is the complementary color #9D29BD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #62D642. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #62D642 shade: #67D63D, #78E850, #89FA63, #9AFF76 and #ABFF89

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #62D642. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #62D642 shade: #62D642, #51C42F, #40B21C, #2FA009 and #1E8E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #62D642 shade: #63D643, #8AD643, #B2D643, #D6D243 and #D6AA43

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #62D642 shade: #63D643, #43D64B, #43D672, #43D69A and #43D6C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #62D642 shade matches the following richer shades: #63D643, #58E830 and #4DFB1E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #62D642 shade: #63D643, #6DC355, #78B168, #829E7B and #8D8B8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #62D642 shade: #B1D643, #8AD643, #63D643, #43D64A and #43D671

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #62D642 shade: #3FA224, #4CC42B, #63D643, #7FDD65 and #9BE586

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #62D642 shade: #62D642, #43D6D3 and #D6439D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #62D642 shade: #62D642, #4363D6 and #D64363

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #62D642 shade: #62D642, #43D6D3, #B643D6 and #D64345

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #62D642 shade: #62D642, #43ACD6, #B643D6 and #D66C43

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 69 / 16

HEX #62D642

RGB 98 214 66

HSL 107.03, 0.64%, 0.55%

LAB 76.73, -59.01, 60.32

 

Complementary color

CMYK 17 / 78 / 0 / 26

HEX #9D29BD

RGB 157 41 189

HSL 287.03, 0.64%, 0.45%

LAB 41.89, 65.99, -53.75

 

CMYK 52 / 0 / 71 / 16

HEX #67D63D

RGB 103 214 61

HSL 103.53, 0.65%, 0.54%

LAB 76.87, -58.05, 62.37

 

CMYK 48 / 0 / 66 / 9

HEX #78E850

RGB 120 232 80

HSL 104.21, 0.77%, 0.61%

LAB 83.07, -58.5, 61.84

 

CMYK 45 / 0 / 60 / 2

HEX #89FA63

RGB 137 250 99

HSL 104.9, 0.94%, 0.68%

LAB 89.2, -58.75, 61.01

 

CMYK 40 / 0 / 54 / 0

HEX #9AFF76

RGB 154 255 118

HSL 104.23, 1%, 0.73%

LAB 91.55, -53.7, 55.63

 

CMYK 33 / 0 / 46 / 0

HEX #ABFF89

RGB 171 255 137

HSL 102.71, 1%, 0.77%

LAB 92.57, -46.15, 48.27

 

CMYK 54 / 0 / 69 / 16

HEX #62D642

RGB 98 214 66

HSL 107.03, 0.64%, 0.55%

LAB 76.73, -59.01, 60.32

 

CMYK 59 / 0 / 76 / 23

HEX #51C42F

RGB 81 196 47

HSL 106.31, 0.61%, 0.48%

LAB 70.48, -58.29, 60.58

 

CMYK 64 / 0 / 84 / 30

HEX #40B21C

RGB 64 178 28

HSL 105.6, 0.73%, 0.4%

LAB 64.17, -57.15, 60.03

 

CMYK 71 / 0 / 94 / 37

HEX #2FA009

RGB 47 160 9

HSL 104.9, 0.89%, 0.33%

LAB 57.81, -55.42, 58.09

 

CMYK 79 / 0 / 100 / 44

HEX #1E8E00

RGB 30 142 0

HSL 107.32, 1%, 0.28%

LAB 51.41, -52.88, 54.18

 

CMYK 54 / 0 / 69 / 16

HEX #63D643

RGB 99 214 67

HSL 106.94, 0.64%, 0.55%

LAB 76.77, -58.67, 60

 

CMYK 36 / 0 / 69 / 16

HEX #8AD643

RGB 138 214 67

HSL 91.02, 0.64%, 0.55%

LAB 78.4, -46.7, 62.2

 

