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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #62B324 it is the complementary color #9D4CDB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #62B324. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #62B324 shade: #67B31F, #78C532, #89D745, #9AE958 and #ABFB6B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #62B324. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #62B324 shade: #62B324, #51A111, #408F00, #2F7D00 and #1E6B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #62B324 shade: #62B323, #88B323, #AFB323, #B39023 and #B36923

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #62B324 shade: #62B323, #3BB323, #23B333, #23B359 and #23B380

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #62B324 shade matches the following richer shades: #62B323, #5FC412 and #5DD601

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #62B324 shade: #62B323, #64A235, #669046, #687F57 and #6B6E69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #62B324 shade: #B0B323, #8AB323, #64B323, #3EB323 and #23B32F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #62B324 shade: #3C6E16, #4F901D, #62B323, #74D52A and #8BDC4D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #62B324 shade: #62B324, #23B38F and #B3239D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #62B324 shade: #62B324, #2364B3 and #B32364

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #62B324 shade: #62B324, #23B38F, #7223B3 and #B32347

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #62B324 shade: #62B324, #23ACB3, #7223B3 and #B32B23

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 80 / 30

HEX #62B324

RGB 98 179 36

HSL 93.99, 0.67%, 0.42%

LAB 65.72, -47.71, 59.7

 

Complementary color

CMYK 28 / 65 / 0 / 14

HEX #9D4CDB

RGB 157 76 219

HSL 273.99, 0.67%, 0.58%

LAB 48.82, 58.26, -59.89

 

CMYK 42 / 0 / 83 / 30

HEX #67B31F

RGB 103 179 31

HSL 90.81, 0.7%, 0.41%

LAB 65.92, -46.3, 61.36

 

CMYK 39 / 0 / 75 / 23

HEX #78C532

RGB 120 197 50

HSL 91.43, 0.6%, 0.48%

LAB 72.33, -46.92, 61.91

 

CMYK 36 / 0 / 68 / 16

HEX #89D745

RGB 137 215 69

HSL 92.05, 0.65%, 0.56%

LAB 78.66, -47.31, 61.7

 

CMYK 34 / 0 / 62 / 9

HEX #9AE958

RGB 154 233 88

HSL 92.69, 0.77%, 0.63%

LAB 84.92, -47.55, 61.05

 

CMYK 32 / 0 / 57 / 2

HEX #ABFB6B

RGB 171 251 107

HSL 93.33, 0.95%, 0.7%

LAB 91.1, -47.68, 60.17

 

CMYK 45 / 0 / 80 / 30

HEX #62B324

RGB 98 179 36

HSL 93.99, 0.67%, 0.42%

LAB 65.72, -47.71, 59.7

 

CMYK 50 / 0 / 89 / 37

HEX #51A111

RGB 81 161 17

HSL 93.33, 0.81%, 0.35%

LAB 59.23, -46.83, 58.38

 

CMYK 55 / 0 / 100 / 44

HEX #408F00

RGB 64 143 0

HSL 93.15, 1%, 0.28%

LAB 52.66, -45.55, 55.56

 

CMYK 62 / 0 / 100 / 51

HEX #2F7D00

RGB 47 125 0

HSL 97.44, 1%, 0.25%

LAB 46, -43.61, 50.06

 

CMYK 72 / 0 / 100 / 58

HEX #1E6B00

RGB 30 107 0

HSL 103.18, 1%, 0.21%

LAB 39.23, -41.28, 44.48

 

CMYK 45 / 0 / 80 / 30

HEX #62B323

RGB 98 179 35

HSL 93.75, 0.67%, 0.42%

LAB 65.72, -47.76, 59.99

 

CMYK 24 / 0 / 80 / 30

HEX #88B323

RGB 136 179 35

HSL 77.92, 0.67%, 0.42%

LAB 67.72, -33.91, 62.56

 

