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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #62C411 it is the complementary color #9D3BEE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #62C411. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #62C411 shade: #67C40C, #78D61F, #89E832, #9AFA45 and #ABFF58

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #62C411. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #62C411 shade: #62C411, #51B200, #40A000, #2F8E00 and #1E7C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #62C411 shade: #63C511, #93C511, #C4C511, #C59611 and #C56511

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #62C411 shade: #63C511, #32C511, #11C521, #11C551 and #11C582

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #62C411 shade matches the following richer shades: #63C511

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #62C411 shade: #63C511, #64B422, #66A234, #679145 and #698056

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #62C411 shade: #C5C511, #95C511, #65C511, #35C511 and #11C51D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #62C411 shade: #3D790B, #509F0E, #63C511, #76EB15 and #8CEE3B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #62C411 shade: #62C411, #11C595 and #C511AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #62C411 shade: #62C411, #1165C5 and #C51165

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #62C411 shade: #62C411, #11C595, #7111C5 and #C51141

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #62C411 shade: #62C411, #11BFC5, #7111C5 and #C51711

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 91 / 23

HEX #62C411

RGB 98 196 17

HSL 92.85, 0.84%, 0.42%

LAB 70.95, -54.95, 68.49

 

Complementary color

CMYK 34 / 75 / 0 / 7

HEX #9D3BEE

RGB 157 59 238

HSL 272.85, 0.84%, 0.58%

LAB 47.58, 69.74, -72.66

 

CMYK 47 / 0 / 94 / 23

HEX #67C40C

RGB 103 196 12

HSL 90.33, 0.88%, 0.41%

LAB 71.14, -53.54, 69.4

 

CMYK 44 / 0 / 86 / 16

HEX #78D61F

RGB 120 214 31

HSL 90.82, 0.75%, 0.48%

LAB 77.39, -54.57, 71.76

 

CMYK 41 / 0 / 78 / 9

HEX #89E832

RGB 137 232 50

HSL 91.32, 0.8%, 0.55%

LAB 83.58, -55.32, 72.87

 

CMYK 38 / 0 / 72 / 2

HEX #9AFA45

RGB 154 250 69

HSL 91.82, 0.95%, 0.63%

LAB 89.71, -55.84, 73.15

 

CMYK 33 / 0 / 65 / 0

HEX #ABFF58

RGB 171 255 88

HSL 90.18, 1%, 0.67%

LAB 92.08, -50.94, 69.02

 

CMYK 50 / 0 / 91 / 23

HEX #62C411

RGB 98 196 17

HSL 92.85, 0.84%, 0.42%

LAB 70.95, -54.95, 68.49

 

CMYK 54 / 0 / 100 / 30

HEX #51B200

RGB 81 178 0

HSL 92.7, 1%, 0.35%

LAB 64.64, -53.61, 65.25

 

CMYK 60 / 0 / 100 / 37

HEX #40A000

RGB 64 160 0

HSL 96, 1%, 0.31%

LAB 58.26, -51.77, 59.98

 

CMYK 67 / 0 / 100 / 44

HEX #2F8E00

RGB 47 142 0

HSL 100.14, 1%, 0.28%

LAB 51.78, -49.65, 54.64

 

CMYK 76 / 0 / 100 / 51

HEX #1E7C00

RGB 30 124 0

HSL 105.48, 1%, 0.24%

LAB 45.21, -47.08, 49.24

 

CMYK 50 / 0 / 91 / 23

HEX #63C511

RGB 99 197 17

HSL 92.67, 0.84%, 0.42%

LAB 71.3, -55.03, 68.79

 

CMYK 25 / 0 / 91 / 23

HEX #93C511

RGB 147 197 17

HSL 76.67, 0.84%, 0.42%

LAB 73.66, -38.27, 71.7

 

CMYK 1 / 0 / 91 / 23

HEX #C4C511

RGB 196 197 17

HSL 60.33, 0.84%, 0.42%

LAB 77.11, -17.98, 75.89

 

CMYK 0 / 24 / 91 / 23

HEX #C59611

RGB 197 150 17

HSL 44.33, 0.84%, 0.42%

LAB 64.74, 7.02, 66.44

 

CMYK 0 / 49 / 91 / 23

HEX #C56511

RGB 197 101 17

HSL 28, 0.84%, 0.42%

LAB 53.19, 33.6, 57.82

 

CMYK 50 / 0 / 91 / 23

HEX #63C511

RGB 99 197 17

HSL 92.67, 0.84%, 0.42%

LAB 71.3, -55.03, 68.79

 

CMYK 75 / 0 / 91 / 23

HEX #32C511

RGB 50 197 17

HSL 109, 0.84%, 0.42%

LAB 69.93, -66.29, 67.09

 

CMYK 91 / 0 / 83 / 23

HEX #11C521

RGB 17 197 33

HSL 125.33, 0.84%, 0.42%

LAB 69.58, -69.18, 63.4

 

CMYK 91 / 0 / 59 / 23

HEX #11C551

RGB 17 197 81

HSL 141.33, 0.84%, 0.42%

LAB 69.93, -64.86, 46.05

 

CMYK 91 / 0 / 34 / 23

HEX #11C582

RGB 17 197 130

HSL 157.67, 0.84%, 0.42%

LAB 70.64, -56.42, 22.37

 

CMYK 50 / 0 / 91 / 23

HEX #63C511

RGB 99 197 17

HSL 92.67, 0.84%, 0.42%

LAB 71.3, -55.03, 68.79

 

