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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #62ABC8 it is the complementary color #9D5437. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #62ABC8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #62ABC8 shade: #67ABC3, #78BDD6, #89CFE9, #9AE1FC and #ABF3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #62ABC8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #62ABC8 shade: #62ABC8, #5199B5, #4087A2, #2F758F and #1E637C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #62ABC8 shade: #60AAC7, #608EC7, #6073C7, #6A60C7 and #8660C7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #62ABC8 shade: #60AAC7, #608EC7, #6073C7 and #6060C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #62ABC8 shade matches the following richer shades: #60AAC7, #4FB2D9, #3EB9EA and #2DC0FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #62ABC8 shade: #60AAC7, #72A3B6, #839BA5, #949493 and #A68C82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #62ABC8 shade: #60C7AE, #60C6C7, #60AAC7, #608FC7 and #6073C7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #62ABC8 shade: #37819E, #429ABC, #60AAC7, #7FBAD2 and #9ECBDD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #62ABC8 shade: #62ABC8, #9260C7 and #C7BB60

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #62ABC8 shade: #62ABC8, #C760AA and #AAC760

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #62ABC8 shade: #62ABC8, #9260C7, #C77E60 and #96C760

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #62ABC8 shade: #62ABC8, #B160C7, #C77E60 and #77C760

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 15 / 0 / 22

HEX #62ABC8

RGB 98 171 200

HSL 197.06, 0.48%, 0.58%

LAB 66.44, -14.81, -21.82

 

Complementary color

CMYK 0 / 46 / 65 / 38

HEX #9D5437

RGB 157 84 55

HSL 17.06, 0.48%, 0.42%

LAB 43.92, 27.59, 30.11

 

CMYK 47 / 12 / 0 / 24

HEX #67ABC3

RGB 103 171 195

HSL 195.65, 0.43%, 0.58%

LAB 66.48, -15.06, -18.97

 

CMYK 44 / 12 / 0 / 16

HEX #78BDD6

RGB 120 189 214

HSL 195.96, 0.53%, 0.65%

LAB 73.05, -15.24, -19.36

 

CMYK 41 / 11 / 0 / 9

HEX #89CFE9

RGB 137 207 233

HSL 196.25, 0.69%, 0.73%

LAB 79.52, -15.37, -19.74

 

CMYK 39 / 11 / 0 / 1

HEX #9AE1FC

RGB 154 225 252

HSL 196.53, 0.94%, 0.8%

LAB 85.88, -15.48, -20.12

 

CMYK 33 / 5 / 0 / 0

HEX #ABF3FF

RGB 171 243 255

HSL 188.57, 1%, 0.84%

LAB 91.68, -19.36, -12.89

 

CMYK 51 / 15 / 0 / 22

HEX #62ABC8

RGB 98 171 200

HSL 197.06, 0.48%, 0.58%

LAB 66.44, -14.81, -21.82

 

CMYK 55 / 15 / 0 / 29

HEX #5199B5

RGB 81 153 181

HSL 196.8, 0.4%, 0.51%

LAB 59.77, -14.45, -21.45

 

CMYK 60 / 17 / 0 / 36

HEX #4087A2

RGB 64 135 162

HSL 196.53, 0.43%, 0.44%

LAB 52.98, -13.96, -21.05

 

CMYK 67 / 18 / 0 / 44

HEX #2F758F

RGB 47 117 143

HSL 196.25, 0.51%, 0.37%

LAB 46.06, -13.27, -20.62

 

CMYK 76 / 20 / 0 / 51

HEX #1E637C

RGB 30 99 124

HSL 195.96, 0.61%, 0.3%

LAB 38.99, -12.26, -20.13

 

CMYK 52 / 15 / 0 / 22

HEX #60AAC7

RGB 96 170 199

HSL 196.89, 0.48%, 0.58%

LAB 66.03, -15.01, -21.9

 

CMYK 52 / 29 / 0 / 22

HEX #608EC7

RGB 96 142 199

HSL 213.2, 0.48%, 0.58%

LAB 58, 0.58, -34.3

 

