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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #62CC5F it is the complementary color #9D33A0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #62CC5F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #62CC5F shade: #67CC5A, #78DE6D, #89F080, #9AFF93 and #ABFFA6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #62CC5F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #62CC5F shade: #62CC5F, #51BA4C, #40A839, #2F9626 and #1E8413

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #62CC5F shade: #63CD60, #80CD60, #9ECD60, #BBCD60 and #CDC160

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #62CC5F shade: #63CD60, #60CD7A, #60CD98, #60CDB5 and #60C7CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #62CC5F shade matches the following richer shades: #63CD60, #53DE4F and #43EF3E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #62CC5F shade: #63CD60, #73BC71, #83AB82, #939A93 and #A389A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #62CC5F shade: #9ECD60, #81CD60, #64CD60, #60CD79 and #60CD96

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #62CC5F shade: #38A634, #44C341, #63CD60, #82D77F and #A1E19F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #62CC5F shade: #62CC5F, #60BBCD and #CD608F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #62CC5F shade: #62CC5F, #6064CD and #CD6064

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #62CC5F shade: #62CC5F, #60BBCD, #C960CD and #CD7260

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #62CC5F shade: #62CC5F, #609ACD, #C960CD and #CD9360

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 53 / 20

HEX #62CC5F

RGB 98 204 95

HSL 118.35, 0.52%, 0.59%

LAB 73.94, -52.24, 44.67

 

Complementary color

CMYK 2 / 68 / 0 / 37

HEX #9D33A0

RGB 157 51 160

HSL 298.35, 0.52%, 0.41%

LAB 41.33, 57.21, -37.44

 

CMYK 50 / 0 / 56 / 20

HEX #67CC5A

RGB 103 204 90

HSL 113.16, 0.53%, 0.58%

LAB 74.07, -51.49, 47.22

 

CMYK 46 / 0 / 51 / 13

HEX #78DE6D

RGB 120 222 109

HSL 114.16, 0.63%, 0.65%

LAB 80.37, -51.54, 46.01

 

CMYK 43 / 0 / 47 / 6

HEX #89F080

RGB 137 240 128

HSL 115.18, 0.79%, 0.72%

LAB 86.6, -51.48, 44.78

 

CMYK 40 / 0 / 42 / 0

HEX #9AFF93

RGB 154 255 147

HSL 116.11, 1%, 0.79%

LAB 91.91, -50.1, 42.48

 

CMYK 33 / 0 / 35 / 0

HEX #ABFFA6

RGB 171 255 166

HSL 116.63, 1%, 0.83%

LAB 92.98, -42.19, 34.69

 

CMYK 52 / 0 / 53 / 20

HEX #62CC5F

RGB 98 204 95

HSL 118.35, 0.52%, 0.59%

LAB 73.94, -52.24, 44.67

 

CMYK 56 / 0 / 59 / 27

HEX #51BA4C

RGB 81 186 76

HSL 117.27, 0.44%, 0.51%

LAB 67.57, -52.02, 45.9

 

CMYK 62 / 0 / 66 / 34

HEX #40A839

RGB 64 168 57

HSL 116.22, 0.49%, 0.44%

LAB 61.12, -51.52, 46.98

 

CMYK 69 / 0 / 75 / 41

HEX #2F9626

RGB 47 150 38

HSL 115.18, 0.6%, 0.37%

LAB 54.61, -50.58, 47.67

 

CMYK 77 / 0 / 86 / 48

HEX #1E8413

RGB 30 132 19

HSL 114.16, 0.75%, 0.3%

LAB 48.04, -48.95, 47.47

 

CMYK 52 / 0 / 53 / 20

HEX #63CD60

RGB 99 205 96

HSL 118.35, 0.52%, 0.59%

LAB 74.29, -52.24, 44.63

 

CMYK 38 / 0 / 53 / 20

HEX #80CD60

RGB 128 205 96

HSL 102.39, 0.52%, 0.59%

LAB 75.51, -43.58, 46.39

 

