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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #628D38 it is the complementary color #9D72C7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #628D38. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #628D38 shade: #678D33, #789F46, #89B159, #9AC36C and #ABD57F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #628D38. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #628D38 shade: #628D38, #517B25, #406912, #2F5700 and #1E4500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #628D38 shade: #638E39, #7A8E39, #8E8B39, #8E7439 and #8E5D39

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #628D38 shade: #638E39, #4C8E39, #398E3D, #398E54 and #398E6B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #628D38 shade matches the following richer shades: #638E39, #639E29, #63AE19 and #62BE08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #628D38 shade: #638E39, #637E49, #636E59, #645E69 and #644E79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #628D38 shade: #8E8B39, #7A8E39, #638E39, #4D8E39 and #398E3C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #628D38 shade: #3A5321, #4E712D, #638E39, #77AC44 and #8CBE5C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #628D38 shade: #628D38, #398E75 and #8E3986

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #628D38 shade: #628D38, #39638E and #8E3963

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #628D38 shade: #628D38, #398E75, #63398E and #8E3952

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #628D38 shade: #628D38, #398E8E, #63398E and #8E3939

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 60 / 45

HEX #628D38

RGB 98 141 56

HSL 90.35, 0.43%, 0.39%

LAB 53.95, -29.68, 39.85

 

Complementary color

CMYK 21 / 43 / 0 / 22

HEX #9D72C7

RGB 157 114 199

HSL 270.35, 0.43%, 0.61%

LAB 55.41, 33.52, -38.02

 

CMYK 27 / 0 / 64 / 45

HEX #678D33

RGB 103 141 51

HSL 85.33, 0.47%, 0.38%

LAB 54.21, -28.19, 42.55

 

CMYK 25 / 0 / 56 / 38

HEX #789F46

RGB 120 159 70

HSL 86.29, 0.39%, 0.45%

LAB 60.99, -28.37, 41.56

 

CMYK 23 / 0 / 50 / 31

HEX #89B159

RGB 137 177 89

HSL 87.27, 0.36%, 0.52%

LAB 67.64, -28.45, 40.41

 

CMYK 21 / 0 / 45 / 24

HEX #9AC36C

RGB 154 195 108

HSL 88.28, 0.42%, 0.59%

LAB 74.18, -28.46, 39.23

 

CMYK 20 / 0 / 40 / 16

HEX #ABD57F

RGB 171 213 127

HSL 89.3, 0.51%, 0.67%

LAB 80.62, -28.43, 38.06

 

CMYK 30 / 0 / 60 / 45

HEX #628D38

RGB 98 141 56

HSL 90.35, 0.43%, 0.39%

LAB 53.95, -29.68, 39.85

 

CMYK 34 / 0 / 70 / 52

HEX #517B25

RGB 81 123 37

HSL 89.3, 0.54%, 0.31%

LAB 47.04, -29.46, 40.69

 

CMYK 39 / 0 / 83 / 59

HEX #406912

RGB 64 105 18

HSL 88.28, 0.71%, 0.24%

LAB 39.98, -28.98, 40.77

 

CMYK 46 / 0 / 100 / 66

HEX #2F5700

RGB 47 87 0

HSL 87.59, 1%, 0.17%

LAB 32.75, -28.16, 39.65

 

CMYK 57 / 0 / 100 / 73

HEX #1E4500

RGB 30 69 0

HSL 93.91, 1%, 0.14%

LAB 25.36, -26.4, 33.22

 

CMYK 30 / 0 / 60 / 44

HEX #638E39

RGB 99 142 57

HSL 90.35, 0.43%, 0.39%

LAB 54.34, -29.67, 39.82

 

CMYK 14 / 0 / 60 / 44

HEX #7A8E39

RGB 122 142 57

HSL 74.12, 0.43%, 0.39%

LAB 55.87, -20.33, 41.96

 

CMYK 0 / 2 / 60 / 44

HEX #8E8B39

RGB 142 139 57

HSL 57.88, 0.43%, 0.39%

LAB 56.6, -10.04, 43.22

 

