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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #629124 it is the complementary color #9D6EDB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #629124. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #629124 shade: #67911F, #78A332, #89B545, #9AC758 and #ABD96B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #629124. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #629124 shade: #629124, #517F11, #406D00, #2F5B00 and #1E4900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #629124 shade: #618F24, #7E8F24, #8F8324, #8F6624 and #8F4924

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #629124 shade: #618F24, #448F24, #278F24, #248F3D and #248F5A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #629124 shade matches the following richer shades: #618F24, #639D15 and #65AC07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #629124 shade: #618F24, #5F8032, #5D7241, #5B634F and #59555D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #629124 shade: #8F8224, #7F8F24, #628F24, #468F24 and #298F24

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #629124 shade: #344D13, #4A6E1B, #618F24, #77B02C and #8DCD38

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #629124 shade: #629124, #248F66 and #8F248D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #629124 shade: #629124, #24628F and #8F2462

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #629124 shade: #629124, #248F66, #50248F and #8F244D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #629124 shade: #629124, #248F86, #50248F and #8F242D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 75 / 43

HEX #629124

RGB 98 145 36

HSL 85.87, 0.6%, 0.35%

LAB 55.05, -33.18, 49.53

 

Complementary color

CMYK 28 / 50 / 0 / 14

HEX #9D6EDB

RGB 157 110 219

HSL 265.87, 0.6%, 0.65%

LAB 55.52, 40.54, -49.18

 

CMYK 29 / 0 / 79 / 43

HEX #67911F

RGB 103 145 31

HSL 82.11, 0.65%, 0.35%

LAB 55.31, -31.5, 51.62

 

CMYK 26 / 0 / 69 / 36

HEX #78A332

RGB 120 163 50

HSL 82.83, 0.53%, 0.42%

LAB 62.01, -32, 51.58

 

CMYK 24 / 0 / 62 / 29

HEX #89B545

RGB 137 181 69

HSL 83.57, 0.45%, 0.49%

LAB 68.6, -32.31, 50.93

 

CMYK 23 / 0 / 56 / 22

HEX #9AC758

RGB 154 199 88

HSL 84.32, 0.5%, 0.56%

LAB 75.09, -32.51, 49.98

 

CMYK 21 / 0 / 51 / 15

HEX #ABD96B

RGB 171 217 107

HSL 85.09, 0.59%, 0.64%

LAB 81.48, -32.62, 48.9

 

CMYK 32 / 0 / 75 / 43

HEX #629124

RGB 98 145 36

HSL 85.87, 0.6%, 0.35%

LAB 55.05, -33.18, 49.53

 

CMYK 36 / 0 / 87 / 50

HEX #517F11

RGB 81 127 17

HSL 85.09, 0.76%, 0.28%

LAB 48.22, -32.53, 48.87

 

CMYK 41 / 0 / 100 / 57

HEX #406D00

RGB 64 109 0

HSL 84.77, 1%, 0.21%

LAB 41.26, -31.56, 46.65

 

CMYK 48 / 0 / 100 / 64

HEX #2F5B00

RGB 47 91 0

HSL 89.01, 1%, 0.18%

LAB 34.16, -29.96, 40.75

 

CMYK 59 / 0 / 100 / 71

HEX #1E4900

RGB 30 73 0

HSL 95.34, 1%, 0.14%

LAB 26.85, -28.14, 34.58

 

CMYK 32 / 0 / 75 / 44

HEX #618F24

RGB 97 143 36

HSL 85.79, 0.6%, 0.35%

LAB 54.36, -32.64, 48.83

 

CMYK 12 / 0 / 75 / 44

HEX #7E8F24

RGB 126 143 36

HSL 69.53, 0.6%, 0.35%

LAB 56.3, -20.58, 51.38

 

CMYK 0 / 8 / 75 / 44

HEX #8F8324

RGB 143 131 36

HSL 53.27, 0.6%, 0.35%

LAB 54.24, -6.54, 49.9

 