CMYK 23 / 0 / 53 / 20

HEX #9ECD60

RGB 158 205 96

HSL 85.87, 0.52%, 0.59%

LAB 77.15, -33.01, 48.73

 

CMYK 9 / 0 / 53 / 20

HEX #BBCD60

RGB 187 205 96

HSL 69.91, 0.52%, 0.59%

LAB 79.08, -21.78, 51.48

 

CMYK 0 / 6 / 53 / 20

HEX #CDC160

RGB 205 193 96

HSL 53.39, 0.52%, 0.59%

LAB 77.26, -8.4, 49.71

 

CMYK 52 / 0 / 53 / 20

HEX #63CD60

RGB 99 205 96

HSL 118.35, 0.52%, 0.59%

LAB 74.29, -52.24, 44.63

 

CMYK 53 / 0 / 40 / 20

HEX #60CD7A

RGB 96 205 122

HSL 134.31, 0.52%, 0.59%

LAB 74.54, -49.21, 32.03

 

CMYK 53 / 0 / 26 / 20

HEX #60CD98

RGB 96 205 152

HSL 150.83, 0.52%, 0.59%

LAB 75.09, -43.61, 17.05

 

CMYK 53 / 0 / 12 / 20

HEX #60CDB5

RGB 96 205 181

HSL 166.79, 0.52%, 0.59%

LAB 75.75, -37.12, 2.44

 

CMYK 53 / 3 / 0 / 20

HEX #60C7CD

RGB 96 199 205

HSL 183.3, 0.52%, 0.59%

LAB 74.66, -28.13, -12.14

 

CMYK 52 / 0 / 53 / 20

HEX #63CD60

RGB 99 205 96

HSL 118.35, 0.52%, 0.59%

LAB 74.29, -52.24, 44.63

 

CMYK 63 / 0 / 64 / 13

HEX #53DE4F

RGB 83 222 79

HSL 118.32, 0.68%, 0.59%

LAB 78.84, -64.24, 57.3

 

CMYK 72 / 0 / 74 / 6

HEX #43EF3E

RGB 67 239 62

HSL 118.31, 0.85%, 0.59%

LAB 83.59, -74.14, 68.46

 

CMYK 52 / 0 / 53 / 20

HEX #63CD60

RGB 99 205 96

HSL 118.35, 0.52%, 0.59%

LAB 74.29, -52.24, 44.63

 

CMYK 39 / 0 / 40 / 26

HEX #73BC71

RGB 115 188 113

HSL 118.4, 0.36%, 0.59%

LAB 70.04, -38.03, 30.94

 

CMYK 23 / 0 / 24 / 33

HEX #83AB82

RGB 131 171 130

HSL 118.54, 0.2%, 0.59%

LAB 66.18, -21.74, 16.81

 

CMYK 5 / 0 / 5 / 40

HEX #939A93

RGB 147 154 147

HSL 120, 0.03%, 0.59%

LAB 62.86, -3.88, 2.79

 

CMYK 1 / 16 / 0 / 36

HEX #A389A4

RGB 163 137 164

HSL 297.78, 0.13%, 0.59%

LAB 60.21, 14.75, -10.61

 

CMYK 23 / 0 / 53 / 20

HEX #9ECD60

RGB 158 205 96

HSL 85.87, 0.52%, 0.59%

LAB 77.15, -33.01, 48.73

 

CMYK 37 / 0 / 53 / 20

HEX #81CD60

RGB 129 205 96

HSL 101.83, 0.52%, 0.59%

LAB 75.56, -43.25, 46.46

 

CMYK 51 / 0 / 53 / 20

HEX #64CD60

RGB 100 205 96

HSL 117.8, 0.52%, 0.59%

LAB 74.33, -51.97, 44.68

 

CMYK 53 / 0 / 41 / 20

HEX #60CD79

RGB 96 205 121

HSL 133.76, 0.52%, 0.59%

LAB 74.53, -49.37, 32.52

 

