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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #62CA07 it is the complementary color #9D35F8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #62CA07. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #62CA07 shade: #67CA02, #78DC15, #89EE28, #9AFF3B and #ABFF4E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #62CA07. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #62CA07 shade: #62CA07, #51B800, #40A600, #2F9400 and #1E8200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #62CA07 shade: #62CA07, #97CA07, #CAC907, #CA9407 and #CA6007

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #62CA07 shade: #62CA07, #2ECA07, #07CA15, #07CA4A and #07CA7E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #62CA07 shade matches the following richer shades: #62CA07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #62CA07 shade: #62CA07, #63B918, #64A829, #65973A and #67864B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #62CA07 shade: #CACA07, #96CA07, #62CA07, #2ECA07 and #07CA14

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #62CA07 shade: #3B7A04, #4FA206, #62CA07, #75F209 and #8BF72C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #62CA07 shade: #62CA07, #07CA96 and #CA07B0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #62CA07 shade: #62CA07, #0762CA and #CA0762

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #62CA07 shade: #62CA07, #07CA96, #6F07CA and #CA073B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #62CA07 shade: #62CA07, #07C3CA, #6F07CA and #CA0E07

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 97 / 21

HEX #62CA07

RGB 98 202 7

HSL 92, 0.93%, 0.41%

LAB 72.8, -57.35, 71.19

 

Complementary color

CMYK 37 / 79 / 0 / 3

HEX #9D35F8

RGB 157 53 248

HSL 272, 0.93%, 0.59%

LAB 47.61, 74.08, -78.23

 

CMYK 49 / 0 / 99 / 21

HEX #67CA02

RGB 103 202 2

HSL 89.7, 0.98%, 0.4%

LAB 72.98, -55.96, 71.94

 

CMYK 45 / 0 / 90 / 14

HEX #78DC15

RGB 120 220 21

HSL 90.15, 0.83%, 0.47%

LAB 79.18, -57.14, 75.06

 

CMYK 42 / 0 / 83 / 7

HEX #89EE28

RGB 137 238 40

HSL 90.61, 0.85%, 0.55%

LAB 85.31, -58.06, 76.98

 

CMYK 40 / 0 / 77 / 0

HEX #9AFF3B

RGB 154 255 59

HSL 90.92, 1%, 0.62%

LAB 91.1, -58.35, 77.6

 

CMYK 33 / 0 / 69 / 0

HEX #ABFF4E

RGB 171 255 78

HSL 88.47, 1%, 0.65%

LAB 92.01, -51.63, 72.64

 

CMYK 51 / 0 / 97 / 21

HEX #62CA07

RGB 98 202 7

HSL 92, 0.93%, 0.41%

LAB 72.8, -57.35, 71.19

 

CMYK 56 / 0 / 100 / 28

HEX #51B800

RGB 81 184 0

HSL 93.59, 1%, 0.36%

LAB 66.54, -55.77, 66.75

 

CMYK 61 / 0 / 100 / 35

HEX #40A600

RGB 64 166 0

HSL 96.87, 1%, 0.33%

LAB 60.21, -53.88, 61.52

 

CMYK 68 / 0 / 100 / 42

HEX #2F9400

RGB 47 148 0

HSL 100.95, 1%, 0.29%

LAB 53.8, -51.69, 56.24

 

CMYK 77 / 0 / 100 / 49

HEX #1E8200

RGB 30 130 0

HSL 106.15, 1%, 0.25%

LAB 47.29, -49.05, 50.9

 

CMYK 51 / 0 / 97 / 21

HEX #62CA07

RGB 98 202 7

HSL 92, 0.93%, 0.41%

LAB 72.8, -57.35, 71.19

 

CMYK 25 / 0 / 97 / 21

HEX #97CA07

RGB 151 202 7

HSL 75.69, 0.93%, 0.41%

LAB 75.35, -39.08, 74.3

 

CMYK 0 / 0 / 97 / 21

HEX #CAC907

RGB 202 201 7

HSL 59.69, 0.93%, 0.41%

LAB 78.66, -17.52, 78.4

 

CMYK 0 / 27 / 97 / 21

HEX #CA9407

RGB 202 148 7

HSL 43.38, 0.93%, 0.41%

LAB 64.77, 10.21, 68.25

 

CMYK 0 / 52 / 97 / 21

HEX #CA6007

RGB 202 96 7

HSL 27.38, 0.93%, 0.41%

LAB 52.88, 38.07, 60.18

 

CMYK 51 / 0 / 97 / 21

HEX #62CA07

RGB 98 202 7

HSL 92, 0.93%, 0.41%

LAB 72.8, -57.35, 71.19

 

CMYK 77 / 0 / 97 / 21

HEX #2ECA07

RGB 46 202 7

HSL 108, 0.93%, 0.41%

LAB 71.44, -68.6, 69.54

 

CMYK 97 / 0 / 90 / 21

HEX #07CA15

RGB 7 202 21

HSL 124.31, 0.93%, 0.41%

LAB 71.1, -71.54, 67.27

 

CMYK 97 / 0 / 63 / 21

HEX #07CA4A

RGB 7 202 74

HSL 140.62, 0.93%, 0.41%

LAB 71.41, -67.7, 50.84

 

CMYK 97 / 0 / 38 / 21

HEX #07CA7E

RGB 7 202 126

HSL 156.62, 0.93%, 0.41%

LAB 72.09, -59.45, 26.42

 

CMYK 51 / 0 / 97 / 21

HEX #62CA07

RGB 98 202 7

HSL 92, 0.93%, 0.41%

LAB 72.8, -57.35, 71.19

 

