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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #62A4E5 it is the complementary color #9D5B1A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #62A4E5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #62A4E5 shade: #67A4E0, #78B6F3, #89C8FF, #9ADAFF and #ABECFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #62A4E5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #62A4E5 shade: #62A4E5, #5192D2, #4080BF, #2F6EAC and #1E5C99

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #62A4E5 shade: #61A4E5, #6180E5, #6661E5, #8961E5 and #AD61E5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #62A4E5 shade: #61A4E5, #6180E5 and #6161E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #62A4E5 shade matches the following richer shades: #61A4E5 and #52A4F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #62A4E5 shade: #61A4E5, #70A4D6, #7FA3C8, #8EA3B9 and #9DA3AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #62A4E5 shade: #61E5DF, #61C9E5, #61A5E5, #6182E5 and #6361E5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #62A4E5 shade: #227BD2, #3E8FE0, #61A4E5, #85B8EB and #A8CDF1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #62A4E5 shade: #62A4E5, #BB61E5 and #DAE561

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #62A4E5 shade: #62A4E5, #E561A5 and #A5E561

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #62A4E5 shade: #62A4E5, #BB61E5, #E5A161 and #8BE561

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #62A4E5 shade: #62A4E5, #E361E5, #E5A161 and #63E561

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 28 / 0 / 10

HEX #62A4E5

RGB 98 164 229

HSL 209.77, 0.72%, 0.64%

LAB 65.6, -2.23, -39.14

 

Complementary color

CMYK 0 / 42 / 83 / 38

HEX #9D5B1A

RGB 157 91 26

HSL 29.77, 0.72%, 0.36%

LAB 45.26, 22.21, 46.02

 

CMYK 54 / 27 / 0 / 12

HEX #67A4E0

RGB 103 164 224

HSL 209.75, 0.66%, 0.64%

LAB 65.61, -2.74, -36.35

 

CMYK 51 / 25 / 0 / 5

HEX #78B6F3

RGB 120 182 243

HSL 209.76, 0.84%, 0.71%

LAB 72.18, -3.35, -36.45

 

CMYK 46 / 22 / 0 / 0

HEX #89C8FF

RGB 137 200 255

HSL 207.97, 1%, 0.77%

LAB 78.37, -5.8, -33.25

 

CMYK 40 / 15 / 0 / 0

HEX #9ADAFF

RGB 154 218 255

HSL 201.98, 1%, 0.8%

LAB 84.09, -11.13, -24.42

 

CMYK 33 / 7 / 0 / 0

HEX #ABECFF

RGB 171 236 255

HSL 193.57, 1%, 0.84%

LAB 89.8, -15.87, -15.7

 

CMYK 57 / 28 / 0 / 10

HEX #62A4E5

RGB 98 164 229

HSL 209.77, 0.72%, 0.64%

LAB 65.6, -2.23, -39.14

 

CMYK 61 / 30 / 0 / 18

HEX #5192D2

RGB 81 146 210

HSL 209.77, 0.59%, 0.57%

LAB 58.94, -1.35, -39.06

 

CMYK 66 / 33 / 0 / 25

HEX #4080BF

RGB 64 128 191

HSL 209.76, 0.5%, 0.5%

LAB 52.16, -0.24, -39

 

CMYK 73 / 36 / 0 / 33

HEX #2F6EAC

RGB 47 110 172

HSL 209.76, 0.57%, 0.43%

LAB 45.27, 1.19, -38.94

 

CMYK 80 / 40 / 0 / 40

HEX #1E5C99

RGB 30 92 153

HSL 209.76, 0.67%, 0.36%

LAB 38.25, 3.08, -38.85

 

CMYK 58 / 28 / 0 / 10

HEX #61A4E5

RGB 97 164 229

HSL 209.55, 0.72%, 0.64%

LAB 65.55, -2.43, -39.21

 

CMYK 58 / 44 / 0 / 10

HEX #6180E5

RGB 97 128 229

HSL 225.91, 0.72%, 0.64%

LAB 55.72, 18.69, -54.74

 

CMYK 55 / 58 / 0 / 10

HEX #6661E5

RGB 102 97 229

HSL 242.27, 0.72%, 0.64%

LAB 48.3, 38.42, -66.67

 

CMYK 40 / 58 / 0 / 10

HEX #8961E5

RGB 137 97 229

HSL 258.18, 0.72%, 0.64%

LAB 51.3, 45.51, -61.68

 

CMYK 24 / 58 / 0 / 10

HEX #AD61E5

RGB 173 97 229

HSL 274.55, 0.72%, 0.64%

LAB 55.17, 53.84, -55.26

 

CMYK 58 / 28 / 0 / 10

HEX #61A4E5

RGB 97 164 229

HSL 209.55, 0.72%, 0.64%

LAB 65.55, -2.43, -39.21

 

CMYK 58 / 44 / 0 / 10

HEX #6180E5

RGB 97 128 229

HSL 225.91, 0.72%, 0.64%

LAB 55.72, 18.69, -54.74

 

CMYK 58 / 58 / 0 / 10

HEX #6161E5

RGB 97 97 229

HSL 240, 0.72%, 0.64%

LAB 47.94, 37.53, -67.27

 

CMYK 58 / 28 / 0 / 10

HEX #61A4E5

RGB 97 164 229

HSL 209.55, 0.72%, 0.64%

LAB 65.55, -2.43, -39.21

 

CMYK 66 / 33 / 0 / 4

HEX #52A4F4

RGB 82 164 244

HSL 209.63, 0.88%, 0.64%

LAB 65.65, -0.23, -47.32

 

CMYK 58 / 28 / 0 / 10

HEX #61A4E5

RGB 97 164 229

HSL 209.55, 0.72%, 0.64%

LAB 65.55, -2.43, -39.21

 

