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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #628436 it is the complementary color #9D7BC9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #628436. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #628436 shade: #678431, #789644, #89A857, #9ABA6A and #ABCC7D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #628436. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #628436 shade: #628436, #517223, #406010, #2F4E00 and #1E3C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #628436 shade: #618235, #768235, #827A35, #826635 and #825135

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #628436 shade: #618235, #4C8235, #378235, #358248 and #35825D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #628436 shade matches the following richer shades: #618235, #639126, #65A018 and #66AF09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #628436 shade: #618235, #5F7444, #5D6553, #5B5662 and #594771

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #628436 shade: #827B35, #768235, #618235, #4C8235 and #388235

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #628436 shade: #35481D, #4B6529, #618235, #76A041 and #8CB852

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #628436 shade: #628436, #358266 and #823580

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #628436 shade: #628436, #356182 and #823561

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #628436 shade: #628436, #358266, #573582 and #823552

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #628436 shade: #628436, #35827D, #573582 and #82353A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 59 / 48

HEX #628436

RGB 98 132 54

HSL 86.15, 0.42%, 0.36%

LAB 51.11, -25.51, 37.58

 

Complementary color

CMYK 22 / 39 / 0 / 21

HEX #9D7BC9

RGB 157 123 201

HSL 266.15, 0.42%, 0.64%

LAB 57.61, 28.85, -35.71

 

CMYK 22 / 0 / 63 / 48

HEX #678431

RGB 103 132 49

HSL 80.96, 0.46%, 0.35%

LAB 51.39, -23.93, 40.37

 

CMYK 20 / 0 / 55 / 41

HEX #789644

RGB 120 150 68

HSL 81.95, 0.38%, 0.43%

LAB 58.25, -24.16, 39.33

 

CMYK 18 / 0 / 48 / 34

HEX #89A857

RGB 137 168 87

HSL 82.96, 0.32%, 0.5%

LAB 64.97, -24.28, 38.16

 

CMYK 17 / 0 / 43 / 27

HEX #9ABA6A

RGB 154 186 106

HSL 84, 0.37%, 0.57%

LAB 71.57, -24.33, 36.97

 

CMYK 16 / 0 / 39 / 20

HEX #ABCC7D

RGB 171 204 125

HSL 85.06, 0.44%, 0.65%

LAB 78.07, -24.35, 35.8

 

CMYK 26 / 0 / 59 / 48

HEX #628436

RGB 98 132 54

HSL 86.15, 0.42%, 0.36%

LAB 51.11, -25.51, 37.58

 

CMYK 29 / 0 / 69 / 55

HEX #517223

RGB 81 114 35

HSL 85.06, 0.53%, 0.29%

LAB 44.1, -25.27, 38.47

 

CMYK 33 / 0 / 83 / 62

HEX #406010

RGB 64 96 16

HSL 84, 0.71%, 0.22%

LAB 36.92, -24.77, 38.59

 

CMYK 40 / 0 / 100 / 69

HEX #2F4E00

RGB 47 78 0

HSL 83.85, 1%, 0.15%

LAB 29.55, -23.91, 37.17

 

CMYK 50 / 0 / 100 / 76

HEX #1E3C00

RGB 30 60 0

HSL 90, 1%, 0.12%

LAB 21.97, -22.24, 29.82

 

CMYK 25 / 0 / 59 / 49

HEX #618235

RGB 97 130 53

HSL 85.71, 0.42%, 0.36%

LAB 50.41, -25.02, 37.24

 

CMYK 9 / 0 / 59 / 49

HEX #768235

RGB 118 130 53

HSL 69.35, 0.42%, 0.36%

LAB 51.92, -16.13, 39.36

 

CMYK 0 / 6 / 59 / 49

HEX #827A35

RGB 130 122 53

HSL 53.77, 0.42%, 0.36%

LAB 50.6, -6.4, 38.15

 