CMYK 52 / 42 / 0 / 22

HEX #6073C7

RGB 96 115 199

HSL 228.93, 0.48%, 0.58%

LAB 50.54, 16.73, -46.05

 

CMYK 47 / 52 / 0 / 22

HEX #6A60C7

RGB 106 96 199

HSL 245.83, 0.48%, 0.58%

LAB 46.38, 30.65, -52.64

 

CMYK 33 / 52 / 0 / 22

HEX #8660C7

RGB 134 96 199

HSL 262.14, 0.48%, 0.58%

LAB 48.96, 37.46, -48.38

 

CMYK 52 / 15 / 0 / 22

HEX #60AAC7

RGB 96 170 199

HSL 196.89, 0.48%, 0.58%

LAB 66.03, -15.01, -21.9

 

CMYK 52 / 29 / 0 / 22

HEX #608EC7

RGB 96 142 199

HSL 213.2, 0.48%, 0.58%

LAB 58, 0.58, -34.3

 

CMYK 52 / 42 / 0 / 22

HEX #6073C7

RGB 96 115 199

HSL 228.93, 0.48%, 0.58%

LAB 50.54, 16.73, -46.05

 

CMYK 52 / 52 / 0 / 22

HEX #6060C7

RGB 96 96 199

HSL 240, 0.48%, 0.58%

LAB 45.6, 28.44, -53.94

 

CMYK 52 / 15 / 0 / 22

HEX #60AAC7

RGB 96 170 199

HSL 196.89, 0.48%, 0.58%

LAB 66.03, -15.01, -21.9

 

CMYK 64 / 18 / 0 / 15

HEX #4FB2D9

RGB 79 178 217

HSL 196.96, 0.64%, 0.58%

LAB 68.4, -17.15, -28.25

 

CMYK 74 / 21 / 0 / 8

HEX #3EB9EA

RGB 62 185 234

HSL 197.09, 0.8%, 0.58%

LAB 70.64, -17.85, -34.11

 

CMYK 82 / 24 / 0 / 2

HEX #2DC0FB

RGB 45 192 251

HSL 197.18, 0.96%, 0.58%

LAB 73.04, -17.57, -39.61

 

CMYK 52 / 15 / 0 / 22

HEX #60AAC7

RGB 96 170 199

HSL 196.89, 0.48%, 0.58%

LAB 66.03, -15.01, -21.9

 

CMYK 37 / 10 / 0 / 29

HEX #72A3B6

RGB 114 163 182

HSL 196.76, 0.32%, 0.58%

LAB 64.28, -11.46, -15.01

 

CMYK 21 / 6 / 0 / 35

HEX #839BA5

RGB 131 155 165

HSL 197.65, 0.16%, 0.58%

LAB 62.49, -6.15, -8.03

 

CMYK 0 / 0 / 1 / 42

HEX #949493

RGB 148 148 147

HSL 60, 0%, 0.58%

LAB 61.29, -0.19, 0.52

 

CMYK 0 / 16 / 22 / 35

HEX #A68C82

RGB 166 140 130

HSL 16.67, 0.17%, 0.58%

LAB 60.32, 8.18, 8.98

 

CMYK 52 / 0 / 13 / 22

HEX #60C7AE

RGB 96 199 174

HSL 165.44, 0.48%, 0.58%

LAB 73.8, -36.04, 3.39

 

CMYK 52 / 1 / 0 / 22

HEX #60C6C7

RGB 96 198 199

HSL 180.58, 0.48%, 0.58%

LAB 74.19, -29.25, -9.59

 

CMYK 52 / 15 / 0 / 22

HEX #60AAC7

RGB 96 170 199

HSL 196.89, 0.48%, 0.58%

LAB 66.03, -15.01, -21.9

 

CMYK 52 / 28 / 0 / 22

HEX #608FC7

RGB 96 143 199

HSL 212.62, 0.48%, 0.58%

LAB 58.28, 0, -33.86

 