CMYK 2 / 0 / 80 / 30

HEX #AFB323

RGB 175 179 35

HSL 61.67, 0.67%, 0.42%

LAB 70.51, -17.59, 66.09

 

CMYK 0 / 20 / 80 / 30

HEX #B39023

RGB 179 144 35

HSL 45.42, 0.67%, 0.42%

LAB 61.35, 2.68, 58.15

 

CMYK 0 / 41 / 80 / 30

HEX #B36923

RGB 179 105 35

HSL 29.17, 0.67%, 0.42%

LAB 51.62, 24.33, 49.27

 

CMYK 45 / 0 / 80 / 30

HEX #62B323

RGB 98 179 35

HSL 93.75, 0.67%, 0.42%

LAB 65.72, -47.76, 59.99

 

CMYK 67 / 0 / 80 / 30

HEX #3BB323

RGB 59 179 35

HSL 110, 0.67%, 0.42%

LAB 64.4, -58.2, 58.28

 

CMYK 80 / 0 / 72 / 30

HEX #23B333

RGB 35 179 51

HSL 126.67, 0.67%, 0.42%

LAB 64.03, -60.99, 52.33

 

CMYK 80 / 0 / 50 / 30

HEX #23B359

RGB 35 179 89

HSL 142.5, 0.67%, 0.42%

LAB 64.42, -56.26, 35.59

 

CMYK 80 / 0 / 28 / 30

HEX #23B380

RGB 35 179 128

HSL 158.75, 0.67%, 0.42%

LAB 65.09, -48.64, 15.85

 

CMYK 45 / 0 / 80 / 30

HEX #62B323

RGB 98 179 35

HSL 93.75, 0.67%, 0.42%

LAB 65.72, -47.76, 59.99

 

CMYK 52 / 0 / 91 / 23

HEX #5FC412

RGB 95 196 18

HSL 94.04, 0.83%, 0.42%

LAB 70.84, -55.81, 68.2

 

CMYK 57 / 0 / 100 / 16

HEX #5DD601

RGB 93 214 1

HSL 94.08, 0.99%, 0.42%

LAB 76.33, -63.04, 74.54

 

CMYK 45 / 0 / 80 / 30

HEX #62B323

RGB 98 179 35

HSL 93.75, 0.67%, 0.42%

LAB 65.72, -47.76, 59.99

 

CMYK 38 / 0 / 67 / 36

HEX #64A235

RGB 100 162 53

HSL 94.13, 0.51%, 0.42%

LAB 60.61, -38.8, 48.54

 

CMYK 29 / 0 / 51 / 44

HEX #669046

RGB 102 144 70

HSL 94.05, 0.35%, 0.42%

LAB 55.29, -28.04, 34.52

 

CMYK 18 / 0 / 31 / 50

HEX #687F57

RGB 104 127 87

HSL 94.5, 0.19%, 0.42%

LAB 50.46, -16.17, 19.09

 

CMYK 3 / 0 / 5 / 57

HEX #6B6E69

RGB 107 110 105

HSL 96, 0.02%, 0.42%

LAB 46.04, -2.17, 2.38

 

CMYK 2 / 0 / 80 / 30

HEX #B0B323

RGB 176 179 35

HSL 61.25, 0.67%, 0.42%

LAB 70.59, -17.15, 66.2

 

CMYK 23 / 0 / 80 / 30

HEX #8AB323

RGB 138 179 35

HSL 77.08, 0.67%, 0.42%

LAB 67.85, -33.11, 62.72

 

CMYK 44 / 0 / 80 / 30

HEX #64B323

RGB 100 179 35

HSL 92.92, 0.67%, 0.42%

LAB 65.8, -47.11, 60.1

 

CMYK 65 / 0 / 80 / 30

HEX #3EB323

RGB 62 179 35

HSL 108.75, 0.67%, 0.42%

LAB 64.47, -57.57, 58.38

 

CMYK 80 / 0 / 74 / 30

HEX #23B32F

RGB 35 179 47

HSL 125, 0.67%, 0.42%

LAB 64, -61.33, 53.79

 