CMYK 17 / 0 / 69 / 16

HEX #B2D643

RGB 178 214 67

HSL 74.69, 0.64%, 0.55%

LAB 80.72, -31.81, 65.31

 

CMYK 0 / 2 / 69 / 16

HEX #D6D243

RGB 214 210 67

HSL 58.37, 0.64%, 0.55%

LAB 82.27, -15.18, 67.73

 

CMYK 0 / 21 / 69 / 16

HEX #D6AA43

RGB 214 170 67

HSL 42.04, 0.64%, 0.55%

LAB 71.86, 5.49, 57.15

 

CMYK 54 / 0 / 69 / 16

HEX #63D643

RGB 99 214 67

HSL 106.94, 0.64%, 0.55%

LAB 76.77, -58.67, 60

 

CMYK 69 / 0 / 65 / 16

HEX #43D64B

RGB 67 214 75

HSL 123.27, 0.64%, 0.55%

LAB 75.94, -65.08, 55.66

 

CMYK 69 / 0 / 47 / 16

HEX #43D672

RGB 67 214 114

HSL 139.18, 0.64%, 0.55%

LAB 76.38, -60.03, 38.26

 

CMYK 69 / 0 / 28 / 16

HEX #43D69A

RGB 67 214 154

HSL 155.51, 0.64%, 0.55%

LAB 77.05, -52.55, 18.6

 

CMYK 69 / 0 / 10 / 16

HEX #43D6C1

RGB 67 214 193

HSL 171.43, 0.64%, 0.55%

LAB 77.96, -43.26, -0.89

 

CMYK 54 / 0 / 69 / 16

HEX #63D643

RGB 99 214 67

HSL 106.94, 0.64%, 0.55%

LAB 76.77, -58.67, 60

 

CMYK 62 / 0 / 79 / 9

HEX #58E830

RGB 88 232 48

HSL 106.96, 0.8%, 0.55%

LAB 81.84, -68.83, 71.18

 

CMYK 69 / 0 / 88 / 2

HEX #4DFB1E

RGB 77 251 30

HSL 107.24, 0.97%, 0.55%

LAB 87.32, -77.69, 79.97

 

CMYK 54 / 0 / 69 / 16

HEX #63D643

RGB 99 214 67

HSL 106.94, 0.64%, 0.55%

LAB 76.77, -58.67, 60

 

CMYK 44 / 0 / 56 / 24

HEX #6DC355

RGB 109 195 85

HSL 106.91, 0.48%, 0.55%

LAB 71.51, -46.66, 46.6

 

CMYK 32 / 0 / 41 / 31

HEX #78B168

RGB 120 177 104

HSL 106.85, 0.32%, 0.55%

LAB 66.85, -32.69, 31.56

 

CMYK 18 / 0 / 22 / 38

HEX #829E7B

RGB 130 158 123

HSL 108, 0.15%, 0.55%

LAB 62.19, -16.65, 15.13

 

CMYK 0 / 1 / 0 / 45

HEX #8D8B8D

RGB 141 139 141

HSL 300, 0.01%, 0.55%

LAB 58.09, 1.13, -0.81

 

CMYK 17 / 0 / 69 / 16

HEX #B1D643

RGB 177 214 67

HSL 75.1, 0.64%, 0.55%

LAB 80.65, -32.2, 65.22

 

CMYK 36 / 0 / 69 / 16

HEX #8AD643

RGB 138 214 67

HSL 91.02, 0.64%, 0.55%

LAB 78.4, -46.7, 62.2

 

CMYK 54 / 0 / 69 / 16

HEX #63D643

RGB 99 214 67

HSL 106.94, 0.64%, 0.55%

LAB 76.77, -58.67, 60

 

CMYK 69 / 0 / 65 / 16

HEX #43D64A

RGB 67 214 74

HSL 122.86, 0.64%, 0.55%

LAB 75.93, -65.18, 56.06

 

CMYK 69 / 0 / 47 / 16

HEX #43D671

RGB 67 214 113

HSL 138.78, 0.64%, 0.55%

LAB 76.36, -60.19, 38.74

 