CMYK 0 / 18 / 60 / 44

HEX #8E7439

RGB 142 116 57

HSL 41.65, 0.43%, 0.39%

LAB 50.14, 2.78, 35.9

 

CMYK 0 / 35 / 60 / 44

HEX #8E5D39

RGB 142 93 57

HSL 25.41, 0.43%, 0.39%

LAB 44.05, 16.12, 28.65

 

CMYK 30 / 0 / 60 / 44

HEX #638E39

RGB 99 142 57

HSL 90.35, 0.43%, 0.39%

LAB 54.34, -29.67, 39.82

 

CMYK 46 / 0 / 60 / 44

HEX #4C8E39

RGB 76 142 57

HSL 106.59, 0.43%, 0.39%

LAB 53.14, -37.85, 38.14

 

CMYK 60 / 0 / 57 / 44

HEX #398E3D

RGB 57 142 61

HSL 122.82, 0.43%, 0.39%

LAB 52.46, -42.83, 35.18

 

CMYK 60 / 0 / 41 / 44

HEX #398E54

RGB 57 142 84

HSL 139.06, 0.43%, 0.39%

LAB 52.79, -39.16, 23.44

 

CMYK 60 / 0 / 25 / 44

HEX #398E6B

RGB 57 142 107

HSL 155.29, 0.43%, 0.39%

LAB 53.25, -34.35, 11.12

 

CMYK 30 / 0 / 60 / 44

HEX #638E39

RGB 99 142 57

HSL 90.35, 0.43%, 0.39%

LAB 54.34, -29.67, 39.82

 

CMYK 37 / 0 / 74 / 38

HEX #639E29

RGB 99 158 41

HSL 90.26, 0.59%, 0.39%

LAB 59.22, -38.31, 51.83

 

CMYK 43 / 0 / 86 / 32

HEX #63AE19

RGB 99 174 25

HSL 90.2, 0.75%, 0.39%

LAB 64.16, -45.86, 61.22

 

CMYK 48 / 0 / 96 / 25

HEX #62BE08

RGB 98 190 8

HSL 90.33, 0.92%, 0.39%

LAB 69.07, -52.89, 68.09

 

CMYK 30 / 0 / 60 / 44

HEX #638E39

RGB 99 142 57

HSL 90.35, 0.43%, 0.39%

LAB 54.34, -29.67, 39.82

 

CMYK 21 / 0 / 42 / 51

HEX #637E49

RGB 99 126 73

HSL 90.57, 0.27%, 0.39%

LAB 49.56, -19.75, 25.72

 

CMYK 10 / 0 / 19 / 57

HEX #636E59

RGB 99 110 89

HSL 91.43, 0.11%, 0.39%

LAB 44.98, -8.4, 10.34

 

CMYK 5 / 10 / 0 / 59

HEX #645E69

RGB 100 94 105

HSL 272.73, 0.06%, 0.39%

LAB 40.79, 4.7, -5.39

 

CMYK 17 / 36 / 0 / 53

HEX #644E79

RGB 100 78 121

HSL 270.7, 0.22%, 0.39%

LAB 37, 18.35, -21.02

 

CMYK 0 / 2 / 60 / 44

HEX #8E8B39

RGB 142 139 57

HSL 57.88, 0.43%, 0.39%

LAB 56.6, -10.04, 43.22

 

CMYK 14 / 0 / 60 / 44

HEX #7A8E39

RGB 122 142 57

HSL 74.12, 0.43%, 0.39%

LAB 55.87, -20.33, 41.96

 

CMYK 30 / 0 / 60 / 44

HEX #638E39

RGB 99 142 57

HSL 90.35, 0.43%, 0.39%

LAB 54.34, -29.67, 39.82

 

CMYK 46 / 0 / 60 / 44

HEX #4D8E39

RGB 77 142 57

HSL 105.88, 0.43%, 0.39%

LAB 53.19, -37.53, 38.2

 

