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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #628FE5CE it is the complementary color #9D701ACE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #628FE5CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #628FE5CE shade: #678FE0CE, #78A1F3CE, #89B3FFCE, #9AC5FFCE and #ABD7FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #628FE5CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #628FE5CE shade: #628FE5CE, #517DD2CE, #406BBFCE, #2F59ACCE and #1E4799CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #628FE5CE shade: #618FE5, #616BE5, #7B61E5, #9F61E5 and #C261E5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #628FE5CE shade: #618FE5, #616BE5 and #6161E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #628FE5CE shade matches the following richer shades: #618FE5 and #528AF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #628FE5CE shade: #618FE5, #7093D6, #7F98C8, #8E9CB9 and #9DA1AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #628FE5CE shade: #61D6E5, #61B3E5, #618FE5, #616CE5 and #7961E5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #628FE5CE shade: #225ED2, #3E75E0, #618FE5, #85A8EB and #A8C1F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #628FE5CE shade: #628FE5, #D161E5 and #C4E561

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #628FE5CE shade: #628FE5, #E5618F and #8FE561

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #628FE5CE shade: #628FE5, #D161E5, #E5B761 and #75E561

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #628FE5CE shade: #628FE5, #E561D1, #E5B761 and #61E575

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 30 / 0 / 8

HEX #628FE5CE

RGBA 98 143 229 0.81

HSLA 219.39, 0.72%, 0.64%, 0.81

LABA 59.8, 9.9, -48.26, 0.81

 

Complementary color

CMYK 0 / 23 / 68 / 31

HEX #9D701ACE

RGBA 157 112 26 0.81

HSLA 39.39, 0.72%, 0.36%, 0.81

LABA 50.49, 10.24, 50.66, 0.81

 

CMYK 44 / 29 / 0 / 10

HEX #678FE0CE

RGBA 103 143 224 0.81

HSLA 220.17, 0.66%, 0.64%, 0.81

LABA 59.81, 9.35, -45.44, 0.81

 

CMYK 41 / 27 / 0 / 4

HEX #78A1F3CE

RGBA 120 161 243 0.81

HSLA 220, 0.84%, 0.71%, 0.81

LABA 66.48, 8.45, -45.34, 0.81

 

CMYK 37 / 24 / 0 / 0

HEX #89B3FFCE

RGBA 137 179 255 0.81

HSLA 218.64, 1%, 0.77%, 0.81

LABA 72.75, 5.69, -41.98, 0.81

 

CMYK 32 / 18 / 0 / 0

HEX #9AC5FFCE

RGBA 154 197 255 0.81

HSLA 214.46, 1%, 0.8%, 0.81

LABA 78.47, -0.01, -33.02, 0.81

 

CMYK 27 / 13 / 0 / 0

HEX #ABD7FFCE

RGBA 171 215 255 0.81

HSLA 208.57, 1%, 0.84%, 0.81

LABA 84.21, -5.09, -24.14, 0.81

 

CMYK 46 / 30 / 0 / 8

HEX #628FE5CE

RGBA 98 143 229 0.81

HSLA 219.39, 0.72%, 0.64%, 0.81

LABA 59.8, 9.9, -48.26, 0.81

 

CMYK 50 / 33 / 0 / 14

HEX #517DD2CE

RGBA 81 125 210 0.81

HSLA 219.53, 0.59%, 0.57%, 0.81

LABA 53.03, 11.14, -48.4, 0.81

 

CMYK 54 / 36 / 0 / 20

HEX #406BBFCE

RGBA 64 107 191 0.81

HSLA 219.69, 0.5%, 0.5%, 0.81

LABA 46.13, 12.66, -48.57, 0.81

 

CMYK 59 / 39 / 0 / 26

HEX #2F59ACCE

RGBA 47 89 172 0.81

HSLA 219.84, 0.57%, 0.43%, 0.81

LABA 39.12, 14.58, -48.75, 0.81

 