CMYK 61 / 0 / 78 / 36

HEX #3FA224

RGB 63 162 36

HSL 107.14, 0.64%, 0.39%

LAB 59, -51.34, 52.86

 

CMYK 61 / 0 / 78 / 23

HEX #4CC42B

RGB 76 196 43

HSL 107.06, 0.64%, 0.47%

LAB 70.31, -59.74, 61.64

 

CMYK 54 / 0 / 69 / 16

HEX #63D643

RGB 99 214 67

HSL 106.94, 0.64%, 0.55%

LAB 76.77, -58.67, 60

 

CMYK 43 / 0 / 54 / 13

HEX #7FDD65

RGB 127 221 101

HSL 107, 0.64%, 0.63%

LAB 80.27, -50.02, 49.71

 

CMYK 32 / 0 / 41 / 10

HEX #9BE586

RGB 155 229 134

HSL 106.74, 0.65%, 0.71%

LAB 84.34, -40.41, 39.16

 

CMYK 54 / 0 / 69 / 16

HEX #62D642

RGB 98 214 66

HSL 107.03, 0.64%, 0.55%

LAB 76.73, -59.01, 60.32

 

CMYK 69 / 0 / 1 / 16

HEX #43D6D3

RGB 67 214 211

HSL 178.78, 0.64%, 0.55%

LAB 78.46, -38.41, -9.79

 

CMYK 0 / 69 / 27 / 16

HEX #D6439D

RGB 214 67 157

HSL 323.27, 0.64%, 0.55%

LAB 52.67, 65.19, -17.31

 

CMYK 54 / 0 / 69 / 16

HEX #62D642

RGB 98 214 66

HSL 107.03, 0.64%, 0.55%

LAB 76.73, -59.01, 60.32

 

CMYK 69 / 54 / 0 / 16

HEX #4363D6

RGB 67 99 214

HSL 226.94, 0.64%, 0.55%

LAB 45.6, 26.41, -62.64

 

CMYK 0 / 69 / 54 / 16

HEX #D64363

RGB 214 67 99

HSL 346.94, 0.64%, 0.55%

LAB 50.93, 59.3, 14.88

 

CMYK 54 / 0 / 69 / 16

HEX #62D642

RGB 98 214 66

HSL 107.03, 0.64%, 0.55%

LAB 76.73, -59.01, 60.32

 

CMYK 69 / 0 / 1 / 16

HEX #43D6D3

RGB 67 214 211

HSL 178.78, 0.64%, 0.55%

LAB 78.46, -38.41, -9.79

 

CMYK 15 / 69 / 0 / 16

HEX #B643D6

RGB 182 67 214

HSL 286.94, 0.64%, 0.55%

LAB 50.47, 66.46, -54.22

 

CMYK 0 / 69 / 68 / 16

HEX #D64345

RGB 214 67 69

HSL 359.18, 0.64%, 0.55%

LAB 50.38, 57.35, 32.02

 

CMYK 54 / 0 / 69 / 16

HEX #62D642

RGB 98 214 66

HSL 107.03, 0.64%, 0.55%

LAB 76.73, -59.01, 60.32

 

CMYK 69 / 20 / 0 / 16

HEX #43ACD6

RGB 67 172 214

HSL 197.14, 0.64%, 0.55%

LAB 66.18, -16.81, -30.05

 

CMYK 15 / 69 / 0 / 16

HEX #B643D6

RGB 182 67 214

HSL 286.94, 0.64%, 0.55%

LAB 50.47, 66.46, -54.22

 

CMYK 0 / 50 / 69 / 16

HEX #D66C43

RGB 214 108 67

HSL 16.73, 0.64%, 0.55%

LAB 57.49, 38.55, 41.5

 

Description

Color code: HEX #62D642 | qconv.com Color code: HEX #62D642 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 214 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 214 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 69 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 69% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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