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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #628D37 it is the complementary color #9D72C8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #628D37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #628D37 shade: #678D32, #789F45, #89B158, #9AC36B and #ABD57E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #628D37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #628D37 shade: #628D37, #517B24, #406911, #2F5700 and #1E4500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #628D37 shade: #618C36, #788C36, #8C8836, #8C7136 and #8C5A36

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #628D37 shade: #618C36, #4A8C36, #368C3A, #368C51 and #368C68

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #628D37 shade matches the following richer shades: #618C36, #619B27, #61AB17 and #61BB07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #628D37 shade: #618C36, #617C46, #616C56, #615D65 and #614D75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #628D37 shade: #8C8936, #788C36, #618C36, #4A8C36 and #368C39

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #628D37 shade: #38501F, #4C6E2B, #618C36, #76A942 and #8ABE57

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #628D37 shade: #628D37, #368C72 and #8C3683

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #628D37 shade: #628D37, #36618C and #8C3661

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #628D37 shade: #628D37, #368C72, #61368C and #8C3650

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #628D37 shade: #628D37, #368C8C, #61368C and #8C3636

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 61 / 45

HEX #628D37

RGB 98 141 55

HSL 90, 0.44%, 0.38%

LAB 53.94, -29.78, 40.31

 

Complementary color

CMYK 22 / 43 / 0 / 22

HEX #9D72C8

RGB 157 114 200

HSL 270, 0.44%, 0.62%

LAB 55.45, 33.75, -38.51

 

CMYK 27 / 0 / 65 / 45

HEX #678D32

RGB 103 141 50

HSL 85.05, 0.48%, 0.37%

LAB 54.2, -28.28, 43

 

CMYK 25 / 0 / 57 / 38

HEX #789F45

RGB 120 159 69

HSL 86, 0.39%, 0.45%

LAB 60.97, -28.47, 42.03

 

CMYK 23 / 0 / 50 / 31

HEX #89B158

RGB 137 177 88

HSL 86.97, 0.36%, 0.52%

LAB 67.63, -28.56, 40.89

 

CMYK 21 / 0 / 45 / 24

HEX #9AC36B

RGB 154 195 107

HSL 87.95, 0.42%, 0.59%

LAB 74.17, -28.58, 39.71

 

CMYK 20 / 0 / 41 / 16

HEX #ABD57E

RGB 171 213 126

HSL 88.97, 0.51%, 0.66%

LAB 80.6, -28.56, 38.55

 

CMYK 30 / 0 / 61 / 45

HEX #628D37

RGB 98 141 55

HSL 90, 0.44%, 0.38%

LAB 53.94, -29.78, 40.31

 

CMYK 34 / 0 / 71 / 52

HEX #517B24

RGB 81 123 36

HSL 88.97, 0.55%, 0.31%

LAB 47.03, -29.55, 41.11

 

CMYK 39 / 0 / 84 / 59

HEX #406911

RGB 64 105 17

HSL 87.95, 0.72%, 0.24%

LAB 39.97, -29.04, 41.09

 

CMYK 46 / 0 / 100 / 66

HEX #2F5700

RGB 47 87 0

HSL 87.59, 1%, 0.17%

LAB 32.75, -28.16, 39.65

 

CMYK 57 / 0 / 100 / 73

HEX #1E4500

RGB 30 69 0

HSL 93.91, 1%, 0.14%

LAB 25.36, -26.4, 33.22

 

CMYK 31 / 0 / 61 / 45

HEX #618C36

RGB 97 140 54

HSL 90, 0.44%, 0.38%

LAB 53.56, -29.79, 40.34

 

CMYK 14 / 0 / 61 / 45

HEX #788C36

RGB 120 140 54

HSL 73.95, 0.44%, 0.38%

LAB 55.09, -20.41, 42.47

 

CMYK 0 / 3 / 61 / 45

HEX #8C8836

RGB 140 136 54

HSL 57.21, 0.44%, 0.38%

LAB 55.53, -9.53, 43.41

 