CMYK 0 / 22 / 59 / 49

HEX #826635

RGB 130 102 53

HSL 38.18, 0.42%, 0.36%

LAB 44.95, 5.06, 31.61

 

CMYK 0 / 38 / 59 / 49

HEX #825135

RGB 130 81 53

HSL 21.82, 0.42%, 0.36%

LAB 39.39, 17.47, 24.87

 

CMYK 25 / 0 / 59 / 49

HEX #618235

RGB 97 130 53

HSL 85.71, 0.42%, 0.36%

LAB 50.41, -25.02, 37.24

 

CMYK 42 / 0 / 59 / 49

HEX #4C8235

RGB 76 130 53

HSL 102.08, 0.42%, 0.36%

LAB 49.2, -32.99, 35.54

 

CMYK 58 / 0 / 59 / 49

HEX #378235

RGB 55 130 53

HSL 118.44, 0.42%, 0.36%

LAB 48.3, -39.56, 34.26

 

CMYK 59 / 0 / 45 / 49

HEX #358248

RGB 53 130 72

HSL 134.81, 0.42%, 0.36%

LAB 48.5, -37.18, 24.44

 

CMYK 59 / 0 / 28 / 49

HEX #35825D

RGB 53 130 93

HSL 151.17, 0.42%, 0.36%

LAB 48.9, -32.97, 13.08

 

CMYK 25 / 0 / 59 / 49

HEX #618235

RGB 97 130 53

HSL 85.71, 0.42%, 0.36%

LAB 50.41, -25.02, 37.24

 

CMYK 32 / 0 / 74 / 43

HEX #639126

RGB 99 145 38

HSL 85.79, 0.58%, 0.36%

LAB 55.12, -32.66, 48.87

 

CMYK 37 / 0 / 85 / 37

HEX #65A018

RGB 101 160 24

HSL 86.03, 0.74%, 0.36%

LAB 59.87, -39.33, 57.73

 

CMYK 42 / 0 / 95 / 31

HEX #66AF09

RGB 102 175 9

HSL 86.39, 0.9%, 0.36%

LAB 64.57, -45.68, 64.42

 

CMYK 25 / 0 / 59 / 49

HEX #618235

RGB 97 130 53

HSL 85.71, 0.42%, 0.36%

LAB 50.41, -25.02, 37.24

 

CMYK 18 / 0 / 41 / 55

HEX #5F7444

RGB 95 116 68

HSL 86.25, 0.26%, 0.36%

LAB 46.1, -16.77, 24.01

 

CMYK 8 / 0 / 18 / 60

HEX #5D6553

RGB 93 101 83

HSL 86.67, 0.1%, 0.36%

LAB 41.62, -6.74, 9.17

 

CMYK 7 / 12 / 0 / 62

HEX #5B5662

RGB 91 86 98

HSL 265, 0.07%, 0.36%

LAB 37.41, 4.61, -6.19

 

CMYK 21 / 37 / 0 / 56

HEX #594771

RGB 89 71 113

HSL 265.71, 0.23%, 0.36%

LAB 33.61, 17, -21.39

 

CMYK 0 / 5 / 59 / 49

HEX #827B35

RGB 130 123 53

HSL 54.55, 0.42%, 0.36%

LAB 50.88, -6.96, 38.47

 

CMYK 9 / 0 / 59 / 49

HEX #768235

RGB 118 130 53

HSL 69.35, 0.42%, 0.36%

LAB 51.92, -16.13, 39.36

 

CMYK 25 / 0 / 59 / 49

HEX #618235

RGB 97 130 53

HSL 85.71, 0.42%, 0.36%

LAB 50.41, -25.02, 37.24

 

CMYK 42 / 0 / 59 / 49

HEX #4C8235

RGB 76 130 53

HSL 102.08, 0.42%, 0.36%

LAB 49.2, -32.99, 35.54

 