CMYK 53 / 0 / 27 / 20

HEX #60CD96

RGB 96 205 150

HSL 149.72, 0.52%, 0.59%

LAB 75.05, -44.02, 18.05

 

CMYK 66 / 0 / 69 / 35

HEX #38A634

RGB 56 166 52

HSL 117.89, 0.52%, 0.43%

LAB 60.21, -53.08, 48.04

 

CMYK 65 / 0 / 67 / 24

HEX #44C341

RGB 68 195 65

HSL 118.62, 0.52%, 0.51%

LAB 69.92, -59.45, 53.22

 

CMYK 52 / 0 / 53 / 20

HEX #63CD60

RGB 99 205 96

HSL 118.35, 0.52%, 0.59%

LAB 74.29, -52.24, 44.63

 

CMYK 40 / 0 / 41 / 16

HEX #82D77F

RGB 130 215 127

HSL 117.95, 0.52%, 0.67%

LAB 78.97, -43.17, 35.5

 

CMYK 28 / 0 / 29 / 12

HEX #A1E19F

RGB 161 225 159

HSL 118.18, 0.52%, 0.75%

LAB 83.93, -32.89, 25.99

 

CMYK 52 / 0 / 53 / 20

HEX #62CC5F

RGB 98 204 95

HSL 118.35, 0.52%, 0.59%

LAB 73.94, -52.24, 44.67

 

CMYK 53 / 9 / 0 / 20

HEX #60BBCD

RGB 96 187 205

HSL 189.91, 0.52%, 0.59%

LAB 71.17, -22.15, -17.4

 

CMYK 0 / 53 / 30 / 20

HEX #CD608F

RGB 205 96 143

HSL 334.13, 0.52%, 0.59%

LAB 55.41, 48.24, -5.09

 

CMYK 52 / 0 / 53 / 20

HEX #62CC5F

RGB 98 204 95

HSL 118.35, 0.52%, 0.59%

LAB 73.94, -52.24, 44.67

 

CMYK 53 / 51 / 0 / 20

HEX #6064CD

RGB 96 100 205

HSL 237.8, 0.52%, 0.59%

LAB 46.99, 27.87, -55.16

 

CMYK 0 / 53 / 51 / 20

HEX #CD6064

RGB 205 96 100

HSL 357.8, 0.52%, 0.59%

LAB 54.31, 43.55, 18.65

 

CMYK 52 / 0 / 53 / 20

HEX #62CC5F

RGB 98 204 95

HSL 118.35, 0.52%, 0.59%

LAB 73.94, -52.24, 44.67

 

CMYK 53 / 9 / 0 / 20

HEX #60BBCD

RGB 96 187 205

HSL 189.91, 0.52%, 0.59%

LAB 71.17, -22.15, -17.4

 

CMYK 2 / 53 / 0 / 20

HEX #C960CD

RGB 201 96 205

HSL 297.8, 0.52%, 0.59%

LAB 57.26, 56.68, -38.16

 

CMYK 0 / 44 / 53 / 20

HEX #CD7260

RGB 205 114 96

HSL 9.91, 0.52%, 0.59%

LAB 57.9, 33.96, 25.75

 

CMYK 52 / 0 / 53 / 20

HEX #62CC5F

RGB 98 204 95

HSL 118.35, 0.52%, 0.59%

LAB 73.94, -52.24, 44.67

 

CMYK 53 / 25 / 0 / 20

HEX #609ACD

RGB 96 154 205

HSL 208.07, 0.52%, 0.59%

LAB 61.66, -4.44, -31.97

 

CMYK 2 / 53 / 0 / 20

HEX #C960CD

RGB 201 96 205

HSL 297.8, 0.52%, 0.59%

LAB 57.26, 56.68, -38.16

 

CMYK 0 / 28 / 53 / 20

HEX #CD9360

RGB 205 147 96

HSL 28.07, 0.52%, 0.59%

LAB 65.51, 16.12, 35.49

 

Description

Color code: HEX #62CC5F | qconv.com Color code: HEX #62CC5F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 204 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 204 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 53 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 53% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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