CMYK 0 / 29 / 75 / 44

HEX #8F6624

RGB 143 102 36

HSL 37.01, 0.6%, 0.35%

LAB 46.27, 9.94, 42.06

 

CMYK 0 / 49 / 75 / 44

HEX #8F4924

RGB 143 73 36

HSL 20.75, 0.6%, 0.35%

LAB 39.13, 26.63, 34.63

 

CMYK 32 / 0 / 75 / 44

HEX #618F24

RGB 97 143 36

HSL 85.79, 0.6%, 0.35%

LAB 54.36, -32.64, 48.83

 

CMYK 52 / 0 / 75 / 44

HEX #448F24

RGB 68 143 36

HSL 102.06, 0.6%, 0.35%

LAB 52.95, -42.76, 46.96

 

CMYK 73 / 0 / 75 / 44

HEX #278F24

RGB 39 143 36

HSL 118.32, 0.6%, 0.35%

LAB 52.07, -49.89, 45.78

 

CMYK 75 / 0 / 57 / 44

HEX #248F3D

RGB 36 143 61

HSL 134.02, 0.6%, 0.35%

LAB 52.24, -47.61, 34.79

 

CMYK 75 / 0 / 37 / 44

HEX #248F5A

RGB 36 143 90

HSL 150.28, 0.6%, 0.35%

LAB 52.68, -42.49, 19.87

 

CMYK 32 / 0 / 75 / 44

HEX #618F24

RGB 97 143 36

HSL 85.79, 0.6%, 0.35%

LAB 54.36, -32.64, 48.83

 

CMYK 37 / 0 / 87 / 38

HEX #639D15

RGB 99 157 21

HSL 85.59, 0.76%, 0.35%

LAB 58.81, -38.88, 57.49

 

CMYK 41 / 0 / 96 / 33

HEX #65AC07

RGB 101 172 7

HSL 85.82, 0.92%, 0.35%

LAB 63.58, -44.84, 63.86

 

CMYK 32 / 0 / 75 / 44

HEX #618F24

RGB 97 143 36

HSL 85.79, 0.6%, 0.35%

LAB 54.36, -32.64, 48.83

 

CMYK 26 / 0 / 61 / 50

HEX #5F8032

RGB 95 128 50

HSL 85.38, 0.44%, 0.35%

LAB 49.62, -25.13, 37.77

 

CMYK 18 / 0 / 43 / 55

HEX #5D7241

RGB 93 114 65

HSL 85.71, 0.27%, 0.35%

LAB 45.28, -16.94, 24.63

 

CMYK 8 / 0 / 20 / 61

HEX #5B634F

RGB 91 99 79

HSL 84, 0.11%, 0.35%

LAB 40.76, -7.13, 10.34

 

CMYK 4 / 9 / 0 / 64

HEX #59555D

RGB 89 85 93

HSL 270, 0.04%, 0.35%

LAB 36.76, 3.33, -4.06

 

CMYK 0 / 9 / 75 / 44

HEX #8F8224

RGB 143 130 36

HSL 52.71, 0.6%, 0.35%

LAB 53.96, -5.99, 49.63

 

CMYK 11 / 0 / 75 / 44

HEX #7F8F24

RGB 127 143 36

HSL 68.97, 0.6%, 0.35%

LAB 56.37, -20.14, 51.48

 

CMYK 31 / 0 / 75 / 44

HEX #628F24

RGB 98 143 36

HSL 85.23, 0.6%, 0.35%

LAB 54.42, -32.25, 48.91

 

CMYK 51 / 0 / 75 / 44

HEX #468F24

RGB 70 143 36

HSL 100.93, 0.6%, 0.35%

LAB 53.03, -42.15, 47.07

 

CMYK 71 / 0 / 75 / 44

HEX #298F24

RGB 41 143 36

HSL 117.2, 0.6%, 0.35%

LAB 52.11, -49.51, 45.84

 

