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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #62C18C it is the complementary color #9D3E73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #62C18C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #62C18C shade: #67C187, #78D39A, #89E5AD, #9AF7C0 and #ABFFD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #62C18C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #62C18C shade: #62C18C, #51AF79, #409D66, #2F8B53 and #1E7940

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #62C18C shade: #62C08C, #62C072, #6BC062, #85C062 and #9EC062

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #62C18C shade: #62C08C, #62C0A5, #62C0BF, #62A9C0 and #628FC0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #62C18C shade matches the following richer shades: #62C08C, #50D28A, #3FE488 and #2DF686

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #62C18C shade: #62C08C, #74AF8E, #869D90, #978B92 and #A97A94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #62C18C shade: #6CC062, #62C072, #62C08B, #62C0A4 and #62C0BD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #62C18C shade: #3B9563, #47B277, #62C08C, #80CCA2 and #9DD8B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #62C18C shade: #62C18C, #6285C0 and #C06562

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #62C18C shade: #62C18C, #8B62C0 and #C08B62

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #62C18C shade: #62C18C, #6285C0, #C06298 and #C09E62

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #62C18C shade: #62C18C, #6268C0, #C06298 and #C0BA62

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 27 / 24

HEX #62C18C

RGB 98 193 140

HSL 146.53, 0.43%, 0.57%

LAB 71.3, -40.32, 18.22

 

Complementary color

CMYK 0 / 61 / 27 / 38

HEX #9D3E73

RGB 157 62 115

HSL 326.53, 0.43%, 0.43%

LAB 40.98, 45.32, -10.54

 

CMYK 47 / 0 / 30 / 24

HEX #67C187

RGB 103 193 135

HSL 141.33, 0.42%, 0.58%

LAB 71.4, -39.98, 21.06

 

CMYK 43 / 0 / 27 / 17

HEX #78D39A

RGB 120 211 154

HSL 142.42, 0.51%, 0.65%

LAB 77.82, -39.75, 19.92

 

CMYK 40 / 0 / 24 / 10

HEX #89E5AD

RGB 137 229 173

HSL 143.48, 0.64%, 0.72%

LAB 84.16, -39.51, 18.86

 

CMYK 38 / 0 / 22 / 3

HEX #9AF7C0

RGB 154 247 192

HSL 144.52, 0.85%, 0.79%

LAB 90.41, -39.25, 17.87

 

CMYK 33 / 0 / 17 / 0

HEX #ABFFD3

RGB 171 255 211

HSL 148.57, 1%, 0.84%

LAB 93.83, -34.46, 13.03

 

CMYK 49 / 0 / 27 / 24

HEX #62C18C

RGB 98 193 140

HSL 146.53, 0.43%, 0.57%

LAB 71.3, -40.32, 18.22

 

CMYK 54 / 0 / 31 / 31

HEX #51AF79

RGB 81 175 121

HSL 145.53, 0.37%, 0.5%

LAB 64.8, -40.45, 19.43

 

CMYK 59 / 0 / 35 / 38

HEX #409D66

RGB 64 157 102

HSL 144.52, 0.42%, 0.43%

LAB 58.19, -40.48, 20.76

 

CMYK 66 / 0 / 40 / 45

HEX #2F8B53

RGB 47 139 83

HSL 143.48, 0.49%, 0.36%

LAB 51.49, -40.31, 22.22

 

CMYK 75 / 0 / 47 / 53

HEX #1E7940

RGB 30 121 64

HSL 142.42, 0.6%, 0.3%

LAB 44.69, -39.78, 23.85

 

CMYK 49 / 0 / 27 / 25

HEX #62C08C

RGB 98 192 140

HSL 146.81, 0.43%, 0.57%

LAB 71, -39.87, 17.8

 

CMYK 49 / 0 / 41 / 25

HEX #62C072

RGB 98 192 114

HSL 130.21, 0.43%, 0.57%

LAB 70.53, -44.61, 30.93

 