CMYK 60 / 0 / 58 / 44

HEX #398E3C

RGB 57 142 60

HSL 122.12, 0.43%, 0.39%

LAB 52.44, -42.97, 35.67

 

CMYK 30 / 0 / 60 / 67

HEX #3A5321

RGB 58 83 33

HSL 90, 0.43%, 0.23%

LAB 32.25, -19.22, 25.9

 

CMYK 31 / 0 / 60 / 56

HEX #4E712D

RGB 78 113 45

HSL 90.88, 0.43%, 0.31%

LAB 43.68, -25.04, 33.19

 

CMYK 30 / 0 / 60 / 44

HEX #638E39

RGB 99 142 57

HSL 90.35, 0.43%, 0.39%

LAB 54.34, -29.67, 39.82

 

CMYK 31 / 0 / 60 / 33

HEX #77AC44

RGB 119 172 68

HSL 90.58, 0.43%, 0.47%

LAB 64.84, -35.05, 46.89

 

CMYK 26 / 0 / 52 / 25

HEX #8CBE5C

RGB 140 190 92

HSL 90.61, 0.43%, 0.55%

LAB 71.67, -33.14, 43.86

 

CMYK 30 / 0 / 60 / 45

HEX #628D38

RGB 98 141 56

HSL 90.35, 0.43%, 0.39%

LAB 53.95, -29.68, 39.85

 

CMYK 60 / 0 / 18 / 44

HEX #398E75

RGB 57 142 117

HSL 162.35, 0.43%, 0.39%

LAB 53.49, -31.94, 5.73

 

CMYK 0 / 60 / 6 / 44

HEX #8E3986

RGB 142 57 134

HSL 305.65, 0.43%, 0.39%

LAB 38.55, 46.16, -26.21

 

CMYK 30 / 0 / 60 / 45

HEX #628D38

RGB 98 141 56

HSL 90.35, 0.43%, 0.39%

LAB 53.95, -29.68, 39.85

 

CMYK 60 / 30 / 0 / 44

HEX #39638E

RGB 57 99 142

HSL 210.35, 0.43%, 0.39%

LAB 40.81, -0.98, -28.13

 

CMYK 0 / 60 / 30 / 44

HEX #8E3963

RGB 142 57 99

HSL 330.35, 0.43%, 0.39%

LAB 37.07, 40.66, -6.64

 

CMYK 30 / 0 / 60 / 45

HEX #628D38

RGB 98 141 56

HSL 90.35, 0.43%, 0.39%

LAB 53.95, -29.68, 39.85

 

CMYK 60 / 0 / 18 / 44

HEX #398E75

RGB 57 142 117

HSL 162.35, 0.43%, 0.39%

LAB 53.49, -31.94, 5.73

 

CMYK 30 / 60 / 0 / 44

HEX #63398E

RGB 99 57 142

HSL 269.65, 0.43%, 0.39%

LAB 32.99, 36.08, -40.31

 

CMYK 0 / 60 / 42 / 44

HEX #8E3952

RGB 142 57 82

HSL 342.35, 0.43%, 0.39%

LAB 36.53, 38.52, 3.35

 

CMYK 30 / 0 / 60 / 45

HEX #628D38

RGB 98 141 56

HSL 90.35, 0.43%, 0.39%

LAB 53.95, -29.68, 39.85

 

CMYK 60 / 0 / 0 / 44

HEX #398E8E

RGB 57 142 142

HSL 180, 0.43%, 0.39%

LAB 54.21, -25.14, -7.66

 

CMYK 30 / 60 / 0 / 44

HEX #63398E

RGB 99 57 142

HSL 269.65, 0.43%, 0.39%

LAB 32.99, 36.08, -40.31

 

CMYK 0 / 60 / 60 / 44

HEX #8E3939

RGB 142 57 57

HSL 0, 0.43%, 0.39%

LAB 35.93, 36.11, 18.4

 

Description

Color code: HEX #628D38 | qconv.com Color code: HEX #628D38 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 141 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 141 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 60 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 60% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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