CMYK 52 / 42 / 0 / 22

HEX #6073C7

RGB 96 115 199

HSL 228.93, 0.48%, 0.58%

LAB 50.54, 16.73, -46.05

 

CMYK 65 / 18 / 0 / 38

HEX #37819E

RGB 55 129 158

HSL 196.89, 0.48%, 0.42%

LAB 50.67, -13.61, -22.31

 

CMYK 65 / 18 / 0 / 26

HEX #429ABC

RGB 66 154 188

HSL 196.72, 0.48%, 0.5%

LAB 59.8, -15.69, -25.4

 

CMYK 52 / 15 / 0 / 22

HEX #60AAC7

RGB 96 170 199

HSL 196.89, 0.48%, 0.58%

LAB 66.03, -15.01, -21.9

 

CMYK 40 / 11 / 0 / 18

HEX #7FBAD2

RGB 127 186 210

HSL 197.35, 0.48%, 0.66%

LAB 72.42, -12.95, -18.11

 

CMYK 29 / 8 / 0 / 13

HEX #9ECBDD

RGB 158 203 221

HSL 197.14, 0.48%, 0.74%

LAB 79.16, -10.59, -13.74

 

CMYK 51 / 15 / 0 / 22

HEX #62ABC8

RGB 98 171 200

HSL 197.06, 0.48%, 0.58%

LAB 66.44, -14.81, -21.82

 

CMYK 27 / 52 / 0 / 22

HEX #9260C7

RGB 146 96 199

HSL 269.13, 0.48%, 0.58%

LAB 50.22, 40.59, -46.3

 

CMYK 0 / 6 / 52 / 22

HEX #C7BB60

RGB 199 187 96

HSL 53.01, 0.48%, 0.58%

LAB 75.16, -7.79, 47.11

 

CMYK 51 / 15 / 0 / 22

HEX #62ABC8

RGB 98 171 200

HSL 197.06, 0.48%, 0.58%

LAB 66.44, -14.81, -21.82

 

CMYK 0 / 52 / 15 / 22

HEX #C760AA

RGB 199 96 170

HSL 316.89, 0.48%, 0.58%

LAB 55.49, 50.2, -20.81

 

CMYK 15 / 0 / 52 / 22

HEX #AAC760

RGB 170 199 96

HSL 76.89, 0.48%, 0.58%

LAB 76.21, -25.58, 47.82

 

CMYK 51 / 15 / 0 / 22

HEX #62ABC8

RGB 98 171 200

HSL 197.06, 0.48%, 0.58%

LAB 66.44, -14.81, -21.82

 

CMYK 27 / 52 / 0 / 22

HEX #9260C7

RGB 146 96 199

HSL 269.13, 0.48%, 0.58%

LAB 50.22, 40.59, -46.3

 

CMYK 0 / 37 / 52 / 22

HEX #C77E60

RGB 199 126 96

HSL 17.48, 0.48%, 0.58%

LAB 59.81, 25.12, 28.08

 

CMYK 25 / 0 / 52 / 22

HEX #96C760

RGB 150 199 96

HSL 88.54, 0.48%, 0.58%

LAB 74.94, -33.2, 45.98

 

CMYK 51 / 15 / 0 / 22

HEX #62ABC8

RGB 98 171 200

HSL 197.06, 0.48%, 0.58%

LAB 66.44, -14.81, -21.82

 

CMYK 11 / 52 / 0 / 22

HEX #B160C7

RGB 177 96 199

HSL 287.18, 0.48%, 0.58%

LAB 53.85, 48.99, -40.31

 

CMYK 0 / 37 / 52 / 22

HEX #C77E60

RGB 199 126 96

HSL 17.48, 0.48%, 0.58%

LAB 59.81, 25.12, 28.08

 

CMYK 40 / 0 / 52 / 22

HEX #77C760

RGB 119 199 96

HSL 106.6, 0.48%, 0.58%

LAB 73.29, -43.92, 43.62

 

Description

Color code: HEX #62ABC8 | qconv.com Color code: HEX #62ABC8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 171 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 171 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 15 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 15% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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