CMYK 44 / 0 / 49 / 25

HEX #6BC062

RGB 107 192 98

HSL 114.26, 0.43%, 0.57%

LAB 70.67, -44.41, 39.31

 

CMYK 31 / 0 / 49 / 25

HEX #85C062

RGB 133 192 98

HSL 97.66, 0.43%, 0.57%

LAB 71.94, -35.88, 41.16

 

CMYK 18 / 0 / 49 / 25

HEX #9EC062

RGB 158 192 98

HSL 81.7, 0.43%, 0.57%

LAB 73.45, -26.64, 43.34

 

CMYK 49 / 0 / 27 / 25

HEX #62C08C

RGB 98 192 140

HSL 146.81, 0.43%, 0.57%

LAB 71, -39.87, 17.8

 

CMYK 49 / 0 / 14 / 25

HEX #62C0A5

RGB 98 192 165

HSL 162.77, 0.43%, 0.57%

LAB 71.56, -34.45, 5.06

 

CMYK 49 / 0 / 1 / 25

HEX #62C0BF

RGB 98 192 191

HSL 179.36, 0.43%, 0.57%

LAB 72.27, -28.01, -8.09

 

CMYK 49 / 12 / 0 / 25

HEX #62A9C0

RGB 98 169 192

HSL 194.68, 0.43%, 0.57%

LAB 65.58, -16.02, -18.7

 

CMYK 49 / 26 / 0 / 25

HEX #628FC0

RGB 98 143 192

HSL 211.28, 0.43%, 0.57%

LAB 58.08, -1.66, -30.2

 

CMYK 49 / 0 / 27 / 25

HEX #62C08C

RGB 98 192 140

HSL 146.81, 0.43%, 0.57%

LAB 71, -39.87, 17.8

 

CMYK 62 / 0 / 34 / 18

HEX #50D28A

RGB 80 210 138

HSL 146.77, 0.59%, 0.57%

LAB 75.84, -51.92, 25.39

 

CMYK 72 / 0 / 40 / 11

HEX #3FE488

RGB 63 228 136

HSL 146.55, 0.75%, 0.57%

LAB 80.92, -61.99, 33.1

 

CMYK 82 / 0 / 46 / 4

HEX #2DF686

RGB 45 246 134

HSL 146.57, 0.92%, 0.57%

LAB 86.1, -70.65, 40.76

 

CMYK 49 / 0 / 27 / 25

HEX #62C08C

RGB 98 192 140

HSL 146.81, 0.43%, 0.57%

LAB 71, -39.87, 17.8

 

CMYK 34 / 0 / 19 / 31

HEX #74AF8E

RGB 116 175 142

HSL 146.44, 0.27%, 0.57%

LAB 66.77, -26.4, 10.91

 

CMYK 15 / 0 / 8 / 38

HEX #869D90

RGB 134 157 144

HSL 146.09, 0.11%, 0.57%

LAB 62.67, -10.74, 4.09

 

CMYK 0 / 8 / 3 / 41

HEX #978B92

RGB 151 139 146

HSL 325, 0.05%, 0.57%

LAB 59.09, 5.78, -2.11

 

CMYK 0 / 28 / 12 / 34

HEX #A97A94

RGB 169 122 148

HSL 326.81, 0.21%, 0.57%

LAB 56.58, 22.48, -6.77

 

CMYK 44 / 0 / 49 / 25

HEX #6CC062

RGB 108 192 98

HSL 113.62, 0.43%, 0.57%

LAB 70.71, -44.11, 39.37

 

CMYK 49 / 0 / 41 / 25

HEX #62C072

RGB 98 192 114

HSL 130.21, 0.43%, 0.57%

LAB 70.53, -44.61, 30.93

 

CMYK 49 / 0 / 28 / 25

HEX #62C08B

RGB 98 192 139

HSL 146.17, 0.43%, 0.57%

LAB 70.98, -40.07, 18.31

 

CMYK 49 / 0 / 15 / 25

HEX #62C0A4

RGB 98 192 164

HSL 162.13, 0.43%, 0.57%

LAB 71.54, -34.68, 5.57

 