CMYK 32 / 0 / 75 / 70

HEX #344D13

RGB 52 77 19

HSL 85.86, 0.6%, 0.19%

LAB 29.63, -20.07, 29.99

 

CMYK 33 / 0 / 75 / 57

HEX #4A6E1B

RGB 74 110 27

HSL 86.02, 0.61%, 0.27%

LAB 42.29, -26.79, 39.87

 

CMYK 32 / 0 / 75 / 44

HEX #618F24

RGB 97 143 36

HSL 85.79, 0.6%, 0.35%

LAB 54.36, -32.64, 48.83

 

CMYK 32 / 0 / 75 / 31

HEX #77B02C

RGB 119 176 44

HSL 85.91, 0.6%, 0.43%

LAB 65.87, -38.67, 57.65

 

CMYK 31 / 0 / 73 / 20

HEX #8DCD38

RGB 141 205 56

HSL 85.77, 0.6%, 0.51%

LAB 75.83, -42.53, 63.65

 

CMYK 32 / 0 / 75 / 43

HEX #629124

RGB 98 145 36

HSL 85.87, 0.6%, 0.35%

LAB 55.05, -33.18, 49.53

 

CMYK 75 / 0 / 29 / 44

HEX #248F66

RGB 36 143 102

HSL 157.01, 0.6%, 0.35%

LAB 52.93, -39.83, 13.44

 

CMYK 0 / 75 / 1 / 44

HEX #8F248D

RGB 143 36 141

HSL 301.12, 0.6%, 0.35%

LAB 36.03, 56.14, -34.46

 

CMYK 32 / 0 / 75 / 43

HEX #629124

RGB 98 145 36

HSL 85.87, 0.6%, 0.35%

LAB 55.05, -33.18, 49.53

 

CMYK 75 / 31 / 0 / 44

HEX #24628F

RGB 36 98 143

HSL 205.23, 0.6%, 0.35%

LAB 39.74, -3.79, -30.47

 

CMYK 0 / 75 / 31 / 44

HEX #8F2462

RGB 143 36 98

HSL 325.23, 0.6%, 0.35%

LAB 33.95, 49.79, -10.69

 

CMYK 32 / 0 / 75 / 43

HEX #629124

RGB 98 145 36

HSL 85.87, 0.6%, 0.35%

LAB 55.05, -33.18, 49.53

 

CMYK 75 / 0 / 29 / 44

HEX #248F66

RGB 36 143 102

HSL 157.01, 0.6%, 0.35%

LAB 52.93, -39.83, 13.44

 

CMYK 44 / 75 / 0 / 44

HEX #50248F

RGB 80 36 143

HSL 264.67, 0.6%, 0.35%

LAB 26.59, 43.43, -51.39

 

CMYK 0 / 75 / 46 / 44

HEX #8F244D

RGB 143 36 77

HSL 337.01, 0.6%, 0.35%

LAB 33.22, 47.43, 1.81

 

CMYK 32 / 0 / 75 / 43

HEX #629124

RGB 98 145 36

HSL 85.87, 0.6%, 0.35%

LAB 55.05, -33.18, 49.53

 

CMYK 75 / 0 / 6 / 44

HEX #248F86

RGB 36 143 134

HSL 174.95, 0.6%, 0.35%

LAB 53.75, -31.34, -3.77

 

CMYK 44 / 75 / 0 / 44

HEX #50248F

RGB 80 36 143

HSL 264.67, 0.6%, 0.35%

LAB 26.59, 43.43, -51.39

 

CMYK 0 / 75 / 69 / 44

HEX #8F242D

RGB 143 36 45

HSL 354.95, 0.6%, 0.35%

LAB 32.46, 44.93, 21.61

 

Description

Color code: HEX #629124 | qconv.com Color code: HEX #629124 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 145 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 145 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 75 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 75% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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