CMYK 51 / 0 / 97 / 21

HEX #62CA07

RGB 98 202 7

HSL 92, 0.93%, 0.41%

LAB 72.8, -57.35, 71.19

 

CMYK 46 / 0 / 87 / 27

HEX #63B918

RGB 99 185 24

HSL 92.05, 0.77%, 0.41%

LAB 67.59, -50.26, 64.41

 

CMYK 40 / 0 / 76 / 34

HEX #64A829

RGB 100 168 41

HSL 92.13, 0.61%, 0.41%

LAB 62.4, -42.25, 54.97

 

CMYK 33 / 0 / 62 / 41

HEX #65973A

RGB 101 151 58

HSL 92.26, 0.44%, 0.41%

LAB 57.28, -33.04, 42.7

 

CMYK 23 / 0 / 44 / 47

HEX #67864B

RGB 103 134 75

HSL 91.53, 0.28%, 0.41%

LAB 52.33, -22.02, 28.21

 

CMYK 0 / 0 / 97 / 21

HEX #CACA07

RGB 202 202 7

HSL 60, 0.93%, 0.41%

LAB 78.93, -18.01, 78.6

 

CMYK 26 / 0 / 97 / 21

HEX #96CA07

RGB 150 202 7

HSL 76, 0.93%, 0.41%

LAB 75.29, -39.47, 74.22

 

CMYK 51 / 0 / 97 / 21

HEX #62CA07

RGB 98 202 7

HSL 92, 0.93%, 0.41%

LAB 72.8, -57.35, 71.19

 

CMYK 77 / 0 / 97 / 21

HEX #2ECA07

RGB 46 202 7

HSL 108, 0.93%, 0.41%

LAB 71.44, -68.6, 69.54

 

CMYK 97 / 0 / 90 / 21

HEX #07CA14

RGB 7 202 20

HSL 124, 0.93%, 0.41%

LAB 71.1, -71.57, 67.44

 

CMYK 52 / 0 / 97 / 52

HEX #3B7A04

RGB 59 122 4

HSL 92.03, 0.94%, 0.25%

LAB 45.44, -38.75, 48.94

 

CMYK 51 / 0 / 96 / 36

HEX #4FA206

RGB 79 162 6

HSL 91.92, 0.93%, 0.33%

LAB 59.45, -48.12, 60.27

 

CMYK 51 / 0 / 97 / 21

HEX #62CA07

RGB 98 202 7

HSL 92, 0.93%, 0.41%

LAB 72.8, -57.35, 71.19

 

CMYK 52 / 0 / 96 / 5

HEX #75F209

RGB 117 242 9

HSL 92.19, 0.93%, 0.49%

LAB 85.66, -66.2, 81.6

 

CMYK 44 / 0 / 82 / 3

HEX #8BF72C

RGB 139 247 44

HSL 91.92, 0.93%, 0.57%

LAB 88.06, -60.69, 78.52

 

CMYK 51 / 0 / 97 / 21

HEX #62CA07

RGB 98 202 7

HSL 92, 0.93%, 0.41%

LAB 72.8, -57.35, 71.19

 

CMYK 97 / 0 / 26 / 21

HEX #07CA96

RGB 7 202 150

HSL 164, 0.93%, 0.41%

LAB 72.55, -54.18, 14.34

 

CMYK 0 / 97 / 13 / 21

HEX #CA07B0

RGB 202 7 176

HSL 308, 0.93%, 0.41%

LAB 46.77, 78.26, -37.86

 

CMYK 51 / 0 / 97 / 21

HEX #62CA07

RGB 98 202 7

HSL 92, 0.93%, 0.41%

LAB 72.8, -57.35, 71.19

 

CMYK 97 / 51 / 0 / 21

HEX #0762CA

RGB 7 98 202

HSL 212, 0.93%, 0.41%

LAB 42.83, 17.32, -60.32

 

CMYK 0 / 97 / 51 / 21

HEX #CA0762

RGB 202 7 98

HSL 332, 0.93%, 0.41%

LAB 43.64, 70.14, 4.92

 

CMYK 51 / 0 / 97 / 21

HEX #62CA07

RGB 98 202 7

HSL 92, 0.93%, 0.41%

LAB 72.8, -57.35, 71.19

 

CMYK 97 / 0 / 26 / 21

HEX #07CA96

RGB 7 202 150

HSL 164, 0.93%, 0.41%

LAB 72.55, -54.18, 14.34

 

CMYK 45 / 97 / 0 / 21

HEX #6F07CA

RGB 111 7 202

HSL 272, 0.93%, 0.41%

LAB 33.55, 69.72, -75.25

 

CMYK 0 / 97 / 71 / 21

HEX #CA073B

RGB 202 7 59

HSL 344, 0.93%, 0.41%

LAB 42.8, 67.86, 28.25

 

CMYK 51 / 0 / 97 / 21

HEX #62CA07

RGB 98 202 7

HSL 92, 0.93%, 0.41%

LAB 72.8, -57.35, 71.19

 

CMYK 97 / 3 / 0 / 21

HEX #07C3CA

RGB 7 195 202

HSL 182.15, 0.93%, 0.41%

LAB 71.78, -36.96, -14.99

 

CMYK 45 / 97 / 0 / 21

HEX #6F07CA

RGB 111 7 202

HSL 272, 0.93%, 0.41%

LAB 33.55, 69.72, -75.25

 

CMYK 0 / 93 / 97 / 21

HEX #CA0E07

RGB 202 14 7

HSL 2.15, 0.93%, 0.41%

LAB 42.59, 65.89, 54.23

 

Description

Color code: HEX #62CA07 | qconv.com Color code: HEX #62CA07 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 202 green and 7 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 202 7 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 97 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 97% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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