CMYK 48 / 23 / 0 / 16

HEX #70A4D6

RGB 112 164 214

HSL 209.41, 0.55%, 0.64%

LAB 65.63, -3.68, -30.75

 

CMYK 37 / 19 / 0 / 22

HEX #7FA3C8

RGB 127 163 200

HSL 210.41, 0.4%, 0.64%

LAB 65.65, -3.12, -22.89

 

CMYK 23 / 12 / 0 / 27

HEX #8EA3B9

RGB 142 163 185

HSL 210.7, 0.23%, 0.64%

LAB 66.1, -2.41, -13.78

 

CMYK 8 / 4 / 0 / 33

HEX #9DA3AA

RGB 157 163 170

HSL 212.31, 0.07%, 0.64%

LAB 66.72, -0.73, -4.37

 

CMYK 58 / 0 / 3 / 10

HEX #61E5DF

RGB 97 229 223

HSL 177.27, 0.72%, 0.64%

LAB 83.92, -37.35, -7.98

 

CMYK 58 / 12 / 0 / 10

HEX #61C9E5

RGB 97 201 229

HSL 192.73, 0.72%, 0.64%

LAB 76.05, -22.21, -23.01

 

CMYK 58 / 28 / 0 / 10

HEX #61A5E5

RGB 97 165 229

HSL 209.09, 0.72%, 0.64%

LAB 65.83, -2.99, -38.77

 

CMYK 58 / 43 / 0 / 10

HEX #6182E5

RGB 97 130 229

HSL 225, 0.72%, 0.64%

LAB 56.25, 17.48, -53.9

 

CMYK 57 / 58 / 0 / 10

HEX #6361E5

RGB 99 97 229

HSL 240.91, 0.72%, 0.64%

LAB 48.08, 37.88, -67.03

 

CMYK 84 / 41 / 0 / 18

HEX #227BD2

RGB 34 123 210

HSL 209.66, 0.72%, 0.48%

LAB 50.87, 6.02, -51.93

 

CMYK 72 / 36 / 0 / 12

HEX #3E8FE0

RGB 62 143 224

HSL 210, 0.72%, 0.56%

LAB 58.09, 2.15, -48.28

 

CMYK 58 / 28 / 0 / 10

HEX #61A4E5

RGB 97 164 229

HSL 209.55, 0.72%, 0.64%

LAB 65.55, -2.43, -39.21

 

CMYK 43 / 22 / 0 / 8

HEX #85B8EB

RGB 133 184 235

HSL 210, 0.72%, 0.72%

LAB 73.07, -3.65, -30.69

 

CMYK 30 / 15 / 0 / 5

HEX #A8CDF1

RGB 168 205 241

HSL 209.59, 0.72%, 0.8%

LAB 80.93, -4.04, -21.72

 

CMYK 57 / 28 / 0 / 10

HEX #62A4E5

RGB 98 164 229

HSL 209.77, 0.72%, 0.64%

LAB 65.6, -2.23, -39.14

 

CMYK 18 / 58 / 0 / 10

HEX #BB61E5

RGB 187 97 229

HSL 280.91, 0.72%, 0.64%

LAB 56.85, 57.25, -52.47

 

CMYK 5 / 0 / 58 / 10

HEX #DAE561

RGB 218 229 97

HSL 65, 0.72%, 0.64%

LAB 87.88, -21, 61.64

 

CMYK 57 / 28 / 0 / 10

HEX #62A4E5

RGB 98 164 229

HSL 209.77, 0.72%, 0.64%

LAB 65.6, -2.23, -39.14

 

CMYK 0 / 58 / 28 / 10

HEX #E561A5

RGB 229 97 165

HSL 329.09, 0.72%, 0.64%

LAB 59.82, 58.15, -10.95

 

CMYK 28 / 0 / 58 / 10

HEX #A5E561

RGB 165 229 97

HSL 89.09, 0.72%, 0.64%

LAB 84.43, -41.21, 56.83

 

CMYK 57 / 28 / 0 / 10

HEX #62A4E5

RGB 98 164 229

HSL 209.77, 0.72%, 0.64%

LAB 65.6, -2.23, -39.14

 

CMYK 18 / 58 / 0 / 10

HEX #BB61E5

RGB 187 97 229

HSL 280.91, 0.72%, 0.64%

LAB 56.85, 57.25, -52.47

 

CMYK 0 / 30 / 58 / 10

HEX #E5A161

RGB 229 161 97

HSL 29.09, 0.72%, 0.64%

LAB 71.56, 18.57, 43.02

 

CMYK 39 / 0 / 58 / 10

HEX #8BE561

RGB 139 229 97

HSL 100.91, 0.72%, 0.64%

LAB 83.12, -49.99, 54.98

 

CMYK 57 / 28 / 0 / 10

HEX #62A4E5

RGB 98 164 229

HSL 209.77, 0.72%, 0.64%

LAB 65.6, -2.23, -39.14

 

CMYK 1 / 58 / 0 / 10

HEX #E361E5

RGB 227 97 229

HSL 299.09, 0.72%, 0.64%

LAB 62.12, 67.18, -43.8

 

CMYK 0 / 30 / 58 / 10

HEX #E5A161

RGB 229 161 97

HSL 29.09, 0.72%, 0.64%

LAB 71.56, 18.57, 43.02

 

CMYK 57 / 0 / 58 / 10

HEX #63E561

RGB 99 229 97

HSL 119.09, 0.72%, 0.64%

LAB 81.6, -61.19, 52.82

 

Description

Color code: HEX #62A4E5 | qconv.com Color code: HEX #62A4E5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 164 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 164 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 28 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 28% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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