CMYK 45 / 0 / 80 / 57

HEX #3C6E16

RGB 60 110 22

HSL 94.09, 0.67%, 0.26%

LAB 41.49, -32.52, 40.73

 

CMYK 45 / 0 / 80 / 44

HEX #4F901D

RGB 79 144 29

HSL 93.91, 0.66%, 0.34%

LAB 53.7, -40.09, 50.31

 

CMYK 45 / 0 / 80 / 30

HEX #62B323

RGB 98 179 35

HSL 93.75, 0.67%, 0.42%

LAB 65.72, -47.76, 59.99

 

CMYK 46 / 0 / 80 / 16

HEX #74D52A

RGB 116 213 42

HSL 94.04, 0.67%, 0.5%

LAB 76.96, -55, 68.65

 

CMYK 37 / 0 / 65 / 14

HEX #8BDC4D

RGB 139 220 77

HSL 93.99, 0.67%, 0.58%

LAB 80.3, -48.1, 60.31

 

CMYK 45 / 0 / 80 / 30

HEX #62B324

RGB 98 179 36

HSL 93.99, 0.67%, 0.42%

LAB 65.72, -47.71, 59.7

 

CMYK 80 / 0 / 20 / 30

HEX #23B38F

RGB 35 179 143

HSL 165, 0.67%, 0.42%

LAB 65.42, -45.03, 8.09

 

CMYK 0 / 80 / 12 / 30

HEX #B3239D

RGB 179 35 157

HSL 309.17, 0.67%, 0.42%

LAB 43.09, 66.83, -32.62

 

CMYK 45 / 0 / 80 / 30

HEX #62B324

RGB 98 179 36

HSL 93.99, 0.67%, 0.42%

LAB 65.72, -47.71, 59.7

 

CMYK 80 / 44 / 0 / 30

HEX #2364B3

RGB 35 100 179

HSL 212.92, 0.67%, 0.42%

LAB 42.35, 8.65, -47.71

 

CMYK 0 / 80 / 44 / 30

HEX #B32364

RGB 179 35 100

HSL 332.92, 0.67%, 0.42%

LAB 40.74, 60.02, -1.11

 

CMYK 45 / 0 / 80 / 30

HEX #62B324

RGB 98 179 36

HSL 93.99, 0.67%, 0.42%

LAB 65.72, -47.71, 59.7

 

CMYK 80 / 0 / 20 / 30

HEX #23B38F

RGB 35 179 143

HSL 165, 0.67%, 0.42%

LAB 65.42, -45.03, 8.09

 

CMYK 36 / 80 / 0 / 30

HEX #7223B3

RGB 114 35 179

HSL 272.92, 0.67%, 0.42%

LAB 34.05, 58.46, -60.86

 

CMYK 0 / 80 / 60 / 30

HEX #B32347

RGB 179 35 71

HSL 345, 0.67%, 0.42%

LAB 39.98, 57.71, 16.18

 

CMYK 45 / 0 / 80 / 30

HEX #62B324

RGB 98 179 36

HSL 93.99, 0.67%, 0.42%

LAB 65.72, -47.71, 59.7

 

CMYK 80 / 4 / 0 / 30

HEX #23ACB3

RGB 35 172 179

HSL 182.92, 0.67%, 0.42%

LAB 64.26, -31.74, -13.63

 

CMYK 36 / 80 / 0 / 30

HEX #7223B3

RGB 114 35 179

HSL 272.92, 0.67%, 0.42%

LAB 34.05, 58.46, -60.86

 

CMYK 0 / 76 / 80 / 30

HEX #B32B23

RGB 179 43 35

HSL 3.33, 0.67%, 0.42%

LAB 40.3, 53.52, 38.35

 

Description

Color code: HEX #62B324 | qconv.com Color code: HEX #62B324 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 179 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 179 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 80 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 80% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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