CMYK 65 / 43 / 0 / 32

HEX #1E4799CE

RGBA 30 71 153 0.81

HSLA 220, 0.67%, 0.36%, 0.81

LABA 31.99, 17.06, -48.9, 0.81

 

CMYK 58 / 38 / 0 / 10

HEX #618FE5

RGB 97 143 229

HSL 219.09, 0.72%, 0.64%

LAB 59.75, 9.7, -48.34

 

CMYK 58 / 53 / 0 / 10

HEX #616BE5

RGB 97 107 229

HSL 235.45, 0.72%, 0.64%

LAB 50.35, 31.48, -63.37

 

CMYK 46 / 58 / 0 / 10

HEX #7B61E5

RGB 123 97 229

HSL 251.82, 0.72%, 0.64%

LAB 50, 42.52, -63.84

 

CMYK 31 / 58 / 0 / 10

HEX #9F61E5

RGB 159 97 229

HSL 268.18, 0.72%, 0.64%

LAB 53.58, 50.51, -57.89

 

CMYK 15 / 58 / 0 / 10

HEX #C261E5

RGB 194 97 229

HSL 284.09, 0.72%, 0.64%

LAB 57.73, 58.97, -51.02

 

CMYK 58 / 38 / 0 / 10

HEX #618FE5

RGB 97 143 229

HSL 219.09, 0.72%, 0.64%

LAB 59.75, 9.7, -48.34

 

CMYK 58 / 53 / 0 / 10

HEX #616BE5

RGB 97 107 229

HSL 235.45, 0.72%, 0.64%

LAB 50.35, 31.48, -63.37

 

CMYK 58 / 58 / 0 / 10

HEX #6161E5

RGB 97 97 229

HSL 240, 0.72%, 0.64%

LAB 47.94, 37.53, -67.27

 

CMYK 58 / 38 / 0 / 10

HEX #618FE5

RGB 97 143 229

HSL 219.09, 0.72%, 0.64%

LAB 59.75, 9.7, -48.34

 

CMYK 66 / 43 / 0 / 4

HEX #528AF4

RGB 82 138 244

HSL 219.26, 0.88%, 0.64%

LAB 58.51, 15.04, -58.66

 

CMYK 58 / 38 / 0 / 10

HEX #618FE5

RGB 97 143 229

HSL 219.09, 0.72%, 0.64%

LAB 59.75, 9.7, -48.34

 

CMYK 48 / 31 / 0 / 16

HEX #7093D6

RGB 112 147 214

HSL 219.41, 0.55%, 0.64%

LAB 60.93, 5.99, -38.07

 

CMYK 37 / 24 / 0 / 22

HEX #7F98C8

RGB 127 152 200

HSL 219.45, 0.4%, 0.64%

LAB 62.62, 3.06, -27.54

 

CMYK 23 / 16 / 0 / 27

HEX #8E9CB9

RGB 142 156 185

HSL 220.47, 0.23%, 0.64%

LAB 64.19, 1.48, -16.66

 

CMYK 8 / 5 / 0 / 33

HEX #9DA1AA

RGB 157 161 170

HSL 221.54, 0.07%, 0.64%

LAB 66.18, 0.37, -5.16

 

CMYK 58 / 7 / 0 / 10

HEX #61D6E5

RGB 97 214 229

HSL 186.82, 0.72%, 0.64%

LAB 79.78, -28.65, -17.36

 

CMYK 58 / 22 / 0 / 10

HEX #61B3E5

RGB 97 179 229

HSL 202.73, 0.72%, 0.64%

LAB 69.78, -10.71, -32.63

 

CMYK 58 / 38 / 0 / 10

HEX #618FE5

RGB 97 143 229

HSL 219.09, 0.72%, 0.64%

LAB 59.75, 9.7, -48.34

 

CMYK 58 / 53 / 0 / 10

HEX #616CE5

RGB 97 108 229

HSL 235, 0.72%, 0.64%

LAB 50.6, 30.87, -62.97

 