CMYK 0 / 19 / 61 / 45

HEX #8C7136

RGB 140 113 54

HSL 41.16, 0.44%, 0.38%

LAB 49.07, 3.35, 36.17

 

CMYK 0 / 36 / 61 / 45

HEX #8C5A36

RGB 140 90 54

HSL 25.12, 0.44%, 0.38%

LAB 42.99, 16.74, 29.01

 

CMYK 31 / 0 / 61 / 45

HEX #618C36

RGB 97 140 54

HSL 90, 0.44%, 0.38%

LAB 53.56, -29.79, 40.34

 

CMYK 47 / 0 / 61 / 45

HEX #4A8C36

RGB 74 140 54

HSL 106.05, 0.44%, 0.38%

LAB 52.37, -37.97, 38.67

 

CMYK 61 / 0 / 59 / 45

HEX #368C3A

RGB 54 140 58

HSL 122.79, 0.44%, 0.38%

LAB 51.66, -43.19, 35.71

 

CMYK 61 / 0 / 42 / 45

HEX #368C51

RGB 54 140 81

HSL 138.84, 0.44%, 0.38%

LAB 51.99, -39.57, 24.02

 

CMYK 61 / 0 / 26 / 45

HEX #368C68

RGB 54 140 104

HSL 154.88, 0.44%, 0.38%

LAB 52.44, -34.79, 11.69

 

CMYK 31 / 0 / 61 / 45

HEX #618C36

RGB 97 140 54

HSL 90, 0.44%, 0.38%

LAB 53.56, -29.79, 40.34

 

CMYK 37 / 0 / 75 / 39

HEX #619B27

RGB 97 155 39

HSL 90, 0.6%, 0.38%

LAB 58.16, -37.85, 51.48

 

CMYK 43 / 0 / 87 / 33

HEX #61AB17

RGB 97 171 23

HSL 90, 0.76%, 0.38%

LAB 63.12, -45.39, 60.73

 

CMYK 48 / 0 / 96 / 27

HEX #61BB07

RGB 97 187 7

HSL 90, 0.93%, 0.38%

LAB 68.09, -52.07, 67.4

 

CMYK 31 / 0 / 61 / 45

HEX #618C36

RGB 97 140 54

HSL 90, 0.44%, 0.38%

LAB 53.56, -29.79, 40.34

 

CMYK 22 / 0 / 44 / 51

HEX #617C46

RGB 97 124 70

HSL 90, 0.28%, 0.38%

LAB 48.76, -19.92, 26.33

 

CMYK 10 / 0 / 20 / 58

HEX #616C56

RGB 97 108 86

HSL 90, 0.11%, 0.38%

LAB 44.14, -8.61, 10.94

 

CMYK 4 / 8 / 0 / 60

HEX #615D65

RGB 97 93 101

HSL 270, 0.04%, 0.38%

LAB 40.1, 3.28, -4

 

CMYK 17 / 34 / 0 / 54

HEX #614D75

RGB 97 77 117

HSL 270, 0.21%, 0.38%

LAB 36.24, 16.96, -19.74

 

CMYK 0 / 2 / 61 / 45

HEX #8C8936

RGB 140 137 54

HSL 57.91, 0.44%, 0.38%

LAB 55.82, -10.07, 43.73

 

CMYK 14 / 0 / 61 / 45

HEX #788C36

RGB 120 140 54

HSL 73.95, 0.44%, 0.38%

LAB 55.09, -20.41, 42.47

 

CMYK 31 / 0 / 61 / 45

HEX #618C36

RGB 97 140 54

HSL 90, 0.44%, 0.38%

LAB 53.56, -29.79, 40.34

 

CMYK 47 / 0 / 61 / 45

HEX #4A8C36

RGB 74 140 54

HSL 106.05, 0.44%, 0.38%

LAB 52.37, -37.97, 38.67

 