CMYK 57 / 0 / 59 / 49

HEX #388235

RGB 56 130 53

HSL 117.66, 0.42%, 0.36%

LAB 48.34, -39.28, 34.31

 

CMYK 26 / 0 / 60 / 72

HEX #35481D

RGB 53 72 29

HSL 86.51, 0.43%, 0.2%

LAB 28.06, -15.9, 23.12

 

CMYK 26 / 0 / 59 / 60

HEX #4B6529

RGB 75 101 41

HSL 86, 0.42%, 0.28%

LAB 39.52, -20.59, 30.39

 

CMYK 25 / 0 / 59 / 49

HEX #618235

RGB 97 130 53

HSL 85.71, 0.42%, 0.36%

LAB 50.41, -25.02, 37.24

 

CMYK 26 / 0 / 59 / 37

HEX #76A041

RGB 118 160 65

HSL 86.53, 0.42%, 0.44%

LAB 61.11, -30.12, 44.04

 

CMYK 24 / 0 / 55 / 28

HEX #8CB852

RGB 140 184 82

HSL 85.88, 0.42%, 0.52%

LAB 69.8, -31.38, 46.41

 

CMYK 26 / 0 / 59 / 48

HEX #628436

RGB 98 132 54

HSL 86.15, 0.42%, 0.36%

LAB 51.11, -25.51, 37.58

 

CMYK 59 / 0 / 22 / 49

HEX #358266

RGB 53 130 102

HSL 158.18, 0.42%, 0.36%

LAB 49.11, -30.86, 8.14

 

CMYK 0 / 59 / 2 / 49

HEX #823580

RGB 130 53 128

HSL 301.56, 0.42%, 0.36%

LAB 35.69, 43.57, -27.1

 

CMYK 26 / 0 / 59 / 48

HEX #628436

RGB 98 132 54

HSL 86.15, 0.42%, 0.36%

LAB 51.11, -25.51, 37.58

 

CMYK 59 / 25 / 0 / 49

HEX #356182

RGB 53 97 130

HSL 205.71, 0.42%, 0.36%

LAB 39.44, -4.74, -23.02

 

CMYK 0 / 59 / 25 / 49

HEX #823561

RGB 130 53 97

HSL 325.71, 0.42%, 0.36%

LAB 34.3, 38.37, -9.73

 

CMYK 26 / 0 / 59 / 48

HEX #628436

RGB 98 132 54

HSL 86.15, 0.42%, 0.36%

LAB 51.11, -25.51, 37.58

 

CMYK 59 / 0 / 22 / 49

HEX #358266

RGB 53 130 102

HSL 158.18, 0.42%, 0.36%

LAB 49.11, -30.86, 8.14

 

CMYK 33 / 59 / 0 / 49

HEX #573582

RGB 87 53 130

HSL 266.49, 0.42%, 0.36%

LAB 29.87, 32.12, -37.96

 

CMYK 0 / 59 / 37 / 49

HEX #823552

RGB 130 53 82

HSL 337.4, 0.42%, 0.36%

LAB 33.78, 36.29, -0.9

 

CMYK 26 / 0 / 59 / 48

HEX #628436

RGB 98 132 54

HSL 86.15, 0.42%, 0.36%

LAB 51.11, -25.51, 37.58

 

CMYK 59 / 0 / 4 / 49

HEX #35827D

RGB 53 130 125

HSL 176.1, 0.42%, 0.36%

LAB 49.74, -24.75, -4.41

 

CMYK 33 / 59 / 0 / 49

HEX #573582

RGB 87 53 130

HSL 266.49, 0.42%, 0.36%

LAB 29.87, 32.12, -37.96

 

CMYK 0 / 59 / 55 / 49

HEX #82353A

RGB 130 53 58

HSL 356.1, 0.42%, 0.36%

LAB 33.13, 33.67, 13.68

 

Description

Color code: HEX #628436 | qconv.com Color code: HEX #628436 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 132 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 132 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 59 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 59% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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