CMYK 47 / 58 / 0 / 10

HEX #7961E5

RGB 121 97 229

HSL 250.91, 0.72%, 0.64%

LAB 49.82, 42.11, -64.13

 

CMYK 84 / 55 / 0 / 18

HEX #225ED2

RGB 34 94 210

HSL 219.55, 0.72%, 0.48%

LAB 42.76, 24.48, -65.01

 

CMYK 72 / 48 / 0 / 12

HEX #3E75E0

RGB 62 117 224

HSL 219.63, 0.72%, 0.56%

LAB 50.84, 17.98, -59.86

 

CMYK 58 / 38 / 0 / 10

HEX #618FE5

RGB 97 143 229

HSL 219.09, 0.72%, 0.64%

LAB 59.75, 9.7, -48.34

 

CMYK 43 / 29 / 0 / 8

HEX #85A8EB

RGB 133 168 235

HSL 219.41, 0.72%, 0.72%

LAB 68.74, 5.22, -37.38

 

CMYK 30 / 20 / 0 / 5

HEX #A8C1F1

RGB 168 193 241

HSL 219.45, 0.72%, 0.8%

LAB 77.77, 2.39, -26.53

 

CMYK 57 / 38 / 0 / 10

HEX #628FE5

RGB 98 143 229

HSL 219.39, 0.72%, 0.64%

LAB 59.8, 9.9, -48.26

 

CMYK 9 / 58 / 0 / 10

HEX #D161E5

RGB 209 97 229

HSL 290.91, 0.72%, 0.64%

LAB 59.67, 62.69, -47.82

 

CMYK 14 / 0 / 58 / 10

HEX #C4E561

RGB 196 229 97

HSL 75, 0.72%, 0.64%

LAB 86.32, -29.66, 59.48

 

CMYK 57 / 38 / 0 / 10

HEX #628FE5

RGB 98 143 229

HSL 219.39, 0.72%, 0.64%

LAB 59.8, 9.9, -48.26

 

CMYK 0 / 58 / 38 / 10

HEX #E5618F

RGB 229 97 143

HSL 339.09, 0.72%, 0.64%

LAB 59.15, 55.54, 0.82

 

CMYK 38 / 0 / 58 / 10

HEX #8FE561

RGB 143 229 97

HSL 99.09, 0.72%, 0.64%

LAB 83.31, -48.71, 55.24

 

CMYK 57 / 38 / 0 / 10

HEX #628FE5

RGB 98 143 229

HSL 219.39, 0.72%, 0.64%

LAB 59.8, 9.9, -48.26

 

CMYK 9 / 58 / 0 / 10

HEX #D161E5

RGB 209 97 229

HSL 290.91, 0.72%, 0.64%

LAB 59.67, 62.69, -47.82

 

CMYK 0 / 20 / 58 / 10

HEX #E5B761

RGB 229 183 97

HSL 39.09, 0.72%, 0.64%

LAB 76.91, 6.88, 49.39

 

CMYK 49 / 0 / 58 / 10

HEX #75E561

RGB 117 229 97

HSL 110.91, 0.72%, 0.64%

LAB 82.21, -56.55, 53.69

 

CMYK 57 / 38 / 0 / 10

HEX #628FE5

RGB 98 143 229

HSL 219.39, 0.72%, 0.64%

LAB 59.8, 9.9, -48.26

 

CMYK 0 / 58 / 9 / 10

HEX #E561D1

RGB 229 97 209

HSL 309.09, 0.72%, 0.64%

LAB 61.49, 64.43, -33.53

 

CMYK 0 / 20 / 58 / 10

HEX #E5B761

RGB 229 183 97

HSL 39.09, 0.72%, 0.64%

LAB 76.91, 6.88, 49.39

 

CMYK 58 / 0 / 49 / 10

HEX #61E575

RGB 97 229 117

HSL 129.09, 0.72%, 0.64%

LAB 81.76, -59.1, 43.72

 

Description

Color code: HEX #628FE5CE | qconv.com Color code: HEX #628FE5CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 143 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 143 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 30 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 30% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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