CMYK 49 / 0 / 2 / 25

HEX #62C0BD

RGB 98 192 189

HSL 178.09, 0.43%, 0.57%

LAB 72.21, -28.53, -7.09

 

CMYK 60 / 0 / 34 / 42

HEX #3B9563

RGB 59 149 99

HSL 146.67, 0.43%, 0.41%

LAB 55.41, -38.77, 18.63

 

CMYK 60 / 0 / 33 / 30

HEX #47B277

RGB 71 178 119

HSL 146.92, 0.43%, 0.49%

LAB 65.37, -44.43, 21.24

 

CMYK 49 / 0 / 27 / 25

HEX #62C08C

RGB 98 192 140

HSL 146.81, 0.43%, 0.57%

LAB 71, -39.87, 17.8

 

CMYK 37 / 0 / 21 / 20

HEX #80CCA2

RGB 128 204 162

HSL 146.84, 0.43%, 0.65%

LAB 76.3, -32.73, 13.61

 

CMYK 27 / 0 / 15 / 15

HEX #9DD8B7

RGB 157 216 183

HSL 146.44, 0.43%, 0.73%

LAB 81.67, -25.6, 10.25

 

CMYK 49 / 0 / 27 / 24

HEX #62C18C

RGB 98 193 140

HSL 146.53, 0.43%, 0.57%

LAB 71.3, -40.32, 18.22

 

CMYK 49 / 31 / 0 / 25

HEX #6285C0

RGB 98 133 192

HSL 217.66, 0.43%, 0.57%

LAB 55.25, 4.17, -34.61

 

CMYK 0 / 47 / 49 / 25

HEX #C06562

RGB 192 101 98

HSL 1.91, 0.43%, 0.57%

LAB 53.38, 35.99, 18.25

 

CMYK 49 / 0 / 27 / 24

HEX #62C18C

RGB 98 193 140

HSL 146.53, 0.43%, 0.57%

LAB 71.3, -40.32, 18.22

 

CMYK 28 / 49 / 0 / 25

HEX #8B62C0

RGB 139 98 192

HSL 266.17, 0.43%, 0.57%

LAB 49.53, 35.87, -43.4

 

CMYK 0 / 28 / 49 / 25

HEX #C08B62

RGB 192 139 98

HSL 26.17, 0.43%, 0.57%

LAB 62.13, 15.28, 29.82

 

CMYK 49 / 0 / 27 / 24

HEX #62C18C

RGB 98 193 140

HSL 146.53, 0.43%, 0.57%

LAB 71.3, -40.32, 18.22

 

CMYK 49 / 31 / 0 / 25

HEX #6285C0

RGB 98 133 192

HSL 217.66, 0.43%, 0.57%

LAB 55.25, 4.17, -34.61

 

CMYK 0 / 49 / 21 / 25

HEX #C06298

RGB 192 98 152

HSL 325.53, 0.43%, 0.57%

LAB 54.25, 44.22, -12.29

 

CMYK 0 / 18 / 49 / 25

HEX #C09E62

RGB 192 158 98

HSL 38.3, 0.43%, 0.57%

LAB 66.93, 4.87, 35.92

 

CMYK 49 / 0 / 27 / 24

HEX #62C18C

RGB 98 193 140

HSL 146.53, 0.43%, 0.57%

LAB 71.3, -40.32, 18.22

 

CMYK 49 / 46 / 0 / 25

HEX #6268C0

RGB 98 104 192

HSL 236.17, 0.43%, 0.57%

LAB 47.37, 21.76, -47.06

 

CMYK 0 / 49 / 21 / 25

HEX #C06298

RGB 192 98 152

HSL 325.53, 0.43%, 0.57%

LAB 54.25, 44.22, -12.29

 

CMYK 0 / 3 / 49 / 25

HEX #C0BA62

RGB 192 186 98

HSL 56.17, 0.43%, 0.57%

LAB 74.32, -9.99, 44.99

 

Description

Color code: HEX #62C18C | qconv.com Color code: HEX #62C18C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 193 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 193 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 27 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 27% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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