CMYK 50 / 0 / 91 / 23

HEX #63C511

RGB 99 197 17

HSL 92.67, 0.84%, 0.42%

LAB 71.3, -55.03, 68.79

 

CMYK 44 / 0 / 81 / 29

HEX #64B422

RGB 100 180 34

HSL 92.88, 0.68%, 0.42%

LAB 66.11, -47.56, 60.67

 

CMYK 37 / 0 / 68 / 36

HEX #66A234

RGB 102 162 52

HSL 92.73, 0.51%, 0.42%

LAB 60.71, -38.17, 49.09

 

CMYK 29 / 0 / 52 / 43

HEX #679145

RGB 103 145 69

HSL 93.16, 0.36%, 0.42%

LAB 55.65, -28.26, 35.47

 

CMYK 18 / 0 / 33 / 50

HEX #698056

RGB 105 128 86

HSL 92.86, 0.2%, 0.42%

LAB 50.82, -16.47, 20.15

 

CMYK 0 / 0 / 91 / 23

HEX #C5C511

RGB 197 197 17

HSL 60, 0.84%, 0.42%

LAB 77.19, -17.55, 75.98

 

CMYK 24 / 0 / 91 / 23

HEX #95C511

RGB 149 197 17

HSL 76, 0.84%, 0.42%

LAB 73.78, -37.48, 71.84

 

CMYK 49 / 0 / 91 / 23

HEX #65C511

RGB 101 197 17

HSL 92, 0.84%, 0.42%

LAB 71.38, -54.43, 68.89

 

CMYK 73 / 0 / 91 / 23

HEX #35C511

RGB 53 197 17

HSL 108, 0.84%, 0.42%

LAB 69.99, -65.81, 67.16

 

CMYK 91 / 0 / 85 / 23

HEX #11C51D

RGB 17 197 29

HSL 124, 0.84%, 0.42%

LAB 69.57, -69.38, 64.35

 

CMYK 50 / 0 / 91 / 53

HEX #3D790B

RGB 61 121 11

HSL 92.73, 0.83%, 0.26%

LAB 45.21, -37.44, 47.3

 

CMYK 50 / 0 / 91 / 38

HEX #509F0E

RGB 80 159 14

HSL 92.69, 0.84%, 0.34%

LAB 58.54, -46.45, 58.33

 

CMYK 50 / 0 / 91 / 23

HEX #63C511

RGB 99 197 17

HSL 92.67, 0.84%, 0.42%

LAB 71.3, -55.03, 68.79

 

CMYK 50 / 0 / 91 / 8

HEX #76EB15

RGB 118 235 21

HSL 92.8, 0.84%, 0.5%

LAB 83.61, -63.25, 78.69

 

CMYK 41 / 0 / 75 / 7

HEX #8CEE3B

RGB 140 238 59

HSL 92.85, 0.84%, 0.58%

LAB 85.52, -56.23, 72.08

 

CMYK 50 / 0 / 91 / 23

HEX #62C411

RGB 98 196 17

HSL 92.85, 0.84%, 0.42%

LAB 70.95, -54.95, 68.49

 

CMYK 91 / 0 / 24 / 23

HEX #11C595

RGB 17 197 149

HSL 164, 0.84%, 0.42%

LAB 71.02, -52.11, 12.73

 

CMYK 0 / 91 / 12 / 23

HEX #C511AD

RGB 197 17 173

HSL 308, 0.84%, 0.42%

LAB 46.03, 75.96, -37.32

 

CMYK 50 / 0 / 91 / 23

HEX #62C411

RGB 98 196 17

HSL 92.85, 0.84%, 0.42%

LAB 70.95, -54.95, 68.49

 

CMYK 91 / 49 / 0 / 23

HEX #1165C5

RGB 17 101 197

HSL 212, 0.84%, 0.42%

LAB 43.45, 13.75, -56.43

 

CMYK 0 / 91 / 49 / 23

HEX #C51165

RGB 197 17 101

HSL 332, 0.84%, 0.42%

LAB 43.08, 68.15, 2.1

 

CMYK 50 / 0 / 91 / 23

HEX #62C411

RGB 98 196 17

HSL 92.85, 0.84%, 0.42%

LAB 70.95, -54.95, 68.49

 

CMYK 91 / 0 / 24 / 23

HEX #11C595

RGB 17 197 149

HSL 164, 0.84%, 0.42%

LAB 71.02, -52.11, 12.73

 

CMYK 43 / 91 / 0 / 23

HEX #7111C5

RGB 113 17 197

HSL 272, 0.84%, 0.42%

LAB 33.86, 67.27, -71.8

 

CMYK 0 / 91 / 67 / 23

HEX #C51141

RGB 197 17 65

HSL 344, 0.84%, 0.42%

LAB 42.24, 65.8, 23.59

 

CMYK 50 / 0 / 91 / 23

HEX #62C411

RGB 98 196 17

HSL 92.85, 0.84%, 0.42%

LAB 70.95, -54.95, 68.49

 

CMYK 91 / 3 / 0 / 23

HEX #11BFC5

RGB 17 191 197

HSL 182, 0.84%, 0.42%

LAB 70.46, -36.31, -14.25

 

CMYK 43 / 91 / 0 / 23

HEX #7111C5

RGB 113 17 197

HSL 272, 0.84%, 0.42%

LAB 33.86, 67.27, -71.8

 

CMYK 0 / 88 / 91 / 23

HEX #C51711

RGB 197 23 17

HSL 2, 0.84%, 0.42%

LAB 42.04, 63.37, 49.95

 

Description

Color code: HEX #62C411 | qconv.com Color code: HEX #62C411 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 196 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 196 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 91 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 91% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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