CMYK 61 / 0 / 59 / 45

HEX #368C39

RGB 54 140 57

HSL 122.09, 0.44%, 0.38%

LAB 51.65, -43.32, 36.19

 

CMYK 30 / 0 / 61 / 69

HEX #38501F

RGB 56 80 31

HSL 89.39, 0.44%, 0.22%

LAB 31.06, -18.71, 25.57

 

CMYK 31 / 0 / 61 / 57

HEX #4C6E2B

RGB 76 110 43

HSL 90.45, 0.44%, 0.3%

LAB 42.56, -24.56, 32.88

 

CMYK 31 / 0 / 61 / 45

HEX #618C36

RGB 97 140 54

HSL 90, 0.44%, 0.38%

LAB 53.56, -29.79, 40.34

 

CMYK 30 / 0 / 61 / 34

HEX #76A942

RGB 118 169 66

HSL 89.71, 0.44%, 0.46%

LAB 63.85, -34.24, 46.67

 

CMYK 27 / 0 / 54 / 25

HEX #8ABE57

RGB 138 190 87

HSL 90.29, 0.44%, 0.54%

LAB 71.5, -34.41, 46.01

 

CMYK 30 / 0 / 61 / 45

HEX #628D37

RGB 98 141 55

HSL 90, 0.44%, 0.38%

LAB 53.94, -29.78, 40.31

 

CMYK 61 / 0 / 19 / 45

HEX #368C72

RGB 54 140 114

HSL 161.86, 0.44%, 0.38%

LAB 52.68, -32.38, 6.28

 

CMYK 0 / 61 / 6 / 45

HEX #8C3683

RGB 140 54 131

HSL 306.28, 0.44%, 0.38%

LAB 37.58, 46.47, -25.9

 

CMYK 30 / 0 / 61 / 45

HEX #628D37

RGB 98 141 55

HSL 90, 0.44%, 0.38%

LAB 53.94, -29.78, 40.31

 

CMYK 61 / 31 / 0 / 45

HEX #36618C

RGB 54 97 140

HSL 210, 0.44%, 0.38%

LAB 39.96, -1.07, -28.27

 

CMYK 0 / 61 / 31 / 45

HEX #8C3661

RGB 140 54 97

HSL 330, 0.44%, 0.38%

LAB 36.13, 41.18, -6.82

 

CMYK 30 / 0 / 61 / 45

HEX #628D37

RGB 98 141 55

HSL 90, 0.44%, 0.38%

LAB 53.94, -29.78, 40.31

 

CMYK 61 / 0 / 19 / 45

HEX #368C72

RGB 54 140 114

HSL 161.86, 0.44%, 0.38%

LAB 52.68, -32.38, 6.28

 

CMYK 31 / 61 / 0 / 45

HEX #61368C

RGB 97 54 140

HSL 270, 0.44%, 0.38%

LAB 31.97, 36.75, -40.72

 

CMYK 0 / 61 / 43 / 45

HEX #8C3650

RGB 140 54 80

HSL 341.86, 0.44%, 0.38%

LAB 35.58, 39.07, 3.22

 

CMYK 30 / 0 / 61 / 45

HEX #628D37

RGB 98 141 55

HSL 90, 0.44%, 0.38%

LAB 53.94, -29.78, 40.31

 

CMYK 61 / 0 / 0 / 45

HEX #368C8C

RGB 54 140 140

HSL 180, 0.44%, 0.38%

LAB 53.42, -25.28, -7.68

 

CMYK 31 / 61 / 0 / 45

HEX #61368C

RGB 97 54 140

HSL 270, 0.44%, 0.38%

LAB 31.97, 36.75, -40.72

 

CMYK 0 / 61 / 61 / 45

HEX #8C3636

RGB 140 54 54

HSL 0, 0.44%, 0.38%

LAB 34.96, 36.62, 18.97

 

Description

Color code: HEX #628D37 | qconv.com Color code: HEX #628D37 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 141 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 141 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 61 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 61% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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